The perils of wartime add special urgency to latest mysteries being investigated by Nuala Anne McGrail and her adoring husband, Dermot Coyne. More than a little fey, Nuala has a well-deserved reputation for getting to the bottom of even the most tangled intrigues, even when they may be taking place on the other side of the world.
Desmond Doolin, an idealistic young man from their West Side Chicago neighborhood, has gone missing in Iraq. Having flown off to the Middle East in the name of peace, he hasn't been heard of since. The U.S. government denies any knowledge of his whereabouts, and his grieving family has all but written him off as dead, but Nuala is convinced that there's more to the story . . . and herself won't stop asking questions until she finds out what has really become of Desmond, one way or another.
Meanwhile, a parallel investigation uncovers the story of another young man abroad in dangerous times. Poking around in the past, Dermot and Nuala happen upon the memoirs of Timothy Patrick Clarke, the Irish ambassador to Nazi Germany, who risked his life for the sake of a beautiful German widow . . . and a secret plot to kill Adolf Hitler.
Working together as always, Nuala and her husband find themselves engrossed in the secrets of the past, the present, and two very different wars.
Irish Linen is another captivating installment in a series that Publishers Weekly calls "immensely entertaining."
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Release date:
September 15, 2003
Publisher:
Tom Doherty Associates
Print pages:
352
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1
AFTER A certain number of books, even folly-driven mass horror becomes boring. All right, I had to read them for my wife's current case, a search for a nice young man from our neighborhood who had disappeared in the Middle East, maybe in Iraq. There was, I thought, not a chance in the world of Nuala solving this one without one or the other of us flying to Kuwait or Dubai or some such place. That we would not do. Since she would have to stay home to take care of the kids, I would have to fly to Kuwait and she wouldn't let me do that.
I pushed aside the stack of books about the world from 1914 to 1945 and began a dialogue with my six-month-old son Poraig Josefa (Patrick Joseph) Coyne aka "Patjo."
"We have a lot in common, young man," I informed him. "We are both large, good-looking, gentle blonds who are also lazy, mostly undependable sensualists. One might even use the adjective 'useless.' We make our way through life not by hard work but because we have a happy smile, an appealing laugh, and lots of barely resistible Irish charm. We both have breast fixations, indeed about the same pair of lovely breasts, if for somewhat different but related reasons."
He smiled enthusiastically.
"You must never tell your mother I told you these truths, because she becomes furious when people assert them aboutme and she'll go ballistic if she should learn that I'm saying that about you."
He laughed.
"Herself, mind you, is a brilliant woman altogether, to use the Irish superlative and, if you don't mind my using male talk, a wonderful lay. She has a friggin' ton of talents and she feels obligated to be perfect at all of them--singer, accountant, actress, detective, wife, mother, lover. She's the alpha person in this house and the sooner you learn it the better off we'll all be. You four young 'uns, the two wolfhounds, the nanny, and the housekeeper work for her. As does your poor father. The only reason you're here is that she had to prove she could have a normal, easy pregnancy. The red-haired woman in the house, your big sister Nelliecoyne, required a lot of effort to bring into the world, your big brother Micky plunged her into a terrible fit of PPD as they call it these days. Then the little imp who presides over you like she's your mother showed up awfully early and barely made it. Your mom thinks these events were somehow or the other her fault. Well, she knows better, but deep down in her bronze-age Irish soul, she's still convinced she did something wrong. We conceived you in a memorable night of orgy so that she'd finally get it right and we'd also have a neatly balanced family, two boys and two girls, which appeals to her accountant's love of order. I shouldn't mention it to you but I will. She knew your gender and that it would be an untroubled pregnancy at least a month before your conception. I don't know how she does that and I don't want to know."
He frowned. Hungry again. I offered him one of the bottles of milk that I had stockpiled for him. As his mother would have said, he destroyed it altogether and discarded the bottle like a fifteen-year-old male would discard a beer can. He then closed his eyes like he was thinking seriously about sleep.
I glanced out the window and considered Sheffield Avenue, which on this mild, wet, and dark April morning looked like a set for a horror film. Everything--trees, lawns, homes, the church and school--was dank and barren, foghovered just above the church steeple, it seemed, and drizzle was touching the ground with its faint hint of corruption. I imagined I could even smell corruption, the corruption of an old graveyard.
"Don't misunderstand me, young man, your mother is an astonishing woman. My lust for her varies from intense most of the time, to mild and that only after she's exhausted me in bed. If your man Freud is right, you feel the same way about her. Well, she's mine, do you hear!"
In fact, he didn't hear because he was sleeping soundly.
"With any luck, your mother and Socra Marie will return soon from her weekly voice lesson with Madame down at the Fine Arts Building. The little terrorist needs an afternoon nap to replenish her energies. The two of you would thus be asleep and your mother and I would have the house to ourselves until the older kids return from St. Josephat's school across Sheffield Avenue. I could take advantage of that situation to fuck her right and proper as they say in her native land ... and as she herself has said on occasion."
These salacious words did not upset the woman's son in the slightest. So I began to sing the Connemara lullaby,
On the wings of the wind, o'er the dark, rolling deep Angels are coming to watch o'er your sleep Angels are coming to watch over you So list to the wind coming over the sea