A hot new Amos Walker mystery by Loren D. Estleman, the master of the hard-boiled detective novel.
Amos Walker is hired by Helen and Dante Gunner, a bohemian Ann Arbor couple, to find Jerry Marcus, a film director who has disappeared with their investment money. It's one of Walker's easiest jobs to date. In just a few short hours, Walker locates Marcus in his bedroom...murdered, his body shoved into a cupboard, a bullet through his head.
This case is opened and shut quickly, but Walker can't quite let it go. When Dante is arrested for the murder Walker finds himself again in Helen's employ, this time trying to prove that Dante didn't do it.
When Walker interviews Holly Zacharias, a college student who was the last person to see Marcus alive, things get interesting. Because if Marcus is dead, and Dante is his killer, then who is driving by in the Crown Vic, shooting at Walker and Holly?
Jerry Marcus just might still be alive, and his plans may be worse than anything Walker can imagine.
Release date:
November 10, 2015
Publisher:
Tom Doherty Associates
Print pages:
240
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Roll the clock back a dozen years, maybe more; Michael Jackson was still alive, Iris, too. I could walk all day without limping. Tweet was bird talk, the chain bookstore was the greatest threat to civilization since ragtime music, and the only time you saw a black president was in a sci-fi film. Going back is always a crapshoot.
* * *
Downtown Ann Arbor was draining into Zingerman’s Deli at 11:00 A.M. A chirpy Bohemian girl with her cranberry-colored hair wrapped in a bandanna snood fashion worked her way down the hungry line, taking orders and offering cubes of cheese and curls of lunchmeat impaled on toothpicks, and feet ground away at the black-and-white tiles in dirty sneakers, glossy Florsheims, cork sandals, and nothing at all. In the town that invented the five-dollar fine for possession of marijuana, “no shirt, no shoes, no service” was just a quaint suggestion. In those days you could even smoke tobacco if you didn’t mind being glared at.
I’m used to it. I paid for my order and took my receipt outside, to a picnic table to light a cigarette and wait. It was a bright warm day and there were plenty of halter tops and navel piercings to admire.
In a little while an employee carrying a tray with a side of pork pressed between thick slabs of sourdough asked me politely to put out the butt. I did that. My clients had arrived, anyway. I got up to meet them.
They fit the description I’d gotten over the telephone, the woman straight-haired and graying, no makeup, wearing a dress of some unbleached material that hung from straps on her shoulders like a sandwich board, the man trailing a couple of steps behind in corduroys and a soft shirt with the collar spread, gray at the temples, with the pinched expression of an actor in an aspirin commercial. They wore identical glasses with no rims.
The indigenous local species: Homo Arboritis.
“Amos Walker? My goodness, you look like a detective. I’m Heloise Gunnar. This is Dante.”
No other identification, i.e. Dante, my husband. It was no business of mine.
Her grip was firm, the hand corded with muscle. His hand fluttered in mine and was gone. I let the detective crack go and we sat facing each other on opposite benches.
“What do you think of Zingerman’s?” Heloise Gunnar said. “We thought as long as you were coming out from the city, you might as well sample a native institution. It’s always being written up in travel magazines.”
“I thought maybe you picked it because it’s on Detroit Street. Make me feel at home.” The place looked as far away from the Motor City as Morocco. You only saw open-air crowds like that in the Farmers Market, where there’s strength in numbers.
“Is it? We’re hardly aware of street names anymore. Dante was born right here in town, and I came out after I graduated Berkeley.”
“That would be in the sixties?”
The skin whitened a shade around her nostrils. She had some vanity after all under the patchouli. “Seventy-four. I majored in English Lit. I don’t get to use as much of it as you’d think managing a bookstore.”
After football and stoplights, Ann Arbor majors in bookstores. Managing one is no more a topic of dinner conversation there than pouring steel in Gary.
“What do you do, Mr.—?” I asked. So far he hadn’t said a word.
“Gunnar.” He lifted his brows. “Didn’t you hear my wife?”
So they were married; or as good as. I said something about not every wife taking her husband’s surname.
“I work for the U of M.” He made it sound as if there was no alternative other than shelving books. “Information Services.”
That meant exactly nothing to me. I’d only asked out of politeness. It was that stage of the relationship.
Our meals came, borne by a left tackle with a block M tattooed on one forearm. I had rare roast beef and cheddar on an onion roll, Heloise Gunnar portabello mushrooms on whole wheat, Dante something that looked like sphagnum moss between coarse slices of unleavened bread. His eyes followed my red meat like a dog’s. There’s no reason for all this detail other than I’ve made a habit of it. You can tell a lot about a client from what he eats, and even more from what he doesn’t.
We made dents in the bill of fare and washed everything down with our drinks of choice. I had black coffee, the Gunnars mineral water with no fizz. I wondered if they flew this close to type when they weren’t in public.
“You were recommended to us by Dr. Albierti.” Heloise dabbed at the corners of her wide unpainted mouth with a brown paper napkin. “He’s a professor emeritus with thirty years in Romance Languages. You freed his daughter from a cult.”
“She joined the Young Republicans,” I said. “I found her living in Saline with a professional lobbyist. I told her to call home; that was the job. Did she?”
“Yes. He sent her money. She’s married to a yoga instructor here in town. So we know you get results. Missing persons, that’s your specialty, right?”
The roast beef was fidgeting uneasily in my stomach. I’d begun to suspect a practical joke. It had Barry Stackpole all over it. If she said she was Wiccan I was going to pull the plug on the interview.
“Who’s missing?”
“Jerry Marcus.” A bit of moss clung to Dante’s lower lip. He flinched when Heloise reached out and swept it away with her napkin.
“Jerry Marcus,” she said, as if he hadn’t spoken. “He’s an auteur. Do you know the term?”
“It’s a film director who reads subtitles. Does anyone in your circle operate a forklift?”
“I don’t know what that is. Jerry’s an independent. One of the new breed: digital. He does most of it on a computer. We met him at a party in the Michigan Union, where he was raising money for his first commercial project. Do you know much about science fiction, Mr. Walker?”
“I get a lot of it from clients. But you tell it, Mrs. Gunnar. You’re covering the meal.”
“Dante and I prefer Ms. I almost didn’t take his name, you were right about that. It was never a legal requirement. But when you’re born Gilhooley, you make certain concessions. Jerry’s script, which he wrote himself, is about aliens from a planet run by a totalitarian regime come to earth to clone both front-runners for the office of President of the United States. He’s filming every last foot here in town and in the suburbs. He brought along a disc of what he’d shot and showed it to us on his laptop. He’s made a very effective use of the smash cut. Do you know what that is?”
I said I didn’t; I had to throw her one. She got animated then; up to that point she’d been Wednesday Addams.
“A smash cut is a quick camera transition to a new scene, punctuated by a sudden loud noise, designed to shock the audience. You know, like when a quiet scene is pierced by a phone ringing shrilly. The sound effect belongs to the next scene, but you hear it while the first is still on screen. It wakes people up.”
“Maybe if the quiet scene was cut, they wouldn’t fall asleep. How much did you invest?”
“How did you—? Oh, yes, I suppose it’s obvious. Fifteen thousand; fifty percent of the budget, with millions to be made if the film opens. Opens, that’s what they say when it’s a success right off the bat. These days, if it isn’t, it’s as if it was never released in the first place. The Blair Witch Project, that opened and how. It was shot on a shoestring and outstripped everything the studios pumped millions into that year, including Fight Club,starring Brad Pitt. We made the check out on the spot and signed a contract that required him to provide an accounting in six months. That was nine months ago.”
“He took a powder.”
She glanced down at the front of her dress, looking for powder. “Disappeared,” I said. “You should watch a movie sometime without a little green man in it. Did you try to get in touch with him?”
She glared at me through her glasses. The lenses were thick; it was like looking at two angry planets through an electron telescope. She hadn’t liked that last crack.
“If we hadn’t, would we be meeting with you?”
“I can probably find him, if he isn’t in a landfill. I can almost guarantee that when I do it won’t include the fifteen grand. Not all of it anyway.”
“Any portion would be welcome. At the very least, if he’s absconded with our money, we’ll have the satisfaction of seeing him prosecuted. Do you carry a firearm, Mr. Walker?”
“The governor says I can. Do you think it’s that kind of a job?”
“Definitely not. Dante and I are major contributors to the gun control lobby in Washington. You must promise us that your gun will remain locked up at home, or wherever you keep it, throughout the investigation. We can’t have someone’s death on our conscience.”
“No dice. Call Greenpeace.”
“In that case, this interview is over. What do we owe you for the consultation?” She jerked open a handbag made of burlap fastened with a drawstring.
“Damn it, Hel!”
She jumped. I almost did. I’d had Dante down for some throat operation that prevented him from raising his voice above a murmur. He’d taken another nervous bite of his sandwich, and the spot of green against the color of his face looked like Christmas.
“Do you know how many press releases I have to write in order to make fifteen thousand dollars? It isn’t as if you make commissions on those books you sell. You could do better in tips working in this restaurant.”
If his wife’s eyes were suns instead of planets they’d set him on fire through those heavy-duty lenses. But she said nothing.
That clinched it for me. “I get five hundred a day,” I said. “Three days in advance, to cover the cost of ammo.”
I’d tossed that in to see if she’d balk. She didn’t, although when her gaze shifted to mine I almost ducked back into the anthill. I finished my sandwich while she made out the check. They really know how to make beef sing at Zingerman’s.
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