The Dead Take the A Train

Book 1: Carrion City

by Richard Kadrey, Cassandra Khaw

Genres: Occult & Supernatural; Dark Fantasy; Science Fiction Fantasy; Horror

Synopsis

New York Times bestselling author Richard Kadrey and Cassandra Khaw have teamed up to deliver a new dark story where Neil Gaiman meets Jessica Jones with magic, monsters, and mayhem.

Julie Crews is a coked-up, burnt-out thirty-something who packs a lot of magic into her small body. She’s trying to establish herself as a major Psychic Operative in the NYC magic scene, and she’ll work the most gruesome gigs to claw her way to the top.

Desperate to break the dead-end grind, Julie summons a guardian angel for a quick career boost. But when her power grab accidentally releases an elder god hellbent on the annihilation of our galaxy, the body count rises rapidly.

The Dead Take the A Train is a high-octane cocktail of Khaw’s cosmic horror and Kadrey’s gritty fantasy—shaken, not stirred.

A Macmillan Audio program from Tor Nightfire.

Release date: October 3, 2023

Publisher: Tom Doherty Associates

Print pages: 384

Sample

CHAPTER ONE



There were few things in life Julie Crews enjoyed more than bachelorette parties. They were, by design, one of those rare events where women weren’t just permitted but encouraged to throw off their inhibitions. No matter the amount of booze or the quantity of strippers, the drugs or the homoerotic shenanigans, the shrieking, the woo-girling, the balloon penises, the everything, it was all waved away as girls being girls, a bacchanal of the stupid, like oblations for a twenty-first-century neon Dionysus.

Julie really liked bachelorette parties, which, in part, was why she was so pissed.

“Okay. There are two ways we can do this. My way, or—”

“Please don’t fucking say it,” the thing slurred.

“—the wrong way.”

Blood gouted from the stump of the bride-to-be’s raised arm: a stinking ooze of red syrup, far thicker than it should have been, with fist-size clots and nearly black. The other reason all this needled Julie so much was she liked the NoMad speakeasy, liked its pressed tin ceiling, the expensive slouch of its furnishings, loved the gorgeous brass bathtub which stood as its marquee attraction and was now filling with the putrid slurry. Sure, this wasn’t anywhere she had cause to visit save once an actual paycheck. But it was her spot for feigning any claim to pedigree.

And the demon was fucking it up.

And her toes, through the cut-out velveteen heels she’d borrowed from poor St. Joan—God rest their friendship—were getting wet.

No. Not wet, Julie corrected herself.

Sodden.

She was beginning to regret the emerald dress she’d chosen to wear instead of her usual jeans. In contrast to the elegant dress, her arms were a road map of deep scars, earned over years of work, threaded with what looked like barbed wire. On one arm was a rose tattoo, more thorns than blossoms.

From the bleeding stump, a cephalopodic eye glared at Julie and said, “I didn’t do anything wrong.”

Julie could see a tongue flicker in its oblong pupil and a rime of teeth inside the dark—teeth so small they looked like salt grains in the dim bronze lighting.

“You’re in possession of a human body.”

“I am borrowing it.”

“Does she know she’s on loan?”

The woman gibbered, eyes rolled back to the whites. Julie suspected she was beautiful when not drenched in gore, rictused face sheened in sweat, tongue lolling. She was runway-scrawny and cornfed-white. Legs for days. Delicate ankles, ankles now hooked around Julie’s waist. Her knees banged on the rim of the bathtub. Taffeta was everywhere, soaked through with red. She—the fuck was her name? Ally? Alice? Some permutation of that, Julie was sure—moaned, soft and low and terrified.

“No,” said the demon, sullen.

“In that case, it sounds like, what’s the fucking word for it—?”

“Cohabitation?”

“Criminal possession.”

“No. Wait. That’s when you have something like—hold on.” A frisson of tumors ran circuits under the skin of the bride’s pale throat. Up and down. Up and down. Julie memorized the intervals, the specific count of the pebbling, not yet ready to commit to the prospect it might matter, but demons liked routines. It had to mean something. “No. I’m right. Criminal possession is when you are in possession of items or property prohibited by law.”

“And the law says,” Julie interrupted, “you don’t fucking borrow a human body unless you have consent.”

“Shit.”

“So, what’s it going to be, asshole? My way or the wrong way?”

There was no answer save for a wet slorp of tissue receding into muscle. The bride sagged, head ricocheting off the edge of the bathtub, the resulting clang eliciting from Julie both a wince and a muttered “fuck” as she fumbled for her oyster knife. It embarrassed Julie sometimes how makeshift her gear was, what with the armories at her peers’ disposal. The stash her ex possessed—fucking Tyler, that charmed prick—had her wanting to pledge to God, any god, so long as it came with a blessing of arms.

But whatever got the job done.

The oyster knife was her latest acquisition: a pretty thing with a voluptuous ebony grip, impossible to differentiate from any other knife in its category save for the faint scabbing of rust along the blade. Under a microscope, the discoloration would be revealed as runic sigils, nothing ascribable to human invention, not unless they did business with Julie’s very specific supplier.

She drove the blade hard into the bride’s elbow and torqued downward, shearing a curl of flesh from the woman’s forearm, hoping to spoon the demon out or, better yet, kill the fucker. (Her fee would require renegotiation, but convenience always came at a cost. Apartment hunting in Manhattan taught her that early.)

As her knife peeled flesh, the room erupted again in screams. Girls ran for the door, slamming into Julie’s wards. Some slipped on the bodily fluids smeared over the floor as they went, and Julie heard people scrabbling to get up, trying, failing—nails and stiletto heels clacking on the tiles, unable to find purchase. She heard a few of the party girls throwing up again. Not that she blamed them. The bride-to-be’s body held an absolute library of stenches and with half the speakeasy’s guests dead, everyone was receiving an education in charnel perfumery.

Julie stared at the flayed tract of arm in her grip.

She’d missed the demon and found something else.

“Huh.”

Eyes, heavily lashed, the same pastel blue as the bride’s own irises, squinted up at her, neatly encysted amid the muscle fibers. They blinked in the glare of the club’s lighting. Scrunching, visibly upset at their exposure.

“What the fuck?” Julie breathed.

Those were human eyes, nothing at all like the demon’s, and there were hundreds of them. Julie wondered how many more laid hidden, asleep and dreaming, eggs in an egg carton. And she thought about the way the demon had traveled the bride’s throat. Like a nervous tic. Like a squid moving along, fertilizing eggs as it went, and—

“What the fuck?” she said again, this time with a note of rising anger. “You turned her into a nursery?”

The eye hatched through the divot of the bride’s right collar bone.

“I didn’t start this.”

“You’re clearly a part of this.”

“Yes, but I didn’t start it.”

“Who cares?” Julie hoisted up the bride’s arm, stabbed a finger at the wound she’d cored out. “This is gross.”

“It’s part of our biological cycle.”

“You’re not biological!”

The screaming worsened. Julie shot a furious look behind her.

“Shut. Up. I am talking here.”

The clamor lowered to a few terrified whispers, then disappeared.

If any of Julie’s youthful illusions had survived her twenties, they were gone now, eaten alive by the realization that in six months she’d be thirty, still with nothing to show but liver damage, debt, and frozen dinners in an icebox that worked only half the year. She knew what she excelled in and what she did not, and the former was a category that did not include getting a room of screaming, whimpering, gin-soaked girls to shut up with such force and completeness.

“What did you do to my daughter’s hand?”

Julie turned to the source of the question. She was an older white woman, in her fifties, petite frame scaled in lace, with a pencil skirt slitting up to a hip bone. Leather gloves over thin hands, the material polished to a shine. She wore fishnets, stripper pumps, and to Julie’s senses, she was a cut-out paper doll of nothing at all.

“What the hell?” said Julie.

Her hair was blond, brilliantined: a gamine look that flattered her softly creased features. Unlike Julie’s, which was short, spiky, and black, always looking as though it’d been impatiently sawed into shape.

“You cut off her hand.”

“I didn’t.” Julie had, in fact, not. “But what I want to know is who the fuck are you?” She frowned. “And more importantly, what the fuck are you?”

The woman sighed like someone used to sighing when she didn’t get her way immediately. “My name is Marie Betancourt. I’m the mother of the bride.”

Julie raked a look down the new arrival.

Had the woman been in the restroom? Ensconced in a booth with a much younger man? At the bar, commiserating with other grown-ups? Had Julie, doing lines with the bachelorette party, somehow failed to notice the woman? No. That didn’t make sense. Not with that aura of Marie’s, or rather the lack thereof, the physicality of said void possessing the same gravitational pull as the site of a missing tooth. No, no way some cheap drugs could occlude such weirdness from notice.

“Monster of the bride, you mean,” said Julie.

Marie shrugged. Her accent was New England old money and a thread of something else, something she’d tried hard to gore out of her voice. “I don’t care about your definitions. What I want to know is what you did to my daughter’s hand.”

“What your family hired me to do.”

“We didn’t hire you to disfigure my child.”

“Sometimes,” said Julie, wiping blood from her cheek with the back of her hand, “shit happens.”

Julie gave the room a quick once-over, taking note of how the girls had clumped along one wall and the speakeasy staff were again in view, arrayed behind the bar. Each and every one of them had on the same posture, the same lights-on-but-no-one’s-home stare. So, Marie worked magic too. But what kind? With the woman’s old money pedigree, Julie’s first guess was satanic. She rescinded the thought a moment later. The anarchic catechisms of the Church of Satan didn’t seem like they’d fly with someone from the suburban oligarchy. Something darker, then. Much darker.

The woman said, “Whatever the case might be, get him out of my daughter and then we will renegotiate your fee. You did an ungodly amount of damage to my poor girl, and—”


Copyright © 2023 by Richard Kadrey and Cassandra Khaw