A classic title from M.C. Beaton's New York Times bestselling Hamish Macbeth series about the death of a practical joker. Admittedly, there's a touch of black humor in the case. Rich, old practical joker Andrew Trent summons his kin to the remote Arrat H
Release date:
June 1, 2012
Publisher:
Grand Central Publishing
Print pages:
224
* BingeBooks earns revenue from qualifying purchases as an Amazon Associate as well as from other retail partners.
Full well they laugh’d, with counterfeited glee, At all his jokes, for many a joke had he
—Oliver Goldsmith
Money, or the prospect of it, makes hope spring eternal, and so that was probably the reason a small group of people were packing their bags to travel to the very north of Britain to stay with Mr. Trent.
Without that lure of money, it was doubtful whether any of them would have decided to go. But Mr. Andrew Trent had written to his relatives to say that he did not have long to live. Mr. Trent was a practical joker and, although in his eighties, age had not dimmed his zest for the apple-pie bed or the whoopee cushion. He was a widower, his wife having died some twenty years before, driven to her grave, said his relatives, by her husband’s relentless jokes. His home, Arrat House, outside the village of Arrat in Sutherland, was difficult to get to. The thought of his practical jokes made all his relatives shudder. Possibly that was the reason they all lived in the south of England, as far away from the old man as they could get. But now he said he was dying, and with all that money at stake, the long journey and the prospect of an uncomfortable and possibly humiliating stay must be faced. Of course, the old man could be joking…
“I’ll kill him if he is,” said his daughter Angela. Angela prided herself on plain-speaking. She was a tall, ungainly woman with iron-grey hair and an incipient moustache. She wore mannish clothes and had a booming voice. She and her sister Betty were both in their fifties. They had never married, although both had been fairly good-looking in their youth. Rumour had it that their father’s dreadful jokes had driven any prospective suitors away. They lived together in London, as they had done for quite some time, and detested each other but were bound to each other by rivalry and habit. Betty was small and quiet and affected a certain shy timidity but seemed expert at coming out with sharp and wounding remarks.
“You’re always saying that,” said Betty, “and yet when you see him, you positively cringe.”
“No, I don’t. Stop being spiteful. Have you seen my long underwear?”
“You won’t need it. Dad has good central heating.”
“Pah!” said Angela, finding and holding up a long pair of woollen underpants. “You don’t think I’m going to stay locked up in that house with him all day long. I want to get out and take some brisk walks. Do you think he’s really ill?”
Betty put her head on one side and pursed her lips. “Good chance. The writing was shaky, not like his usual style.”
“Then that’s that,” said Angela. “Can’t risk not going. What if he left it all to that wimp of a son of his?”
The wimp referred to was Mr. Trent’s adopted son Charles. He was in his late twenties, a very beautiful man with golden curls, blue eyes and an athlete’s body. His short life of failure did not seem to have affected his sunny good nature. He had done comparatively well at school, but everything had gone downhill from then on. He had lasted only one term at Oxford University before dropping out. After that, he had drifted from one job to the other. He always plunged into each job with great enthusiasm, an enthusiasm which only lasted a few months. He had been a photographer, an insurance salesman, an advertising copy-writer, among other things, and was now selling Lifehanz vitamins to shops around the country. He too was packing, while his fiancée, Titchy Gold, dithered about his studio flat in bra and panties. Titchy Gold was assumed to be a stage name, although she protested in a wide-eyed way that she had been christened that name by her parents, who had been Shakespearian actors, although what that had to do with it nobody knew, the great Bard not having run to names like Titchy. She was a television actress, currently playing the part of a floozie in a popular crime series. Marilyn Monroe was her idol, and as Titchy was blonde and busty, she did her best to look like her.
Charles had read his father’s letter out to her. “Is he really very rich?” asked Titchy.
“Rolling in it,” said Charles. “Masses and masses of dosh, lolly and gelt, my sweet.”
“He’ll leave it to you,” said Titchy. “Bound to. You’re his son. He’ll probably fall for me. Old men always do.”
“I don’t know,” said Charles. “He really despises me. Says I’m shiftless. Might leave it to his brother.”
Mr. Andrew Trent’s brother Jeffrey, a stockbroker, was a thin, spare, fastidious man. He was fifteen years younger than his brother, and his wife, Jan, was twenty years younger than he, a second marriage, Jeffrey having divorced the first Mrs. Trent. Jan was a cool, elegant, bitchy woman. “He’s got to die sometime,” said Jan. “I mean, living up there is enough to kill anyone. Do you think he’ll leave you anything? I mean, he must, surely.”
“He might leave it all to Charles.”
“He won’t,” said Jan firmly. “He loathes that boy. Now Paul is a different matter. I told Paul to pack his bags and report to the bedside.”
“He won’t leave Paul anything,” exclaimed Jeffrey.
“He might,” said Jan. “Paul is everything Charles is not.” Paul was her son by her first marriage.
A day later, Paul was standing in front of the departure board at King’s Cross station waiting to board the train to Inverness. He was an owlish young man of twenty-five who was a research assistant at some atomic establishment in Surrey. He was very precise and correct, three-piece suit and horn-rimmed glasses. His mother did not know he was bringing a girl-friend with him, which was just as well because Melissa Clarke was just the sort of girl the chilly Jan could be guaranteed to loathe. Her appearance was vaguely punk—black leather jacket and trousers, heavy white make-up, purple eye-shadow, white lips, and earrings that looked like instruments of torture. She was awed at the idea of a country-house visit and so had a slight sneer on her face which she hoped disguised the fact that she felt extremely gauche and wished she had worn more conventional clothes. Also her hair was dyed bright pink, hacked in shreds and backcombed. She worked with Paul in the research establishment. She had not even known he fancied her. This peculiar trip north was their first date.
He had marched up to her in the lab, sweating lightly, and had simply asked her if she could get leave and come with him. Intrigued, she had accepted. She liked Paul. He had only seen her before in sensible blouse and skirt and white lab coat. She had reverted to the fashion of her student days for the journey. She cursed that camp hairdresser who had talked her into the pink fright which was what was left of her once thick and glossy brown hair. She felt near to tears and wanted to run away and the only thing that stopped her running was the fact that Paul appeared genuinely grateful for her support and did not even seem to have noticed her new appearance.
“You must be very fond of him,” she volunteered.
“Who?” asked Paul vaguely.
“Why, Mr. Trent, the one we’re going to visit,” said Melissa.
“Oh, him! I hate him. I hope he’s dead when we get there. I’m only going to please my mother. She’s going, of course.”
“Your mother!” squeaked Melissa in alarm. “You didn’t say anything about your mother. My God, why didn’t you tell me?”
“There’s our train,” said Paul, ignoring her remarks. “Come on.”
Melissa had never before travelled farther north than Yorkshire. Paul had fallen asleep as soon as the train had pulled out of the station and so there was no opportunity for any more questions. She made her way to the buffet car and bought herself a gin and tonic and a packet of crisps and returned to her seat. Outside the windows of the train, the bleak February landscape rolled past.
Paul awoke at Newcastle. He stretched and yawned and then blinked at Melissa for a few moments, as if wondering who she was. “Your hair’s different,” he said suddenly. Melissa stiffened. “It’s odd,” said Paul, “but I like it. Makes you look like a bird.”
“I thought you hadn’t even noticed,” commented Melissa.
“I nearly didn’t recognize you at the station,” confessed Paul. “But then I saw your eyes. No one else has eyes like that. They’re very fine.”
Melissa smiled at Paul affectionately. What man, since the days of Jane Austen, had ever told a girl she had fine eyes? “You’d better tell me who’s going,” she said. “I thought it was just to be us. But you said something about your mother…”
“Oh, they’ll all be there,” said Paul, “waiting for the old man to drop off his perch and leave them something. Mother will be there with Jeffrey, my stepfather. He’s a stockbroker and a dry old stick. He’s Andrew Trent’s brother. Then there’s old Andrew’s adopted son Charles, a layabout, and his fiancée, who rejoices in the name Titchy Gold. His sisters, Angela and Betty, arsenic and old lace, will be there as well.”
“And what is Mr. Andrew Trent like?”
“Perfectly horrible. A practical joker of the worst kind. I can’t stand him.”
“Then why are we going?”
“Mother ordered me to go.”
“And do you usually do what your mother orders you to do?”
“Most of the time,” said Paul. “Makes life more peaceful.”
“Paul, don’t you think it’s a bit odd of you to ask me to go with you? I mean, it’s not as if we’ve been going out and, I mean…”
“I wanted someone from outside the family with me,” said Paul. “Besides, I like you an awful lot.”
Melissa smiled at him to hide the fact that she was dreading the meeting with his mother.
“Where do we go after we reach Inverness?” she asked.
“There’s no train further north today. I wanted to stay the night in Inverness and travel up in the morning, but Mother said to take a cab. She wanted me to motor up with them, but I don’t like Jeffrey much.”
“How much will a cab cost?”
“About fifty pounds.”
“Gosh, can you afford that?”
“Mother can. And she’s paying.”
Mother, mother, mother, thought Melissa uneasily. Would there be a shop open in Inverness where she could buy a hair dye?
But the train was late and it was nearly nine o’clock on a freezing evening when they landed on the platform at Inverness station. There was a taxi waiting for them at the end of the platform. Jan had ordered it to pick her son up.
As the cab swept them northwards, it began to snow, lightly at first and then in great blinding sheets. “Just as well we decided to get to Arrat House this evening,” said Paul. “We’ll probably be snowed in in the morning.”
“Perhaps the others won’t make it,” suggested Melissa hopefully.
“I’m sure they will. Jeffrey drives like a fiend. As far as I could gather, the rest were flying up to Inverness and going on by cab as well.”
Melissa relapsed into an uneasy silence. What did it matter what Paul’s mother thought of her? She wasn’t engaged to him. They hadn’t even held hands.
But her courage deserted her when they drove up to Arrat House. The house was floodlit and the snow had thinned a little, so she saw what looked like a huge mansion, formidable and terrifying.
The taxi driver said blithely he would need to spend the night in the village. No hope of getting back to Inverness.
A manservant—a manservant! thought Melissa—came out of the house and took their bags and they followed him in. The suffocating heat of the house struck them like a blow. The entrance hall was large and square. There was a tartan carpet on the floor and antlers and deerskins hung on the wall. Two tartan-covered armchairs, a different tartan from the carpet, stood in front of a blazing log fire.
They followed the manservant up the stairs. He opened a bedroom door and put their bags into it. “You’d better find a separate room for Miss Clarke, Enrico,” said Paul.
“I will ask Mr. Trent,” said the servant.
“Bit cheeky of him to think we were sleeping together,” said Melissa.
“You weren’t expected,” said Paul patiently. “I haven’t been here for ages. He probably thought we were married.”
Enrico returned and picked up Melissa’s suitcase and asked her to follow him. Her room turned out to be three doors away from Paul’s. It was hot but comfortable with a large double bed, a desk and chair at the window, and a low table and chair in front of the fire, but somehow impersonal, like an hotel room. Enrico murmured that she was expected in the drawing-room, which was to the right of the hall. As soon as he had gone, Melissa turned off th. . .
We hope you are enjoying the book so far. To continue reading...