In the village of al-Awafi in Oman, we encounter three sisters: Mayya, who marries after a heartbreak; Asma, who marries from a sense of duty; and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada.
These three women and their families, their losses and loves, unspool beautifully against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present. Through the sisters, we glimpse a society in all its degrees, from the very poorest of the local slave families to those making money through the advent of new wealth.
The first novel originally written in Arabic to ever win the Man Booker International Prize, and the first book by a female Omani author to be translated into English, Celestial Bodies marks the arrival in the United States of a major international writer.
Release date: October 8, 2019
Print pages: 256
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Mayya, forever immersed in her Singer sewing machine, seemed lost to the outside world. Then Mayya lost herself to love: a silent passion, but it sent tremors surging through her slight form, night after night, cresting in waves of tears and sighs. These were moments when she truly believed she would not survive the awful force of her longing to see him.
Her body prostrate, ready for the dawn prayers, she made a whispered oath. By the greatness of God – I want nothing, O Lord, just to see him. I solemnly promise you, Lord, I don’t even want him to look my way . . . I just want to see him. That’s all I want.
Her mother hadn’t given the matter of love any particular thought, since it never would have occurred to her that pale Mayya, so silent and still, would think about anything in this mundane world beyond her threads and the selvages of her fabrics, or that she would hear anything other than the clatter of her sewing machine. Mayya seemed to hardly shift position throughout the day, or even halfway into the night, her form perched quietly on the narrow, straight-backed wood chair in front of the black sewing machine with the image of a butterfly on its side. She barely even lifted her head, unless she needed to look as she groped for her scissors or fished another spool of thread out of the plastic sewing basket which always sat in her small wood utility chest. But Mayya heard everything in the world there was to hear. She noticed the brilliant hues life could have, however motionless her body might be. Her mother was grateful that Mayya’s appetite was so meagre (even if, now and then, she felt vestiges of guilt). She hoped fervently, though she would never have put her hope into words, that one of these days someone would come along who respected Mayya’s talents as a seamstress as much as he might appreciate her abstemious ways. The someone she envisioned would give Mayya a fine wedding procession after which he would take her home with all due ceremony and regard.
That someone arrived.
As usual Mayya was seated on that narrow chair, bent over the sewing machine at the far end of the long sitting room that opened onto the compound’s private courtyard. Her mother walked over to her, beaming. She pressed her hand gently into her daughter’s shoulder.
Mayya, my dear! The son of Merchant Sulayman has asked for your hand.
Spasms shot through Mayya’s body. Her mother’s hand suddenly felt unbearably heavy on her shoulder and her throat went dry. She couldn’t stop imagining her sewing thread winding itself around her neck like a hangman’s noose.
Her mother smiled. I thought you were too old by now to put on such a girlish show! You needn’t act so bashful, Mayya.
And that was that. The subject was closed and no one raised it again. Mayya’s mother busied herself assembling the wedding clothes, concocting just the right blends of incense, having all the large seat-cushions reupholstered, and getting word out to the entire family. Mayya’s sisters kept their views to themselves and her father left the matter in her mother’s hands. After all, these were her girls and marriage was women’s business.
Without letting it be known, Mayya stopped praying. Instead she would whisper, Lord, I made a sacred oath in Your name, her voice wavering between submissive and plaintive. I swore to You that I wanted nothing . . . nothing at all . . . Only, I said, I wanted to see him. I promised You I wouldn’t do anything wrong, I wouldn’t say a word about what I felt deep down. I made a vow and I made it to You. So why did You send this boy, this son of Merchant Sulayman, to our house? Are You punishing me for the love I feel? But I never let him know I loved him. I didn’t breathe a word of it to my sisters . . . Why, why did You send Mr Sulayman’s son to our house?
Mayya, you mean you would really leave us? Khawla asked teasingly. Mayya didn’t answer.
Are you sure you’re ready for it? Asma asked, chuckling. Just keep in mind the Bedouin woman’s advice to her daughter, those words to the bride we found in that old book stuffed away in the storeroom, you know, on the cupboard shelves where all those ancient books were put. The Mustatraf.
It wasn’t in the Mustatraf, said Mayya.
This annoyed her sister. What do you know about books, anyway? Asma snapped. It was too there. In al-Mustatraf fi kull fann mustazraf, the book bound in red leather, the one on the second shelf. The Novel Parts in the Elegant Lively Arts – you know the book. The Bedouin woman tells the bride to use plenty of water for washing, and pile lots of kohl onto her eyelids, and to always pay attention to what there is to eat and drink.
Yes, said Mayya, her face as serious as ever and her voice low. And that I should laugh whenever he laughs, and if there are any tears rolling down his cheeks, there had better be some tears rolling down mine. I must be content with whatever makes him happy and—
What’s wrong with you, Mayya? Khawla broke in. The nomad woman didn’t say all that. She just meant you’d feel happy as long as he’s happy and sad when he is sad.
So who feels any sadness when I am sad? Mayya wondered. Her voice was barely audible now, yet the word sadness rang out, discordant, to settle uneasily over the sisters.
When Mayya saw Ali bin Khallaf he had just returned empty-handed from years of study in London. It didn’t matter to Mayya that he had no diploma: the sight of him electrified her. He was so tall that the fast-moving clouds seemed to graze his head, and so very thin that Mayya’s first thought was that she must prop him up with her own body against the wind as it carried those clouds swiftly away. He was the picture of nobility, she thought. He looked so . . . so saintly. He could not possibly be an ordinary human being who would drop off to sleep after a long day, whose body gave off sweat. Someone, for instance, who could be easily riled and shout angry words at others.
I promise you, Lord, I only want a tiny glimpse of him, only one more time. This is my solemn oath. And she did see him, at the time of the date harvest. He was leaning against a palm tree. In the heat, he had jerked his head forward to shake off his kummah, and now the delicately embroidered headgear sat at his feet. The sight of him brought tears. She only got as far as the top of the narrow cement-lined canal before she broke into sobs, her tears flowing like the irrigation water that ran over the falaj as it cut a path between the palm trees.
Mayya fixed all her thoughts on her beloved’s spirit. She mustered every atom in her being and sent the lot marching into his. Then she held her breath. Her heart all but stopped beating under the fierceness of her concentration. Mayya bent her will to the task, orienting her being toward his, facing it, determined to follow wherever it might go. She sent her spirit into the ether, detaching herself completely from the world. Her body convulsed and she could barely keep herself from collapsing as she telegraphed her whole self to him, transmitting it with every gram of energy she could find. Then she waited for a signal, some response from him, any sign at all that would tell her the message had gotten through, somewhere deep inside.
No sign arrived. There was no response.
I swear to you, Lord, I just want to see him, up close. I need to see at least that he’s real, that there’s sweat on his forehead. Only once more. With his hand pressed against the tree trunk, his mouth working the pit out of a date. I promise you, God, I will not tell anyone about this sea inside of me when the silt rises to choke me. I swear, Lord, I don’t want any attention from him – who am I, after all? A girl who doesn’t know anything except how to sew. I don’t know about books like Asma does and I’m not pretty like Khawla. I swear, Lord, I will wait a whole month, I can stand it and I’ll be patient but then please will You let me see him? I promise I won’t drop anything I owe to You, not the prayers that are our duty nor the extra ones we sometimes do. I won’t have any dreams that might anger You. I swear it, Lord, I do not want to even touch the skin of his hand or the hair on his head. I swear I won’t give any of this a thought, not even about wiping the sweat off his forehead when he is standing there, underneath the palm tree . . .
Mayya cried and cried, and when Merchant Sulayman’s son appeared suddenly at their house she abandoned her prayers.
After the wedding, she returned to praying. It had all happened because of her oath, she told herself. This was her recompense. Allah knew that she was not truthful in every word she swore. He was punishing her for her sin.
When, a few months later, she became pregnant, all she could hope was that the birth would be as easy as her mother’s childbirths had been. She remembered her mother talking about Mayya’s own birth. I was chasing after a chicken in the courtyard because my uncle had shown up unexpectedly in time for the midday meal. Suddenly my body was exploding. It hurt so much I collapsed, right there in the courtyard, and then I couldn’t move. Your father went and got the midwife. Her time has come, Sabeekah said the moment she saw me. She helped me inside – I couldn’t do anything on my own – and closed the door, and made me stand up. Stand on my own feet. And then she made me stretch both arms high enough to reach that pole fixed into the wall, and I did my best to hold on. But my legs started giving out. Then Sabeekah shouted – may God be forgiving to that woman! – Ya ayb ish-shoom! Shame on you! Will Shaykh Masoud’s daughter give birth lying down because she’s too weak to stand tall and straight? For shame, girl!
So I stood straight, clinging to the pole, until you slipped out of me, ya Mayya, right into my sirwal. There was room enough for you in those baggy trousers! You almost died, though. If Sabeekah hadn’t prised my hands from the pole, and then if she hadn’t dragged you out! You would’ve died with that cord wrapped round your neck. Ayy wAllahi, I wasn’t even checked by a doctor, never – no creature ever saw my body, no, not me! These days you all go to the hospitals in Maskad, where those Indian women and those daughters of the Christians see every inch of you. Ayy wAllahi Mayya, I had you, and all your brothers and sisters, standing as tall as a grand mare. God be good to you, Sabeekah. There I was holding tight to the pole with both hands, and she was shouting at me, Ya waylik! If I hear even one little screech you’ll be sorry! Every woman brings babies out of her body, and what a scandal you are then, if you so much as whimper! A scandal, and you the daughter of the Shaykh! I didn’t say one word, I didn’t complain. Anyway all I could’ve said was, My Lord my Lord my Lord! And to think that these days, women have their babies lying flat on their backs, and the men can hear their screams from the other end of the hospital. There’s no longer any shame in the world, ayy wAllahi!
When her belly was so enormously round that she could not sleep, Mayya said to Merchant Sulayman’s son, Listen here. I am not going to have this baby in this place with those midwives crowding around me. I want you to take me to Maskad—
He interrupted her. I’ve told you a thousand times, the name of the city is Muscat, not Maskad.
She went on as if she hadn’t heard him. I want to have the baby in the Saada Hospital.
You’d have my child slide out right into the hands of the Christians?
She didn’t answer. When her ninth month came, her husband took her to the home of his uncle in the old Muscat neighbourhood of Wadi Aday. In what the missionaries called their Felicity Hospital – the Saada – she had her baby, a scrawny infant. A girl.
Mayya opened her eyes to see her daughter cradled in her mother’s arms. She dropped off to sleep and when she opened her eyes again, the girl was sucking at her breast. When Merchant Sulayman’s son came to see the newborn, Mayya told him she’d named the baby girl London.
She’s exhausted, of course, ...
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