The Tin Collectors/The Viking Funeral

Book 0: Shane Scully Novels

by Stephen J. Cannell

Genres: Police Procedurals; Conspiracy Thrillers

Synopsis

It's two Shane Scully novels in one from bestselling author Stephen J. Cannell: The Tin Collectors and Viking Funeral

If Detective Shane Scully's best friend, Jody Dean, committed suicide three years ago, then who did Shane just see for one fleeting moment on the Ventura Freeway?

He's convinced it was his former colleague. Or was his mind playing tricks? Shane's lover, Alexa Hamilton, herself a lauded LAPD officer, happens to think so. But Shane knows what he saw. And for a rogue cop with nothing left to lose, the search for Dean has become more than an investigation. It's become an obsession.

The first clue to Dean's secret lifeand suspicious deathis murder. The victim is Dean's former commanding officer. The connection taps into a corrupt, high-level conspiracy among L.A.'s finest that will put Shane and everyone he loves in harm's way. It will cut deep into the heart of betrayal and the meaning of friendship. And it will dare one cop already on the brink of madness to take on step further into darkness...

Release date: October 1, 2005

Publisher: St. Martin's Publishing Group

Print pages: 800

Sample

Tin Collectors/The Viking Funeral, The

THE TIN COLLECTORS
Principles serve to govern conduct when there are no rules.
--LAPD MANAGEMENT GUIDE TO DISCIPLINE

THE "CHOOCH" LETTER
Dear Dad:
Charles Sandoval, who everybody calls Chooch, arrived this afternoon as planned (actually, I picked him up). This is already shaping up as one of my biggest boners. I pulled up at the fancy private school Sandy's got him enrolled in and I had to go to the principal's office to sign the pickup permission slip. The principal, John St. John, is a wheezing, hollow-chested geek who seems to honestly hate Chooch. The way he put it was: "That child is from the ninth circle." I had to ask, too. It's from Dante's Inferno. Apparently, the ninth circle is the circle closest to hell. Now that I've met Chooch, not an entirely inappropriate analogy. Then, this pale erection with ears hands me a packet of teacher evaluation slips. For a fifteen-year-old, his rap sheet is impressive ... pulled fire alarms, and fights in the school cafeteria (food as well as fists). Mr. St. John informs me that they have notified Sandy that Chooch is not to return to the Harvard Westlake School next semester and that I need to get him enrolled elsewhere (like this is all of a sudden supposed to be my problem). But it's not as if this boy doesn't have a good reason to be angry. I think I wrote you, he's a love child with one of Sandy's old clients. Making matters worse, Sandy doesn't want him to know how she makes her living, so she's been shipping him off to boarding schools since third grade.
Needless to say, I had no idea what I was getting into here.Maybe I can last the month until Sandy takes him back or sends him to the next sucker on her list. One way or another, I'll work it out.
I'm planning to get out to Florida again sometime next year. I was thinking you and I could rent one of those fishing boats like we did last time, drink some beer and cook what we catch over a beach fire. Those memories are treasures in my life.
I know, I know, cut the mush, blah ... blah ... blah. I miss you, Dad. That's all for now.
Love, Your son, Shane
1
USE OF FORCE
SHANE WAS IN deep REM black. Way down there, but still he heard the telephone's electronic urgency. The sound hung over him, a vague shimmer, way above, up on the surface. Slowly he made his way to it, breaking consciousness, washed in confusion and anger. His bedroom was dark. The digital clock stung his eyeballs with a neon greeting: 2:16 A.M. He found the receiver and pressed it against his ear.
"Yeah," he said, his voice a croak and a whisper.
"Shane, he's trying to kill me," a woman hissed urgently.
"What ... who is this?"
"It's Barbara." She was whispering, but he could also hear a loud banging coming over the receiver on her end, as if somebody was trying to break down a door.
"He's trying to kill you?" he repeated, buying time so his mind could focus.
Barbara Molar. He hadn't seen her in over two months, andthen just for a moment at a police department ceremony, last year's Medal of Valor Awards. Her husband, Ray, had been one of three recipients.
A crash, then: "Jesus, get over here, Shane. Please. He'll listen to you. He's nuts, worse than ever."
Shane heard another crash. Barbara started screaming. He couldn't make out her next words, then: "Don't, please ..." She was whimpering, the phone was dropped on a hard floor, clattering, bouncing, getting kicked in some desperate struggle.
"Barbara? Barbara?" She didn't answer. He heard a distant, guttural grunting like a man sometimes makes during sex, or a fight.
Shane got out of bed and started gathering up clothes. He slipped into his pants and grabbed his faded LAPD sweatshirt. He snapped up his ankle gun, hesitated for a moment, then pulled it out, chambered it, and strapped it on. He ran out of his bedroom toward the garage without even looking for his shoes. He was already behind the wheel when he realized he had forgotten that Chooch Sandoval was asleep in the other bedroom. He wasn't used to having fifteen-year-old houseguests. He knew he shouldn't leave Chooch alone. The garage door was going up as he backed out his black Acura. Grabbing for his cell phone, he dialed a number from memory. He streaked down the back alley away from his Venice, California, canal house, as cold beach air slipstreamed past the side window onto his face.
Brian "Longboard" Kelly, his boned-out next-door neighbor, picked up the phone. "Whoever this is, fuck you" was the way he came on the line.
"Sorry, Brian, it's Shane. I got called out, and Chooch is still asleep in the guest bedrqom."
"Chooch? Who the hell ..."
"The kid I told you I was taking for the month. Sandy's kid. He came yesterday."
"Ohhh, man ..."
"Look, Brian, just go over and sleep on my couch. The key is in the pot by the back door."
"Good place, dickbrain. Who would ever think to look there?"
"Just do it, will ya? I'll owe ya."
"Fuckin' A." Longboard slammed the phone down in Shane's ear.
Shane was now at Washington Boulevard. He hung a left and headed the short distance to the Molar house. When they'd still been partners, he'd made this trip at least once'a day to pick up Ray, heading across Washington to South Venice Boulevard, through Gangbang Circle, where, once it got dark, the V-Thirteens and Shoreside Crips staged their useless, life-ending street actions, occasionally killing or wounding a tourist from Minnesota by mistake.
He shot across Abbot Kinney Boulevard and turned right onto California, finally coming to Shell Avenue. All the way there, he wondered why Barbara would call him. Why not dial 911? Of course, the answer was sort of obvious after he thought about it. Even though she was scared spitless, she still didn't want another domestic-violence beef in Ray's LAPD Internal Affairs jacket. He was a thirty-year veteran with a big pension, which another DV complaint would jeopardize. That pension was an asset that was half hers.
Still, Shane Scully was the last guy Ray Molar would want to see coming through his door, quoting departmental spousal-abuse regulations at two A.M. So why Shane? Why not Ray's current partner? He guessed he knew that answer, too. She called him because she thought she could control him, use him for protection, then keep him from talking. Also he was handy, only five miles away ... . Just like before, he had turned up as the double zero on her slow-turning roulette wheel.
When he got to Ray's small, wood-sided house, he pulled into the driveway behind Ray's car and jumped out. The hood was warm on the dark blue Cadillac Brougham; the lights were on in the house. Then he heard muffled screaming.
"Shit, I hate this," he mumbled softly, feeling the cold grass on his bare feet. He moved toward the house, tried the front door and, to his surprise, found it was open. Reluctantly, he stepped into his ex-partner's living room.
Ray's house always seemed delicate and overdecorated. Too much French fleur-de-lis upholstery, too many knickknacks and hanging lamps. It was Barbara's doing and definitely didn't seem like the lair of a street monster like Ray Molar. Ray should live in a cave, cooking over an open fire, throwing the gnawed bones over his shoulder.
Shane could hear Barbara's screams coming from the back of the house, so he moved in that direction. He came through the bedroom door just in time to see Ray Molar hit his slender, blond wife in the solar plexus with the butt end of his black metal street baton. Then, as she doubled over, he expertly swung the nightstick sideways, catching her in the side of the head with a "two from the ring" combat move ... a baton-fighting tactic taught to every recruit at the Police Academy. Shane stood frozen, as Barbara, her head bleeding badly, slumped to the floor, almost unconscious.
"Ray ..." Shane's voice, a raspy whisper, cut the temporary silence like a sickle slashing dry wheat. "What's the story here, buddy?"
Ray Molar swung around. He was at least six-four and weighed over two-forty, with huge shoulders and long arms. He had bristly blond hair and a corded, muscled neck. Adding to these Blutoesque dimensions was a huge jutting jaw and almost total lack of a forehead. "Get the fuck outta here, Scully. We don't need the Boy Scouts," Molar growled, his pupils round points of focused hatred.
Shane had seen that look in the street many times before and had come to fear it. "Let's just back off, slow down, and give it a rest, Ray." Shane was moving slowly toward him, not wanting any part of the fury and craziness he saw on his ex-partner, butfeeling compelled to get close enough to protect Barbara if he swung on her again. When Ray lost control, he could turn instantly murderous. He spewed white rage without thought, violence without reason.
"You got anything to eat?" Shane said, trying to refocus the energy in the room. "I'm starved. Missed dinner. How 'bout I get us a beer and a sandwich, something ... . We chill out a little ... Cool out ... Talk it down ... Get solid ..."
"You wanna eat somethin'? Eat shit, Scully!" He was halfway between Shane and Barbara, still brandishing the black metal police baton.
"Ray, I don't want trouble, but you can't go hitting Barbara with the nightstick, man. You're gonna fuck her up bad."
Then Ray started toward Shane, swinging the metal stick in a lose arc in front of him. "Yeah? Who's gonna stop me, dickwad?"
"Come on, let's stay frosty here, Ray. Let's ... let's--" And he stopped talking because he had to duck.
Ray swung the nightstick. It zipped through the air an inch from Shane's ear. As he was coming back up, Ray swung a fist, hitting him with a left hook that landed on Shane's right temple, exploding like a pipe bomb, sending him to the floor, ears ringing. Then Ray yanked a small-caliber snubby out of his waistband. It looked to Shane like an off-brand piece, a European handgun of some kind, maybe a Titan Tiger or an Arminus .38, definitely not standard police issue. Ray always kept a "throw-down gun" on him to drop by a body if some street character got funky and had to take a seat on the sky bus.
"Put it away, Ray."
"You fucking this bitch, too? You fucking her? 'Cause if you ain't, you should get in line--everybody else is."
"Come on, Ray, that's crazy. I never touched your wife; nobody's messin' with Barb, and you know it. Why're you doin' this?"
"She's been getting snaked by half the fuckin' department."He turned back and glowered at her. "Am I right, baby? Tell him 'bout all the wall jobs you been doin' in the division garage."
Barbara groaned. Ray, turning now, aimed the gun at Shane, pulling the hammer back. Shane watched the cylinder begin to rotate on the center post as Ray applied pressure on the trigger. He was strangely mesmerized by the hole in the barrel; a dark eye of damnation, freezing his stomach, dulling his reactions. He was seconds from death ... . Almost without realizing it, his right hand slipped down to his ankle, fingers encircling the wood-checked grip of his 9mm automatic. He slid the weapon free.
Shane dove sideways just as Ray fired. The bullet thunked into the wooden doorframe behind him. Shane was operating on instinct now, with no control over what happened next, going with it, not questioning, rolling, coming up prone, his Beretta Mini-Cougar gripped in both hands.
As Ray turned to fire again, Shane squeezed the trigger. The bullet hit Ray Molar in the middle of his simian brow.
Huge head jerking back violently.
Brainpan exploding, catching the 9mm slug.
Then Ray looked directly at Shane as the gun slipped from his meaty paw and thumped onto the carpet. Ray's pig eyes, bright in that instant, registered hatred and surprise, or maybe Shane was just looking for something human in all that animal ferocity.
Ray Molar took one uncertain step backward and sat on the edge of the bed. Even though his heart was probably still beating, Shane knew that his ex-partner was already dead. But the street monster sat down anyway, almost as if he needed a moment to consider what he should do next or where he should go, momentum and gravity making the decision for him, toppling him forward, thudding him hard, face first, onto the carpet.
Shane looked over at Barbara, who was staring at her dead husband, her mouth agape, her puffed lip split and bleeding.
"Whatta we do now, Shane?" she finally asked.
2
M-417-00
IN THE SECONDS after the shots were fired, the bedroom seemed so quiet that he could almost hear dust settle. Then the sharp smell of cordite, mixed with the coppery smell of blood, began to fill his nostrils. Barbara was still on the floor not ten feet from Ray's body. Shane moved first. He stood slowly, feeling his knees shake as he rose. He stumbled to the dresser and leaned on it heavily, propping himself up for support. They were both trying to digest it, understand what had just happened and comprehend how it would alter, in a ghastly way, events stretching before them. Then, from the floor, Ray Molar farted. Shit ran into his pants as his bowels let loose. The perfect punctuation mark for the past few minutes.
"We need to get a story, Barbara," Shane said. "This isn't going to go down smooth. You know how they all feel about Ray."
"I don't know ... I don't know ... He just ..."
"Barbara ..."
Her eyes were darting around the room in a desperate escape dance. Her face was also beginning to swell where Ray had hit her on the right side, distorting her natural beauty.
"Tell me," he prodded softly, "what set him off?"
Somewhere in the distance they could hear the faint wail of a police car.
"Already?" she said, referring to the sirens.
"You were screaming, shots were fired, you've got neighbors. Nine-one-one response time is supposed to be less than five minutes. If something more is going on here, I need to know, Babs. You and I, we're not completely clean, if you know what I mean."
"I know." She pulled herself up on the bed and sat. He could see that her hands were shaking as she brought the back of her wrist up to wipe the blood oozing from the corner of her mouth. Her hand came away with an ugly red streak on the back. "He ... he just ... I don't know."
"He just what? Let's go, there isn't much time. What set him off?"
"I got a call yesterday from a woman. She asked me if I'd seen the videotape yet."
"What videotape?"
"I don't know. That's the whole point. I haven't got any tape, and I told her. She sounded like she was crying. Then she said it was coming in the mail, and it will show me what a cheating bastard Ray was."
"Who was she?"
"Didn't say. I didn't recognize the voice. She just hung up."
The sirens were now less than a block away as Barbara Molar looked at Shane in desperation. "What're they gonna do?"
"They're gonna separate us. Take statements. This is our only chance to coordinate. We need the same story. Stay with me here, Babs. Keep goin'. What happened next?"
"Ray hasn't been home much since he got his new assignment.He's been away days at a time, so when he got home tonight, I asked him where he was all the time. I told him what the woman said and he ... he just ... went nuts. You know his temper, how he gets. You worked patrol with him. He accused me of sleeping with his friends. He called me a whore. He started beating me. I can't take any more beatings. I can't. I told him I was going to leave him, and then he chased me into the bathroom. I locked the door and called you. Then he just--"
The sirens growled to the curb outside, and Shane quickly looked around the bedroom, taking mental pictures of the crime scene, filing them in his memory for later. Oddly enough, it was Ray who had schooled him in this technique, quizzing him at "end of watch" on what he remembered. They'd sit in some bar at EOW, betting drinks on the answers. Ray would ask questions: What was on the dresser? How many windows in the kitchen? Were there screens? Ray was violent and unpredictable, but he sure knew how to police a crime scene.
"They're gonna take me downtown," Shane said. "They'll take your statement here, then probably transport you to the ER. Just say exactly what happened. He would have killed you, Barbara. He fired first. This was self-defense. Just leave out you and me. Whatever you do, stay tight on that."
They could hear cops coming into the house through the open front door.
"We're back here, LAPD!" Shane yelled. Then, as an afterthought, he whispered to Barbara, "Call the phone company and see if you can get an AT&T printout of calls to your phone so we can try and find out who that woman is."
Barbara nodded just as a uniformed South Bureau "dog and cat" team came through the door, guns drawn. Shane had his hands in the air and his Beretta Mini-Cougar hanging down, dangling uselessly from his right thumb. "LAPD," he said again.
The cops didn't know him, and not seeing a badge, the male officer rushed him, disarmed him, and threw him down onto thefloor right next to a puddle of Ray's blood. The female kept her Smith & Wesson trained on him until her partner had Shane cuffed. Then they both roughly yanked him up.
"Where's your shield?" the lady cop said. Her nameplate read S. RILEY.
"On my dresser, at home. I was asleep. She called for help. I live four miles from here. I'm Sergeant Shane Scully, Southwest RHD. My serial number is 50867."
They looked down at Shane's now-bloody bare feet, then at Ray. The male cop was a policeman III; his nameplate read P. APPLEGATE. He knelt down and looked closely at the body. "Shit. This is Steeltooth. You shot Lieutenant Molar."
Shane stood quietly as Applegate fingered his shoulder mike. "This is X-ray Twelve. We're Code Six at 2387 Shell Avenue. We have a police officer down. We need a sergeant on the scene and the coroner. Notify South Bureau Detectives we have the shooter in custody. He claims to be Southwest Robbery/Homicide Sergeant Shane Scully." Then he turned to Shane. "Gimme that serial number again."
"It's 50867," Shane said into the officer's open shoulder mike.
"You get that?" Applegate asked. The female radio-transmission officer answered quickly.
"Roger, X-ray Twelve. That's 50867. You're Code Six Adam at Shell Avenue, requesting a supervisor and a Homicide unit. Stand by." There was static, and in less than thirty seconds, the RTO came back on. "X-ray Twelve, on your suspect ident: that badge number is confirmed to Southwest RHD Sergeant Shane Scully, 143 East Channel Road, Venice, California."
"Roger. We're locking down this crime scene for Homicide and moving outside." The officer then turned to Shane. "Who's your direct supervisor?"
"Captain Bud Halley, Southwest Division Robbery/Homicide."
"You got his call-out number?"
"Just call the squad. I can do it myself if you take these cuffs off."
"Hey, Scully, you done enough already. You just croaked the best fucking cop on the force." Then he unlocked the handcuffs. "Shannon, take Mrs. Molar into the kitchen. I'll hold Sergeant Scully in the living room." They left Raymond Molar in an expanding pool of his own blood to wait for the Homicide team and lab techs.




On every unnatural death in L.A., the RHD assigns a fresh homicide number and the next team up on the division rotation gets the squeal. The numbers start on January 1 and continue sequentially until the last day of December. If the body is a male, the number is proceeded by an M; if female, by an F. On that chilly April morning, Lieutenant Raymond George Molar became M-417-00.
The RHD team got there a little after three-thirty A.M. as the crime lab was just finishing photographing the scene. The two lab techs had already done their preliminary workup. They'd bagged the lieutenant's hands, outlined the DB in tape, and were standing around, waiting for the detectives to show before rolling the body.
Both Homicide dicks were veterans and had been notified before they got there that the officer down was the legendary LAPD Lt. Ray "Steeltooth" Molar. They had both signed Patrolman Applegate's crime-scene attendance sheet and now stood in the bedroom looking down at the body with stone-cut expressions as the lab techs flopped Ray over. His face had already begun to fill with blood, causing a darkening of the skin, known as lividity. More postmortem renal jettisoning had occurred, and the smell of feces in the room was getting strong as the two detectives from Robbery/Homicide silently policed the area, making their preliminary notes and observations. They graphed the location of the body and marked the bullet in the doorjamb that Ray hadfired, then instructed the lab techs to dig the slug out and get it to the Investigative Analysis Section for a ballistics comparison. They bagged Shane's 9mm Beretta; it would be booked as evidence.
Shane was waiting in the living room with Patrolman Applegate. After half an hour the lead Homicide dick, an old, wheezing department warhorse with a basset-hound jawline, came out and sat on the sofa opposite Shane. His name was Garson Welch; he and Shane had shared a few easy grounders back when Shane was still working uniform in Southwest. One case had been so simple, they solved it in less than ten minutes when Shane arrested the perp half a block away as he was trying to stuff the murder weapon down into a Dumpster. The man had confessed on the spot. Shane and Welch had gone EOW at the jail and had had a few beers in a cop bar on Central known as the Billy Club. They didn't have what you'd call a friendship, but they were at least friendly--better than nothing.
"This ain't gonna go down too good at Parker Center, Shane," the old detective said, rubbing his ample forehead with a big, liver-spotted hand.
"Yeah, Gar, you're right. I should've just stood there and let him kill her with his nightstick."
"Calm down and listen," Welch went on. "What we got here is a brown shit waffle. Lieutenant Molar had big juice with the Super Chief. People you and I only read about in the L.A. Times are getting phone calls right now over this piece of work. I just got a call and found out he's been Mayor Clark Crispin's police driver for the past two months. So there's gonna be big interest at the city level. We're gonna go slow and get it right."
"The mayor's driver? Shit," Shane said. He hadn't known that was Ray's new assignment.
"I'm gonna take your preliminary here, then send you to the Glass House and let your captain do the DFAR," Welch said, referring to the Division Field Activity Report that had to be filedafter any incident involving violence or death at the hands of a police officer.
"I got my car. I can meet you there," Shane volunteered.
"I'll have one of the blues drive it in and park it for you in the underground garage, but you're gonna go downtown in the back of a detective car. By the book. That way, nobody gets days off for bullshit nitpicks."
"Yeah, sure, if that's the way you want it." Shane was beginning to get a premonition of disaster. Then he followed Detective Welch out of the house for the long drive to Parker Center.
3
DFAR
THE TRIP DOWNTOWN at four A.M. on deserted freeways took only twenty-two minutes. The black-and-white slickback that the RHD dicks were forced to drive now finally made a wide turn off Broadway, its headlights sweeping the south side of the Glass House. It pulled up to the security station. Sergeant Welch showed his badge, signed them all in, and drove into the huge underground parking garage that adjoined Parker Center.
The building was known as "the Glass House" to everybody on the job because of the excessive amount of plate glass that draped its huge boxy shape. The otherwise nondescript building had been designed in the fifties, which had proved to be a decade of architectural blight. The parking garage next door went down nine stories underground. The detectives found a spot on U-3, and both led Shane out of the parking complex, through a security door, and into the third basement of police headquarters. They took the elevator to six and got off at the Robbery/HomicideDivision, which took up half the floor and was fronted by a thick glass partition.
Garson Welch buzzed them through and found the OOD, a thin-faced sergeant in uniform, sitting at a computer just inside the squad room. "Is Captain Halley around? He was supposed to get a call out on this activity report."
The sergeant nodded and pointed down the hall. "Interview room Three," he said.
They moved single file down the linoleum-floored corridor and turned into a small, windowless interrogation room that contained a scarred desk, two wooden chairs, and Robbery/Homicide Captain Bud Halley. Halley had his jacket off and was showing the beginnings of a twelve-hour beard, having missed his shave at four A.M. He had also missed two belt loops. Other than that, he was a remarkably handsome, fit, prematurely gray man in his mid-forties. He was Shane's Southwest Homicide Bureau commander. They had a good professional relationship. In the two years Shane had been assigned to Southwest Detectives, Halley had given him two excellent evaluation reports. As Shane came through the door, Captain Halley motioned him to a chair. "You guys don't have to stick around unless you need him. I'm gonna send him home after the activity report," he said to the two detectives.
"Thanks, Cap, check you later," Welch said as they left the room and closed the door behind them.
"We only have a few minutes and then God knows what happens," Halley said.
"A few minutes? What're you talking about? You're doing the DFAR. What's the rush?"
"'Cept I'm not doing it. Deputy Chief Thomas Mayweather is on his way in. He's doing it."
"The head of Special Investigations Division is doing my activity report? You can't be serious. Why him?"
"Chief Brewer ordered it," Halley said.
"Same question, then."
"Don't you know what Ray Molar's assignment was?"
"Yeah ... he was Mayor Clark Crispin's bodyguard and driver. He was also killing his wife with a nightstick. He fired a shot at me. Barbara Molar is my wit. This should be a slam dunk. So what's the deal?"
"Lemme give you the secret to survival around here." Shane waited for the punch line. "Everything that's not department history is department politics. Chief Brewer was awakened by Mayor Crispin, who called the Big Kahuna from the Dark Side, who got rousted off his sailboat at the marina. He was planning to sail across the channel for a long weekend in Avalon. Now, instead of salt air and sea chanteys, Deputy Chief Mayweather is coming here, in his fucking yacht attire, looking to tear you a new asshole."
"Cap, let me say this again, so none of us miss it. Steeltooth was killing his wife. He shot first. If I hadn't returned fire, we'd both be in the county icebox bleeding from the ears. I know for a fact Ray has two spousal-abuse beefs in his IAD package. He's a regular at rage-management counseling. Aside from that, we both know he was a head thumper from way back. You don't get the nickname Steeltooth just because your last name's Molar."
"Don't convince me. Make Mayweather believe it," Halley said softly.
Shane's hands started to shake. He was coming down from a two-hour adrenaline rush. He had killed Ray Molar, his ex-partner, a man he had once respected, then came to fear, and then finally to hate. His emotions hovered just below consciousness. He knew he couldn't afford a mistake, so he pushed personal feelings aside and concentrated on his plight, his survival instincts taking precedence.




Deputy Chief Mayweather was six three and ebony black. He had a shaved head and always carried himself with the athletic grace he had shown as a first-string point guard on the UCLA basketball team in the seventies.
He moved through the predawn stillness of the Robbery/Homicide Division and looked at the tired collection of swing-shift detectives who were manning their desks, sneaking glances at the clock, waiting for the day-watch to show up and relieve them. Mayweather stuck his gleaming black head into the interrogation room containing Scully and Halley.
"Let's do this upstairs." Mayweather's voice was cold and smooth, Vaseline on ice. "We'll use the conference room on nine. Bud, see if they got some coffee down here and bring it up." Then, without even looking at Shane, he moved out of the room, leaving them there.
"Good luck," Halley said as Shane got up off his hardwood chair and followed Mayweather, who was already halfway down the hall, striding toward the elevators with a Yul Brynner elegance, his arms swinging freely, his hips slightly forward. He was not in yachting attire. He'd dressed for this gig. The suit he wore was charcoal gray, creaseless, and fit him like a second skin. Tom Mayweather could easily have made a nice living on the pages of GQ.
Shane moved along behind him like a barefoot, dark-haired, brown-eyed shadow, his own gait more the shuffling stride of a street fighter. Although Shane had always been able to attract women, he found his own looks pugnacious and off-putting. In his mirror, he saw a face marred by cynicism and loneliness. He was always surprised when he heard someone describe him as attractive.
He caught Mayweather at the elevator. Both men remained silent as they waited for the stainless-steel doors to open and take them to the ninth floor, where Tom Mayweather and the other deputy chiefs had their offices down the hall from Chief Burleigh Brewer.
"Sorry about the Avalon trip, sir," Shane said, going for a little pre-interview suck.
"Let's save everything for when we get the tape running, okay?"
"Sure," Shane said.
The door opened and they stepped in and rode the humming metal box to the light-paneled, green-carpeted executive floor. All the way up, Deputy Chief Mayweather said nothing, but he was staring at Shane's bloodstained bare feet.
Shane had been on nine only once before. He ha