The Ordeal of Gilbert Pinfold – A Conversation Piece recounts a period of mental confusion and breakdown in the life of Gilbert Pinfold, an established novelist of mature years. Prone to moments of paranoia and memory-loss, he attempts to cure himself by going on a cruise to the tropics. Only his active imagination means peace of mind is an increasingly illusory destination.
Release date:
December 11, 2012
Publisher:
Little, Brown and Company
Print pages:
224
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It may happen in the next hundred years that the English novelists of the present day will come to be valued as we now value the artists and craftsmen of the late eighteenth century. The originators, the exuberant men, are extinct and in their place subsists and modestly flourishes a generation notable for elegance and variety of contrivance. It may well happen that there are lean years ahead in which our posterity will look back hungrily to this period, when there was so much will and so much ability to please.
Among these novelists Mr. Gilbert Pinfold stood quite high. At the time of his adventure, at the age of fifty, he had written a dozen books all of which were still bought and read. They were translated into most languages and in the United States of America enjoyed intermittent but lucrative seasons of favor. Foreign students often chose them as the subject for theses, but those who sought to detect cosmic significance in Mr. Pinfold’s work, to relate it to fashions in philosophy, social predicaments or psychological tensions, were baffled by his frank, curt replies to their questionnaires; their fellows in the English Literature School, who chose more egotistical writers, often found their theses more than half composed for them. Mr. Pinfold gave nothing away. Not that he was secretive or grudging by nature; he had nothing to give these students. He regarded his books as objects which he had made, things quite external to himself to be used and judged by others. He thought them well made, better than many reputed works of genius, but he was not vain of his accomplishment, still less of his reputation. He had no wish to obliterate anything he had written, but he would dearly have liked to revise it, envying painters, who are allowed to return to the same theme time and time again, clarifying and enriching until they have done all they can with it. A novelist is condemned to produce a succession of novelties, new names for characters, new incidents for his plots, new scenery; but, Mr. Pinfold maintained, most men harbor the germs of one or two books only; all else is professional trickery of which the most demonic of the masters—Dickens and Balzac even—were flagrantly guilty.
At the beginning of this fifty-first year of his life Mr. Pinfold presented to the world most of the attributes of well-being. Affectionate, high-spirited, and busy in childhood; dissipated and often despairing in youth; sturdy and prosperous in early manhood; he had in middle-age degenerated less than many of his contemporaries. He attributed this superiority to his long, lonely, tranquil days at Lychpole, a secluded village some hundred miles from London.
He was devoted to a wife many years younger than himself, who actively farmed the small property. Their children were numerous, healthy, good-looking, and good-mannered, and his income just sufficed for their education. Once he had traveled widely; now he spent most of the year in the shabby old house which, over the years, he had filled with pictures and books and furniture of the kind he relished. As a soldier he had sustained, in good heart, much discomfort and some danger. Since the end of the war his life had been strictly private. In his own village he took very lightly the duties which he might have thought incumbent on him. He contributed adequate sums to local causes but he had no interest in sport or in local government, no ambition to lead or to command. He had never voted in a parliamentary election, maintaining an idiosyncratic toryism which was quite unrepresented in the political parties of his time and was regarded by his neighbors as being almost as sinister as socialism.
These neighbors were typical of the English countryside of the period. A few rich men farmed commercially on a large scale; a few had business elsewhere and came home merely to hunt; the majority were elderly and in reduced circumstances; people who, when the Pinfolds settled at Lychpole, lived comfortably with servants and horses, and now lived in much smaller houses and met at the fishmonger’s. Many of these were related to one another, and formed a compact little clan. Colonel and Mrs. Bagnold, Mr. and Mrs. Graves, Mrs. and Miss Fawdle, Colonel and Miss Garbett, Lady Fawdle-Upton, and Miss Clarissa Bagnold all lived in a radius of ten miles from Lychpole. All were in some way related. In the first years of their marriage Mr. and Mrs. Pinfold had dined in all these households and had entertained them in return. But after the war the decline of fortune, less sharp in the Pinfolds’ case than their neighbors’, made their meetings less frequent. The Pinfolds were addicted to nicknames and each of these surrounding families had its own private, unsuspected appellation at Lychpole, not malicious but mildly derisive, taking its origin in most cases from some half-forgotten incident in the past. The nearest neighbor whom they saw most often was Reginald Graves-Upton, an uncle of the Graves-Uptons ten miles distant at Upper Mewling; a gentle, bee-keeping old bachelor who inhabited a thatched cottage up the lane less than a mile from the Manor. It was his habit on Sunday mornings to walk to church across the Pinfolds’ fields and leave his Cairn terrier in the Pinfolds’ stables while he attended Matins. He called for quarter of an hour when he came to fetch his dog, drank a small glass of sherry, and described the wireless programs he had heard during the preceding week. This refined, fastidious old gentleman went by the recondite name of “The Bruiser,” sometimes varied to “Pug,” “Basher,” and “Old Fisticuffs,” all of which sobriquets derived from “Boxer”; for in recent years he had added to his few interests an object which he reverently referred to as “The Box.”
This Box was one of many operating in various parts of the country. It was installed, under the skeptical noses of Reginald Graves-Upton’s nephew and niece, at Upper Mewling. Mrs. Pinfold, who had been taken to see it, said it looked like a makeshift wireless-set. According to the Bruiser and other devotees The Box exercised diagnostic and therapeutic powers. Some part of a sick man or animal—a hair, a drop of blood preferably—was brought to The Box, whose guardian would then “tune in” to the “life-waves” of the patient, discern the origin of the malady and prescribe treatment.
Mr. Pinfold was as skeptical as the younger Graves-Uptons. Mrs. Pinfold thought there must be something in it, because it had been tried, without her knowledge, on Lady Fawdle-Upton’s nettle-rash and immediate relief had followed.
“It’s all suggestion,” said young Mrs. Graves-Upton.
“It can’t be suggestion, if she didn’t know it was being done,” said Mr. Pinfold.
“No. It’s simply a matter of measuring the Life-Waves,” said Mrs. Pinfold.
“An extremely dangerous device in the wrong hands,” said Mr. Pinfold.
“No, no. That is the beauty of it. It can’t do any harm. You see it only transmits Life Forces. Fanny Graves tried it on her spaniel for worms, but they simply grew enormous with all the Life Force going into them. Like serpents, Fanny said.”
“I should have thought this Box counted as sorcery,” Mr. Pinfold said to his wife when they were alone. “You ought to confess it.”
“D’you really think so?”
“No, not really. It’s just a lot of harmless nonsense.”
*
The Pinfolds’ religion made a slight but perceptible barrier between them and these neighbors, a large part of whose activities centered round their parish churches. The Pinfolds were Roman Catholics, Mrs. Pinfold by upbringing, Mr. Pinfold by a later development. He had been received into the Church—“conversion” suggests an event more sudden and emotional than his calm acceptance of the propositions of his faith—in early manhood, at the time when many Englishmen of humane education were falling into communism. Unlike them Mr. Pinfold remained steadfast. But he was reputed bigoted rather than pious. His trade by its nature is liable to the condemnation of the clergy as, at the best, frivolous; at the worst, corrupting. Moreover by the narrow standards of the age his habits of life were self-indulgent and his utterances lacked prudence. And at the very time when the leaders of his Church were exhorting their people to emerge from the catacombs into the forum, to make their influence felt in democratic politics and to regard worship as a corporate rather than a private act, Mr. Pinfold burrowed ever deeper into the rock. Away from his parish he sought the least frequented Mass; at home he held aloof from the multifarious organizations which have sprung into being at the summons of the hierarchy to redeem the times.
But Mr. Pinfold was far from friendless and he set great store by his friends. They were the men and women who were growing old with him, whom in the nineteen-twenties and thirties he had seen constantly; who in the diaspora of the forties and fifties kept more tenuous touch with one another, the men at Bellamy’s Club, the women at the half-dozen poky, pretty houses of Westminster and Belgravia to which had descended the larger hospitality of a happier age.
He had made no new friends in late years. Sometimes he thought he detected a slight coldness among his old cronies. It was always he, it seemed to him, who proposed a meeting. It was always they who first rose to leave. In particular there was one, Roger Stillingfleet, who had once been an intimate but now seemed to avoid him. Roger Stillingfleet was a writer, one of the few Mr. Pinfold really liked. He knew of no reason for their estrangement and, inquiring, was told that Roger had grown very odd lately. He never came to Bellamy’s now, it was said, except to collect his letters or to entertain a visiting American.
It sometimes occurred to Mr. Pinfold that he must be growing into a bore. His opinions certainly were easily predictable.
His strongest tastes were negative. He abhorred plastics, Picasso, sunbathing, and jazz—everything in fact that had happened in his own lifetime. The tiny kindling of charity which came to him through his religion sufficed only to temper his disgust and change it to boredom. There was a phrase in the thirties: “It is later than you think,” which was designed to cause uneasiness. It was never later than Mr. Pinfold thought. At intervals during the day and night he would look at his watch and learn always with disappointment how little of his life was past, how much there was still ahead of him. He wished no one ill, but he looked at the world sub specie aeternitatis and he found it flat as a map; except when, rather often, personal annoyance intruded. Then he would come tumbling from his exalted point of observation. Shocked by a bad bottle of wine, an impertinent stranger, or a fault in syntax, his mind like a cinema camera trucked furiously forward to confront the offending object close-up with glaring lens; with the eyes of a drill sergeant inspecting an awkward squad, bulging with wrath that was half-facetious, and with half-simulated incredulity; like a drill sergeant he was absurd to many but to some rather formidable.
Once upon a time all this had been thought diverting. People quoted his pungent judgments and invented anecdotes of his audacity, which were recounted as “typical Pinfolds.” Now, he realized his singularity had lost some of its attraction for others, but he was too old a dog to learn new tricks.
As a boy, at the age of puberty when most of his schoolfellows coarsened, he had been as fastidious as the Bruiser and in his early years of success diffidence had lent him charm. Prolonged prosperity had wrought the change. He had seen sensitive men make themselves a protective disguise against the rebuffs and injustices of manhood. Mr. Pinfold had suffered little in these ways; he had been tenderly reared and, as a writer, welcomed and over-rewarded early. It was his modesty which needed protection and for this purpose, but without design, he gradually assumed this character of burlesque. He was neither a scholar nor a regular soldier; the part for which he cast himself was a combination of eccentric don and testy colonel and he acted it strenuously, before his children at Lychpole and his cronies in London, until it came. . .
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