The Legend of Broken

by Caleb Carr, George Guidall, John Curless

Genres: Action & Adventure; Historical Fiction; Literary Fiction; General Fiction

Synopsis

Caleb Carr's penchant for blending history with rich storytelling propelled him to the #1 spot on the New York Times best-seller list. Here Carr weaves a genre-bending saga that follows the fortunes of Broken, a wealthy fortress city where clashing steel decides who reigns. While Sixt Arnem, leader of the king's army, prepares for war, powerful merchant Lord Baster-kin hatches his own devious plot. Outside Broken, a group of exiles known as the Bane, led by the female tracker Keera and the philosopher Caliphestros, strive to breach the city walls.

Release date: November 27, 2012

Publisher: Random House

Print pages: 752

Sample

Part•One

The•Moon•Speaks of•Death

November 3, 1790

Lausanne

Are there reasons to count the central elements of the tale credible?

There are. First, the location of the small but evidently powerful realm of Broken can easily be calculated: The narrator’s mention of it as lying outside the northeastern borders of the western Roman empire place it somewhere in Germania, while his descriptions of the dramatic countryside call to mind not only the fertile fields of the Saale and Elbe River valleys, but, even more pointedly, the dense, timeless forests of Thuringia and Saxony, in particular the Harz mountain range—the highest point of which is a summit called Brocken (the “c” was evidently dropped in the Broken dialect, with the result that the word was pronounced much as it would have been, and is, in Old and Modern English). This mountain has ever been infamous as the supposed seat of unholy forces and unnatural rites,† and its physical attributes conform closely to the mountain atop which the city of Broken is said to have stood (particularly its summit of stone, which bears some resemblance to the Gallic stronghold of Alesia, although it was far superior from a military perspective).

As to the customs and culture of the people of Broken, they were certainly more developed than anything that can be found in central Europe between the fifth and eighth centuries a.d., the period during which the greater part of the kingdom’s history seems to have transpired. But this difference can, I believe, be accounted for by the unidentified narrator’s assertion that the kingdom’s founding ruler, one Oxmontrot, and several of his tribesmen once fought as barbarian auxiliaries for both the Western and Eastern regions of the Roman empire. Evidently this chieftain possessed not only a brutal sword arm, but a potent intellect, as well, which absorbed and made use of many of the most beautiful, noble, and administratively effective Roman traditions.

Unfortunately, he also legitimized the beliefs of his less perspicacious companions, who had been drawn into several of the most extreme Roman cults of sensuality and materialism that had been organized around such deities as Elagabalus [var. Heliogabalus] and Astarte, and who wished to form a similar new faith of their own. This longing took the form of a similarly secret and degenerate cult, one that was permitted by Oxmontrot to become the new faith of the kingdom of Broken, for reasons that will become clear. The faith was organized around what had, until then, been a minor deity in Rome’s eastern provinces, one called Kafra; and his dominance would lead to the second most important development in the early years of Broken, the creation of the race of exiles known as the Bane.†

—Edward Gibbon to Edmund Burke



1:{i:}

My pitted skull sees once more, and my bleached jaws crack to tell the secrets of Broken . . .

And so these words have at last risen from the ground in which I will inter them, defying Fate as my homeland of Bro ken never can. The city’s great granite walls will remain shattered, until they again become the shapeless raw stone from which they were fashioned. Do not pretend, scholars unborn, that you know of my kingdom; it is as windblown and forgotten as my own bones. My purpose now is to tell how this tragedy came to pass.

Do you wonder at my saying “tragedy”? How can I say anything else, when I know full well that historians of your day will be unable to state with conviction whether Broken ever existed at all, despite its magnificent accomplishments? When I know that its enemies, as well as some of its most loyal citizens—to say nothing of Nature itself—shall work as hard as they evidently have done to dismantle the great city’s magnificent form? And that I, from whose mind that magnificence sprang, still deem the destruction just . . .†

Above all, consider this, before going on: You are embarked on a journey in which every cruelty, every unnatural urge, and every savagery known to men plays a part; yet there is compassion here, too, and also courage, although it is one of the peculiarities of the tale that each of these qualities appears when it is least expected. And so: let strength of heart guide you through each period of confusion to the next point of hope, keeping despair from your soul and allowing you to learn from this history in a manner that my descendants—that I—never could.

Yes, I became utterly lost . . . Do I remain so? My own family whispers that I am mad, just as they did when I first spoke of recording these events with the sole purpose of burying the finished text deep in the Earth. Yet if I am mad, it is because of these visions of Broken’s fate: visions that began unbidden long ago and have never departed, regardless of how desperately I have begged more than one Deity for peace, and no matter what intoxicating potions I have consumed. They weight me down, body and spirit, like a stone-filled sack about the neck, dragging me under the surface of my Moonlit lake, down to those depths that teem with so many other bodies . . .

I see all of them, even those that I never truthfully saw in life. They ought to have faded: it has been more than the span of most men’s lives since I returned from the wars to the south† and the apparitions began, and it has been half again as long since I came back from my voyage to the monks across the Seksent Straits,‡ who revealed to me the meaning of my visions, that I might record all that I know to be true, against the day when someone, when you, would stumble upon my work, and determine if the mind that had created it yet deserves to be called mad.

But there will be time enough for all such deliberations, while there is precious little, now, to explain what you must know about my kingdom before our journey can begin. Yet the monks under whom I studied warned against plain recitation; and so—imagine this:

We tumble together out of the eternal heavens, where all ages are as one and we may meet as fellow travelers, toward the more constrainèd Earth, which is, at the moment of our approach, in an era earlier than your own, yet later than mine. Passing through the mists that envelop a range of mountains more impressive than lofty, more deadly than majestic, we soon come to the highest branches of a perilous expanse of forest. The variety of trees seems nearly impossible, and the whole forms a thick green roof over the wilderness below; a roof that we, in our magical flight, shall penetrate with dreamlike ease, eventually settling on a thick lower limb of one obliging oak. From our perch we are afforded an excellent view of the woodland floor, lush and seemingly gentle; but its wide carpets of moss frequently conceal deadly bogs, and its stands of enormous ferns and thick brambles are capable of cutting and poisoning the toughest human flesh. Even beauty, here, is deadly: for many of the delicate flowers that emerge from the mosses or cling to the trees and rocks offer fragrant elixirs fatal to the greedy. Yet those same extracts, in the hands of the less rapacious, can be made to cure sickness, and ease pain.

Yet what of man, in this place? It was once believed that humans could not survive, here; for we have entered Davon Wood,†† the great forest that the people of Old Broken said was made by all the gods to imprison the worst of demons, in order that they might know the loneliness and suffering that they inflicted upon those creatures that they tormented. The Wood has always provided an impenetrable southern and western frontier for Broken, one whose dangers have been plain even to the wild marauders† that first appeared out of the morning sun generations ago, and that yet ravage neighboring domains. Only a few of these invaders have even attempted to traverse the Wood’s unmeasured expanse, and of that small number even fewer have reemerged, scarred and crazed, to declare the undertaking not only impossible but damned. The citizens of Broken were once content to view the Wood from the safety of the banks of the thundering river called the Cat’s Paw, which provides a perilous break between the wilderness and the richness of Broken’s best farming dales to the north and the east. Yes, once my people were content, with this limitation as with so many;‡ but that was before –­

Lo! They arrive ere I can speak their name—look quickly. There—and there! The blur of fur and hide, the glint of furtive eyes, the whole fluid: between, under, and over tree trunks and limbs, around and through nettle bushes and vine tangles. What are they? Look again; try to determine for yourself. Swift? Impossibly swift—they find pathways through the Wood that other animals cannot see, still less negotiate, and they navigate those courses with an agility that makes even the tree rodents stare in envy—