Take Back Plenty

Book 82: S.F. MASTERWORKS

by Colin Greenland

Genres: Science Fiction; Sci-fi Action & Adventure; Space Opera

Synopsis

A fast-moving space adventure featuring mysterious aliens, a journey to a de-populated planet, a mad run from space cops, a ship captain in trouble, and her AI (Artificially Intelligent) companion/ship's computer. It is carnival time on Mars, but Tabitha Jute isn't partying. She is in hiding from the law, penniless and about to lose her livelihood and her best friend, the space barge "Alice Liddell". Then, the intriguing Marco Metz offers her some money to take him to Plenty, and then the adventure begins. Winner of both the Arthur C. Clarke Award for best science fiction novel of the year and the British Science Fiction Association Award for best novel of the year--the only book ever to win both prestigious British awards. Winner of the Arthur C. Clarke Award for best novel, 1991 Winner of the BSFA Award for best novel, 1991

Release date: January 10, 2013

Publisher: Gateway

Print pages: 496

Sample

INTRODUCTION

Joy, I’d argue, is the central note of space opera. There are plenty of other effects that space opera stories can create – excitement, awe at the infinite, surprise at the way the plot turns. But space operas are so often audacious that often one’s first reaction to the best of them is simply to smile.

Joy is certainly one of the central notes of Take Back Plenty (1990). It was Colin Greenland’s fourth novel, following the fantasy Daybreak on a Different Mountain (1984) and two other linked novels. Take Back Plenty won all the major UK SF awards; perhaps more potently, it also helped revive space opera in this country. At the time, the most prominent British space opera writer was Iain M Banks, who had published the first few novels in his Culture sequence. But they were set in the far future, with inventions and societies very far removed from the here-and-now. Take Back Plenty, by contrast, is set in our own solar system. It’s much more visibly rooted in the world that the reader knows. This is a future where – for instance – the question of whether you have a job is as pressing as it is now. Tabitha Jute, the protagonist, is far from being idealised or sentimentalised: it’s easy to imagine her trying to get by in the Thatcherite Britain from which Greenland was writing.

Greenland himself wrote a couple of sequels, Seasons of Plenty (1995) and Mother of Plenty (1998). But I’d argue that the influence of this book goes wider than that. Newer authors like Alastair Reynolds, Justina Robson, and Ken Macleod all in their various ways took forward Greenland’s sense of space opera as a venue where one could be playful and serious at the same time. That playfulness is manifested particularly in the way Take Back Plenty plays with earlier stories in the genre. Greenland is clearly deeply knowledgeable about these predecessor works, and I suspect that a full listing of the references he makes would itself be book-length. To take an early example, there’s the naming of places on Mars as Barsoom and Bradbury, and the reference to ‘hacking down whole forests of the Red Weed’. Even if you don’t register that the last is a riff on H G Wells’ The War of the Worlds (1898), it creates an impression anyway: that this solar system is saturated with earlier stories.

This is especially visible in Tabitha’s conversations with her sentient ship, the Alice Liddell. Alice Liddell was the name of the young girl who inspired Charles Dodgson to write Alice’s Adventures in Wonderland (published in 1865 as by Lewis Carroll). I think this name is a deliberate cue. There is more than a passing resemblance between Tabitha’s journeys and those depicted in Carroll’s book: the seemingly picaresque wandering from one set-piece to the next, the exuberant implausibility of much of what happens, the sense that much of what happens is a performance for our benefit. And what Tabitha does in these conversations with her ship is that she tells her stories. Tabitha, of course, is far more worldly-wise than the child Alice. She’s also far from a blank canvas: at the very start of the book, we’re already told something of her notoriety. But both Tabitha and Alice are in stark contrast to the garishness of the world they move through.

For all the grim realism of some of Tabitha’s adventures, the main impression one takes away from this book is its vividness. Look, for example, at how often Greenland focuses your attention on the colours visible in a particular scene (it’s a trait he shares with a very different author, J G Ballard). Look at the constant inventiveness, the desire to dazzle the reader with new ideas and inventions. It’s possible to think of Take Back Plenty not as a plotted story – though it is one, to be sure – but as a montage of all the best stuff you remember from books like this of the past. Or, to take another metaphor, it’s like a three-ring circus into which new acts are ushered every so often. What else can you do but applaud?

Graham Sleight

1

‘Nabe?’ said the port inspector.

‘Jute,’ she told him.

‘Giv’d nabe?’

‘Tabitha.’

‘Status?’

‘Owner operator.’

‘Shib?’

‘The Alice Liddell,’ said Tabitha.

He lifted his close-shaven muzzle and looked at her hard over the monitor of his reader. ‘Tybe and registratiod ob shib,’ he said.

‘Oh, right,’ said Tabitha. ‘Bergen Kobold. BGK zero—’

She shot her cuff and checked her wrist monitor. She could never remember the Alice’s registration number without looking it up, though she saw it twenty times a day. ‘Zero-nine-zero-five-nine.’

‘Burbose ob bisit?’

‘I’ve got to see a man about a job,’ she said. ‘Look, could you hurry it up, do you think?’

But he was an Eladeldi, he was entering everything with his paw stylus and checking her record. His tongue was hanging out.

Tabitha sighed in annoyance and drummed her fingers on the desktop.

She looked around the hall. All the other queues were moving right along. Locals simply had to slot a tag and step through the gate. Just her luck to get an Eladeldi.

She knew what he was going to say next as soon as he opened his little purple mouth.

‘Records show registratiod ob debectib axis lock crystal,’ he said. ‘Two budths ago.’

‘Yes,’ said Tabitha.

‘Not yet reblaced,’ he observed.

‘No,’ she said. ‘That’s why I’ve got to see a man about a job.’

But he still had to print out yet another copy of the Capellan regulations about acceptable levels of degradation on axis lock crystals before he let her through the gate.

She stuffed the printout into her bag, where – somewhere – three other copies were already lurking, and looked at the time.

‘Shit,’ she said.

The commercial terminal was closed for some kind of police operation. Tabitha found herself being diverted down a long underground tunnel to the civil concourse. It was swarming with people. Spacers in livery jostled with porters, human and drone. Eager evangelists pressed prophecies of the imminent Total Merge into the paws, fans and hands of glazed-looking tourists. Holos for local businesses, net stations and archaeological attractions competed for attention, whooping and gyrating on their daises. The hubbub was even more deafening than usual.

Of course: it was carnival.

Tabitha’s headset suddenly locked into an ambient channel and began to tinkle with tinny salsa. Irritated, she snatched out the earpiece and let the set dangle round her neck. She had to get a move on if she was going to make it to the city before noon. Hoisting her bag, she sidestepped a cargo float, waded through a crowd of squabbling Perks and elbowed between two Alteceans and a city guide they were trying to haggle. Stepping high in the light gravity and brandishing the bag before her, she ploughed her way out into the open air.

Outside, it was dusty and cold. Grit whirled in the biting desert winds. Half-naked children with slit eyes and matchstick limbs worked the emerging crowd with grim efficiency. Tabitha Jute pulled up the collar of her old foil jacket and strode off past the concession stalls, looking for transport.

The queues for air taxis would be impossible. She took the slidewalk to the canal. The queues there were just as bad. Fortunately most of the tourists were after a robot hover, which she couldn’t afford anyway. Then – a stroke of luck – she cut in front of a white family still cooing over the colour of the water, and managed to sling her bag into an arriving boat.

‘The Moebius Strip,’ she called.

The cries of the annoyed sightseers dying away behind them, they left the wharf and slid off downstream. Tabitha sat in the stern and watched the olive groves and sponge gardens on either bank swiftly give way to shipyards, silica refineries and air plants. In the distance for a moment the complicated towers of Schiaparelli rose. Then coral pink walls of rock closed about them as they took the deep cut into Wells.

‘Here for carnival?’ the driver asked Tabitha, in tones of boredom and resentment which didn’t lessen when Tabitha said no. She was a Vespan, brooding with hostile humility, like all of them. The atmosphere had mottled her long cheeks with brown blotches. She complained about the cold.

‘It was better before they knock the dome down,’ she said. ‘Was you ever here when we had the dome?’

‘Before my time,’ said Tabitha.

‘We had good warm then,’ said the driver. ‘Then they knock the dome down. They say they gone put up solar.’ Her mobile features squeezed themselves around sulkily. ‘They never. They still argue, argue, who gone pay.’

She lifted her elbows. She looked like a bundle of spoiled green peppers in a brown felt overcoat. Her glossy lobes were withered and shrunken, the soft pouches of her face sagging in permanent despair. Tabitha wondered how long the woman had been scratching a living on the waterways, complaining to uncaring passengers, never quite summoning up the cash or the strength to take the long haul home.

They swept along the crimson canal into the purlieus of the new city. There the cries of the watersellers and the buzz of taxis came wafting on the wind, strident and echoing across the dirty water. A team of Palernian prostitutes, their wool in frizzy perms, sat smoking and dangling their legs in the sunlight on the steps below the Malibu Arcade. They hooted and waved at the boats as they whizzed by. Tabitha’s driver started to complain about them. Tabitha shifted forward along the cracked red bench.

‘I’ve got some calls to make,’ she said.

She ducked into the phone hood, unreeled the plug from her headset and plugged in. The scratched little screen played her a little tune and showed a phone company logo. Then there were ads, more than ever for the sake of the season. In a window in the bottom left hand corner of the screen Tabitha watched her credit flickering merrily away.

She tried the Moebius Strip, but all she got was an answering routine. She tried another number. She waited.

They passed a sulphur felucca with a crew of children. They were towing a desert manta on a long black line. It dipped and fluttered in the chilly air, its wings drab and flaky.

At last Tabitha got through. On the phone an oily face cracked a smile as she identified herself. ‘In for the carnival?’

‘No, business,’ she said. ‘Carlos, how much is an axis lock crystal these days?’

‘What you got?’

‘A Kobold.’

‘Still driving that old thing? She’s gonna fall apart on you one of these days.’

‘That’s what she keeps telling me,’ said Tabitha. ‘Come on, Carlos, I’m in a hurry, how much?’

He told her. She swore.

He shrugged.

‘That’s what you get for flying antiques,’ he said unsympathetically. ‘Can’t get the parts.’ He scratched his ear. ‘I could do you a great deal on a Navajo Scorpion.’

‘Piss off, Carlos.’

She thought of the Alteceans, back at the port, snuffling over their bags and parcels. ‘Look, have you seen Captain Frank lately?’

‘A crystal for a Kobold, yeah, that’s about ol’ Frank’s speed,’ he grinned. ‘Try the flea market.’

‘Thanks very much, Carlos.’

‘Cheer up, Tabitha,’ he bade her. ‘It’s carnival!’

2

Carnival in Schiaparelli. The canals are thronged with tour buses, the bridges festooned with banners. Balloons escape and fireworks fly. The city seethes in the smoky red light. Though officers of the Eladeldi can be seen patrolling everywhere, pleasure is the only master. Shall we go to the Ruby Pool? To watch the glider duels over the al-Kazara? Or to the old city, where the cavernous ancient silos throb with the latest raga, and the wine of Astarte quickens the veins of the young and beautiful? A thousand smells, of sausages and sweat, phosphorus and patchouli, mingle promiscuously in the arcades. Glasses clash and cutlery clatters in the all-night cantinas where drunken revellers confuse the robot waiters and flee along the colonnades, their bills unpaid, their breath steaming in the thin and wintry air.

Reflected off the oily water, a thousand coloured lights flicker and glow on the scoured faces of the buildings. A thousand noises batter the attendant ear, calliopes and stridulators, cannonades and sirens, all mingling with the babble and slur of happy voices. Even the screeching rasp of a police hover forcing its slow way upstream can scarcely cut the din. The cop, a human, leans on his screamer, twice, and stalls. In the shiny black carapace of his servo-armour he looks stiff and offended, like a gigantic beetle beset by ants.

They pulled in at Mustique Boulevard, below the skate bowl. Grubby urchins stood on the wall, sucking steaming mossballs and shouting abuse at each other.

‘This isn’t the Moebius Strip,’ said Tabitha.

The morose boatwoman jerked an elbow. ‘Close as I can, sister. Grand’s closed for the procession.’

Annoyed, Tabitha paid her and leapt easily to the landing stage. Her jacket flashed and sparkled with sodium light, her boots crunched on the sandy boards.

Picture her, Tabitha Jute: not as the net media show her, heroine of hyperspace, capable, canny and cosmetically enhanced, smiling confidently as she reaches with one hand for the spangled mist of the Milky Way; but a small, weary young woman in a cracked foil jacket and oil-stained trousers, determinedly elbowing herself through an exuberant Schiaparelli crowd. She stands 162 in her socks, broad in the shoulder and the hip, and weighs about 60k at 1g, which she very rarely is. Her hair is darkest ginger, cut in a conservative spacer’s square crop. Her skin is an ordinary milky coffee, and freckles easily, which she hates. Here she was, in after a stiff haul back from Chateaubriand, spacelagged and frazzled, needing a shower. There were dark olive bags under her hazel eyes. You wouldn’t have given her a second glance that evening, amid the florid, the fancy and the flash.

Not that there was much of that around here. This was definitely the scrag end of the festivities. She ducked beneath the concrete walkway and strode along an avenue of makeshift stalls lashed together from pipes and planking, weaving a path between the strolling browsers. Overhead, lines of biofluorescents snaked from pole to pole, tied on with string. Tabitha had come to the flea market after all.

Some of the stallholders had made an effort for the carnival. There were masks and bunting decorating their displays of scuffed cassettes and second-hand knitting. Here were bright clothes: everything from aluminium shoes to cheap and garish movie shirts of winking kittens and prancing unicorns and swivelling strippers. Collectors rummaged in boxes of sunglasses, discussed the merits of filched scraps of cruiseliner trim. Two scrawny women in tiny dresses sat behind a table of china animals, painting each other’s faces by the warmth of a dilapidated reactor stove. One of them whistled at Tabitha as she squeezed by.

A decommissioned shop robot leaned from under its canopy and fired a burst of sublim at her, filling her head with sun-dappled pools, the smell of honeysuckle, desire. A yellow child tried to interest her in a jar of dead flies. Round the corner were the Alteceans in their cardigans, their conical caps of brown felt, presiding over accumulations of human refuse. On high stools they squatted, hunched in their habitual dolour, their snouts inflamed and dripping in the irritant air. They snuffled and sighed to each other, beckoning Tabitha, knowing a haulier when they saw one.

‘Axis lock crystal?’ she shouted. ‘For a Bergen Kobold?’

The Alteceans wheezed moistly at her, waving their paws at their mounds of surplus respirators and dismantled heat-exchangers as if these treasures were all one could possibly require in life. Tabitha spent a valuable minute dragging out from under a heap something that looked promising but proved to be a caustic diffraction coil. She threw it back. She was wasting time.

Dodging a band of spacers in Shenandoah colours braying drunkenly out of a bar and shoving one another about, Tabitha pushed ahead into the crowd that lined the banks of the Grand Canal. She circumvented fat tourists in fancy dress, civic marshals in baggy overalls, then a personal camera drone, its head swivelling back and forth as it scanned the canal for its owner at home. A sailing ship was passing, its mylar sails flapping in the gusty wind. Behind it crawled a hoverbus of MivvyCorp employees having a party. Through the rigging of the schooner a five of Palernians could be seen, making a nuisance of themselves on a flimsy raft. They were hooting and flapping their great woolly arms as they tried to climb on to a private jetty. A tall woman leaned from a balcony and emptied a bucket of water over them. Hanging over parapets and out of windows, clustering in the streets and on the rooftops, the crowd whistled and applauded.

As Tabitha was trying to get past a couple of coked-up Thrants in expensive shakos and boiled leather, one of the Palernians turned a clumsy somersault, and one of the others pushed her into the canal. They yoicked and whooped. A spark-boat sputtered by, filling the air with the smell of ozone. In it a couple in electric suits were arcing and fizzing to the hefty thump of a jumpbox. The Palernians bounded up and down in excitement, flooding the raft and endangering their coolers. As a cop arrived, his cyclops helmet protruding above the heads of the crowd, the woman was lowering her bucket at the end of a rope, shouting to a gaggle of little painted boys for a refill.

Tabitha leaned out over the railing. She could see the Moebius Strip. It was only another hundred metres: there, just beyond the float full of oversized Capellans, dummies, their huge bald heads bobbing with grave benevolence as if conferring blessings on the excited crowd.

Carnival in Schiaparelli. Cold, dusty city, full of holiday-makers and noise and smells and dirt. Wherever you go, now, you will meet people who will tell you that Schiaparelli was a fateful city for Tabitha Jute. It was in Schiaparelli that she met Tricarico, who brought her aboard the Resplendent Trogon, which led her into the presence of Balthazar Plum – and if it hadn’t been for all that, she would never have acquired the Alice in the first place. Likewise, here she was now, years later, in Schiaparelli, heading for a fateful encounter which would completely and utterly change her life, my life, all our lives. She was at the top of the steps leading down to the front door of the Moebius Strip. She could see the lights inside, the drinkers and gamblers.

And then the Perks came, scurrying up the steps on all fours like rats out of a cellar.

3

Tabitha made a mistake. She made the mistake of trying to go forward, down the steps, through the upcoming Perks.

‘Hey, woman! Woman watch it!’

An oily-pelted male with piercing green eyes reared up under her feet, knocking her sprawling on her bottom.

At once they were all around her, perching up on their hindlegs like scrawny otters in black leather and chrome ear-bands.

Not about to argue, Tabitha started to get her feet under her.

They grabbed her. Twenty thorny little paws caught hold of her jacket, her trousers, her arms. They scrabbled at her bag.

‘Hey! Get off!’

They pulled her down on her back again. She wallowed in the flimsy gravity. As she scraped her heels against the steps, trying for purchase, the alpha male jumped up on to her hip, then down between her legs. He stood there in her crotch, weaving sinuously from side to side, hunching his shoulders, his flat little head squealing down into her face.

‘Cheeeeeeee!’

Tabitha sat up fast, jerking her hips back from the snarling Perk. Several of his cousins and brothers went flying. She hauled her arm from the grip of two more and jabbed a finger at the little alien.

‘Get out of my way!’

‘In our way, woman.’

‘Cheee!’ they all went. ‘Cheeeeee!’

The feathers were all bristling up the backs of their heads, on the tiny muscular shins that protruded from the legs of their breeches. They flexed their claws on their medallions, up and down the zips of their jerkins. The ones she had just knocked down were on their feet again, hopping on the steps around her. Some of them were clutching tubes of beer, bottles of chianti. The men had exaggerated their black eye-sockets with kohl and mascara. They sneered at her, baring their tiny incisors. Their breath smelled of stale fish.

‘Whass’n hurry, woman?’ said the Perk between her legs, taunting her. ‘Missa parade!’

Tabitha realized he was drunk stupid. She cooled a degree or two. She hadn’t time for a fight. Clutching her bag, she tried to get up again, but they were hanging on her shoulders.

‘Get off me!’

‘Whassa fire, woman? Whassa party, woman?’

He made a lunge at her. She threw up an arm, fending him off.

Another one, older, the barbs of his feathers going soft and ashy, burrowed under her raised arm.

‘You tread on us! You’n knock us down!’

‘Okay, I’m sorry! All right? I’m sorry! Now just let go of me, all right?’

She tried again to stand up. When the wiry little creatures obstructed her again, she hauled them off their feet. They all squealed, ‘Cheee! Cheee!’

A couple came out of the Moebius Strip, a yellow woman in video shades and a black one in a tubecoat, basilisk teeth plaited into her hair. They glanced at Tabitha encumbered with Perks, forcing their claws from her arms, standing on one foot trying to shake one that was hanging on to her leg. The women glanced at the fracas and stepped delicately aside on the steps as they passed by. The yellow one muttered a remark to her companion, who laughed and sucked on a cigarette.

A tall man in a cloth cap came after, hurrying to catch them up. Tabitha heard his bootheels tap up the steps behind her. She winced as long black claws met in the flesh above her elbow. It was like being wrapped in barbed wire by a gang of fox terriers.

She heard something rip.

The Perks come from the third planet of a G class system in the region of Betelgeuse, where they live in warrens, underground, which is perhaps why they took so readily to the tunnels of Plenty. There may be something endemic to the more ferocious subterranean dweller about suspicion, aggression, an unquestioning pack instinct backed up by heedless hostility to all outsiders. Leaving the deep hearth for whatever reason, hunger, duty, sexual imperatives, you trot along the lightless, complicated corridors of the buried labyrinth, their ambient odour a composite of you and all your kin. Suddenly you hear the scrabble of claws coming in the opposite direction. Friend, foe, relative, rival? Behind you lie your siblings, perhaps your own offspring, curled and mewing, tender in the warm dark. What option have you in that moment of social uncertainly but to bare your teeth, to ready your claws?

At any rate, it seems to be so for the Perks. There is nothing Perks like so much as a good fight. When the time came for civilization on the planet of the Perks, they built war-trains, undermining engines, mole bombs. It is unclear what motivated Capella to bestow the space drive on the little rodents. In all possibility the Perks merely infested their own elusive craft, following their urge to burrow into whatever comes along.

Tabitha lost all patience with them. She could see her goal ahead of her, so close she was practically inside. She had struggled halfway across Schiaparelli to get there. She was not about to stop and engage in a scrap on the very doorstep of the bar. Nor was she about to lose her jacket to a gaggle of overdressed hooligans. With a yell she thrust herself at their leader.

The neck of the Perk is very long. It accounts for the curious, rather comical way they have of standing perfectly upright and perfectly still while surveying their surroundings with a quick 2408 swivel, like a furry periscope. Tabitha seized her chief aggressor by the neck with both hands. She swept him off his feet as the forward momentum of her lunge carried her upright, shedding Perks left and right with a shake of her shoulders.

All might still have gone well. Or ill, depending on your view of all that happened in consequence. But Tabitha’s blood was up. She flung the choking, clawing creature from her. She flung him into the Grand Canal.

‘Cheeeeeeee—!’

Instinctively drawing in his limbs and curling his long back, the Perk sailed out of her grasp and over the edge of the steps like a furry stone in a leather jerkin. Horrorstruck for the instant, his cronies stood and squawled with outrage. Spectators and bystanders on the canal bank turned and stared, not knowing what it was that had flashed past them, hurtling towards the water. The filthy, carmine, oily water. The water he never actually hit.

For at that moment, directly below the steps that led down to the Moebius Strip, the float of dummy Capellans was purring serenely by.

Tabitha watched in diminishing triumph and mounting dismay as the Perk fell through the smoky air and struck one of the huge statues directly on the head. With a crack audible above the gasp of the crowd, the impact smashed a large hole in the fabric of the great white dome. Knocked from its invisible supporting cradle of needle-thin tractor beams, the effigy swayed. It bowed its ruined head to its chest as if to inspect the squealing assailant now hanging from its buckled shoulder with frantic claws. It swayed, and continued to sway. Its arm fell off, clattering to the deck with the Perk still clinging to it. Its benevolently smiling head fell off and bounced with a sickening crunch from the beam projector into another of the statues, knocking it off the deck of the float and into the canal. Meanwhile, breaking apart like a toppling chimneystack, its body collapsed and felled another, which threw up an arm as it went down, as if thinking to save itself by grabbing hold of one of its remaining upright companions.

There was no hope it could save itself; nor any for Tabitha either. Standing staring appalled at the devastation she had caused, she became aware that the Perks had not instantly attacked her in retaliation for their leader’s ignominious defeat. Indeed, they had melted away into the crowd. The hand that fell upon her arm was a paw; but not a tiny black-clawed paw, a hefty one with silky blue fur protruding from the sleeve of a night-black uniform.

It was the cops.

4

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I can’t stand it in there. Alice.

WHAT HAVE YOU DONE, CAPTAIN?

I don’t want to talk about it.

Why do I do these things, Alice? Why do I get myself into things like this?

INSUFFICIENT DATA

Is that an answer?

NO, CAPTAIN, I SIMPLY MEANT THAT IF YOU DON’T TELL ME WHAT YOU’VE DONE I CAN’T MANUAL OVERRIDE

Sorry. Alice.

HELLO, CAPTAIN. WHY ARE YOU APOLOGIZING TO ME?

Oh, nothing, Alice. Don’t worry about me. I’m just in a foul mood. I just wanted some company.

THAT SEEMS TO BE ABUNDANT INSIDE AT PRESENT, CAPTAIN.

That’s why I’m out here.

DO YOU WANT TO TELL ME ABOUT IT?

No.

TELL ME A STORY, THEN.

A story? I don’t know any stories. I’m from the Moon.

WE’VE NEVER BEEN TO THE MOON. HAVE WE?

It’s boring. Nothing happens there. Nothing happened to me until I got off the Moon.

BUT YOU WERE BORN ON THE MOON.

Yes, I was born on the Moon.

WHAT WAS THAT LIKE, BEING BORN?

I don’t know! I don’t remember.

THAT’S A PITY.

There’s nothing to remember. It’s a pit, the Moon. A dead end. A black hole.

THIS IS LUNA WE’RE SPEAKING OF, ISN’T IT.

Yes.

THOSE ARE METAPHORS, THEN.

Of course they’re bloody metaphors.

YOU ARE IN A FOUL MOOD.

Well, when you tell people you come from the Moon they always say. Really? And I say. Somebody has to be. And they say. Well, yes, I suppose so.

The next thing is, especially if they’re Terrans, they say. I’ve been to the Moon. And I say. Everybody’s been there, but they don’t have to live there. And they say. Well, yes, and they sort of smile. They think. She’s got a chip on her shoulder. You can see them thinking it. I haven’t got a chip on my shoulder. It’s them, always saying the same thing.

The other thing they say, if they’re Terrans, or actually, especially if they’re not, is. Well, you must have spent a good deal of time on Good Old Mother Earth. And we didn’t. We went down twice, to see grandma and grandpa. We hated it, Angie and me. We didn’t like grandma and grandpa, and we didn’t like their gravity either. I fell out of a tree. We reckoned Earth was horrible and backward. They didn’t even have network, where grandma and grandpa lived.

DID YOU NETWORK WITH ANGIE?

Oh, yes, we all did, a lot, though nobody ever talked about it. Everybody had a secret identity, so you could say what you liked and nobody knew who you really were. Networking was encouraged. It was supposed to be educational. It was, as long as you skipped all the educational stuff. What was good was the gossip and the lies. Angie was a Capellan princess in exile.

ARE THERE PRINCESSES ON CAPELLA? I DIDN’T KNOW THAT.

I don’t know, Alice. I don’t suppose anyone does. But that’s what you need on the Moon. To be a Capellan princess in exile, I mean. Otherwise it’s all just civics classes, vacuum drill, t’ai chi, monthly medicals, cleaning and maintenance rosters and not being able to go outside. Not that there’s anywhere to go.

I had one place I used t