Dead of Winter

Book 10: Mattie Winston Mystery

by Annelise Ryan

Genres: Female Sleuths; General Fiction; Police Procedurals

Synopsis

A new home, a new marriage, a new family. It's a lot to sort out. But before medicolegal death investigator Mattie can smooth out the unexpected chaos of her new life, duty calls. At the local ER, a battered and bruised teenage girl has been brought in by a mysterious man who claimed she'd fallen out of a car. The staff is suspicious, but while they attend to the teenager, the unidentified man slips out. Then the girl dies, but not before informing social worker Hildy Schneider that the man had her little sister as well.

Mattie's exam reveals forensic evidence of long-term IV drug use and physical abuse, findings consistent with Hildy's suspicion that the girl was a victim of human trafficking. They are able to confirm her identity as a teen who went missing six months ago, along with her sister—facts that are deeply unsettling to Mattie, who now shares a home with her husband's teenaged daughter.

Working closely with Hildy and homicide detectives, including her husband Steve Hurley, Mattie must delve into a dark underworld to stop the ruthless trafficking of human lives—before it's too late for another young girl . . .

Release date: February 26, 2019

Publisher: Kensington Books

Print pages: 352

Sample

I awaken and peer out of one eye at the clock on my bedside stand, hoping for another hour or two of sleep. Sadly, it is not to be. The clock reads 7:28—two minutes before the alarm is going to sound. I want desperately to close my eyes and go back to sleep, to snuggle down in the warmth of the covers and hide from the morning cold, to cuddle up next to my sleeping husband, bathing in the feelings of love and sanctuary he instills in me. Instead, I reach over and turn off the alarm before it starts clamoring. Bleary-eyed, I ease out from under the covers and sit on the edge of the bed, giving my senses a minute or so to more fully wake up. I listen to the sounds of the house and the gentle snores of Hurley behind me, feeling the coolness in the air, and letting my eyes adjust better to the dark.

Eventually I grab my cell phone and unplug it from the charge cord; then I slip off the last of the covers and tiptoe my way to the bathroom, hoping not to disturb my husband. He’s a homicide detective here in the Wisconsin town of Sorenson, where we live, and he works long hours a lot of the time. Plus, we are working parents of a teenager and a toddler, so sleep is a precious commodity for us both.

In the bathroom, I brush my teeth, don a robe against the morning chill, and tame my blond locks as best I can, though a cowlick on one side refuses to stay down, sticking out near my right temple like a broken, wayward horn. I eventually give up on the hair and tiptoe back the way I came, through the walk-in closet, and across the bedroom to the hallway. Our dog, Hoover, is asleep on the floor in front of the fireplace—a fireplace whose warmth I could use right now, though at the moment it’s dark and empty—and the dog gets up and falls into step behind me. I shut the door as quietly as I can, and then Hoover and I pad down the hall toward the bedroom of my two-and-a-half-year-old son, Matthew. I’m surprised he isn’t awake because he’s proven himself to be an annoyingly early riser who is typically anything but quiet. But when I reach his room, I realize he has stayed true to form and is, indeed, awake; he just hasn’t bothered anyone yet. His silence doesn’t bode well, and sure enough I find him standing stark naked, busily becoming the next Vincent van Gogh by drawing on his bedroom wall with an assortment of crayons.

“Matthew!” I say in an irritable tone that loses much of its effect because I don’t raise my voice. “Why are you drawing on the wall?”

Matthew looks guilty, but not enough so that he stops the scribble he’s currently making, something that looks like a giant purple cookie. He doesn’t answer me. I shake my head, walk over to him, and take the crayon from his hand, dropping it in a box at his feet that contains an assortment of crayons in all colors and sizes. When I pick up the box and place it on top of his dresser, Matthew lets out a bloodcurdling scream loud enough that a passerby might think he was being physically tortured. Some dark corner of my mind briefly entertains the possibility, before I take a deep breath and slowly release it, coming to my senses.

“I want crayons!” Matthew screams, pounding his fists on the wall.

“Hush before you wake up your father!” I rummage through his dresser drawers and grab some clothing for the day, and then take Matthew by the hand and head for the bathroom down the hall. As soon as we reach the hallway, he pulls free of my grip, runs back into his room, and resumes his crayon mantra, growing louder and more infuriated with each rant. I’m about to pick him up and haul him bodily to the bathroom when my cell phone rings.

“Damn it,” I mutter, taking the phone out of my robe pocket. I swipe the answer icon and back out into the hallway so I can hear above my son’s screeches. “Mattie Winston.”

“Hey, Mattie, it’s Heidi.” Heidi is a day dispatcher at the local police station.

“What’s up?” I plug a finger in my free ear to try to block out the sound of my son’s meltdown. I hear the bedroom door open down the hall and see our two cats, Tux and Rubbish, come flying out of the room as if the hounds of hell are on their heels. Behind them, Hurley, or “the hound of hell in our house,” shuffles and rubs his eyes. Hurley hates cats.

“The ER has a death to report,” Heidi tells me.

“Okay,” I say, stifling a yawn. “I’ll call them.” I disconnect and give Hurley an apologetic look. “Sorry about the noise.” I walk over and kiss him on his cheek. His morning stubble feels scratchy on my lips, and I note that he, too, has a cowlick on one side of his head. His, however, looks adorable. But then with that dark hair of his and those morning-glory blue eyes, how could he look anything but?

Hurley looks in at Matthew, who has decided to halt his screams now that his father is here. For some reason, Matthew saves most of his meltdowns for me. “I have to call the hospital,” I tell Hurley. “And your son over there has decided he’s Michelangelo and his bedroom wall is the Sistine Chapel.”

“I got it covered,” Hurley says, midyawn. He ventures into the room barefoot, clad only in his pajama pants, and I take a moment to admire his physique.

“I pulled some clothes out for him,” I say, setting them on top of the dresser.

Hurley scoops Matthew up in one arm, props him on his hip, and grabs the clothing with his free hand. The socks that are in the pile drop to the floor.

“Damn it,” Matthew says, looking down at the socks.

Hurley shoots Matthew a chastising look. “Hey, buddy, we don’t talk like that.”

“Mammy does,” Matthew says, using his unique combination of “Mattie” and “Mommy,” fingering me with no hint of guile or guilt.

Hurley looks over at me, eyebrows raised.

I flash him a guilty but remorseful smile, and make a quick escape back to the bedroom, where I shut the door and dial the number for the hospital. A minute later, I’m on the phone with a nurse named Krista.

“Sorry for the call,” she says, “but I have a young girl here in the ER who came in badly banged up. Shortly after arriving, she coded, and we weren’t able to bring her back. She was dropped off by this guy who was acting really weird. He disappeared sometime during the code and hasn’t come back.”

I close my eyes and sigh. I had hoped the death would be something straightforward, like an older person with a history of heart disease who came in with a myocardial infarction and died. Something like that I could have cleared over the phone after a quick consult with my boss, Izzy, the medical examiner here in Sorenson. But this death sounds like it won’t be a simple one.

“Okay,” I say. “I’ll be there in fifteen minutes. In the meantime, don’t let anyone into the room. If the guy comes back, see if security can get him to stay.”

“Got it.” She disconnects the call without any further niceties. All business, this dead stuff.

I strip off my robe and pajamas, and don some slacks and a heavy sweater. The February weather has been harsh of late, and I can hear wind howling through the trees beyond the bedroom window. I head into the bathroom, wishing I had enough time to take a shower and wash my hair. Instead, I wet a comb and attempt once again to make my cowlick lie flat. It refuses until I saturate that section of hair thoroughly, plastering it down to my head with my palm. But a few seconds later, it begins a slow rise again, the Lazarus of cowlicks.

I shrug it off, knowing I’ve gone out looking far worse. My job as a medico-legal death investigator often requires me to go out on calls in the middle of the night, and there have been times when my sleep-addled brain lacked the ability to accomplish basic tasks during those first few minutes of wakefulness. I’ve gone out on calls with my shirt inside out, wearing mismatched shoes, boasting Medusa hair, and displaying the remnants of makeup smeared beneath my eyes that I was too tired to remove the night before. I’m always fully awake and alert by the time I get into my car and head out, but by then the damage is done.

I find my boys in the kitchen, Matthew standing next to his father, who is tending to something in the toaster. I have a good guess about what’s in there, since there is a box of toaster waffles on the counter next to him. The smell of freshly brewed coffee hits me, and I take a moment to relish the smell. Then I indulge in what has become a morning ritual for me of late—I look around me.

Hurley and I have only been in this house for two months, and the newness of it is still a treat for me. We had it built after spending almost two years crammed into his small house in town. As a family of four—Emily, Hurley’s teenage daughter from a previous relationship, also lives with us—his house was crowded and uncomfortable. And for whatever reason, it never felt like my home. The entire time we lived there, I felt like a guest who had overstayed her welcome. Almost nothing in the house was mine, or even anything I’d had a say in picking out. I’m not sure why I felt this way, because when I left my first husband, a local surgeon, I abandoned, with nary a regret, all of the furnishings I had purchased and the décor I had chosen. I moved into the small mother-in-law cottage behind the house of our neighbor and my best friend, Izzy, and paid Izzy rent. The place was already furnished, so nothing there was mine, either. But I didn’t share it with anyone and it felt like mine, making it different somehow.

After bumping around together with Hurley in his house for a year or so, we bought a five-acre parcel of land just outside the city limits and built a house on a bluff that overlooks the countryside. We were able to move in right before Christmas, and while we didn’t have much time to decorate—not to mention an inability to find all the right boxes—I still reveled in our first Christmas here and knew I’d remember it forever. I love our new home; it is a place uniquely ours, a perfect blend of our ideas, tastes, and needs. Despite the fact that it is a large house with an open floor plan, it feels warm, cozy, and comfortable. Part of that comes from the design and décor, but another part of it is the sense of safety and family that it provides for me. Our house is my sanctuary, the place I go to when I need to escape the sadness and the sometimes-hectic pace of my job.

I step around Hurley so I can pour myself a cup of coffee to go. The hospital has coffee, but it’s rotgut stuff. I know this because I used to work there. I spent six years working in the emergency room and another seven in the OR. I loved working in the emergency room and had it not been for meeting David Winston, the surgeon who would eventually become my first husband, I probably would’ve stayed in the ER. But I made the change to the OR so that David and I could spend more time together. Unfortunately, David eventually decided to spend some very intimate time with one of my coworkers instead, and I caught the two of them one night in a darkened, empty OR. As shocking as this was—and it shocked my life into a state of major chaos for quite a while—the fallout from it led to both my current job and, via a rocky, roundabout trail, to my marriage to Hurley.

There are times when I regret making the change from the ER to the OR, though I have to admit that the slicing and dicing I learned how to do in the OR was good preparation for the job Izzy offered me when I fled both my marriage and my hospital job. David’s dalliance was well timed in one respect, because Izzy’s prior assistant had just quit. And since Izzy was offering me his cottage to stay in, it benefited both of us for him to offer me a job as well. It’s hard to pay rent when you’re unemployed.

I will be forever grateful to Izzy for taking a chance on me. I wasn’t trained in the intricacies of the investigative and forensic aspects of my new job, but I’m a quick study. It didn’t hurt that I’m also nosy, and fell into the investigative portion of things quite easily. Now, three years and a number of educational conferences and classes later, I have graduated from my original job as a diener—a term used to describe folks who assist with autopsies—to a full-fledged, medico-legal death investigator, trained in scene processing, evidence collection, and a host of investigative techniques.

As I reach for the coffeepot to fill my cup, I notice something on the door of the cupboard below. It is yet another of Matthew’s artistic creations, this time in Magic Marker.

“Matthew!” I say, pointing to the scribbled lines. “Did you do this?”

Matthew looks at the cupboard door, then at me. Without so much as a blink, or a hint of hesitation, he says, “No.”

“I think you did, Matthew,” I say. “Who else could have done it?”

“Hoovah,” he says.

“Really? Well, I guess I better punish Hoover then. What should I do to him?”

Matthew’s eyes roll heavenward for a moment, and he sticks his tongue out, a sign that he is thinking. Then he looks over at Hoover, who is lying beneath the table in hopes of a dropped morsel. “Bad dog!” Matthew says, apparently willing to throw Hoover under the bus if it will get him out of trouble. He wags a finger in the dog’s direction and repeats his admonition. “Hoovah bad dog!”

Hoover looks over at me and sighs, as if he knows the kid has just fingered him for a crime he didn’t commit. I look at my son, trying hard not to laugh. His antics and quick-on-his-feet lies amuse me, but I don’t want him to know it, lest it encourage more such behavior.

The toaster pops, revealing four waffles, and Matthew’s attention is instantly diverted, his crime forgotten. The kid inherited his father’s dark hair and good looks, but his food fixation is all from me.

“Awful,” he says, reaching up with one hand and doing a gimme gesture with his fingers.

Hurley takes one of the waffles out, puts it on a plate, and says, “It’s hot. Go sit at the table and I’ll bring it to you when it’s cool enough to eat.”

Matthew pouts, mutters, “Damn it,” and walks to the table with a scowl on his face.

Hurley shoots me a look. I smile and shrug, and then I give him a kiss on the cheek. “Can I beg one of those from you?” Taking a cue from my son’s clever diversionary tactics, I don’t wait for an answer. I snatch a waffle from the toaster, plug it into my mouth, and then head for the coat closet.

“Tell Richmond I’ll be in around nine if he picks up this, or any other case,” Hurley says to me.

“I’m sure he’ll be involved with this one,” I say, donning my coat. “Sounds like it may be a case of domestic abuse.”

I put on boots, gloves, and a hat, tearing off bites of the waffle as I go. It’s not much of a breakfast, but it will do for now. As soon as I’m fully armored against the elements, I walk over and grab my coffee cup from the counter, kiss my husband on his lips, kiss my son on top of his head, and head for the garage.

I start up my car—an older-model, midnight-blue hearse with low mileage—and hit the garage door opener. Outside, the sky has a heavy, leaden look to it, a harbinger of what is to come. I flip on the radio and listen as the morning-show host tells everyone that a huge winter storm is headed our way, due to hit our area tomorrow afternoon. “This one is going to be a doozy,” he says with a classic Wisconsin accent. “Expect heavy winds, freezing rain followed by snow, with up to a foot or more of accumulation.” Then, after issuing this forecast of gloom and doom, he says in a chipper voice, “Get those snowmobiles tuned up, people. And make sure you stock up on brats and beer.”

Despite his cheery tone, he’s promising this will be an impressive storm, even by Wisconsin standards. And that’s saying something.

I hope it’s not an omen for the day ahead of me.

My job in the medical examiner’s office entails understanding how, when, where, and why people die. Sometimes the answers are straightforward and the result of a natural evolution of events. It doesn’t make the loss any easier for those left behind, but at least the inevitability of it all, and the knowledge that the deceased had a good life, helps to mitigate the pain. Other times, death comes in an untimely, cruel, and unexpected manner through accidents, diseases, suicides, and murders.

I suspect today’s death is one of those latter types, a disheartening, sad, and avoidable event brought about by the brutality of another human being. It’s cases like this that make it hard for me to believe that we humans have evolved much because, at times, our capacity for cruelty toward one another seems to know no bounds.

As I enter the ER, it feels as if I never left, even now, nearly ten years after I worked here. It’s a unique environment, a place of rushed urgency, endured suffering, and, hopefully, relief. The people who work in ERs are unique, too, medical personnel who often sacrifice their meal and bathroom breaks, activities with their families, and sometimes their own health and well-being so they can help others. It’s a demanding place and pace, one that can go from zero to sixty in the blink of an eye. You either love it or hate it, and, at times, it’s possible to experience both—not only in the same day, but in the same hour. The intrinsic high of successfully resuscitating someone who was literally dead on arrival is kept in check by the failures: people who don’t survive, people who are given a devastating diagnosis, and people who are gravely and chronically ill.

My victim this morning, a girl whose medical record says she is eighteen, is one of the failures. I know from past experience that the knowledge of this fact will weigh heavily on everyone here. But the staffers have little time to dwell on it, or to deal with it, because the never-ending flow of misery continues, and the staff must put aside their own emotions long enough to care for those who are still living.

I doubt other patients and family members are aware of the sorrow being carried on the shoulders of those who care for them, but I can see it clearly. There is the faintest hint of a droop behind those professional smiles, a certain dullness in their eyes, and a slight slump in their shoulders as they walk away. To me, the sadness is as palpable as the walls around me, because I’ve experienced it myself.

I know the staff will talk about this case later when they hand off their patients to the next shift, and they’ll discuss it several more times in the days to come. It will likely be one of those cases that gets talked about for years, the memories carried in small recesses of the brains of those who were involved, destined to become part of the institution’s mythology. Each one of these cases takes a small part of you with it, and over the years they add up to a wound with the potential to erode one’s empathy, sympathy, and desire to help. The scarring left behind often leaves its victims a bit more jaded, a bit more cynical, and a bit less trusting of themselves, their power to heal, and of humanity as a whole. Turnover and burnout among ER staffers is high for this very reason.

I check in with the unit clerk behind the desk to find out what room my victim is in.

“Room four,” she says, and then she’s answering a phone, moving on to the next task.

No one is in the dead girl’s room when I enter, and I stop beside her stretcher and stare down at her, wondering about the life she had prior to the tragedy that took it. Her face is battered and bruised, one eye swollen shut, one cheek abraded, her lower lip split. A breathing tube has been placed down her throat, one end of it protruding between her full, bloodied lips. Despite these flaws, it’s easy to see that she was very pretty. Her long strawberry-blond hair is thick, splayed out around her head. Her eyes are a dark, rich blue, which makes me think of Hurley, and despite the light color, her lashes are long and thick. Behind those full lips is a set of even white teeth, miraculously unbroken. She is pale—unnaturally so, because of death—but I can see that her complexion was blemish-free, her skin smooth and youthful.

I set down the scene kit I brought with me—a tackle box filled with the tools of my trade—and retrieve a pair of gloves from a box on the wall in the room. I don the gloves, and remove a camera from my kit.

There is a patient gown covering the girl’s body, but she isn’t wearing it. It is laid over her, an inadequate blanket, an attempt to provide her with some semblance of privacy and dignity in this last and most undignified moment of her too-short life. I snap some pictures of her as she is, and then after checking to make sure the room’s curtain is fully closed, I pull the gown down to expose the rest of her body. Her chest is adorned with monitor stickers and defibrillation pads, all of them placed around young, pert breasts. IV lines have been placed in both of her arms, and I note that there are other, older puncture marks on her arms as well. I reach down with my gloved hand and palpate the forearm closest to me, feeling the hard, rigid line of one of her veins. It looks like my victim was a user of IV drugs. Had she overdosed? Had the presence of drugs played a role in her death somehow? I log these questions into my brain for later consideration, snap some more pictures, and then continue my exam.

Her belly is flat, and I see bruising in various spots, some of them the fresh purplish blue color of a new injury—which oddly enough makes me flash back on the giant cookie Matthew drew on his bedroom wall—while others are in varying shades of green and yellow, indicating injuries that occurred sometime in the past. I move down the body and see similar markings on her legs, and in her pubic area. I document them all with photos.

The door behind me opens and I quickly pull the gown back into place before turning around to see who it is.

In walks a woman who looks to be about my own age—mid- to late thirties—with shoulder-length blond hair, blue eyes, and a slightly portly figure.

“Hello,” she says, showing a tentative smile. Except for the fact that I am significantly taller than she is, since she looks to be about five feet tall and I’m six feet even, we could be twins.

“Can I help you?” I ask in a slightly annoyed tone, irritated by the unexpected interruption. I see that the woman is wearing a hospital ID badge that displays the name HILDY. Beneath that is her title: SOCIAL WORKER.

“You’re from the medical examiner’s office?” she says, her eyes briefly flitting toward the victim and then back at me.

“I am,” I say. “I’m Mattie Winston.” I start to extend my hand as an offer to shake, but then withdraw it when I see my gloves.

She acknowledges the withdrawal with a little nod and a smile. “Oh . . . yes. I’ve heard about you,” she says. “You used to work here, right?”

“Right.”

“And you were married to Dr. Winston.”

“Yes, I was,” I say with an awkward but resigned smile. You’d think that after three years the story of my ex and me would have faded into the past. But I can tell from Hildy’s slightly embarrassed look that this isn’t the case. I fear that our sordid tale is one of those that will live on in hospital history, becoming part of the overall legend of the place. In a small-town hospital, the value of health insurance has nothing over the value of juicy gossip.

“I’m Hildy Schneider,” the woman says. “I was involved in this case.”

“I see,” I say, wondering why. From what I’ve gleaned so far about the situation, the patient arrived in critical condition and deteriorated rapidly into cardiac arrest. “Is there family here?” I ask, thinking that a social worker might’ve been called in to help with grieving relatives.

Hildy shakes her head. “No, in fact, that’s why I got involved. I think this girl might have been a victim of human trafficking.”

“Human trafficking?” I say, surprised but curious. “What makes you think that?”

“Well, she was registered here in the ER as Jane Smith, and the man who brought her in said he was her brother, John Smith.” She rolls her eyes at this. “He claimed that she fell out of his car while he was driving, and that’s how she sustained her injuries. The staff became suspicious right away and they called me.”

“I see,” I say, realizing that if the victim is here under an alias, coming up with a conclusive identification for her might be difficult. While I suppose it’s possible that her name really is Jane Smith, given all the other suspicious circumstances surrounding her death, it seems unlikely. “Did you talk with the man who brought her in?”

“No. I wish I had, but he disappeared soon after dropping her off, right around the time she started to tank. I did see him, though, so I know what he looks like. And we should have some footage of him on the security cameras. He conveniently forgot to bring any sort of ID with him, or so he said when he was asked. But I’d be willing to bet his name isn’t John Smith any more than hers is Jane Smith.”

I frown.

“And there’s something else,” Hildy adds, her eyes looking sad. “I was in the room with the patient right before she coded, and she said something to me.” She pauses, and her gaze shifts toward the stretcher. After a moment, she reaches over and straightens one corner of the gown, which had been folded up, revealing part of the victim’s upper thigh.

“Please don’t touch anything,” I say.

Hildy pulls back, flushes beet red, and clasps her hands in front of her. “Sorry,” she says. She gives me an apologetic grin that looks more like a grimace. “I have a touch of OCD.”

“What did she say to you?” I ask in an attempt to redirect her back to the topic at hand.

In a hushed tone, she answers me. “She begged me to help her little sister, saying he has her, too.”

“Did anyone notify the police?” I ask Hildy, irritated that I’m just now learning this information. The police should have been involved by now. Valuable time has been lost.

In a perfectly timed answer to my question, the door to the room opens, and the curtain is pushed aside. In walks Bob Richmond, one of the detectives for the Sorenson PD. Bob and I have worked together for a couple of years now, and we get along very well—amazing when you consider that I once shot him. He and Hurley share their investigative duties and an office at the police department.

Hildy tilts her head toward Richmond. “I guess that answers that question,” she says with a nervous titter. Then she bestows a beatific smile on Richmond: radiant, eager, and . . . could it be . . . flirtatious? I log this observation away in my head for later.

“Hey, Bob,” I say. “Are you just getting here?”

“Hell, no. The staff called shortly after the girl got here, right after the guy that brought her in disappeared. A couple of unis responded at first, because it sounded like a domestic violence case. Then, when the girl died, they called me. I’ve been here for nearly an hour already, trying to get a handle on who she is and the man who brought her in.”

“Any luck?” I ask, realizing that Richmond finds the circumstances of this girl’s death as suspicious as Hildy does.

He frowns. “Naw, the names, date of birth, and other info he gave for both him and her”—he nods toward the dead girl—“were phony. No big surprise there. And I just looked at the hospital security footage. The image is kind of grainy, and it was dark outside, but we have a basic description of the guy from various staff members here, and we know what kind of car he was driving. Unfortunately, we couldn’t get an image of the plate, though I wouldn’t be surprised to find out that whatever plate was on the car was stolen. This reeks of a professional.”

“What about the story the guy told the ER staff about her falling from a moving car? Any truth to that, as far as you can tell?”

Richmond shakes his head, looking frustrated. I notice he keeps looking and then quickly averting his gaze from the victim, something he doesn’t usually do. “The guy claimed it happened over on Williams Street, near the corner of Filbert. I sent some guys over there to check it out and there’s no obvious evidence of any accident like that—no skid marks, no evidence of any disturbances on the shoulder, no blood, no damaged bushes along the side of the road. There are only two single-family houses nearby, and no one in either of them was awake or heard a thing. The only other buildings in that area are the Safe Harbor house, and that old folks home for Alzheimer’s patients. I doubt anyone in either of those is likely to be of any help.”

I’m familiar with the area of town he’s talking about. Williams Street is a thoroughfare that runs through the middle of town, beginning at one end and ending at the other. Filbert Street is one of a series of crossroads on the north end of town, all of them named after nuts of some sort: Walnut, Acorn, Pecan, and Almond. Oddly enough, this seems somewhat appropriate. I’ve overheard dozens of times what the cops remark when they get calls to that part of town, calls that generate irreverent comments along the lines of “One of the nuts has escaped its shell again” or “There’s a bad peanut in with the mixed nuts.”

“Well, I can tell his story is bogus even without your findings,” I say to Richmond. . . .