Dark Wanton

by Peter Cheyney

Genres: Mystery; Hard-Boiled; Traditional Mysteries

Synopsis

The Second World War has just ended and the Secret Service has 'mislaid' two lists of German war criminals. Peter Everard Quayle is the head of the Department concerned and he was responsible for the compilation of the list. Instead of handing the job over to his agents he decides to call in a group of people who operated behind enemy lines during the war. Among them is Michael Frewin, Quayle's second-in-command, who appears to be a bit of a fop - but outward appearances are deceptive for he is a cold-blooded killer ...

Release date: January 21, 2014

Publisher: Orion

Print pages: 288

Sample

THURSDAY

LADIES AND GENTLEMEN, I present to you Vincente Maria Jesu Callao.

The business of a personal introduction seems necessary because he was the spring—however unconscious—that set in movement the rather peculiar actions of most of the people concerned
in the business of the Dark Wanton.

A relatively uninteresting person, he becomes interesting, not for what he was, but rather for what he was not. Callao was born in Andalusia in 1913. There appeared to be some doubt about his
parentage—a matter which repercussed on his mother, who was adequately catered for by her husband with a seven-inch Spanish sailor’s knife five days after the birth of the child. His
education was nondescript, but with the passage of years he developed certain attributes, many of which made him attractive to women. He developed little else except perhaps the one sincere thing
in his life—an honest love of music and the making of music.

When he was sixteen he was playing the trap drums in a three-piece amateur syncopated orchestra. By the time he was eighteen he was a superb guitarist. At twenty-five he was an expert musician
with a flair for controlling the unruly Latin temperaments of a small rumba band—a semi-professional affair which he directed.

Four years later, financed by a woman who thought she knew what she wanted, he had a good rumba band in New York. At the beginning of 1948 he descended upon London with a ten-piece rumba band
which was, to my mind, the best of its kind.

Vincente was the type of man that all normal men consider in their secret hearts to be an utter bastard. Normal men thought about Vincente like that first of all because they were entirely
unable to understand him and secondly because they thought he looked like that. He seemed to be—and probably was—everything that a normal Englishman or American—or any other man
for that matter—dislikes. There was a certain sinuosity—a feminine grace—in his movements; a suggestion of leopard or puma in his walk and the way he put his feet on the ground.
His wrists and ankles were slender and well shaped, although very strong. He was well made. He had slim buttocks, a thin waist, a deep chest and fine shoulders. Incongruously enough, his neck was
inclined to shortness and thickness. His round, olive face was jowled but his nose was well shaped and sensitive. His mouth was one of those mouths which give women who are interested in
men’s mouths a good deal to think about, and the curved line of his short upper lip was accentuated by a pencil-line black moustache. His eyes were large; sometimes soft, sometimes very hard
and cynical, and his hair of the sort you would expect to adorn such a type—black, patent-leather hair, very well-kept, with a decided, immaculate parting.

Beyond these things there was little to him except his voice, and that deserves especial mention. Vincente possessed one of those strangely attractive voices which seem to thicken almost
imperceptibly during talking or singing. A peculiar husky note dominated his vocal cords. At first you thought that this annoyed you, but after a little while you found yourself rather liking it.
Most women began by being fascinated by his voice, which led them on to a consideration of his other qualities of appearance. Usually, when they arrived as far as that they were utterly lost.
Because very few women escaped from Vincente without leaving something desirable in one form or another behind them.

His attitude towards them was peculiar. At first, after he had made a small success in the United States, he was surprised and amused by the interest which they took in him. Afterwards, and by
the time he arrived in England, he had become satiated, and almost bored with women (“choosy” he called it), but used to them in very much the same way as a brandy drinker goes on
drinking brandy, not because he gets any of the original kick out of the business, but because he is used to the process of drinking brandy and because he thinks that one day, by some happy chance,
he may discover a brandy that tastes better.

Vincente always saw himself in an important light. But he was clever enough to conceal this attitude of mind. In speaking and in his general behaviour he usually produced an effect of humility
and diffidence—almost of modesty—which was delightful and which made females believe that in no circumstances could he consider doing anything that was not correct and charming. The
incongruity of the quiet sadism and more blatant physical toughness which he eventually showed them was possibly fascinating to ladies who, by the time they became aware of this part of his
character, were usually too far gone to be able to do very much about it, even if they had been able to do anything about it.

And in these days, because of the way things are, there are many women who are prepared to be fascinated too quickly by men like Callao. The experience of many young women in the war, their
bravery, initiative, their heightened instinctiveness, the result of the part they played, has left its effect, I have been told, on their post-war mentalities. Because they were used to taking one
sort of risk some of them seem prepared nowadays to take other chances. The idea appeals to them. As abnormal risks seldom come the way of women in peace time, those of them who are emotional,
appreciative of male attraction, lonely or unhappy, often delude themselves into a belief that, in some extraordinary way, or because of some attribute peculiar to their character which they
imagine themselves to possess, they may be able to excite and hold the passion of a man like Vincente Callao. Women, even if they are very intelligent in other things, are sometimes, in affairs of
the heart, particularly stupid.

After all, nobody can prevent an ostrich from burying its head in the sand, a process which everyone knows is quite stupid—everyone, that is, except the ostrich.

Callao fascinated women. Even those who were sensitive enough to become aware of the danger of Vincente were often too intrigued or interested or curious to go whilst the going was good.

He seldom lost his temper with them. If he had kept it during his quarrel with Kiernan he would, in all probability, be alive to-day, singing those attractive songs set to good rumba music and
accompanied by the deadened tom-tom with which his expert trap drummer accentuated the perfect time of that delightful dance; looking with his soft brown eyes at the couples who danced on the small
but crowded floor of the Cockatoo; allowing himself to be persuaded (he always allowed himself to be persuaded) to take some lady to his apartment in Clarges Street to see his Mexican art
collection.

In his own profession he was important. And, at this time, in the early part of 1948, his rumba band was engaged on a year’s contract at the Cockatoo—probably the most fashionable
night club in London.

Perhaps I should also say that he had been co-respondent in no less than five divorce cases, in all of which he had really not the slightest interest in the unfortunate women, each of whom lost
most of the things which women like to have for something which she thought she would like to have.

I do not think an apology is necessary for this lengthy dissertation on the characteristics of the late Vincente Maria Jesu Callao. As I said, the introduction seemed necessary because the
background of the man who was drawn into curious but very vital contact with such persons as Quayle, Frewin, Ernest Guelvada, Aurora Francis, Kiernan, Kospovic and the Practical Virgin, should be
made plain from the start.

So much for Vincente. Let us imagine him stepping on to the band platform at the Cockatoo on the evening of Thursday, the 29th January, smiling his own small, diffident, smile at the faces
expectantly raised to greet his appearance, bowing with the quick, jerky inclination of the head peculiar to him. And let us think as well of him as we can. We know that he had not long to live,
but to him death was a thing unknown and unthought of. Vincente did not like things to last too long. And death is so very permanent that the idea of it would not have appealed to him. It would
have made him feel sick, as women who tried to be permanent made him feel sick.

FRIDAY

If Mr. Everard Peter Quayle presented the picture of a normal successful business man of fifty years of age, it is probably because he wished to present such a picture. He could
look like other things. He could also be all sorts of things except a business man—which he was not. Quayle spent most of his time sitting in a large office in the International Export Trust
Company, which existed purely for the purpose of providing him with a façade behind which he could carry out those rather peculiar activities which caused so much consternation to all sorts
of people during the war years and which, it must be admitted, still continue to cause a certain amount of trouble to ladies and gentlemen who have decided inclinations to interfere with the peace
of the world for sinister motives best known to themselves.

Quayle was burly and bald. An active-minded person, his thoughts were continuously ahead of the matter he was considering at any given moment. Secretive—as was necessary—to a degree,
it was said of him that he never let one hand know what the other was doing, and that, in his particular profession, was perhaps a good thing.

At eleven o’clock on Friday morning he pressed a button on his desk. After a moment a woman secretary came in. Quayle asked for the files on Roumania. When they were brought he sat for an
hour, turning over the pages, studying the papers in the folders, making mental notes. It was just after twelve when he sent for Frewin.

Frewin came into the room, shut the door quietly behind him and stood leaning against the wall opposite Quayle’s large mahogany desk.

Quayle thought that Michael Frewin was an odd bird. He thought, simultaneously, that it would be strange if he were not. He thought too, with an interior grin, that anybody who rated as being
his—Quayle’s—principal assistant must, of necessity, be an odd bird.

Frewin was tall, lithe, wavy-haired, very well dressed in a manner which was entirely his own, and apparently lazy. Looking at him, Quayle thought that Frewin spent a whole lot of his life
thinking about clothes. He wondered why. Then he thought that after all a man must think about something. Clothes certainly appeared to take a decided part in the mental peregrinations of his
assistant.

There was a reason for it. Frewin, as Quayle knew, was a man intelligent enough to hide a direct and peculiarly vibrant and sensitive mentality behind a mask of appearances. These carefully
calculated appearances deluded most people—as Frewin intended they should be deluded—into believing him a poseur, a dilettante, a well-dressed executive who did his work satisfactorily
and spent his leisure hours in the most futile, tortuous or artistic pursuits possible.

Quayle, however, who had seen Frewin kill four men in difficult circumstances with the utmost indifference, realised exactly what went on under the sometimes cool, sometimes apparently emotional
exterior. Frewin must have known this. He had been working with Quayle too long not to know it. But it made no difference. Even when, in intimate and secret conversations with his chief, Frewin
still maintained one or other of the many poses which had become second nature to him. Quayle was never for one moment deluded.

Frewin wished people to think of him as being lazy, quasi-artistic and vaguely intelligent. Quayle knew him to be clever, quick-thinking, sensitive to every influence and, if occasion demanded,
damned dangerous. One other person was to discover these attributes during the Dark Wanton business; Miss Antoinette Brown was to realise the efficacy of Frewin from quite a different angle and
with quite different results.

Quayle said: “Michael, I had a telegram at home last night. Those damned lists haven’t got to Roumania yet.”

Frewin raised his eyebrows. He took a cigarette case from his pocket and lighted a cigarettee. He seldom stopped smoking.

He said: “That means that somebody is still trying to negotiate them; that the job hasn’t been done; that they’re not actually sold yet.”

“That’s what I think,” said Quayle. “I’m going to do something about it.”

Frewin said nothing. He continued to lean against the wall and smoke.

Quayle went on: “I’ve got an idea that Kiernan’s coming to England. I thought we might use him in this.”

Frewin asked: “Why? You know he finished after Nüremberg. He got a gratuity, and that was that!”

Quayle grinned. “I don’t think he was very pleased with the gratuity. I’m rather inclined to agree with him that it wasn’t worth the work he’d done. He took an
awful lot of chances in the war, you know.”

Frewin nodded. “You feel you want to use him?”

Quayle got up. He walked over to the window and stood looking out. He asked: “Why not? Kiernan’s got all the qualifications. He’s tough, tenacious, very intelligent.”

Frewin said: “All right. I think he’s on holiday in France. You want me to let you know when he arrives; where he is?”

Quayle nodded. “Just let me know when he gets here and his whereabouts. I’ll do the rest.”

Frewin pushed himself lazily away from the wall. He asked: “Anything else?”

Quayle said: “Yes. Can you remember off-hand any women who worked for us in the war—one or two? People who would rate as first-class?”

Frewin smiled reminiscently. “There’s one,” he said. “You remember her? She was pretty good, that one—Antoinette Brown. I think she’s more or less got
everything you want.”

Quayle said: “I remember her vaguely. Isn’t she doing some sort of job in a Government office somewhere?”

Frewin nodded. He knew that Quayle knew perfectly well just where she was and what she was doing.

He said: “Yes. Do I get her?”

“Yes,” said Quayle. “Arrange that she has leave of absence. Let her come here and work for a bit. Have you anybody in your mind for a second string?”

Frewin said: “No. Most of the girls we used in the war who were lucky enough to come out of it decided they’d like a quiet life. Most of them are married or doing some normal sort of
job. I might think of somebody.”

“Well, think about it,” said Quayle. “I’ll think too. We’ll compare notes. But you’d better arrange this Brown transfer as soon as you can.” He went on
casually: “If I remember rightly, she was rather a nice girl.”

Frewin opened the door. He looked over his shoulder. He said: “Very nice. I believe they call her the Practical Virgin.”

Quayle said: “No! Why?”

Frewin shrugged his shoulders as he went out. “I don’t know,” he said in his affectedly quiet voice. “I suppose because she’s practical and a virgin.”

He closed the door.

Quayle lighted a cigarette and began to think about the lists. He realised grimly that for the six years when the war was on and even now, when it wasn’t supposed to be on, he had been
thinking in terms of lists. Lists of agents, parachute Intelligence details, lists of espionage and counter-espionage details, lists of people who were too dangerous to everybody to go on living,
lists of people who were so valuable to everybody that they must be kept living. He sighed.

Now there were two more lists. Just two. One containing seventeen names, the other four names. Twenty-one names in all. Two lists that had been collected after a comb-out search by one of the
best mixed Allied Intelligence details in operation immediately after the war. Two lists that had got as far as the G.I. office in Nüremberg and had then disappeared into thin air. Two pieces
of paper which silently revealed the identity of twenty-one individuals who were very badly wanted for all sorts of nastiness. Twenty-one individuals who were being hidden away in some place in
some country so that, at some time or other, they could use their own special techniques for the purpose of starting some more trouble.

Quayle stubbed out his cigarette. He began to map out a plan of campaign.

There might be a devlopment at any time now. Why not?

He went out to lunch.

On that afternoon at four o’clock a telephone call came through to Quayle. When the voice came through he listened, drawing easily on his cigarette, his eyes quietly
regarding the blotter before them. After a few minutes he hung up the receiver. Then he got up; began to walk about the office impatiently. Now vague ideas began to take shape in his mind.

Quayle’s secretary came into the room. She was a tall, thin girl. She appeared dull and uninteresting. To look at her you would find it difficult to believe that she had been parachuted
behind enemy lines seven times during the war.

She said: “A Miss Brown to see you. Mr. Frewin said you’d see her.”

Quayle nodded. “Ask her to come in. And bring some tea.”

She went away.

Antoinette Brown came into the room. She was quietly dressed in black with a smart black hat, and her shell-rimmed glasses had slipped a little on her nose.

Quayle grinned at her. “There’ll be some tea in a minute. Sit down and smoke a cigarette if you want to.”

She sat down placidly. The secretary came in with the tea.

Quayle went back to his chair. When the secretary had gone, he said: “You worked for me during the war, Antoinette. You did very well.”

She said: “Thank you, Mr. Quayle.”

He went on: “Something’s turned up in which you can help. I asked Michael Frewin to get in touch with you and get you away from that department where you’ve been so efficiently
working at an uninteresting civil service job”—he smiled at her—“because I think that I’ve got something that’s a little more up your street.”

“If you say so I’m sure that’s right, Mr. Quayle,” she said.

Quayle flipped open the folder on his desk. He asked: “When you were in Nüremberg you met Anthony Kiernan, didn’t you—that would be about two months after the war ended in
Europe? You knew what he was doing of course?”

She nodded. “I assisted him in a secretarial capacity for a little while. I knew he was one of your principal agents, Mr. Quayle; he carried out four or five important assignments whilst I
was there.”

He asked: “Did you like him?”

“Yes, I always try to like the people I work with. It’s so much easier. And Mr. Kiernan was quite a pleasant person.”

Quayle grinned. “He never made a pass at you?”

She shook her head. “No.”

He went on: “Kiernan’s going to do a job for me. You’ll be helping him in a rather indirect way. I thought I’d get you to come here this afternoon so that I might have a
general talk with you about it, because there won’t be any necessity for you to be seen in or around this office while this particular work is in progress. Do you understand?”

She said: “I understand.”

“You’ll get your instructions through Michael Frewin,” said Quayle. “He’ll contact you outside.”

She said: “Oh!” There was something in her voice.

Quayle grinned ag. . .