The tenth novel in a twelve-book series from master of teen horror Darren Shan.
B Smith has been reunited with Mr. Dowling, the murderous maniac clown. To her shock and consternation, he’s desperate to make B his partner in crime.
Mr. Dowling disgusts her, but B thinks she can see a way to control him—and maybe even save the world. But it will involve a sacrifice far greater and more surreal than any she has contemplated before.
A Blackstone Audio production.
Release date:
February 24, 2015
Publisher:
Little, Brown Books for Young Readers
Print pages:
208
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You know what? I’m enjoying this! I feel like a princess being borne aloft by her personal retinue. A welcome treat after what I’ve endured recently. I’m in no hurry for it to end. Part of me wishes it could last forever. If this was what the afterlife was like, a calm procession through the unending gloom, I’d sign up for it in a heartbeat. If, of course, I had a heart.
The babies transfer me carefully, lovingly. They’re silent most of the time, but occasionally they’ll murmur, “we love you mummy.” It’s almost like an incantation. It soothes and comforts me. I can’t recall why I used to think it was menacing when they crooned it in my nightmares when I was alive.
There’s no sign of Mr. Dowling or his mutants. I hope they kept their promise and herded the zombies out of the Power Station, giving the surviving humans inside a chance to organize themselves, free the locked-up slaves and retreat. Maybe I should have asked to stay behind to oversee the exodus. With hindsight, I suspect I agreed too quickly to their offer. I’ve no way of telling if they upheld their end of the bargain.
Then again, why should I be expected to do everything? I’m so tired and in so much pain. I’ve done all that I can to help. I can’t see every last stage of a rescue operation through to its end. Others have to step up and take responsibility too, don’t they?
I wish I didn’t care. It must be so easy to be a selfish creep like Mr. Dowling, Dan-Dan or Rage. All I want is to enjoy the comfort of the dark and my strange journey through it. But my thoughts keep returning to the Power Station. I’m troubled. I don’t trust the clown and his followers. They could do anything.
“don’t cry mummy,” the babies whisper, sensing my unease. “going home mummy. we love you. it will be all yummy now.”
Yummy mummy, I think to myself, and the babies laugh softly.
“yes. yummy mummy. we love you yummy mummy. forever ours.”
How strange that they picked up on that. We must have a mental connection. They’re reading my thoughts, at least to an extent. That should scare me, but it doesn’t. In fact it makes me chuckle warmly. I want to pull the little guys in close and hug them. They seem so lovable and cute. I know they’re not. I haven’t forgotten about the artist Timothy Jackson or the people they slaughtered at Battersea Power Station. They’re deadly killers, regardless of their tiny size. But they’ve yet to threaten me. Just because they used to tear me apart in my dreams doesn’t mean they want to kill me in real life.
I hope!
I’ve no idea where we are or how long we’ve been trudging through the dark. I haven’t tried to keep track of time. We might have been down here for twenty minutes or a few hours.
Every now and then, a shaft of light finds its way down to us. I glimpse brick walls, open sewers, the occasional shredded corpse, bones scattered about the place, dried bloodstains, the babies trudging through the mess, taking no notice as the hems of their white christening gowns become soiled. I’m worried in case they pick up germs and get infected. Then I remember that they’re not ordinary children. I think it would take more than a bit of filth to trouble these fierce, sexless warriors.
There are rats down here, scores of them, hiding in the dark depths where even the undead don’t tread. I catch glimpses of them when light pierces the blackness, gnawing on bones, stripping them of their last few scraps of flesh. Some are the size of a small dog. I don’t think a human or zombie would last long in this kingdom of rodents. The rats would tear any normal intruder to shreds.
But the feral creatures run scared of the babies. They flee, squealing, snapping wildly at one another, the stench of their terror thick in the air. They must have had run-ins with the babies in the past, and come off the worst.
The babies ignore the rats and march along merrily, pausing only when they have to negotiate an obstacle or transfer my motionless body to another level. They’re incredibly gentle whenever they pass me into fresh hands, whispering to assure me that everything is fine. “don’t worry mummy. we won’t drop you mummy. we’ll keep you safe forever.”
I don’t know how they find their way in the dark, but they maintain a steady pace. They never stop at a junction to consider their options. It’s always full speed ahead, taking turns in their stride as if following directions on a GPS. For all I know, they are. Maybe Mr. Dowling inserted a homing beacon in each of their tiny heads. Perhaps it’s just instinct. Or one of them might have a map.
I giggle at the thought of the babies crowding together over a map. They laugh softly in response and I feel a wave of warmth seep through me. I’m not sure if I’m imagining it or if they transmit heat when pleased.
My thoughts start turning towards my parents, Dad’s face as he shut the door on me and steeled himself for the end, how he must have settled down beside my zombie mother as he pulled the pin on the grenade that he always carried, setting them both free of this hard, cruel world. With an effort, I block out those grisly memories. There will be plenty of time to mourn later. I’m too weary to deal with my loss right now.
Instead I make myself think about Dan-Dan. That’s more pleasant. The world is well rid of the sicko. I love that he cowered at the end. He put on a brave front most of the way, but he couldn’t keep up the pretense when his time came. He died terrified and pitiful, the way a monster of his kind should.
The eyes of the babies light up around me, a dim red glow in the gloom. “dan-dan,” they growl.
“It’s okay,” I calm them. “He’s gone now.”
The light fades and they push on, but that’s another sign that they’re tuned into my thoughts. It’s just as well that I’m at ease in their company and happy to be going along for the ride. I’m not sure how they’d react if I started plotting ways to strike at them.
But what if I plotted attacks on other people? If they’d been around when I was locking horns with Dan-Dan, I’m sure they would have taken my side and made short, bloody work of the giggling monster. I wonder if they’d back me against my other foes too?
To test my link with the babies, I focus on a memory of Mr. Dowling tormenting a woman and her baby in Trafalgar Square. My fear and hatred of him resurface as I recall how he tricked her and turned her child into a zombie. As dark feelings rumble through me, I wait for the babies’ eyes to turn red again.
They don’t. Instead the babies titter, then trill, “daddy.”
Looks like I’ll have to rely on myself when I cross swords with the mad clown later. Typical. Where are the Navy bloody SEALs when you need them?
After a long trek through London’s charming waste system, we nudge into what feels like a much larger tunnel. Even though it’s pitch-black, I can tell we’re no longer in the sewers. The babies’ feet don’t splash in putrid puddles, and echoes are tinnier. Plus the smell has faded.
As we progress, I spot light far ahead. I raise my head, but it’s too far off to make out any details, so I lie back and wait, humming tunelessly to myself.
The glow increases as we march towards the mouth of the tunnel. The roof and its array of pipes and cables swim into focus. I’m familiar with areas like this, so I know now where we are. It’s a Tube line, one of the maze of underground tunnels that used to play host to trains packed with commuters in the old days.
“Choo-choo!” I croak.
The babies copy me. “choo-choo mummy. choo-choo.”
“Good babies,” I murmur. “Let’s try another one.” I start singing, “The wheels on the bus go round and round,” but the babies don’t take up the tune. Maybe they don’t like that song. Or maybe they never saw a bus in action. If they were born after mankind fell, the song would mean nothing to them.
There’s no telling how old the unnatural infants are. I’m assuming that, like zombies, they age slowly. If that’s the case, they could be as old as I am, or older. Maybe they’re adults, trapped in the bodies of babies, decades shy of reaching maturity.
We pass from the tunnel into the light and I have to fling an arm over my eyes to shield them from the glare. My vision starts to adjust as we move along, and after a while I’m able to lower the arm and take in my surroundings.
We’re passing through a Tube station. I raise my head and spot a sign with the name Temple on it. I sometimes swept through here on a train from the East End. We’re not that far from County Hall.
There are grunting sounds and I look around. Loads of zombies are standing at the edge of the platform, staring at us. Some of them have cocked their heads in confusion, and I can tell they don’t know what to make of us.
The zombies disturb my tranquillity and set me thinking about my situation. I should probably consider making a break for freedom. The Tube station would be a good place to do it, since it provides an exit to the world above, as well as lots of bodies to knock over and stir up into an agitated mob, in the hope that they might provide a barrier between myself and the babies. But I’m a physical wreck and there are dozens, maybe hundreds of babies. Even if they couldn’t read my thoughts and nip any escape plan in the bud, they’d catch me long before I made it to the platform. I’d be wasting my time and what little energy I have left. Besides, as I’ve already noted, I’m enjoying . . .
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