Year's Best Fantasy

by Paula Guran

Genres: Fantasy Anthologies & Collections; Short Stories

Synopsis

Fantasy fanatics hang on because The Year’s Best Fantasy, Volume 2 will take you on a fantastic journey like no other!

Prepare to embark on yet another fantastic adventure with award-winning fantasy editor Paula Guran.

Delve into realms that exceed the limits of your imagination and embrace the surreal! Enjoy over 400 pages of tales ranging from wonderful to wicked. From lore and legends to myths and fables of alternative realities, you will discover bewitchment with the turn of every page.

The Year's Best Fantasy, Volume 2 has something for every fantasy lover, representing a diverse array of accomplished talent from around the world, and perhaps beyond. . .

Release date: August 15, 2023

Publisher: Pyr

Print pages: 406

Sample

UNSEELIE BROTHERS, LTD.

FRAN WILDE

THE CONTRACT

Aweek before the Season began, as Mrs. Vanessa Saunders held brunch court at the Empire Hotel, a photo appeared on her phone: a large oak door beneath a pale green sign with silver lettering. Impossible, she thought, flipping the infernal device over before Mrs. Lilian Talbott and Mrs. Caroline Rankenfall, her Fête Noire Charity Ball co-chairs, could glimpse it.

But then their screens lit up too.

“The Atelier!” Lilian murmured. “Impossible!” She shifted in her seat, aware the others were watching her. “I just need to run to the ladies’ room.” Her chair screeched backwards, until Vanessa locked the other woman in her gaze, and held her there.

“Unseelie Brothers,” Caroline said, oblivious to the battle of wills. “My mother used to talk about their gowns. Didn’t you have one, Vanessa? I remember the Post called it—”

Vanessa Saunders’ eyelid twitched. “The Gown of Flowers. Wouldn’t part with it for the world.” She signaled the waiter. “Too bad they’re too late for the Season. Only a fool would try to cancel a Dior or Balenciaga order now, especially on a Saturday. My Merielle has had dresses for months.”

“Oh absolutely, us too,” Lilian Talbott said, trying to rise with both grace and speed.

Around them, other phones lit up with the same excitement. The designer who promised the most beautiful gowns, usually delivered them, then disappeared, was back, and seeking a select few who would gain entrance, but only if they could find the shop. The Empire’s rooftop restaurant swelled with the news that Unseelie Brothers Ltd. had been spotted near Lexington and 78th and then vanished. Women began to gather their purses.

Chin up, with a casual glance at her watch, Vanessa rose from her chair. “There’s always quite a cost associated with these things. We’ll meet again next week. Dear Lilian, can you manage the check?”

Trapped, Lilian nodded, chewing her lip as tables emptied, her fork tumbling noisily to the floor. She watched helplessly as Vanessa led the charge to pull children out of Saturday classes and locate the mythical atelier before anyone else.

from The Social Season, plate 6. The Dress of Mists – Worn by Miss Eurydice Louise, née Mumford Von Hiefenlagger, future Duchess of Ladenspiel, to the Women’s Junior League Winter Ball in 1879. Photo by Jeremy Avedon (possible ancestor of Richard Avedon). This event was notable for several reasons, including the young man who went missing (a rumor) and the number of proposals for that evening. Designer: Beauregard Von Unseelie.

from The Social Season, plate 22. The Suit of Swords – Worn by Prince Reza IV of Persia to the Historical Museum Ball and Gala (before it was replaced by the Artisan’s Fête, and other titles) in 1956.

Photo courtesy of the former Ambassador to_______. A shining entrée into the rather staid men’s fashions of the time (white tie, tails), the suit was made to be seen. The event was notable for the number of duels (two) it produced, as well as two couples who were never heard from again (confirmed, assumed elopements). Designer: David d’Unseelie.

* * *

Sera Sebastian was too uninterested, and too poor, to worry about the Season. “We have new designs due next week, Rie. And our senior projects. We need to think about graduating. Focus,” she reminded her best friend and cousin, Merielle.

Rie, having recently endured months of fittings at her mother’s insistence, groaned and stared over her shoulder at the bulky coat she’d drawn atop a Fashion Institute-approved croquis. “I think I hate fashion.” She held a bolt of sky blue fabric as Sera draped a mannequin in color.

“I think this will work,” Sera murmured around a mouthful of pins as she arranged fabric and fondly ignored her cousin.

“You’re the one with the talent. I wish I could have worn your gown—” Rie began, as an elevator outside their studio dinged, and Sera chewed her lip. Focus. Yes.

The afternoon sun slanted perfectly through the windows across the beginnings of Sera’s latest design as Mrs. Saunders navigated a forest of dress forms, stools, and workbenches. When she was close enough to touch her daughter’s elbow, she shot a look at Sera that forbade protest. “Merielle. You must come,” she urged. “Unseelie Brothers—the shop that made my gown—has returned! You must find it before anyone else.”

“Mother, I have plenty of dresses and Sera needs—” Rie began.

“Sera understands, and will help us, won’t you, sweetheart?” Mrs. Saunders nodded at Sera, who was already folding her work away, unwilling to fight with her aunt. Rie’s mother paid for Sera’s art classes. She’d threatened more than once to stop if Sera crossed

her too much.

Sera’s pulse pounded in her ears. Angry, yes. And curious. She’d heard so many stories about this shop. She and Rie had both seen its creations, including their mothers’ gowns in photographs and discussed in fashion classes. She’d even gotten close enough to almost touch one, once, in Mrs. Saunders’ walk-in closet, as she and Rie were having an after-school snack while Rie’s nanny dozed. “Are you certain?” She hesitated.

“You’ll go!” her aunt said, with the same insistence as she’d used when Sera’s jam-sticky fingers had nearly touched those amazing chiffon flowers that seemed almost alive. The dress hung in its own display frame in the closet, lit from above and below, looking as perfect as it must have a decade before, when Mrs. Saunders wore it and a pair of elbow-length calfskin gloves to the Winter Charity Ball. The Gown of Flowers had little competition that year, eclipsed only by Sera’s mother’s own dress, The Butterfly Gown. Which, that dress having disappeared long ago, Sera couldn’t touch at all, so she’d wanted to hold the next best thing. There had been a lot of shouting, back then, an abrupt yank away, and a stern talk with Sera’s father. No one crossed Mrs. Saunders. Or her closet.

Now, Rie closed her sketchbook tightly on the croquis. She put her colored pencils in their case. Sera gazed at the draped cloth she’d just begun to imagine as movement and light in human form, and did the same, feeling resigned. She took one small risk, hoping to free herself from this latest task. “Don’t you want to hunt for the shop yourself, Aunt Vanessa?”

At Sera’s question, the older woman paled. “They might not allow me back inside.” She said it quickly, and Sera wondered if she’d misheard, because a moment later, her aunt pulled herself up to her full height and chuckled, “How silly. I’m a paying customer in good standing. We’ll be fine. You’ll locate the shop and you’ll call

me. I’ll stop at the bank, as they expect cash from those who can afford their fees. Go!”

She herded the two young women out of studio. Once on the street, Rie glanced occasionally at the image of the door on her phone, while Sera kept her eyes peeled. After only a few blocks, they caught sight of the Talbott twins, weaving their way down Madison Avenue. A cab ride later, they spotted Odelle Rankenfall and her friend Elizabeth Dorchester in the West Village, peering into alleys and checking the map on their phones. They weren’t the only ones on the hunt. Silently, Sera wished them well.

The girls turned left at 68th, near a shuttered chocolate shop, and veered almost too close to their favorite second-hand store. “No, not today.” Sera pulled Rie away from the window, knowing she would be in trouble, not Rie, if they didn’t at least put on a good show of finding the store. They took the subway to 35th, and walked the garment district until their feet ached, without finding the green sign. The sun was sinking into the fangs of the towers when Sera muttered, “Oh, dammit.”

Because there it was. Just as Mrs. Saunders had, over numerous dinners and brunches, described how she’d come by her own spectacular gown for her debut Season. How she’d captured the heart of her very own prince that night—in the form of Mr. Saunders, and in no small part because of her perfect gown. She left out details, of course. Including important ones concerning Sera’s mother.

Sera and Rie stood before the broad oak doors, wound with metal vines for hinges, set beside a narrowly arched, darkened window. Sera remembered those details and shivered. It was all a little bit strange, the way the story changed each time her aunt told it, and to whom: how she and her sister Serena spent all they had on their gowns—The Butterfly Gown and The Gown of Flowers—or that they’d gotten them last minute, at discount, or that they had been surprised with them by a well-off relative—and then how well they’d done at the ball, how lucky Mr. Saunders and Mr. Sebastian had been.

Whatever the story, Sera was quite certain that moments before the shop had not been on 38 th street, crammed between an established jeweler and a new shoe store. But there it was, green sign swinging above the window and blank, headless mannequins

, peering out at the street. Beyond the muslin models stretched velvet darkness (pricked by a few tiny lights, Sera thought, but couldn’t be sure).

“It’s closed,” Rie sighed, similarly relieved. The green sign swung in the wind as she texted her mother the news. Her fingers had barely left the screen when the phone rang. Even Sera could hear her aunt’s joy over the speaker, demanding the address.

“Don’t DO anything until I get there. Don’t touch anything! And absolutely do not let it leave!”

The young women stared at each other, unsure of how to accomplish either order, much less both.

A couple pushed past them on the sidewalk, eyes on one another. A woman with a double stroller gave them a wide berth, plowing towards some distant goal. Sera’s stomach growled and she thought impatiently of her design project. Due in two weeks, and still just a bolt of fabric. She wanted to get back to the studio, now that she’d done what Rie’s mother had wanted. Still, she felt a moment of pride. Despite not having the right pedigree for the Season, she’d found the shop that everyone who did was searching for.

Her mother had worn one of these gowns, yes. But her mother was long gone, wasn’t she. And the gown with her, only a few months after Sera was born. When asked, Aunt Vanessa would purse her lips and shake her head, as if implying Sera herself might have had something to do with that. She fled. Such disgrace, such a flighty girl. Not suited for this world.

To avoid her aunt’s reprobation, Sera resolved early not to be curious about the shop, or the Season, though sometimes she couldn’t help it.

The sign, the name—Unseelie Brothers—made Sera wonder who was behind the doors. What magic could they work, what could she learn, given the opportunity?

These gowns had brought everyone in her life together: her aunt and Mr. Saunders. Her mother and her father. But not quite in the same ways. Sam Sebastian had been working the event, not attending,

when Serena and Vanessa had appeared at the ball. Serena had become Sera’s father’s muse that very night. And despite everyone’s cautions, they’d married even more quickly, at the courthouse. Sera, born seven months after that, was, according to her aunt’s taut words, a perfect scandal.

But now that Sera had found the store, perhaps her aunt would let up a little on the reprobation. Maybe, Sera thought, I’ll get a peek inside, before getting the heck out of here. But the window was too dark. The door, very much locked.

At least the shop was staying put.

Rie slumped against an oak panel, scrolling her phone. “I don’t want to do the Season, not without you, Sera. I hate the balls. And the stodgy people. I refuse to try on any more gowns. Your dress would have been so much better.”

Sera, having less than no choice in that matter, kept quiet. She’d offered to design a gown for her cousin months ago. Rie had said a delighted yes. Then Mrs. Saunders found out, and then everyone pretended as if that had never happened.

Twenty minutes passed before a yellow cab screeched to a stop beside them. Rie’s mother emerged, ensconced in a green Versace cape and pale gloves, gold and gems glittering among the layers, her makeup perfectly retouched to make her seem even more intimidating. How she’d had time to freshen up and go to the bank, both, baffled Sera.

Mrs. Saunders beamed at her daughter, paid the driver, and, once she’d pulled the rest of her cloak from the cab, stared at the door in disbelief, edged with something like fear. Sera had never seen her aunt look afraid.

“It looks just the same.” Mrs. Saunders reached a gloved hand towards the door. Quickly, she recoiled and shook her fingers as if the handle had stung her. “What now, what now. I need a pen.” She looked left and right, then dug in her handbag, as the Talbott twins rounded the corner at a run.

“Mum!” Rie said, more due to the energy of the hunt and the fact that she found the twins awful and pushy than out of any desire to gain entrance

to a closed shop.

Sera offered Mrs. Saunders a plastic sharpie marker—Call 1-800-ArtSupply—and her aunt scribbled a note on the glove, signed her name with a flourish and stuffed it through the door’s mail slot.

They waited, feeling ridiculous, as the Talbott twins edged closer, texting.

No one seemed more surprised than Mrs. Saunders when the lights came on inside the atelier immediately. And no one was more shocked than Sera, when she glimpsed her own long-gone mother’s face in the shadows of the shop.

“Aunt Vanessa—look,” Sera whispered, before the doors swung open, then began to shut again.

“Quickly.” Mrs. Saunders pushed them over the threshold. The doors slammed closed right in front of the Talbott twins, their chiseled GQ smiles tumbling into glares at the window.

“We’ve done it!” Mrs. Saunders clapped her hands—one gloved, one ungloved—together. She peered into the darkness. “Hello?”

Sera heard the rustle of wings.

She realized she could not move. None of them were able to step beyond the row of mannequins, any further into the shop. Mrs. Saunders tried, calling out in dismay. Rie was too entranced by the sparkling ceiling to notice.

Did I really see my mother? Sera started to doubt. The face had been young—her age, not sun-spotted like her aunt’s. Probably just my own reflection.

Then a gust of wind battered them, smelling like it came from deep within the earth.

“Welcome!” A tall young man in a quilted jacket and chiffon skirt beamed at the trio, the curve of his lips a mere tolerance, though his eyes sparkled. His hair was a deep purple and his fingers, when he clasped Sera’s hand, were long and pale. “What have we here?” He moved on to Rie, staring deep into her green eyes. “Ahhh, the Season must be upon us. And this is New York, am

I right?”

As if there were any question. As if Rie’s mother wasn’t already messaging her co-chairs to let them know she’d gained entrance first. When the young man approached her, Sera and Rie were stunned to see Mrs. Saunders dip the deepest curtsey possible to him. “Sir. I paid for a gown from your shop, long ago. I wish another for my daughter. Whatever the cost.”

A smile broke across the man’s still face. “Vanessa. How nice to see you again. Please call me Beau. And gowns for both young ladies?”

“Both?” Sera’s aunt blinked, confused. Then she said, “No. For my Merielle. The other’s not mine.”

Sera took a long survey of the shop’s black-and-white walls, blinking once or twice. But she stayed quiet. She’d be able to leave her aunt’s presence soon, having done her duty. She wondered if she might return and look around the shop again later.

As if he could read her thoughts, the atelier’s owner smiled even more sharply. “Then perhaps she is ours,” he said, under his breath. He turned back to Rie, not looking anywhere but her eyes. “You will do nicely.”

Rie bristled, and Sera did as well. But Mrs. Saunders caught each girl by an arm, her fingers sharp on their sleeves, freezing them both. “Merielle will be delighted, sir.”

* * *

At the slightest twitch of the young man’s hand, the three of them moved forward, beyond the row of mannequins. Before them, a broad, velvet-curtained clearing took up the center of the shop, its circumference sparkling with mirrors. Several soft benches, patterned in vines, invited, but Sera didn’t dare sit down.

Shop attendants’ shadows played around the edges of things. One, Sera noticed, had a mouth that glittered with pins.

Beyond the mirrors, Sera saw once more her mother’s face, as young as she’d been in the only photograph Sera’s father had kept. As still as that photograph, in fact. Sera was disappointed to discover more

life-sized images displayed around the showroom. Girls and boys, all Rie’s and Sera’s ages, captured in black and white along the walls. Sera’s mother among them. Not real, then. Nor her dress of butterflies.

Rie whispered again, but this time her voice had a tinge of awe. “Loooook.” She pulled Sera towards a sparkling strapless gown, slit up the side, a glittering beaded confection gracing the sheerest fabric Sera had ever seen. She read the label. “The Ice Queen.”

“Absolutely not,” Rie’s mother steered them back to pictures of thousand-button silks and gently draped sleeves in the shop catalogue. Sera tried not to get caught wrinkling her nose. The designs didn’t seem groundbreaking at all. They looked a bit fussy, most of them, except The Ice Queen. That one practically danced by itself.

“Mother.” Now Rie was not whispering.

“We will conspire for something very special,” Beau gestured at someone beyond the mirrors. Moments later, a dress was laid across his arms like a child. Behind him, two assistants carried shoes and necklaces. Mrs. Saunders looked at them hungrily.

“We thought the young lady might be interested in something more.” With a flourish, a muslin dress hung between the mirrors and Rie’s eyes went wide as a projector illuminated it with a design: a flock of white birds circling the waist and bust.

“Oh,” she whispered, entranced.

“The Murmuration,” Beau intoned.

“Perhaps,” Mrs. Saunders said.

Sera, momentarily freed as her cousin became lost in the attention, texted her father where they were. Would you like to have dinner? It would

be good to see him. She settled in to wait for Mrs. Saunders to release her completely, occasionally murmuring, “That’s lovely,” before turning back to her phone, waiting on his reply. Her stomach growled.

“We are sorry, miss, no phones allowed in the store, you understand.” A soft voice, right at Sera’s ear.

Sera startled. For one moment, the shopgirl with the mouthful of pins seemed to bristle—cheeks, shoulders, nose, lips—outlined in sharp metal. Then the light shifted, and the girl gazed pale-eyed at Sera, a jewel-pierced eyebrow raised.

“I apologize.” Sera stuffed her phone in her pocket. She picked at the smooth cushion and watched her best friend emerge from the dressing room once more and parade the mirrors in a different muslin, with pale flames lapping the hemline. “The Bonfire.”

“I think not,” Mrs. Saunders said, tersely.

This is going to be a long evening. Sera felt the trap close over her, locking her away from her project. Sera’s unofficial role for as long as she could remember had been acting as a mirror for Rie: encouragement or discouragement, or both. Rie had refused all invitations to the Season’s charity balls, until Mrs. Saunders declared that Sera would be allowed to watch from the galleries. “Maybe she’ll pick up some ideas for her own shop someday. If you agree to go.”

How Sera disliked being used in this way. But Vanessa was her mother’s sister. Her father had said they needed to be patient with her demands. Her mother’s disappearance had been a terrible loss, for all of them. “It makes her try to control everything,” he’d explained, drying Sera’s tears after the incident with the dress. “So that nothing more can disappear.” Now Mrs. Saunders looked as watchful as a hunter, at Beau, as if the atelier might evaporate at any moment. At the door, as if the Talbotts might burst in. At anything but the photographs on the walls.

“Do not worry, Madame Vanessa. As long as you are here and our fees are paid, no one else may enter,” Beau said, reading her mind. “As a valued client, in good standing, your happiness, and your daughter’s, are our sole focus.”

Mrs. Saunders nodded, relieved. She sat heavily on Sera’s couch, the bulk of her cloak nearly pushing Sera off the edge. Sera rose and drifted towards the rejected gowns to study how they were made. Her

fingers grazed the glowing beads of The Ice Queen and its neighbors. The delicate fabric—what did the shop favor? Charmeuse? Velvet? Crepe? Not quite any of those. And the way even the muslin mock-ups were constructed! She could barely see the seams.

By the time she turned back to her cousin, Rie had rejected “Nature Conquers,” which looked like living vines wrapping her from neck to feet. Mrs. Saunders had waved away “Ad Astra” as being far too bright. And no one was interested in “The Warrior,” which, to Sera’s touch, was not made of fabric at all, but the lightest and smallest of chain mail.

Sera’s stomach growled. Dinner. Necessary. Soon, she texted quickly to Rie, trying to not get caught. She saw her father had answered—How dare she take you there? Then Mrs. Saunders’ own phone was an angry bee in her handbag. Mrs. Saunders ignored the noise, her eyes on the atelier.

Come home, Sera’s father texted again. I’ll make pizza.

At a glare from Mrs. Saunders, Sera put her phone away.

A necklace dangled from a nearby hanger, sharp, like Sera’s hunger. She unclasped it and lifted the links towards her neck, hesitating with the clasp.

Long fingers covered her own. “Let me do this for you,” the shop owner said. His voice was soft. “The connection has a trick to it.”

When he’d finished, Sera looked in the mirror and jumped a little. Her mother’s photograph, behind her, appeared in the mirror as well. Serena. Her gown had been made of butterflies. In the photograph, they’d seemed about to fly away.

Standing in front of this image, Sera touched the necklace that wrapped her throat in thorns. She loved it immediately.

“It suits you,” the shopgirl whispered.

“You must have it,” the owner agreed.

“I could never,” Sera replied firmly, though her fingers drifted the cool metal. The way it felt against her skin? As if she was prepared for

battle, as if even the worst of her was better than the best of so many others? Oh she wanted it. “I can’t imagine what it costs.”

She began to take it off, but her fingers could not find the clasp.

“It likes you,” the shopgirl whispered, through her mouth filled with pins. “We are looking for afternoon help, if you would like to trade. Only until the Season begins.”

A week’s time. Impossible. She had classes.

“I have nowhere to wear it,” Sera protested, but she knew she was already going to say yes. A job, in fashion.

“But Sera? Our classes!” Rie’s voice from the fitting room, came in quiet, jealous protest. As if her mother would allow her to do such a thing.

Sera nodded once, fast, before they could take the offer back.

The shopgirl winked, a smile spreading wider than Sera thought possible. “I’m Dora. I’m the newest here . . . or was!” She disappeared, then returned holding a contract still warm from the printer. “All you have to do is sign.”

Sera liked that feeling, of being included, not just dragged along. But then she hesitated. “I haven’t—I need to ask my dad.” He would want to know. He wouldn’t like it.

She gestured to take off the necklace and Dora shook her head. “Enjoy it—we know you’ll be back!” It was a gesture of trust that made Sera want to say yes right there, but she resisted.

Meantime, Rie and her mother had agreed upon a gown—The Murmuration, with some adjustments.

“It is a good, safe, dress,” Mrs. Saunders smiled. “Not too much. But sure to make a lasting impression.”

Rie sighed, The Ice Queen Gown, and, Sera realized, her own designs, almost entirely forgotten. “I think it’s the best one.”

“There will be one more fitting,” the owner boomed. “And when is the event?”

When Mrs. Saunders named the date, Beau’s eyebrows rose nearly to his hairline. “That soon.”

There was a long, dark pause. Rie turned to her mother, eyes welling with want. She’d shifted to certainty, in love with an impossible gown, in love with the idea of appearing before everyone who mattered, in that gown. So much for everything she’d said about Sera’s work. About the Season itself.

Sera crumbled her fist as if she could squash the designs she’d drawn for Rie, in secret. Her other hand went to her neck, where the necklace was. She would say yes, no matter what her father thought.

Rie’s mother looked nervously between Rie’s expression and the smile Beau aimed at her, possibly remembering her own ball. “We will, of course, pay for the expedience,” Mrs. Saunders said. “I will need time to gather the funds.”

“Then we will see you again, at this time next week.” The young man held out his arms as if he would embrace them all.

When the doors swung wide again, it was as if no time had passed outside. The Talbott twins were waiting with their mother. Both boys peered inside the shop excitedly as Mrs. Saunders swept Rie and Sera past the bare mannequins, and then out the door, very pleased with herself. “Good luck, Lilian!” she called, magnanimously, before hailing a cab.

THE FITTING

“A job? No.”

“Dad, please. If I can do it, then I’ll have something amazing on my resume—imagine if you’d gotten a solo show at the Whitney, while still at the institute—please.” Sera hated begging, but she’d never seen him so resolute. It was true that everyone at the atelier had seemed a little sharp-edged, but they knew so many things about fashion that she didn’t. “It’s real-world experience.” She didn’t mention the necklace, which she’d hidden with a carefully draped scarf.

“You’re nineteen. If I try to stop you, that will only make things worse.” He barely

turned from the charcoal sketch he was working on, a whirl of butterflies, white on a thick, gray sheet of paper. His hand shook.

She let the tears build up at the back of her eyes. She wanted his approval. The silence became unbreathable.

Finally, he filled it. “Your aunt should know better. That shop is unpredictable. What if it disappears again? With you in it?” His entire posture said, No. “Or without paying you? They’ve done it before—left people high and dry for orders, for years, and then suddenly they’re back, gowns delivered to the children of those who ordered them, and a bill to match. It’s appalling. Sera, be reasonable.”

He sounded so much angrier than made sense.

“You don’t understand. You don’t care about fashion.” He was an artist—why didn’t he understand? She knew he paid the bills with marketing work. Their apartment in Queens could have fit inside one of the Saunders’ walk-in closets in their Brooklyn Heights high-rise. Sera loved him, but she wanted something more.

“I’ve seen too much of it up close,” he agreed. “Your mother would know what to do.”

He never mentioned Sera’s mother, unless he was truly sad. He glanced at the photo he kept on his bedside table, in an iron frame: the same image, Sera realized, from the shop.

Sera flinched. She didn’t want to make him sad. “I’m sorry, Dad. It’s okay. I can get another internship this summer through the college.”

And she did mean it. She had no real need for that necklace. She meant it right until he wrapped his arms around her, saying, “You’re so much like her. A mirror image.” Then, before she could tell him about the photograph, he turned back to his painting.

Sera ran her fingers across her scarf, feeling the thorns beneath. The face behind her in the mirror could have been her own, today. She had

to return. Sera pulled the employment contract from her bag.

He heard the paper rustle, but never turned around, knowing he couldn’t stop her. “Remember, Sera, just because someone hires you doesn’t mean they can make you do anything they want. Or that you owe them.”

Sera’s art supply pen hovered above the contract. “I’ll remember.” She signed her name and tucked it in her bag, ready to learn everything Unseelie Brothers, Ltd. could teach her, for the Season, at least.

from The Social Season, plate 76. The Butterfly Gown, worn by a Serena (née) (unknown) Sebastian to the Spring Charity Gala of 1998. She attended with her sister Vanessa (née)_______(unknown) Saunders, and soon after married one of the event’s busboys. Saunders herself married the scion of the Saunders soap fortune. The event was notable in that several young women and men were discovered the following morning, on the roof, wearing bacchanalian-styled greenery and nothing more, by hotel staff at The Pierre. Photo by Mrs. Vanessa Saunders. Designers: Dora Unseelie and Beau Unseelie, Sr.

Sera didn’t see much of the inside of the Fashion Institute studio after that. On Monday, she attended class, then rushed through midtown, trying to find the shop. She arrived late, having found Unseelie Brothers, Ltd. wedged awkwardly between the Museum of Modern Art and a high-end residence next door.

“I’m sorry, I thought you’d planned to be in the East Village today,” she wheezed.

Dora patted her hand. “We’d thought so too, but the light is much better here.” She wrote a number on Sera’s palm. “This is the emergency line, do not share it with anyone. If you cannot find us, call.”

Sera memorized it, and then helped Dora carry bolts of shining fabric to the locked doors of the back room. The front door chimed before Dora could open the locks. “New customers,” Beau sang

out, and the shop transformed before Sera’s eyes, the shadows growing thicker, the lights higher. She thought she heard birdsong.

Odelle Rankenfall stood beside the bare mannequins, tapping her foot. Her mother held her coat. When Dora and Sera approached them, Odelle grew outraged. “Where is the atelier himself? Now that we’ve found the place, I don’t want to take my fitting with a shopgirl.” She looked straight past Sera, as if she wasn’t there.

“My regrets, I was detained,” Beau said as he appeared. He ushered them back, snapped his fingers, and Sera gasped as Odelle’s dresses appeared on the mannequins.

“Circus stunt,” Odelle murmured to her mother. “How gauche.”

“You would rather wear your other gowns, madame?” Beau said, his smile taut as ever.

“Of course not,” Odelle said. “I’ll have the best, just like Merielle and the twins. Let’s see it.”

She changed into a muslin and, as Dora was helping her into new shoes, gave the shopgirl the slightest kick. Sera bristled. So did Dora, her hands pricking Odelle.

“Mother, tell them to stop torturing me.”

Sera fumed, but Dora pulled her aside. “Our delight is to help each customer find their ideal. We will help her. They will pay. And we will move on.”

Behind them, beyond the locked doors of the back room, sewing machines whirred—Sera realized that was the birdsong sound—and the cutting room scissors went snick snick. Sera’s blood kept time with it all. “Fine. But she’s horrid.”

When Dora smiled, her teeth seemed honed to sharp pins by the lights. “We like horrid, sometimes.” The shopgirl showed Sera how to draped

the m#x00E5;ngata fabric Odelle had ordered just so, and how to avoid the girl’s sharp heel. The fabric sat perfectly. When Odelle turned in the mirror, the gown they call “The Water’s Edge” gleamed like a full moon on the ocean.

Sera had never felt so proud as when Beau nodded approvingly in her direction. She noticed the tendril of water seeping from the gown and stooped to clean it up.

“Let it be,” Dora said, her customer-service smile almost beatific. “Let her get used to it. Who knows, she may drown in that dress come next week.”

“You are terrifying,” Sera whispered.

Dora smiled then, for real. “We are, a little, aren’t we?” And she clasped Sera’s hand.

Sera beamed. “We are.”

By midweek, Sera skipped a class. Just the one. All right, two. She’d be back next week, she swore. Besides, inside the busy atelier, with the lights glittering, she’d begun drawing new designs. So many more than she had in her classes. Her fingers danced over the pages of her sketchbook, arraying the croquis in impossible gowns.

Other shops were furious, she’d heard. But they could never find Unseelie Brothers to complain. Designers from around the city took to social media to shout their grievances. Which made the atelier even more desirable. And the shop even busier.

Now and then, Sera passed the workroom door, and pressed her ear against it. The sewing machines never ceased. When the fabric for The Murmuration arrived, she hoped to see the seamstresses and designers at work. But the bolt was so heavy, and swirled so magnificently, the delivery men lost their grip on it and Sera and Dora had to spend several minutes luring the gown-to-be down from the eaves. Dora’s hair tumbled from her bun as they ran to find the birdseed they kept for emergencies. Once the fabric was contained and had been locked behind the thick doors to the back room, Dora caught Sera trying to peer through the lock, and pulled her gently away.

“Have you lost something?”

Someone, Sera wanted to say, but didn’t. She didn’t want Dora to think poorly of her as well.

In the silence, Dora lifted the sketchbook from Sera’s hand and, without asking, turned the pages.

“These are so good, Sera. You have a talent. Sir, come look,” Dora exclaimed. “You do beautiful work!”

Beau approached and pointed out a few things Sera could adjust on a shoulder, at a hem, as Dora looked on.

Sera, despite herself, glowed at the praise. ...