The one guy she can't have is the one she can't forget.
Liam Quinn is one of the biggest movie stars in the world...and the only man Elissa Holt has ever truly loved.
After being out of her life for six years, he and his gorgeous fiancé are set to star in the new Broadway show Elissa is stage managing. The only trouble is, when late night rehearsals bring Elissa and Liam together, the line between what is and what could have been gets blurred. Now one moment of weakness is about to create a scandal that will echo around the world.
Elissa knows that falling for Liam again would be a tragedy in the making, but as any good romantic knows, love doesn't always follow the script.
A Macmillan Audio production.
Release date:
May 17, 2016
Publisher:
St. Martin's Publishing Group
Print pages:
304
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Tingles up my spine. Blood hot and fast beneath my skin.
Goddammit. This isn’t good.
Why is this still happening to me after all these years?
I’m not a girl who swoons easily. I’m really not. If I were to describe myself I’d say I was passionate but logical, fiery but methodical, spontaneous but organized. All of these traits might seem like contradictions, but they make me a damn good stage manager, and I’m not too humble to say that at the age of twenty-five, I’m one of the most respected show runners on Broadway. Producers know they can depend on me to stay calm in a crisis. I run my shows with military precision, and I demand strict professionalism from everyone, especially myself.
My rules for a stress-free work environment are nonnegotiable: Treat everyone with respect, be firm but fair, and do not ever get romantically involved with someone in the show I’m running. For most of my career, I’ve had no problem following my own rules, but there is one thing that can derail my equilibrium in one fell swoop.
Well, not so much one thing as one person.
Liam Quinn.
As I sit in the private cinema with my production team and watch the shirtless man on the screen take down an overwhelming number of enemies, I’m embarrassed by how hot my skin feels. How my breathing is shallow, and my thighs are pressed together. How I drink in every angle of his face and body. How I thrill to the flex of every perfect muscle.
But even more than that, I’m embarrassed how the passion of his performance makes me fantasize about doing passionate things to him. Not just sexual things, but they’re certainly high on the list.
To put it simply, he makes me swoon like it’s his damn job.
He’s the only man who’s ever affected me like this, and it’s safe to say I hold it against him. It’s inconvenient and rude.
He runs toward the gorgeous redhead on the screen and pulls her into a passionate embrace. The redhead is Angel Bell—recent cover model for People’s “Most Beautiful Women in the Known Universe” and basic all-round Goddess. Perfect body. Perfect boobs. Perfect face. She’s playing a seraph princess. Liam is her scorching-hot demon slave. They’ve just about destroyed the world trying to be together, and now Liam’s kissing her like he’ll die if he doesn’t.
Goddamn, that man can kiss.
I cross my legs and sigh. This is insane.
I’m not against being aroused in general, but being aroused by this particular man is a recipe for disaster. The last time I let myself have these feelings for him, it didn’t end well.
I feel a hand on my arm and turn to see one of Broadway’s most respected directors, Marco Fiori, leaning over. His eyes are bright with excitement, and it’s clear I’m not the only one who’s noticed Liam’s … assets.
“Quite the specimen, isn’t he?” Marco whispers.
I shrug. “If you like that sort of thing, I suppose.” My raging hormones scream that we do like that sort of thing. We like it a whole helluva lot.
The only trouble is, we can’t like it, because Liam’s an actor, and we don’t date actors. Also, in a few weeks, I’ll be his stage manager. Also, he’s engaged to his gorgeous costar.
Oh, and perhaps the most important reason is, once upon a time, we had a short but passionate-as-hell relationship and I’ve never recovered.
Somehow, I’ve managed to lock away the heartache he caused, possibly because I blame myself as much as I blame him. But the desire? That’s still roaming free, storming through my composure like a bull in a china shop.
Yep.
This is going to be an interesting project. It will be a miracle if my professionalism and I make it out alive.
* * *
Half an hour later, after a thunderous climax in which Liam saves the world, then has panty-melting sex with his leading lady, the movie ends.
Thank God.
When the lights come up, we all head into the nearby conference room. Our production team is small and consists of our producer, Ava Weinstein; our director, Marco; the designer and the production manager; and finally, my assistant stage manager and best friend, Joshua Kane.
“You okay?” Josh asks as we take our seats at the table. “You’re flushed.”
“I’m fine,” I say. “Just warm. It was hot in there, right?”
Josh shrugs. “It was pretty damn hot when Angel was topless in the bathhouse, but other than that, I was freezing my balls off. I think the A/C was set to ‘Arctic Blizzard.’”
I pick up the folder in front of me and fan myself. Despite Josh’s chilly nuts, my blush is set at “Surface of the Sun.”
Josh smiles to himself.
“What?” I ask, defensive.
“Nothing. Just finding it funny that after all of these years, one glimpse of Liam Quinn can still turn you as red as my credit card balance.”
“Shut up.”
“I notice that wasn’t a denial.”
“Double shut up. And if you breathe a word of this to Marco, I’ll rip off your icy balls and use them as earrings.”
He laughs. “Marco doesn’t know you two … ‘know’ each other?”
“No.”
“Or that every sexual fantasy you’ve had in the past six years has revolved around Liam?”
I glare at him.
He holds up his hands. “Fine. My lips are zipped. But if you latch on to him in rehearsals and hump his thigh, I expect to be absolved of all responsibility.”
“If I get close enough to him to do any humping, you will have failed as my platonic life partner. Just remember that.”
“God, woman,” he says with a frustrated sigh. “Keeping you in line really is a full-time job.”
Even when my anxiety levels are higher than James Franco’s, I love that Josh can still make me smile. This is why he’s been my bestie since our sophomore year in high school. Predictably, we met in drama club. He was one of the few straight boys there, and even though we both loved theater, we weren’t great at the onstage stuff. After our less-than-stellar acting “debuts,” in which we played what no doubt came across as the world’s most awkward lovers, we decided to tread the less glorious path of backstage crew. It turns out my talent for organization and general bossiness is a plus in theater, and it wasn’t long before I became the school’s youngest-ever stage manager.
For some reason, Josh was content to play Robin to my backstage Batman, and we’ve been a dynamic duo ever since. People are always confused that we’re friends and not lovers, but that’s just the way it is with us. Besties ’til the end.
“Okay, team,” Marco says when we’re all seated. “That was the final movie in the Rageheart series, starring Liam Quinn and Angel Bell, our soon-to-be leading couple for my fabulous reimagining of Shakespeare’s Taming of the Shrew.”
I love Marco’s concept to update Shakespeare’s classic comedy. His work is clever and current, and I’ve been a fan since I worked on his most recent Broadway hit. The play just happened to also star my brother, Ethan, and his gorgeous now-fiancée, Cassie Taylor. After we’d been open for a few months, Marco poached me to run this project. Of course, at the time I had no idea it would star the “Lord of My Underpants,” Liam Quinn. If I’d had that little nugget of information, I would have run in the other direction. Working with a man who lights up my libido like the Vegas strip isn’t my idea of a good time.
“Now,” Marco says, “unless you’ve been living under a rock for the past few years, you’ll know that Liam and Angel are Hollywood’s current golden couple. They dated for a couple of years, then got engaged, and judging from their regular public displays of affection, they’re revoltingly in love.”
I remember the day I found out they were dating. I’d never felt so stupid in my entire life. Or so heartbroken. I thought we had something special, but those photos were proof that even men as spectacular as Liam Quinn can be fickle bastards.
Marco points to the folders in front of us. “Those dossiers will familiarize you with our stars. They contain their official résumés, as well as quirky facts, likes, and dislikes.”
As if I need any of that. I’ve been cyber-stalking Liam for years. Not my proudest achievement.
“At the back of the dossier,” Marco says, “is a copy of Liam’s and Angel’s production riders.” A production rider is a list of things companies are requested to provide to keep stars happy. The can range from the simple to the ridiculous.
“Please keep in mind that these aren’t regular theater actors,” Marco continues. “They’re movie stars, so they’re used to having all of their outrageous demands met. Let’s try not to disappoint.”
I sneak a peek at Angel’s list.
Jesus, really?
It would seem Miss Bell’s happiness depends on her dressing room being completely white—white carpet, furniture, drapes, and flowers. Her food and beverage requirements are straight out of the little-known best seller—Gourmet Crap That Will Send You Broke.
I flick over to Liam’s rider. It lists only four things
Free weights
Wi-Fi
Chocolate chip cookies
Milk
I smile. I remember his fondness for cookies and milk. He used to taste delicious after eating them. Cookies and cream is still my favorite flavor.
Josh frowns. “Are we really providing everything in Angel’s rider? I wouldn’t even know where to look for a ‘Columbia Daylily.’”
Marco laughs. “Of course not. With our budget, we can barely afford bottled water, let alone a private chef or personal trainer.”
Our producer, Ava, clears her throat. “I’m currently in negotiations with Anthony Kent, Liam and Angel’s agent, and intend on vetoing the more ridiculous demands. Anthony needs to manage his clients’ expectations about the difference between working in theater and film. Movie stars have no idea about how humble theater budgets are. I fear Angel and Liam are in for a rude awakening.”
“Liam’s done theater before,” I say before thinking.
Ava raises an eyebrow. “Really?”
“Uh … yes. It’s right there on his résumé. Six years ago. Romeo and Juliet. Tribeca Shakespeare Festival.”
Marco narrows his eyes. “Wasn’t that the same production you and your brother were involved with? It was your first professional show, yes? You were only nineteen.”
Damn that man and his elephantine memory. “Oh. Uh … yes. It was.”
“So you know Liam Quinn?” Ava asks, surprised.
“A little.”
At least, I thought I did. The man I knew was different from the short-tempered bad boy who now shows up in the gossip rags every few weeks.
“Will he give us any trouble?” Marco asks.
I shrug. “He was very professional as our Romeo, but that was before he became Mr. Big-Shot Hollywood Icon. Now, he has a history of aggression toward paparazzi. I haven’t heard about him being difficult in a professional capacity, but it wouldn’t surprise me.”
Marco nods. “Agreed. In contrast, his fiancée seems so sweet in interviews it makes my teeth ache. I think we should all be prepared to tread carefully and massage some difficult attitudes.”
For the rest of the meeting, I keep only one ear on the conversation as I think back to the Liam of Christmases past. He used to be passionate, attentive, and hot as hell, and he awakened a part of my sexuality I never knew existed. I should have realized it was too good to last. There isn’t a man on earth as perfect as he was pretending to be.
Even after all of this time, I hate how he played me. And I still wonder why he did it. To prove he could? To make sure I had both feet firmly on the rug before he pulled it out from under me?
Whatever the reason, what’s done is done. I can’t go back and change things. But I can make sure Liam Quinn never gets the chance to fool me again.