Trust Me, I'm a Banker

by David Charters

Genres: Humor & Satire

Synopsis

In the tradition of American Psycho comes this hilariously cynical and often-brutal novel skewering the world of investment banking, set in the heart of London high finance

Meet Dave Hart, just your typical investment banker. It's not long until Bonus Day, the most important day of the year, and anything less than a million pounds would be an insult. After all, Dave has to buy a new car, a new Rolex for his wife, and a second home in the country. Not to mention support a few personal habits, legal or otherwise, that gentlemen bankers don't discuss in public. Unfortunately, a million really isn't what it used to be, and no one else seems to value Dave as much as he knows he's worth. Luckily, competence and charm have never been accurate barometers for success in high finance, and Dave just might be able to weasel and blunder his way to the top.

Extremely funny and razor-sharp, Trust Me, I'm a Banker is the tale of one man's quest for outrageous compensation and alpha status in a world where pitiless ambition, insecurity, and moral ambiguity are second nature and glitter is far more important than gold. This flawless social satire is a highly enjoyable voyeuristic glimpse into our modern culture of narcissism, materialism, and bottomless greed.

Release date: July 17, 2012

Publisher: St. Martin's Publishing Group

Print pages: 336

Sample

Trust Me, I'm a Banker

PART II
LAST NIGHT I killed my boss. It was the second time this week, only this time it was much worse. He was sitting at his desk in his big, glass-sided, corner office, looking out at the trading floor with its hundreds of identical workstations, the computer screens, the phones, and us, the worker bees who feed the machine. Looking at us, as we stayed late in the run-up to the annual bonus round, putting in face time to look good, keeping busy, trying to persuade him how essential we all were. Well, I'd had enough. I wasn't essential anymore - at least I didn't feel as if I was - and I was going to act before someone took the decision for me.


I COUGH nervously, glance around at my colleagues who all have their eyes glued to the screens in front of them, and pick up my briefcase from under my desk, leaving my jacket over the back of my chair. Now, this may sound straightforward, but you don't normally carry your briefcase around the trading floor unless you're going home, and when you go home, you put your jacketon. But if I put my jacket on first - at this time of year - the rest of the team will look at me and I don't want to attract attention, not at this stage.
So I leave my jacket but pick up my briefcase and walk in a lopsided way, half hiding it in front of me as I make my way to his office with my back to the team.
I step inside the open door and close it behind me. I reach across and pull the blinds, so we can't be seen from the floor. He looks up, puzzled.
'What are you doing?'
I smile, reassuring, ingratiating.
'Rory, there's... something I wanted to discuss with you.'
He sighs and looks at his watch. 'Okay, I'll give you five minutes, but do me a favour - no more special pleading about the bonus, okay?'
'No, no more special pleading, Rory.' I smile again, a little nervously - still in character - and open my briefcase on his desk, but with the lid facing him so he can't see what I'm taking out. 'In fact no pleading at all.'
I close the lid with a firm click and swing a sixteen-inch machete up in the air.
Now, before you say anything, a sixteen-inch machete may not seem much, but it had to fit into my briefcase, which is not large. Even in London you can't just go and buy a full-sized machete without attracting some degree of attention. As I like to think I'm a little smarter than some mere criminal on the street, I'd bought the macheteat auction, at Christie's, along with a collection of other memorabilia of famous nineteenth century explorers in Africa. So when I swing it through a broad arc and bring it down with a thunk into the middle of Rory's perfectly coiffed, fair-haired, blue-eyed skull, I'm actually using a piece of history.
The problem is, it gets stuck. The weapon goes thunk, right into his head, splintering the bone. My arm is driven by the strength that can only come from years of resentment, humiliation, nervous anxiety, pitiful gratitude and festering anger. He keels over, gently and silently, his eyes roll upwards and he bumps his head on his desk with a sigh. Seeing him lying there, helpless, I put one hand on his head and struggle to wrench the machete free for a second go (and to be honest, for a third and a fourth - I'd worked for Rory a long time).
And then he gets up! No kidding, he actually shakes his head, causing me to leap backwards, my eyes wide with fear and disbelief. He pulls himself together, lifts himself up from the desk, blood streaming down his face, eyes wide open, with the machete still sticking out of his skull. He comes round the desk towards me.
'You always were a loser.' His words have an icy venom to them - which I suppose is understandable. 'A loser, a no hoper, a truly second rate, sub-standard investment banker. The clients don't even like you, let alone respect you, half of them only deal with you out of sympathy, and you have no future here or at any other firm.' He jabs his finger inmy chest to emphasise the points, and as he finishes, he reaches up, taking hold of the machete, grasping the handle, and pulls it out of his head, allowing a stream of blood to come gushing out of the crack in his skull splashing down over his face onto the carpet. 'You can't do a damned thing right.' There's blood all over the machete as he hands it back to me, and more blood runs down his forehead and face, but it doesn't seem to bother him. 'Now get out of my office. I have work to do - including some key bonus re-calculations.' As he says this, he gives me a long, meaningful stare - one of the ones I always hate, because when someone looks at you like that, you just know they've found you out - and then he flicks a drop of blood off the end of his nose and goes back to his desk.
When I get back to my workstation, my shirt is sticking to my sides with sweat. I pull my handkerchief out and mop my brow. As I glance around, I catch the eye of some of the other team members.
'Brown-nosing again?'
'Looks like it didn't pay off.'
'Rory's got the measure of you.'
And I start screaming. I scream so loud that I wake my wife.
'Darling - darling, are you all right?'
I shake my head to clear it, and reach for a glass of water from the bedside table. Wendy turns the light on.
'It was one of those awful dreams again, wasn't it?'
I nod, too shaken to speak.
'Oh, my darling,' she smiles, trying to be reassuring, and hugs me, though she clearly doesn't appreciate the sweat covering me from head to toe. 'Come on, darling - look on the bright side. It's not long now, is it? Then all this uncertainty will be over. It's... how many days?'
I glance at the clock on the bedside cabinet. Twelve thirty - half-an-hour after midnight, another day has started. 'Fifty-two days,' I gasp. 'Fifty-two days until we know.'
Monday, 25th October
B minus 52
IT WAS 6:30 in the morning. I was sitting on the tube, on the Circle Line to Monument, staring into space, working out what I'd do with a million pounds. Now, before you say anything, let me explain - even senior investment bankers take the tube sometimes. I know that Rory with his chauffeur-driven car would never be seen dead on the People's Underground, and why should he? He's the boss, after all. But for the rest of us, at least those who live in Chelsea, the journey into the City is quickest by Underground, especially first thing in the morning, even if it is a little democratic when it comes to things like getting a seat and who you rub shoulders with. And I know, I know - you don't need to say it. It's true that the man sitting next to me doesn't smell of Armani Mania.He smells of... well, let's just say he smells. And a lot of these people haven't even made their first million, and many of them never will. That's capitalism. It's enough for me that I know. I don't need to say anything.
But back to that million. We all know a million isn't what it used to be. To begin with, the Chancellor takes forty per cent. So a million is already six hundred thousand. Then the bank won't pay it all in cash. Probably half the balance will be in some form of share-based incentive - options, deferred shares, some weird derivative, or whatever. But it won't be cash and you can't spend it now - it only turns into folding money slowly, over a period of years, perhaps three or even five years, providing you stay at the bank and don't move to a competitor. If you do that, you lose it all. That's why they call these things golden handcuffs. So your actual cash in hand is perhaps three hundred thousand, and these days three hundred really doesn't go far.
Take an example. Have you any idea how much a Porsche costs? I thought not. Well the basic Boxster comes in at a mere £30k, but no one, I mean no one, serious can drive one of those in the Square Mile. The minimum is the 911 Turbo Cabriolet and for that you're talking the thick end of £100k. So already a big chunk of my bonus is gone.
I know what you're thinking - why buy a 911 at all? We already have a Range Rover - Vogue of course, with the usual extras - so why buy a second car? Well the thing is,we have to have the Range Rover. Wendy needs it to do the school run from our flat in Sloane Square to Cameron House, the private nursery school which Samantha attends, at the other end of the King's Road. It's almost half a mile, and kids these days need protection, and so does Wendy - not the world's greatest driver - so a big 4 X 4 is essential driving in Chelsea. It's also good for giving the impression that we have a place in the country, which we definitely don't yet, but would do if Rory ever got off his arse and gave me a decent bonus. And of course whenever Wendy ventures outside Chelsea, she needs protection even more - like when she takes Samantha to her Little Sweethearts ballet class in Fulham, or to her Young Prodigies violin lesson in Pimlico, her Gymnastics for Toddlers sessions in Battersea, or her Little Tadpoles swimming class in Putney. Don't laugh - if you don't do this stuff for your kids, they might not become a rock star, or Prime Minister, or win the Nobel Prize. Even White Van Man pulls over when he sees Wendy weaving down the middle of the road, talking on her mobile, staring into shop windows, at the wheel of a Range Rover.
But back to my car. We ought to be a two car family, because if I ever need to drive to the office, for example on a Sunday, I can't arrive in a Range Rover - at least not a clean one, the way they tend to be in Chelsea. At weekends Rory drives a DB7, but then he would, wouldn't he?
So once I've finally got myself a decent car of my own- a 911 Turbo Cabriolet - what else do I need? We still owe a hundred thousand on the mortgage on the flat, which we've paid down steadily over the past few years, and it would be satisfying to own it outright, but we already tell people we own it ourselves, so there ought to be something more... demonstrable that flows from this year's bonus. We could think about a place in the country, but then people would expect to come and stay, and we simply don't have the kind of money you need to buy a place like Rory's: two hundred and fifty acres in Sussex, his own shoot, nine bedrooms, two guest cottages, five staff - you know the sort of thing. Or maybe you don't. Anyway, a cottage is definitely out of the question, even though in terms of strict space requirements, Wendy and I, and Samantha (who's three) could technically survive in a cottage - after all, we only have three bedrooms in Sloane Square. But it doesn't matter, because a million doesn't do it, so there's no point discussing it further.
Watches - and jewellery - always used to be a sure-fire sign of a successful bonus round, though these days people are getting more cynical. If Wendy and I treat ourselves to a new Rolex each, or better yet the latest Patek Philippe, people might think I really haven't done well and it's all a bluff.
We could re-decorate the flat. I haven't costed that, but one of those chi-chi interior designers could transform the place for us. The problem is, I sort of likeit the way it is, and I'd hate the disruption of having to move out while a bunch of Polish builders and Croatian decorators moved in. And it always costs more and takes longer than they say - we pay Chelsea prices and get Warsaw delivery times.
If I only get a million, a few key purchases around the home are probably the best compromise - an antique dining table with chairs (less than £30k?), a new centrepiece picture for the drawing room (£20 to 25k?), a new set of crockery (£3 to 4K?) and perhaps new curtains (£10k?). We'd still have change for Barbados at Christmas, not forgetting the Porsche, and the balance I'd use to pay off the overdraft.
Overdraft? I can see the question in the thought bubble over your head. Well, yes, I do have an overdraft. I know what you're thinking. Why does a successful investment banker have an overdraft? Well, actually we all do.


NO ONE LIVES on their salary any more. Besides, Rory only pays me £100k a year, and Wendy couldn't begin to live on that. So what do you expect?
At 11:30 I had a meeting with the Finance Director of Pattison Construction. PC - as we call them on the team - is one of the biggest and fastest growing construction companies in the UK, having come from nowhere over the past five years. We took them public on the stockmarket two years ago, and now they've come to us for advice on what to do next. Yes, really - they've come to us for advice.It amazes me, but people still do that. Naturally, my advice is that they should do whatever will pay the bank the largest fees. In this case, I recommend we list their shares on the New York Stock Exchange, so that they can access US investors, increase liquidity in their shares and send their stock price higher. None of this is true, of course. The most serious US investors already can buy their shares, without the expense and trouble of a US listing. Creating a separate pool of shares in the US reduces liquidity, and in times of uncertainty, US investors would dump their shares pretty quickly and send the stock lower. But that's all detail. I like to think I'm a big picture man. The big picture I'm thinking of today is my bonus, because as you know, it's that time of year.
On reflection, any time of year is that time of year, but the last few weeks running up to bonus particularly so.
Anyway, PC nods, makes all the right noises and I orchestrate the presentation like a circus ringmaster. We explain why US investors have a different valuation approach to the construction sector and will push his stock higher, a representative of our US operation explains why our tiny New York office is best equipped to do the job (after all, why would anyone want to hire a US firm to do a job in the US?), and finally I wind up with my assurance of the firm's total commitment, how much we want the business, how great it will be for them, the strategic vision, the next step forward - sometimes I think I could do this stuff in my sleep. It's not that investmentbanking is undemanding work, it's just that at times it's repetitive. Like repeating the same script a hundred times. Or a thousand. I've been doing this a while now. In theory you get slicker, more persuasive, more reassuring, but it can come to sound... jaded. Not that I'd ever get bored with my job, of course. I'm committed, not quite in the way that lunatics get committed to an asylum, but committed nonetheless.
Afterwards, he tells me how impressed he is with our presentation, how highly he values our input, and how useful it is to be able to get genuinely sincere, impartial advice. For a moment I look at him and wonder if he's taking the piss, but then I realise he means it.
Christ, I'm good.


WENDY AND I went to a dinner party at the Finkelsteins'. He runs the swaps desk at Hardman Stoney, one of the most successful US investment banks. He never has anything to say, always arrives at least half-an-hour late to his own dinner parties, and always looks distracted - almost vacant, though obviously that can't be right, because he runs the swaps desk at Hardman Stoney.
The Finkelsteins have an amazing apartment in Holland Park - the sort that Wendy dreams of. You come in through a grand reception area with marble floors and twenty-four hour porterage, step into a big mirror and marble elevator, and get out onto a large landing thatserves just two apartments. You buzz at double doors, both of which open when your host's butler (hired for the night - don't worry, this isn't Rory's place) receives you and takes your coats.
The drawing room is huge, with a great view and interesting art: a contemporary bronze here, a classical marble bust there - you know the sort of thing. Or maybe not. Anyway, there are a few coffee tables and some couches, but mostly the impression is space and order. And a 'to die for' black babe dressed as a waitress offers you a drink with a 'come to bed and fuck me' smile on her face and a knowing look in her eyes. Where do they find these girls? Why can Wendy only find short, fat Filipinas and Essex girls who claim to know what they're doing, but only spill things on guests, or worse yet, on the furniture?


GLORIA FINKELSTEIN is dressed from head to toe in Chanel - and it's wasted. Twenty thousand dollars, and you still can't defeat nature. That's without the hair stylist, the manicure, the pedicure, the botox, the lyposuction, the personal trainer, the masseur and the expensive suntan. I guess she must do something for Matt Finkelstein (or at least she did once upon a time). A few good memories and a killer of a pre-nuptial can do a hell of a lot for these American investment bankers' marriages.
Wendy on the other hand is wearing Donna Karan - a simple pale blue number to match her eyes that cost us amere three thousand dollars on our last trip to New York. In Wendy's case it's the jewellery that does it - twenty thousand pounds' worth of 'heirlooms' for Samantha around her neck and wrists (that was how she justified them), mostly from Theo Fennel, with earrings from Elizabeth Gage: stunning, so much so that Gloria Finkelstein pays her the ultimate tribute of ignoring them, and compliments her instead on her new handbag (a mere three hundred pounds from Coach).
I take a glass of champagne from the black sex machine, ignoring Wendy's 'evil eye' and wonder what she would say if I offered her a thousand pounds to go to bed with me. I take a sip and discover - to my utter horror - that it's Krug. Not only that, but just in case I didn't notice, the bottle is sitting in an ice bucket on the sideboard, propped up so the label is on show. If that isn't typically crude one up-manship, I don't know what is. I make a mental note - next time Matt Finkelstein drops by, I must open a bottle of vintage Cristal. (Second mental note: order some).
We exchange the usual pleasantries: air kisses, compliments, how wonderful, it's been so long, you look amazing, how are the children, before we get down to the real business of the evening (and this even before Matt Finkelstein has appeared!) - how are you doing? Sounds like a simple question, doesn't it? Except it doesn't really mean what it says. What it really means is (and at this point Wendy looks nervously in my direction, relenting on her previous irritation at my preoccupation with theblack sex bomb): are you going to be paid more than my husband this year, and if so, what does it do to our relative positioning in the social pecking order?
Great, isn't it? As if it wasn't enough that the husbands compete, the wives have to do it too. My husband earns more than yours, he can buy me a bigger house/ car/boat/holiday home and afford a better personal trainer/masseur/ beautician/guru/tennis coach and we can spend even more money than you on exotic holidays/dinners at fancy restaurants/tickets to the boring fucking opera/weekend breaks in stately fucking homes and WE MUST BE FUCKING HAPPIER THAN YOU FUCKING LOSERS. Or something like that. And anyway, since we all do this stuff, it must be right.
Wendy does her best 'confident corporate wife', glancing at me, looking quietly confident, silently gratified at some hidden knowledge that she and I alone can share - I've been told something. Rory must have given me a hint. Obviously I can't say anything: everyone understands that. Especially Gloria. Wendy puts on such a good performance that we don't actually need to say anything. Gloria looks taken aback, perturbed, ever so slightly unsettled in a quite delicious way, and leaves us with unseemly haste when the bell rings to announce the next guests.
To my relief, it's the light entertainment. Gloria Finkelstein, ever the thoughtful hostess, has organised aReal Loser. He's here so we can all unite against him and reinforce our sense of security and permanence.
Joe Smith ran forward Foreign Exchange trading at SFP - Société Financière de Paris - until June last year. Then they closed down and pulled out of the London market. Not his fault, of course, his team was profitable, but that makes no difference: when he looks at me, and I look at him, we both know. Not that I'd ever say anything, of course. That's part of the fun.
Our wives know too. His wife, strangely known as Charly, is Hong Kong Chinese, and I've always had a soft spot for her - I bet she's a real goer. She's wearing a brightly coloured, vaguely oriental style, silk mini dress of indeterminate origin - oh dear, my dear, no label - with pearls - okay, I guess - and intricately patterned gold earrings that probably come from the Middle East - I bet they don't have hallmarks. She's in great shape, but that really isn't the point. I wonder what she would say if I offered her, oh, let's say ten grand - or maybe fifty, he's been unemployed for nearly a year now...
'Joe, how are you? And Charly, how wonderful to see you!'
Wendy and Gloria rush to embrace the arriving guests, revelling in their superiority. Sweetness and success: moments like this are what it's all about. But it's all relative - imagine what it feels like for a woman to be married to Rory.
Joe is embarrassed, trying not to be defensive, he haslots of possibilities, he's still exploring his options, obviously the market doesn't help - and yes, we all nod and no one engages with him: because we don't have to, do we? He's a loser.
Before you say anything, I know it's not his fault - he ran a profitable, successful team, he made a lot of money for his firm, had a fearsome reputation in the market, and paid his people well, at least as long as they performed. It's not that he was kind, you understand. After all, kind is for girls. He was ambitious, aggressive, and like most of us, he knew how to smile upwards on the greasy career ladder and shit downwards. But he didn't have friends. Not that any of us do, really. But he made it particularly clear that he didn't care what his peers at other firms thought, and that was a mistake.
Most of us at least go through the motions, staying part of the 'club', because you never know when you might need a helping hand. Of course, for all I know, Joe's a loving, loyal husband and a wonderful father to his kids and helps small, furry woodland creatures in his spare time. But he's still a loser, and we know it and he knows it and Charly knows it too. He committed the Cardinal Sin: when he found himself in the wrong place at the wrong time, he had no friends and no Plan B. He was naked and alone with no one to cry to, and when that happens, the City is a barren place - the sort of place that makes people become unravelled.
Just as the conversation is stretching out deliciously, reinforcing my sense of confidence and good fortune, Matt Finkelstein arrives and pops the bubble.
'Hi, I'm sorry, so sorry - we've just priced the biggest reverse forward equity swap with collars, caps and inverse reference prices that's ever been undertaken outside of the US.'
We all stare at him. Matt Finkelstein has zits. I know I shouldn't raise this now, just ahead of dinner, but if you were here you'd see them anyway. He's tall, skinny and is losing his hair. He would say he's lean, and it's true he does work out, in the special gym set aside for the use of Managing Directors only at Hardman Stoney. He would probably also say he's clever, and in a manner of speaking, that's true - though only in a narrow, specific way that wouldn't really help him; for instance if civilisation came to an end as the result of a nuclear holocaust and he had to fend for himself in the wild. Sure, he goes to the opera, but if you were to ask him who wrote Tosca, he'd gaze vacantly at you, say 'Huh?' and look around for some Eurotrash they'd hired on their graduate trainee programme to answer the question.
'Wow, Matt - fantastic! Congratulations. You must be over the moon.' I don't ask how profitable the trade was, because they don't necessarily know - these swaps guys are so smart, they bullshit their bosses every time they do a deal, book some huge notional profit for bonuspurposes, and let their successors unwind the mess in a few years' time when it matures.
But the really clever thing about Matt's trade is that he's done it now. A dollar earned in the run-up to bonus is worth ten dollars earned at the beginning of the year. My last major success was back in March, which gives me a slightly sick feeling. I take a sip of Krug, but that only makes me feel worse.
'Why don't we go straight through and sit down?' Matt steers us through to the dining room, and can't help grinning as he sees the looks on our faces.
Their dining room has been transformed. They have a new centrepiece picture hanging over the fireplace - some contemporary splurge of colour that I'm sure we're all meant to recognise and must have cost a fortune, as well as a new dining suite, at least new to them. It looks Georgian to me - with crockery that I'm sure is also new from the last time we were here. But the real killer is hanging on the wall to my right: it's roughly six-feet by five, very glossy and dark. It's a photograph, by Hiroshi Sugimoto, of a seascape by night. To you and me, it's a six-foot by five-foot dark patch on the wall, but to those who know, it says that this man, Matt Finkelstein, has two hundred thousand dollars to spend on a museum piece of modern photographic art. Since it is completely black, I wonder for a moment if Matt could have sat in a dark cupboard with a camera with the flash disconnected and taken it himself, then got it blown up, but I don't think he has the nerve. If you study thesethings close up, you can see the wave patterns and starlight in the darkness. Obviously I can't acknowledge its existence by studying it, but he can't take the chance that someone won't. So it must be the real thing.
Damn him! He's got his retaliation in first: he's done all this stuff before the bonus. How could he? I'm sure he doesn't make that much more than I do, and Gloria is High Maintenance in a way that makes Wendy look modest. The only thing I can think of is debt - he must have mortgaged himself up to the eyeballs, and he's counting on the bonus as his lifeline. I smile and find myself reluctantly compelled to pay him the same compliment that Gloria paid to Wendy when she saw her jewellery: I ignore everything and sit down, pretending not to notice.
Wednesday, 27th October
B minus 50
TODAY I SAW a dead rat on the pavement. Now, if you're tempted to say, 'So what?', let me make clear that this is quite unusual for Sloane Square. I'm sure there are rats all over London, in fact there are probably as many rats as people, living off the rubbish that piles up on the pavements, surviving in the sewers and the gutters and rarely seeing the light of day. But this one had chosen to come out of the sewers and die, here on the pavementoutside my flat, for me to find just as I'm leaving to go to work.
In case you're wondering, I'm not superstitious, but it did put me in a really negative frame of mind. I wondered if it could somehow be a metaphor for my life, and that made me think about God. Not the Money God, you understand, but the other one - the one I don't really believe in except for social occasions like weddings and christenings. If there were a Real One - just speaking hypothetically, of course - and He were looking down on this ant-heap of a City, scrutinising us, what would He make of us? Would He think we were actually doing any good with our one unrepeatable lives, making a difference to our fellow man, or would He view us simply as parasites, an irrelevance that could be wiped out with a giant aerosol spray, leaving the planet a cleaner and happier place?
You can guess where I came out, as I sat on the Underground and tried to focus on my newspaper. I found myself wondering if there was anything I'd ever done that was worthwhile, not in the sense of generating fees for the firm, but in the sense of making the world a better place. Like Bob Geldof. He was a rock star, and by and large I think rock stars are pretty worthless people - though it has to be said that the big names do make real money. But Geldof was different. He tried to make a difference, not just to his own immediate circle, but to the whole world. Would I ever do that, spinning madly like a hamster in a wheel on this crazy money-go-round?And if not, should I be worried about it? Would I one day look back and say it was all worthless?
Well, not if I made two million this year. Two million would still not be real money, but it could make a difference. With two million - which after tax and assuming half the balance is held back in deferred shares or options is really only six hundred thousand - I could buy a proper place in the country - obviously with a second mortgage, because six hundred by itself doesn't get you there, but who cares about debt? Sensible leverage is, well... sensible. With two million, I could buy the kind of place where Wendy and I could invite houseguests for the weekend, possibly with our own shoot, and still get the 911 and the extras I was thinking about for the flat. Though on reflection the extras for the flat have less appeal now that Matt Finkelstein's beaten me to it.
By the time I reached Monument station I was feeling a lot better - forget rats, think bonus.
Thursday, 28th October
B minus 49
TODAY RORY was happy. The sun shone and we were all smiling as we sat at our workstations and contemplated our good fortune. Truly, we work for the best of all possible bosses at the best of all possible firms.
Just kidding.
Rory called a departmental meeting. We were all a little nervous as we filed in to the large conference room at the end of the trading floor. We didn't show it, of course - except by the fact of all the joking and light-hearted banter going back and forth. Anyone observing us would have thought w