Tidelands: Ghosts and Monsters

Book 1: Tidelands

by Gareth J. Southwell

Genres: Urban Fantasy; Science Fiction Fantasy; Post-Apocalyptic sci-fi; Cyberpunk; Dystopian; Genetic Engineering; urban fantasy; artificial intelligence; science fiction; dystopian; alien contact; genetic engineering; psychic thriller; Climate Fiction

Synopsis

Tidelands is an ongoing sci-fi and fantasy serial. Set some years in the future, it is a dystopian blend of cyberpunk, first contact, Lovecraftian horror and dark humour.

In a flooded city on the brink of collapse, the arcology provides a high-tech haven – for those who can afford it. Here, safe in her pampered confinement, Eva longs for escape. But each day she is made to play The Game, a mysterious virtual environment that seems more designed to monitor and test than to entertain.

Outside, life is a different story, where unregulated tech spawns nightmares to rival those of fairtytale and folklore – ghosts and monsters, the no-longer-human and the never-should-have-been. Here, Squirrel is a memory thief, eking out a fraught existence in service to the criminal gangs that trade in illicit gene hacks, blackmarket augments and – her speciality – stolen secrets.

But with skills she didn’t know she had, Squirrel steals a secret its owners would do anything to keep hidden. And as her new-found talents attract the attention of bad people keen to utilise them for their own ends, her only route out leads to the arcology itself, to Eva, and the answers that will upend both their lives.

Tidelands, Part 1: Ghosts & Monsters collects together instalments 1–17.

 

Read more

Release date: July 4, 2024

Publisher: WoodPig Press

Print pages: 156

Sample

Chapter 1

 

AFTERNOON IS SWAPPING SHIFTS with evening, the market-stallers with the working girls, while the brief rain – already half-way off to somewhere else – belatedly recalls some half-forgotten errand and hurries back, glazing the darkening world afresh with mirrored electric light.

It is beautiful.

And for a moment, Squirrel is lost in it, lifted up and out – of her bone-deep tiredness, her aching feet, and even for a second that pooling anxiety at returning to the Den once more with next to nothing. But it doesn’t last.

Since noon the Arc’s shadow has lengthened like a sundial’s, its cruel silhouette edging east towards Hillside, ticking down to her day’s-end destination. A day that’s so far seen the slimmest of pickings. When the time comes to pass on her haul, her marks will prove to have had little worth stealing; just fellow hole-dwellers, owning little more than the same determination to get out, to scrabble up the same steep-sided trap, using one another for leverage and purchase. But it’s not anything to feel guilty about – the theft. Not like they’ll miss what she takes, or that most wouldn’t return the favour.

She pauses at one such hole-dweller – a living statue, a girl, not much older than Squirrel herself. Though not like the ones that used to do it for money, Lily’d said, where they’d be pretending, painted up to be stone or bronze, but frozen in catatonic obeisance to some unknown chemical deity, the late-afternoon crowds parting about her like current around a rock. A sudden breeze lifts for a moment the girl’s sodden fringe, and Squirrel notes the tracery of her implant, fine lines spidering beneath the skin of her right temple, and reassesses the blind-eyed stare locked upon some vista that only she can see, the drug likely a mere catalyst for some other, stranger addiction.

But an opportunity is an opportunity. And so, with no high hopes, Squirrel begins to reach out, to probe with invisible fingers, sneaking past the dozing sentries that guard the girl’s addled awareness, half-expecting to find nothing there at all, a blank – explorations abruptly shut down as, erupting into alarming life, the statue starts to flail and scream, its full-aperture pupils of fathomless black to hungrily hunt the crowd for the would-be sneak thief. And the sneak thief in question now striding away, face down, hands thrust deep into hoody pockets, in opposite direction to the heads turning to enjoy the latest entertainment, and away from those more canny who start to scour the crowd for such as her.

She flits across bridges, down side streets, through the well-known maze of piss-perfumed alleys and into a familiar shadowed blindspot, out of sight of mechanical eyes, where she can reverse her top, red to black, pull back the hood and don the beanie from the pocket where precaution had previously stuffed it. Not a sophisticated wardrobe change, but no one’s followed her anyway, and when she eventually sets out again, edging gingerly back into the dwindling foot-traffic, it’s with a much-slowed pace, her legs telling her she may as well call it a day.

Perhaps she’s losing her touch.

Not a cheering thought.

But then, there he is: the day’s redemption, bent over by the bookstall, squinting down at the cracked spines of fifty-year-old paperbacks. Though he’s done his best to dress down, to blend in, there are the signs she’s been schooled to spot: the too-good shoes, the too-good hair and skin as well; and especially the hands, uncalloused by a life of anything more arduous than airy gestures, the occasional tap or swipe of a screen. He doesn’t belong. Drawn here, as so often they are, for what he cannot get Inside, for the illicit and the contraband, the discontinued and the obsolete. She sidles into range, bends over too, mirroring his immersion – just a fellow retro fetishist – gradually leaning her mind in, feeling the familiar but still unsettling buzz as the connection is made. Always a nervy moment. Does he notice? His body wants to, tries to warn him, adjusting the set of his head, stretching out his jaw, igniting an itch at his temple, but his conscious mind remains oblivious, absorbed in the literary flotsam before him.

He’s been lazy – or forgetful, if his current distractedness is any clue – and hasn’t yet acted on those automated reminders to install the latest updates to his implant. And so her own interface connects with ease, strolling in where it shouldn’t be allowed, its search algorithm setting gently to work, silently sifting his private thoughts, unpicking the skeins of memory, pretending to be his banking portal, a message from his mother, a flirty note from the young woman from floor

22 with whom he’s got that casual thing, anything that might trigger those lucrative unconscious associations – passwords, secrets, indiscretions – things that can be traded or sold. And all before, alerted by some primitive tripwire in the brainstem, he can begin to wonder, apropos of nothing, why he should be thinking about just those things, and she’ll have to cut and run.

(“Remember” – one of Fogler’s favourite, oft-repeated dicta – “what’s valuable often isn’t visible. So unless we know what we’re looking for, we go for bulk collection.”)

Forget that. Bulk collection takes time – stood by, lame as a fairground duck, while all that data downloads? Quicker simply to steer the search herself, led by her instincts, her gut, guiding it through her mark’s back alleys, his mental byways, intuiting – her nickname justly earned – those particular places where she can squirrel out those very things he least wants to give up.

But something is wrong.

Unless some memory snags her interest, unless she stops to call it up, she should just see snapshots, flicking by like those old flip books for kids, so thinks at first that her intrusion has finally been noticed, that some misstep has provoked her mark’s implant into delayed defensive action. But it’s not that – or at least, not like any counter-intrusion she’s ever seen – and it rises unbidden, rolling over her inner eye like a wave, swamping out the graphics and figures her own interface superimposes on her retina – the data flags, the progress stats, the burgeoning memory map – and all at once she is somewhere else.

It’s happening again.

She is on some sort of balcony or platform – though not “she”, for Squirrel tries in vain to orient herself, to turn her head or shift viewpoint; but as before, it is evidently not her experience to control. ...