The Year's Best Science Fiction: Thirty-Second Annual Collection

Genres: Anthologies

Synopsis

In the new millennium, what secrets lay beyond the far reaches of the universe? What mysteries belie the truths we once held to be self evident? The world of science fiction has long been a porthole into the realities of tomorrow, blurring the line between life and art. Now, in The Year's Best Science Fiction: Thirty-Second Annual Collection the very best SF authors explore ideas of a new world. This venerable collection brings together award winning authors and masters of the field such as Robert Reed, Alastair Reynolds, Damien Broderick, Elizabeth Bear, Paul McAuley and John Barnes. And with an extensive recommended reading guide and a summation of the year in science fiction, this annual compilation has become the definitive must-read anthology for all science fiction fans and readers interested in breaking into the genre.

Release date: July 7, 2015

Publisher: St. Martin's Publishing Group

Print pages: 704

Sample

The Fifth Dragon

IAN MCDONALD



British author Ian McDonald is an ambitious and daring writer with a wide range and an impressive amount of talent. His first story was published in 1982, and since then he has appeared with some frequency in Interzone,Asimov's Science Fiction, and elsewhere. In 1989 he won the Locus Award for Best First Novel for his novelDesolation Road. He won the Philip K. Dick Award in 1992 for his novel King of Morning, Queen of Day. His other books include the novels Out on Blue Six, Hearts, Hands and Voices, Terminal Café, Sacrifice of Fools, Evolution's Shore, Kirinya, Ares Express, Brasyl, and The Dervish House, as well as three collections of his short fiction,Empire Dreams, Speaking In Tongues, and Cyberabad Days. His novel River of Gods was a finalist for both the Hugo Award and the Arthur C. Clarke award in 2005, and a novella drawn from it, "The Little Goddess," was a finalist for the Hugo and the Nebula. He won a Hugo Award in 2007 for his novelette "The Djinn's Wife," won the Theodore Sturgeon Award for his story "Tendeleo's Story," and in 2011 won the John W. Campbell Memorial Award for his novel The Dervish House. His most recent books, Planesrunner, Be My Enemy, and Empress of the Sun, are part of a YA series. Coming up is a new novel, Luna, and two collections, Only the Best of Ian McDonaldand Mars Stories. Born in Manchester, England, in 1960, McDonald has spent most of his life in Northern Ireland, and now lives and works in Belfast.

Here he tells a gripping story of love in the face of the harsh realities of life as immigrant workers on the moon, and presents its characters with a heartbreaking choice.

The scan was routine. Every moon worker has one every four lunes. Achi was called, she went into the scanner. The machine passed magnetic fields through her body and when she came out the medic said, you have four weeks left.

* * *

We met on the Vorontsov Trans-Orbital cycler but didn't have sex. We talked instead about names.

"Corta. That's not a Brazilian name," Achi said. I didn't know her well enough then, eight hours out from transfer orbit, to be my truculent self and insist that any name can be a Brazilian name, that we are a true rainbow nation. So I told her that my name had rolled through many peoples and languages like a bottle in a breaker until it was cast up sand-scoured and clouded on the beaches of Barra. And now I was taking it on again, up to the moon.

Achi Debasso. Another name rolled by tide of history. London born, London raised, M.I.T.educated but she never forgot-had never been let forget-that she was Syrian. Syriac. That one letter was a universe of difference. Her family had fled the civil war, she had been born in exile. Now she was headed into a deeper exile.

I didn't mean to be in the centrifuge pod with Achi. There was a guy; he'd looked and I looked back and noddedyes, I will, yes even as the OTV made its distancing burn from the cycler. I took it. I'm no prude. I've got the New Year Barra beach bangles. I'm up for a party and more, and everyone's heard about (here they move in close and mouth the words) freefall sex. I wanted to try it with this guy. And I couldn't stop throwing up. I was not up for zero gee. It turned everything inside me upside down. Puke poured out of me. That's not sexy. So I retreated to gravity and the only other person in the centrifuge arm was this caramel-eyed girl, slender hands and long fingers, her face flickering every few moments into an unconscious micro-frown. Inward-gazing, self-loathing, scattering geek references like anti-personnel mines. Up in the hub our co-workers fucked. Down in the centrifuge pod we talked and the stars and the moon arced across the window beneath our feet.

A Brazilian miner and a London-Syriac ecologist. The centrifuge filled as freefall sex palled but we kept talking. The next day the guy I had puked over caught my eye again but I sought out Achi, on her own in the same spot, looking out at the moon. And the whirling moon was a little bigger in the observation port and we knew each other a little better and by the end of the week the moon filled the whole of the window and we had moved from conversationalists into friends.

* * *

Achi: left Damascus as a cluster of cells tumbling in her mother's womb. And that informed her every breath and touch. She felt guilty for escaping. Father was a software engineer, mother was a physiotherapist. London welcomed them.

Adriana: seven of us: seven Cortas. Little cuts. I was in the middle, loved and adored but told solemnly I was plain and thick in the thighs and would have to be thankful for whatever life granted me.

Achi: a water girl. Her family home was near the Olympic pool-her mother had dropped her into water days out of the hospital. She had sunk, then she swam. Swimmer and surfer: long British summer evenings on the western beaches. Cold British water. She was small and quiet but feared no wave.

Adriana: born with the sound of the sea in her room but never learned to swim. I splash, I paddle, I wade. I come from beach people, not ocean people.

Achi: the atoner. She could not change the place or order of her birth, but she could apologise for it by being useful. Useful Achi. Make things right!

Adriana: the plain. Mãe and papai thought they were doing me a favour; allowing me no illusions or false hopes that could blight my life. Marry as well as you can; be happy: that will have to do. Not this Corta. I was the kid who shot her hand up at school. The girl who wouldn't shut up when the boys were talking. Who never got picked for the futsal team-okay, I would find my own sport. I did Brasilian jujitsu. Sport for one. No one messed with plain Adriana.

Achi: grad at UCL, post-grad at M.I.T. Her need to be useful took her battling desertification, salinisation, eutrophication. She was an -ation warrior. In the end it took her to the moon. No way to be more useful than sheltering and feeding a whole world.

Adriana: university at São Paulo. And my salvation. Where I learned that plain didn't matter as much as available, and I was sweet for sex with boys and girls. Fuckfriends. Sweet girls don't have fuckfriends. And sweet girls don't study mining engineering. Like jujitsu, like hooking up, that was a thing for me, me alone. Then the economy gave one final, apocalyptic crash at the bottom of a series of drops and hit the ground and broke so badly no one could see how to fix it. And the seaside, be-happy Cortas were in ruins, jobless, investments in ashes. It was plain Adriana who said, I can save you. I'll go to the Moon.

All this we knew by the seventh day of the orbit out. On the eighth day, we rendezvoused with the transfer tether and spun down to the new world.

The freefall sex? Grossly oversold. Everything moves in all the wrong ways. Things get away from you. You have to strap everything down to get purchase. It's more like mutual bondage.

* * *

I was sintering ten kilometres ahead of Crucible when Achi's call came. I had requested the transfer from Mackenzie Metals to Vorontsov Rail. The forewoman had been puzzled when I reported to Railhead. You're a dustbunny not a track-queen. Surface work is surface work, I said and that convinced her. The work was good, easy and physical and satisfying. And it was on the surface. At the end of every up-shift you saw six new lengths of gleaming rail among the boot and track prints, and on the edge of the horizon, the blinding spark of Crucible, brighter than any star, advancing over yesterday's rails, and you said, I made that. The work had real measure: the inexorable advance of Mackenzie Metals across the Mare Insularum, brighter than the brightest star. Brighter than sunrise, so bright it could burn a hole through your helmet sunscreen if you held it in your eye line too long. Thousands of concave mirrors focusing sunlight on the smelting crucibles. Three years from now the rail lines would circle the globe and the Crucible would follow the sun, bathed in perpetual noon. Me, building a railroad around the moon.

Then ting ching and it all came apart. Achi's voice blocking out my work-mix music, Achi's face superimposed on the dirty grey hills of Rimae Maestlin. Achi telling me her routine medical had given her four weeks.

I hitched a ride on the construction car back down the rails to Crucible. I waited two hours hunkered down in the hard-vacuum shadows, tons of molten metal and ten thousand Kelvin sunlight above my head, for an expensive ticket on a slow Mackenzie ore train to Meridian. Ten hours clinging onto a maintenance platform, not even room to turn around, let alone sit. Grey dust, black sky ... I listened my way through my collection of historical bossanova, from the 1940s to the 1970s. I played Connecto on my helmet hud until every time I blinked I saw tumbling, spinning gold stars. I scanned my family's social space entries and threw my thoughts and comments and good wishes at the big blue Earth. By the time I got to Meridian I was two degrees off hypothermic. My surface activity suit was rated for a shift and some scramble time, not twelve hours in the open. Should have claimed compensation. But I didn't want my former employers paying too much attention to me. I couldn't afford the time it would take to re-pressurise for the train, so I went dirty and fast, on the BALTRAN.

I knew I would vomit. I held it until the third and final jump. BALTRAN: Ballistic Transport system. The moon has no atmosphere-well, it does, a very thin one, which is getting thicker as human settlements leak air into it. Maybe in a few centuries this will become a problem for vacuum industries, but to all intents and purposes, it's a vacuum. See what I did there? That's the engineer in me. No atmosphere means ballistic trajectories can be calculated with great precision. Which means, throw something up and you know exactly where it will fall to moon again. Bring in positionable electromagnetic launchers and you have a mechanism for schlepping material quick and dirty around the moon. Launch it, catch it in a receiver, boost it on again. It's like juggling. The BALTRAN is not always used for cargo. If you can take the gees it can as easily juggle people across the moon.

I held it until the final jump. You cannot imagine what it is like to throw up in your helmet. In free fall. People have died. The look on the BALTRAN attendant's face when I came out of the capsule at Queen of the South was a thing to be seen. So I am told. I couldn't see it. But if I could afford the capsule I could afford the shower to clean up. And there are people in Queen who will happily clean vomit out of a sasuit for the right number of bitsies. Say what you like about the Vorontsovs, they pay handsomely.

All this I did, the endless hours riding the train like a moon-hobo, the hypothermia and being sling-shotted in a can of my own barf, because I knew that if Achi had four weeks, I could not be far behind.

* * *

You don't think about the bones. As a Jo Moonbeam, everything is so new and demanding, from working out how to stand and walk, to those four little digits in the bottom right corner of your field of vision that tell you how much you owe the Lunar Development Corporation for air, water, space and web. The first time you see those numbers change because demand or supply or market price has shifted, your breath catches in your throat. Nothing tells you that you are not on Earth any more than exhaling at one price and inhaling at another. Everything-everything-was new and hard.

Everything other than your bones. After two years on the moon human bone structure atrophies to a point where return to Earth gravity is almost certainly fatal. The medics drop it almost incidentally into your initial assessment. It can take days-weeks-for its ripples to touch your life. Then you feel your bones crumbling away, flake by flake, inside your body. And there's not a thing you can do about it. What it means is that there is a calcium clock ticking inside your body, counting down to Moon Day. The day you decide: do I stay or do I go?

In those early days we were scared all the time, Achi and I. I looked after her-I don't know how we fell into those roles, protector and defended, but I protected and she nurtured and we won respect. There were three moon men for every moon woman. It was a man's world; a macho social meld of soldiers camped in enemy terrain and deep-diving submariners. The Jo Moonbeam barracks were exactly that; a grey, dusty warehouse of temporary accommodation cabins barely the safe legal minimum beneath the surface. We learned quickly the vertical hierarchy of moon society: the lower you live-the further from surface radiation and secondary cosmic rays-the higher your status. The air was chilly and stank of sewage, electricity, dust and unwashed bodies. The air still smells like that; I just got used to the funk in my lungs. Within hours the induction barracks self-sorted. The women gravitated together and affiliated with the astronomers on placement with the Farside observatory. Achi and I traded to get cabins beside each other. We visited, we decorated, we entertained, we opened our doors in solidarity and hospitality. We listened to the loud voices of the men, the real men, the worldbreakers, booming down the aisles of cabins, the over-loud laughter. We made cocktails from cheap industrial vodka.

Sexual violence, games of power were in the air we breathed, the water we drank, the narrow corridors through which we squeezed, pressing up against each other. The moon has never had criminal law, only contract law, and when Achi and I arrived the LDC was only beginning to set up the Court of Clavius to settle and enforce contracts. Queen of the South was a wild town. Fatalities among Jo Moonbeams ran at ten percent. In our first week, an extraction worker from Xinjiang was crushed in a pressure lock. The Moon knows a thousand ways to kill you. And I knew a thousand and one.

Cortas cut. That was our family legend. Hard sharp fast. I made the women's Brazilian jujitsu team at university. It's hard, sharp, fast: the perfect Corta fighting art. A couple of basic moves, together with lunar gravity, allowed me to put over the most intimidating of sex pests. But when Achi's stalker wouldn't take no, I reached for slower, subtler weapons. Stalkers don't go away. That's what makes them stalkers. I found which Surface Activity training squad he was on and made some adjustments to his suit thermostat. He didn't die. He wasn't meant to die. Death would have been easier than my revenge for Achi. He never suspected me; he never suspected anyone. I made it look like a perfect malfunction. I'm a good engineer. I count his frostbit thumb and three toes as my trophies. By the time he got out of the med centre, Achi and I were on our separate ways to our contracts.

That was another clock, ticking louder than the clock in our bones. I&A was four weeks. After that, we would go to work. Achi's work in ecological habitats would take her to the underground agraria the Asamoah family were digging under Amundsen. My contract was with Mackenzie Metals; working out on the open seas. Working with dust. Dustbunny. We clung to the I&A barracks, we clung to our cabins, our friends. We clung to each other. We were scared. Truth: we were scared all the time, with every breath. Everyone on the moon is scared, all the time.

There was a party; moon mojitos. Vodka and mint are easy up here. But before the music and the drinking: a special gift for Achi. Her work with Aka would keep her underground; digging and scooping and sowing. She need never go on the surface. She could go her whole career-her whole life-in the caverns and lava tubes and agraria. She need never see the raw sky.

The suit hire was cosmologically expensive, even after negotiation. It was a GP surface activity shell; an armoured hulk to my lithe sasuit spiderwoman. Her face was nervous behind the faceplate; her breathing shallow. We held hands in the outlock as the pressure door slid up. Then her faceplate polarised in the sun and I could not see her any more. We walked up the ramp amongst a hundred thousand boot prints. We walked up the ramp and a few metres out on to the surface, still holding hands. There, beyond the coms towers and the power relays and the charging points for the buses and rovers; beyond the grey line of the crater rim that curved on the close horizon and the shadows the sun had never touched; there perched above the edge of our tiny world we saw the full earth. Full and blue and white, mottled with greens and ochres. Full and impossible and beautiful beyond any words of mine. It was winter and the southern hemisphere was offered to us; the ocean half of the planet. I saw great Africa. I saw dear Brazil.

Then the air contract advisory warned me that we were nearing the expiry of our oxygen contract and we turned out backs on the blue earth and walked back down into the moon.

That night we drank to our jobs, our friends, our loves and our bones. In the morning we parted.

* * *

We met in a café on the twelfth level of the new Chandra Quadra. We hugged, we kissed, we cried a little. I smelled sweet by then. Below us excavators dug and sculpted, a new level every ten days. We held each other at arms' length and looked at each other. Then we drank mint tea on the balcony.

I loathe mint tea.

Mint tea is a fistful of herbs jammed in a glass. Sloshed with boiling water. Served scalded yet still flavourless. Effete like herbal thés and tisanes. Held between thumb and forefinger: so. Mint leaves are coarse and hairy. Mint tea is medicinal. Add sugar and it becomes infantile. It is drinking for the sake of doing something with your fingers.

Coffee is a drink for grownups. No kid ever likes coffee. It's psychoactive. Coffee is the drug of memory. I can remember the great cups of coffee of my life; the places, the faces, the words spoken. It never quite tastes the way it smells. If it did, we would drink it until our heads exploded with memory,

But coffee is not an efficient crop in our ecology. And imported coffee is more expensive than gold. Gold is easy. Gold I can sift from lunar regolith. Gold is so easy its only value is decorative. It isn't even worth the cost of shipment to Earth. Mint is rampant. Under lunar gravity, it forms plants up to three metres tall. So we are a nation of mint tea drinkers.

We didn't talk about the bones at once. It was eight lunes since we last saw each other: we talk on the network daily, we share our lives but it takes face to face contact to ground all that; make it real.

I made Achi laugh. She laughed like soft rain. I told her about King Dong and she clapped her hands to her mouth in naughty glee but laughed with her eyes. King Dong started as a joke but shift by shift was becoming reality. Footprints last forever on the moon, a bored surface worker had said on a slow shift rotation back to Crucible. What if we stamped out a giant spunking cock, a hundred kilometres long? With hairy balls. Visible from Earth. It's just a matter of co-ordination. Take a hundred male surface workers and an Australian extraction company and joke becomes temptation becomes reality. So wrong. So funny.

And Achi?

She was out of contract. The closer you are to your Moon Day, the shorter the contract, sometimes down to minutes of employment, but this was different. Aka did not want her ideas any more. They were recruiting direct from Accra and Kumasi. Ghanaians for a Ghanaian company. She was pitching ideas to the Lunar Development Corporation for their new port and capital at Meridian-quadras three kilometres deep; a sculpted city; like living in the walls of a titanic cathedral. The LDC was polite but it had been talking about development funding for two lunes now. Her savings were running low. She woke up looking at the tick of the Four Fundamentals on her lens. Oxygen water space coms: which do you cut down on first? She was considering moving to a smaller space.

"I can pay your per diems," I said. "I have lots of money."

And then the bones ... Achi could not decide until I got my report. I never knew anyone suffered from guilt as acutely as her. She could not have borne it if her decision had influenced my decision to stay with the moon or go back to Earth.

"I'll go now," I said. I didn't want to. I didn't want to be here on this balcony drinking piss-tea. I didn't want Achi to have forced a decision on me. I didn't want there to be a decision for me to make. "I'll get the tea."

Then the wonder. In the corner of my vision, a flash of gold. A lens malfunction-no, something marvellous. A woman flying. A flying woman. Her arms were outspread, she hung in the sky like a crucifix. Our Lady of Flight. Then I saw wings shimmer and run with rainbow colours; wings transparent and strong as a dragonfly's. The woman hung a moment, then folded her gossamer wings around her, and fell. She tumbled, now diving head-first, flicked her wrists, flexed her shoulders. A glimmer of wing slowed her; then she spread her full wing span and pulled up out of her dive into a soaring spiral, high into the artificial sky of Chandra Quadra.

"Oh," I said. I had been holding my breath. I was shaking with wonder. I was chewed by jealousy.

"We always could fly," Achi said. "We just haven't had the space. Until now."

Did I hear irritation in Achi's voice, that I was so bewitched by the flying woman? But if you could fly why would you ever do anything else?

* * *

I went to the Mackenzie Metals medical centre and the medic put me in the scanner. He passed magnetic fields through my body and the machine gave me my bone density analysis. I was eight days behind Achi. Five weeks, and then my residency on the moon would become citizenship.

Or I could fly back to Earth, to Brazil.

* * *

There are friends and there are friends you have sex with.

After I&A it was six lunes until I saw Achi again. Six lunes in the Sea of Fertility, sifting dust. The Mackenzie Metals Messier unit was old, cramped, creaking: cut-and-cover pods under bulldozed regolith berms. Too frequently I was evacuated to the new, lower levels by the radiation alarm. Cosmic rays kicked nasty secondary particles out of moon dust, energetic enough to penetrate the upper levels of the unit. Every time I saw the alarm flash its yellow trefoil in my lens I felt my ovaries tighten. Day and night the tunnels trembled to the vibration of the digging machines, deep beneath even those evacuation tunnels, eating rock. There were two hundred dustbunnies in Messier. After a month's gentle and wary persistence and charm from a 3D print designer, I joined the end of a small amory: my Chu-yu, his homamor in Queen, his hetamor in Meridian, her hetamor also in Meridian. What had taken him so long, Chu-yu confessed, was my rep. Word about the sex pest on I&A with the unexplained suit malfunction. I wouldn't do that to a co-worker, I said. Not unless severely provoked. Then I kissed him. The amory was warmth and sex, but it wasn't Achi. Lovers are not friends

Sun Chu-yu understood that when I kissed him goodbye at Messier's bus lock. Achi and I chatted on the network all the way to the railhead at Hypatia, then all the way down the line to the South. Even then, only moments since I had last spoken to her image on my eyeball, it was a physical shock to see her at the meeting point in Queen of the South station: her, physical her. Shorter than I remembered. Absence makes the heart grow taller.

Such fun she had planned for me! I wanted to dump my stuff at her place but no; she whirled me off into excitement. After the reek and claustrophobia of Messier Queen of the South was intense, loud, colourful, too too fast. In only six lunes it had changed beyond recognition. Every street was longer, every tunnel wider, every chamber loftier. When she took me in a glass elevator down the side of the recently completed Thoth Quadra I reeled from vertigo. Down on the floor of the massive cavern was a small copse of dwarf trees-full-size trees would reach the ceiling, Achi explained. There was a café. In that café I first tasted and immediately hated mint tea.

I built this, Achi said. These are my trees, this is my garden.

I was too busy looking up at the lights, all the lights, going up and up.

Such fun! Tea, then shops. I had had to find a party dress. We were going to a special party, that night. Exclusive. We browsed the catalogues in five different print shops before I found something I could wear: very retro, 1950s inspired, full and layered, it hid what I wanted hidden. Then, the shoes.

The special party was exclusive to Achi's workgroup and their F&Fs. A security-locked rail capsule took us through a dark tunnel into a space so huge, so blinding with mirrored light, that once again I reeled on my feet and almost threw up over my Balenciaga. An agrarium, Achi's last project. I was at the bottom of a shaft a kilometre tall, fifty metres wide. The horizon is close at eye level on the moon; everything curves. Underground, a different geometry applies. The agrarium was the straightest thing I had seen in months. And brilliant: a central core of mirrors ran the full height of the shaft, bouncing raw sunlight one to another to another to walls terraced with hydroponic racks. The base of the shaft was a mosaic of fish tanks, criss-crossed by walkways. The air was warm and dank and rank. I was woozy with CO2. In these conditions plants grew fast and tall; potato plants the size of bushes; tomato vines so tall I lost their heads in the tangle of leaves and fruit. Hyper-intensive agriculture: the agrarium was huge for a cave, small for an ecosystem. The tanks splashed with fish. Did I hear frogs? Were those ducks?

Achi's team had built a new pond from waterproof sheeting and construction frame. A pool. A swimming pool. A sound system played G-pop. There were cocktails. Blue was the fashion. They matched my dress. Achi's crew were friendly and expansive. They never failed to compliment me on my fashion. I shucked it and my shoes and everything else for the pool. I lolled, I luxuriated, I let the strange, chaotic eddies waft green, woozy air over me while over my head the mirrors moved. Achi swam up beside me and we trod water together, laughing and plashing. The agrarium crew had lowered a number of benches into the pool to make a shallow end. Achi and I wafted blood-warm water with our legs and drank Blue Moons.

I am always up for a party.

I woke up in bed beside her the next morning; shit-headed with moon vodka. I remembered mumbling, fumbling love. Shivering and stupid-whispering, skin to skin. Fingerworks. Achi lay curled on her right side, facing me. She had kicked the sheet off in the night. A tiny string of drool ran from the corner of her mouth to the pillow and trembled in time to her breathing.

I looked at her there, her breath rattling in the back of her throat in drunk sleep. We had made love. I had sex with my dearest friend. I had done a good thing, I had done a bad thing. I had done an irrevocable thing. Then I lay down and pressed myself in close to her and she mumble-grumbled and moved in close to me and her fingers found me and we began again.

* * *

I woke in the dark with the golden woman swooping through my head. Achi slept beside me. The same side, the same curl of the spine, the same light rattle-snore and open mouth as that first night. When I saw Achi's new cabin, I booked us into a hostel. The bed was wide, the air was as fresh as Queen of the South could make and the taste of the water did not set your teeth on edge.

Golden woman, flying loops through my certainties.

Queen of the South never went fully dark-lunar society is 24-hour society. I pulled Achi's unneeded sheet around me and went out on to the balcony. I leaned on the rail and looked out at the walls of lights. Apts, cabins, walkways and staircases. Lives and decisions behind every light. This was an ugly world. Hard and mean. It put a price on everything. It demanded a negotiation from everyone. Out at Railhead I had seen a new thing among some of the surface workers: a medallion, or a little votive tucked into a patch pocket. A woman in Virgin Mary robes, one half of her face a black angel, the other half a naked skull. Dona Luna: goddess of dust and radiation. Our Lady Liberty, our Britannia, our Marianne, our Mother Russia. One half of her face dead, but the other alive. The moon was not a dead satellite, it was a living world. Hands and hearts and hopes like mine shaped it. There was no mother nature, no Gaia to set against human will. Everything that lived, we made. Dona Luna was hard and unforgiving, but she was beautiful. She could be a woman, with dragonfly wings, flying.

I stayed on the hotel balcony until the roof reddened with sun-up. Then I went back to Achi. I wanted to make love with her again. My motives were all selfish. Things that are difficult with friends are easier with lovers.

* * *

My grandmother used to say that love was the easiest thing in the world. Love is what you see every day.

I did not see Achi for several lunes after the party in Queen. Mackenzie Metals sent me out into the field, prospecting new terrain in the Sea of Vapours. Away from Messier, it was plain to me and Sun Chu-yu that the amory didn't work. You love what you see every day. All the amors were happy for me to leave. No blame, no claim. A simple automated contract, terminated.

I took a couple of weeks furlough back in Queen. I had called Achi about hooking up but she was at a new dig at Twe, where the Asamoahs were building a