The Time Tourists
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Synopsis
Imogen was four the first time it happened. As she flipped through her grandma’s dusty photo album gazing into the faded, monochrome faces of her grandma’s somber family—relatives with funny names like Aunt Ada and Uncle Paul and Aunt Phyllis and Uncle Gordy, and second cousins Percy and Viola from Missoula—suddenly, the universe tilted, and for a brief instant Imogen found herself inside of one of the pictures.
One of only a handful of individuals who can time travel through photos, she establishes an investigative business to help people recover lost items and unearth the stories and secrets of friends and relatives from the past.
Step into time with Imogen Oliver in this first book in the Dead Relatives, Inc. series as she investigates a teenage girl who disappeared to 1967 San Francisco with her boyfriend, then journeys back to 1912 to locate a set of missing stereoscopic glass plates that hold a curious connection to her own life.
Release date: May 26, 2024
Publisher: GladEye Press
Print pages: 415
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The Time Tourists
Sharleen Nelson
1
More than two thousand years ago, Aristotle said, “Time is the most unknown of all unknown things.” Not much has changed since then. Like Aristotle, Imogen Oliver spent a good deal of her time thinking about time, researching time, and traveling through time, yet why and how she was able to do it remained a big, fat mystery.
It was strange to think that just a few short years ago her life so far had been consumed by shoe shopping at the mall, watching progressively bad reality TV, drinking beer and singing karaoke with friends at the bar on Friday nights, and wondering what the hell she was going to do with a liberal arts degree in history.
But history, as it turned out, was actually quite a useful major for her line of work as a time-traveling private investigator. From the discovery that she possessed this unusual gift—the ability to step into the scene of any photograph and become part of that time—Dead Relatives, Inc. was born. If the name seems sort of morbid, there is a perfectly good reason behind it. Imogen knew that if she wanted to attract the kind of business she was after—discreetly locating the whereabouts of lost friends, relatives, misplaced objects—she would need to choose a name that stuck out.
As with any job, but especially bearing in mind the complexity of time travel, there were, of course, rules, quite a few as it turned out, but the three basic ones were: you can’t bring anything back from the past with you; you can’t run into yourself, and you can’t alter established history; for instance, changing the results of an election, or going back and killing Hitler when he was an infant—a common time-travel trope. Luckily, however, following the rules was made a bit easier by a self-correcting universe, meaning that even if you deliberately tried to break a rule, the custodians of the cosmos would not allow it.
Yet, as satisfying as it was to bring the answers, lost items, and long-buried secrets forward, helping her clients embrace closure or find hope for a brighter future for themselves and their kin, as a private investigator, she was also a pragmatist. She understood that humans were unpredictable creatures, not all of them possessed a moral compass. What they did with the information she provided was out of her control and besides, like everyone else, she needed to eat and pay her rent and feed her always hungry cat.
Time travel. It was the focus of prodigious discussion and debate, covered from diverse angles using myriad devices and means in works of literature, on television, and in the movies. There were paradoxes and conundrums and questions that beget more questions, none for which Imogen had sufficient answers. Was it magic? Something else? Perhaps it had something to do with growing up in close proximity to photographic chemicals and materials, or the fact that both of her parents were photographers. She had once heard of a super-secret society that evidently knew all about what she could do, but so far, that was an unverified mystery too. What she did know was that it happened to her the first time when she was four.
***
Time tick-tick-ticked as Imogen, eyes wide open, stared up at the swirly patterns on Grammy Iris’ plaster ceiling. She was supposed to be taking a nap. Naps were for babies. Shoving the quilt off and tossing Horace the stuffed horse aside, she sat up and began to slowly inch toward the edge of her wagon-wheel themed single bed, but not too close, and not before looking down first to make sure that a witch’s gnarled claw wasn’t sneakily inching up and out from under the bed to snatch hold of her ankle and drag her down to some scary dark underworld beneath it. She was just ready to put her toe down onto the tile floor when Grammy walked into the room. Imogen quickly pulled her foot back up, laid out flat on the bed, and squeezed her eyes shut, feigning sleep.
“Imogen!” Grammy said, trying to stifle a snicker. “Are you taking a nap?”
Imogen opened one eye and replied, “Yes?”
“For some reason, I don’t think you’re really asleep,” Grammy said, coming over to the side of the bed, and reaching down, tickled her granddaughter’s neck, sending Imogen into spasms of giggling.
Imogen sat up. “I’m not sleepy, Grammy. Can I get up now?” she whined.
Grammy sighed. “Okay, come on, you,” she said, taking Imogen by the hand and leading her out to the living room. Hoping she might get drowsy looking at it for the millionth time, Grammy Iris pulled out the big, dusty family photo album and placed it on Imogen’s lap. Inside, dozens of faded, sepia-tinted pictures of Grammy’s grumpy family were pasted on hard cardboard backing—people with funny names like Aunt Ada and Uncle Paul and Aunt Phyllis and Uncle Gordy and second cousins Percy and Viola from Missoula.
Because the pictures were attached in each corner with four white tabs that looked like miniature envelopes with their flaps open, she could easily take them out, turn them over, and sound out the names and dates and locations that were handwritten on the back with gold ink in Grammy’s fine cursive script. The lines had lots of loopty loos and curly q’s that Imogen tried once to copy with a crayon on a piece of paper but could never get to look quite the same.
There were pictures of frowning babies and squirmy toddlers propped up on divans—boys and girls alike dressed up in frilly, white lace gowns and buttoned up leather shoes. There were a few candid street scene photos with blurry carriages, and buggies and horses going by, and even the turn-of the-century equivalent of today’s photo bomb, a youth speeding through the photo’s background on an old time bicycle waving his hand behind a smiling Grammy in the foreground, a young girl of 18; and a later one of her looking as dour as the rest of the relatives did in a studio posed photograph with Grandpa on their wedding day. There were even a couple of really, really old pictures, ones that were so faded out you could scarcely see the faces on the small pieces of metal.
When Imogen closed the album and started to scoot off the couch, a different kind of picture fell out. It wasn’t black and white like the others. It was in color and shaped differently, more square. Imogen picked the photo up with her stubby fingers and held it in front of her face to get a good look. She immediately recognized the woman in the picture. It was mommy. She was standing on a beach. Turned slightly away from the camera, her hand shaded her eyes from the bright sunlight as she glanced at something in the distance.
Imogen couldn’t say how it happened, but as she stared at the picture, it began to wiggle-waggle jiggie-jaggle like instant Jell-O, she thought—just slightly around the edges at first, but then all of a sudden, things got sort of all weirdly warbled and crazy feeling. It was dark and she felt afraid, but then there was light again and she could feel her feet sinking down into warm sand and smell the fishy scent of the ocean. Mother looked down at daughter with a look of surprise and bewilderment. Imogen reached up and touched the tips of her mother’s fingers.
“Hi mommy,” she said.
“What are you doing here Imogen?” Francis asked, and then whooosh, an invisible something pulled her away, and just like that she was back again, sitting in the big chair in the living room, sunlight dancing across the TV where an episode of Grammy’s favorite daytime soap As the World Turns continued to play on. Imogen suddenly felt tired. A nap sounded very good.
2
Although most people think of time as a constant, physicist Albert Einstein showed that time is an illusion; it is relative—it can vary for different observers depending on your speed through space. Henceforth: kid time.
“Kid” time is very much quite not the same as “adult” time. Kid time is measured by birthdays and first and last days of school; by Santa Claus and Halloween and seasons. If you were ever a kid yourself, you know that kid time goes by s-l-o-w-l-y. Up until about the age of 10, it takes forever for Christmas and birthdays to arrive; it seems like you’re eight and a half for time without end; there is no concept of days, weeks, hours, minutes, months, years—it is math problems to be solved with number two pencils on worksheets handed out by the teacher, or like when the big hand was on the three and the little hand was on 30 and it was half past three, but essentially, it plays no relatable role in a kid’s life.
Rather, they are much more attuned to their senses—of sight and sound and smell and the way things feel. Instead of a clock, time is measured more by the position of the sun or the moon or the season; by the sweet aroma of lilacs in spring, fresh mowed grass, the mossy forest smell and hamburgers barbecuing on the grill in summer, the way the leaves crunch under your feet or how the air smells just before it rains in the fall.
In the summer, if your parents woke you up early in the morning before the sun came up it could mean something good was happening, like that you were going on a long vacation or camping at the lake. When you heard the first faint bars of a familiar jingle, you knew it was late afternoon. Was it? Yes! It could only be the ice cream truck! And from every corner of the neighborhood, the sounds of balls and bats dropping, wet children emerging from pools, second base abandoned as kids made a mad dash for home to raid their piggy banks for nickels and dimes. The sno-cone man was coming!
Brimming with a freezer full of shaved ice and fudgsicles, drumsticks and ice cream sandwiches, juice bars and orange pop-ups, the truck finally made a slow roll around the corner and the tattooed ice-cream man began to recite his sno-cone flavor rap: “Straw-berrrry, cherry, grape, ah-lime, orange, ah-root-a-beer, cinnamon, Ringo, Elv-is Presley, the New Dude and Red D’Mickie!” And even though the arrival of the Pied Piper of Popsicles was a summer staple, it was as if kid time somehow prevented the children from remembering that this was an everyday occurrence.
In autumn, when the leaves began to crinkle up and turn their bright colors, the rain would start soon after, which meant it was almost Halloween and Trick-or-Treat candy. And when the last leftover piece of turkey was devoured, and the decorations went up downtown and the stores began stocking toys and glitter-filled, twinkly light displays, and the air was so cold it took your breath away, it could only be Christmastime. Then, when you saw the daffodils and crocus poking out from between the frozen patches of melted ice on your way to school, you knew it was only a matter of time before the Easter bunny arrived with more candy, and it wouldn’t be long after that until school ended for another year and it was glorious summertime again!
Kid time is when existing in the world seems like a normal state of being; something that is and always will be; no worries about tomorrow or next week or bills or taxes or divorce or growing old alone or lying down for that last, long sleep.
When only good things happen during kid time, it’s great, the slow-moving events become treasured childhood memories, but if something bad or horrible occurs—bullying, death of a parent or sibling, abuse, divorce—the trauma and pain can feel like it will never end, that it will last an eternity—until it does, when
kid time ends and adult time kicks in and time speeds up, and therapists, who make their living delving into the childhood issues of their adult clientele, step in to try to patch up the wounds. The long, difficult slog through kid time began for Imogen in the autumn of her ninth year.
***
Niles and Francis Oliver were what you might call natural-world people; they recycled, grew their own vegetable and herb garden; they listened to NPR, shopped at the co-op and sprinkled nutritious granola on Imogen’s Cheerios every morning. Niles, tall and lean, affably charming, and most comfortable when wearing an old flannel shirt, a pair of khaki shorts and hiking boots, his hefty camera bag slung over one shoulder; and Francis, tall, dark-haired, reserved, but with a rare contagious laugh, made a handsome couple, and both were adamant about raising their daughter as naturally as possible without any predetermined rules to obey or dogma to follow.
As photographers they were intuitively curious about the world around them and eager to document everything, which meant exposing their daughter to endless excursions, hiking and camping and museums; boundless opportunities for picking up rocks and leaves and bugs and examining them under a micro lens.
Imogen learned to be patient while her folks set up a shot and to appreciate sunrises and sunsets, that special time when the magic hour happened for photographers. She explored odd and out of the way places and learned to love science and to marvel at the surprises in nature. Of course, they had named her Imogen, after Imogen Cunningham, a famous turn-of-the-century female photographer known especially for her botanical photography, nudes, and industrial landscapes.
She was content in the company of her parents, although mother at times appeared aloof, or maybe she was merely distracted, but nonetheless, she often rebuffed Imogen’s exuberant efforts at hugs and affection. Luckily, dad made up for it. His cavalcade of silly games amused and delighted Imogen for days. They played catch and she danced to swing music on his shoes. They waded through streams together looking for polliwogs, and at night she leaned into the crook of his arm as he read fantastic stories to her about magic and wizards and fairies and undiscovered lands faraway.
He convinced her that trolls lived in tunnels and that the only way to get past them was to hold your breath from the beginning of the tunnel until the very end of it. Memories of daddy and Imogen counting down 3, 2, 1, entering the tunnel and both sucking in air; mom crying, “Niles, stop it, it’s dangerous,” but laughing as she said it. The blur of diverging headlights bouncing off the reflectors on the walls and roof; the thump, thump, thump of the tires on the tracks along the road inside the tunnel; the cacophonous echo of multitudinous horns honking. There was something deliciously terrifying about a tunnel, no matter how long or how scary it was. It might be haunted if it was abandoned, or creepy and dumb like the dark scary ride at the Fun Zone in Newport Beach was; or mysterious and confusing like Willie Wonka’s hallucinatory
boat ride through the tunnel that led to the chocolate factory. Trolls or no trolls, because of their special game, tunnels held a special appeal with Imogen.
Imagination was Imogen’s best friend, with books coming in a strong second. Curious about everything, Imogen was a voracious reader. She loved nothing more than an afternoon spent losing herself within the pages of a book, visiting new places, sharing the adventures of remarkable characters, and most of all, learning new words.
One day, bored with her own age-appropriate chapter books, Imogen decided to inspect her parent’s vast library collection of books. Choosing a hardbound book called To Kill a Mockingbird, Imogen was instantly drawn into the Depression-era story about the little girl named Scout Finch and her brother Jem. And oh goody, there were lots of new words for her to look up! Early one Saturday morning as she was curled up reading in bed before anyone was awake, Imogen stumbled upon a word she’d never heard before. At breakfast, Imogen looked up from her bowl of cereal and asked, “What does rape mean?”
Niles and Francis stopped eating mid-chew, looked over at each other, and then back at their seven-year-old daughter.
“Uh,” Niles mumbled, calmly setting his spoon down and looking to his wife for guidance.
“May I ask where you learned that word?” Francis asked Imogen calmly.
“From a book,” Imogen said.
“What book?” Niles asked.
Imogen didn’t wait to launch into a detailed synopsis. “Well, in To Kill a Mockingbird, there’s these kids—Scout and her brother Jem and their dad, Atticus, who is a lawyer and he stands up for a black man named Tom Robinson who raped a white lady, but . . .” Imogen was clearly frustrated. “I don’t know what that means and I don’t want to read anymore of the book until I do because it won’t make any sense.”
Niles had to cover his mouth with his hand to suppress his amusement at his daughter’s dilemma. Neither was exactly prepared to have this discussion with Imogen right now or so soon, but after they explained what the word meant, it opened the doors to further conversation about the deeper social issues, like racism, addressed in Harper Lee’s powerful novel, and the beginning of many more such discussions and learning opportunities between the Oliver’s and their most-inquisitive child.
On the outside, Imogen was sufficiently cute and pleasant enough, an average child, unusual but in a likable way. On the inside, she was an introvert, a misunderstood oddball, a little ball of social ineptitude, but not shy, which made her a bit of a confusing enigma. She had a tendency to either inappropriately talk too much, or at other times, too little.
Although she was an
only child Imogen wasn’t a spoiled unpleasant kid like some “onlys” she knew. She didn’t get everything she wanted, in part because Imogen never thought to ask. And besides, her parents were more inclined to put her in a room full of books than a room full of toys.
Still, as much fun as they enjoyed as a threesome, Niles and Francis worried about their daughter; they wondered if she should have more social interaction with other children. They did their best to encourage her to make friends, but the handful Imogen had collected over the course of growing up so far were more like playmates than true friends, moving in and out of her life like ghost children, never sticking around long enough to make a real connection.
But ever championing their daughter to experience new things, Niles and Francis meant well when they tried to encourage Imogen to play with others, to stop living in her head so much, even if it sometimes meant enduring an unpleasant afternoon or two spent with someone truly dreadful.
Jeanie Bean, one of a parade of superficial “play date” friends her parents naively exposed Imogen to, was a poster child for bad “only” children everywhere. Prone to indiscriminate whiny outbursts, lengthy fits, and foot-stomping tantrums when her hapless parents failed to dutifully gratify the loathsome little princess, Jeanie was a disagreeable mess.
More like a mini-suite than a proper bedroom, Jeanie’s room was mostly inhabited by Barbie dolls of all stripes, and all the ubiquitous pink and bejeweled Barbie accessories and paraphernalia that accompanied the Barbie franchise. The centerpiece of the altar of pink was the majestic two-story Barbie dream house along with its many accoutrements, the Barbie convertible and every conceivable Barbie fashion outfit—from catwalk model mod to princess plush. She also possessed Barbie’s posse of friends and relations—Ken, Skipper and Scooter Sport, Christie, Midge, P.J., Jewel Secrets Whitney, Todd, and Tracy.
At her house, Imogen owned exactly one Barbie doll, although she wasn’t called Barbie; Imogen had renamed her Q and turned her into a punk. Using her trusty lefty scissors, she had, like the evil witch in Rapunzel, snipped off her long, blond Barbie locks, and then taken her assortment of multicolored, fluorescent magic markers and expertly tinted Q’s new short, spiky hair in a bevy of bright magentas, majestic purples, and bold limes.
Spending an entire afternoon cooped up in a room alone with Jeanie Bean was bad enough, but to make matters worse, peculiar little Jeanie would not allow Imogen to touch any of her stuff the entire time she was there. She had evidently missed the unit on sharing in school. In her twisted little “lonely only” mind, Jeanie Bean was desperate for attention, but at the same time she couldn’t bear to share her possessions with anyone else, insisting that Imogen sit quietly in a chair in the corner and watch her play.
For hours, Imogen observed this pathetic little girl cycle through Barbie’s vast wardrobe
or pretend to have her take a spin in the hot pink convertible with Ken for a night on the town.
Pressured by her parents, who wanted to know if she was having a good time at her new friend’s house Imogen finally disclosed what went on during afternoons spent with Jeanie Bean, to which they abruptly changed course, figuring that allowing their daughter to live in her head was far better than exposing her to someone as clearly damaged as Jeanie. The play dates mercifully came to an end.
Years later, Imogen was not terribly surprised to learn that Jeanie’s needy pleas for attention had followed her into adolescence and adulthood. Pregnant at 16, she had dropped out of high school, and after being arrested copious times for drugs, eventually relinquished her child to protective services. Last she’d heard, Ms. Jeanie Bean had finally found her captive audience dancing for dollars at the Cheetah Lounge down near the railroad tracks at the edge of town.
Nonetheless, with or without friends, Imogen was perfectly content to amuse herself in myriad ways—reading, of course—the library was her most favorite place in the whole world. She liked to draw, or sometimes, using Francis’ fancy nail polish, which she had secretly pilfered from her mother’s vanity, she painted names on the shell houses of snails and lined them up for an all-day race.
She made up counting games as she swung back and forth on the rope swing in the backyard or climbed up high into the uppermost branches of the elm tree to think and peer down at the world below without anyone knowing she was there. She made up intricate stories that ran like a movie in her head, complete with multiple characters and story-lines and dialogue, while she rode her blue bicycle round and round the blocks of her neighborhood. But that summer, things were about to change for Imogen.
The house on the corner had been empty for so long she’d stopped paying attention to it anymore, that is until one morning when Imogen stepped out onto her front porch and noticed that someone had mowed the lawn over there, and a girl, just about her age and size, was standing on her porch looking back at her. Imogen may not have had a lot of social skills, but she certainly wasn’t shy, and without hesitation, marched over to introduce herself.
“Hi, I’m Imogen,” she said, sticking out her hand. “What’s yours?”
“Jade,” the girl answered shyly, rocking back and forth on one foot and the other and twisting with one dainty finger one of several tiny braids that encircled her head. From the instant she heard it, Imogen liked that name a lot—Jade, it matched the girl’s greenish eyes, which reminded Imogen of the color of a lovely crystal clear deep lagoon she’d seen in one of her parent’s travel photography books.
Everything about Jade
was compelling; her chestnut skin, her round eyes and long eyelashes, which Imogen thought made her look like the baby deer Bambi; the spattering of freckles that dotted each cheek. In contrast to Imogen’s light skin, honey-colored hair, and blue-gray eyes, they were polar opposites. But the best part about Jade was her hair, which wound all over her head in tiny braids held together with half a dozen little plastic barrettes in every color of the rainbow. It reminded Imogen of the Hydra in the stop-action movie Hercules. The second labour Hercules faced was a fierce reptilian female that instead of hair had a head full of live snakes. Jade didn’t look at all like the Hydra, of course, but the braids sometimes looked like they were moving on their own when she ran or danced or bounced around.
Jade, as Imogen would soon find out, lived with her mom Monique and her chubby baby sister Sasha. Monique was the color of espresso, soft-spoken, and very, very tall. She reminded Imogen of a beautiful statue. She liked the casual way she insisted that Imogen call her by her first name. It made Imogen feel grown up. She liked that it had a Q in it. Any word that had a Q in it was a good word in Imogen’s book.
Something about Jade and Imogen clicked right away. Everything felt easy and effortless and special as if the universe had planned it. From that first day forward the girls were inseparable—two puzzle parts that fit together absolutely—one dark, the other light, like an Oreo cookie, Imogen the fluffy cream inside to Jade’s chocolate crunchy outside; or maybe a chocolate/vanilla ice cream swirl; or yin and yang. Laughing, playing, talking, holding hands, skipping, everything they did together created a divine and lovely synergy.
Yet, as much as they were of one mind, to others they seemed as different as night and day. Imogen, awkward and accident-prone, stumbling over every loose rock, tripping on every stair step or crack in the sidewalk, where jade glided effortlessly through life like a graceful gazelle. Jade was a whiz at math; Imogen could spit water through the small gap between her two front teeth. Imogen aspired to be calm and lithe like her friend; Jade secretly wished she could be as free-spirited and uninhibited as Imogen; yet together they completed the picture in the photograph.
During the summers before Jade came along, Imogen liked to linger in bed for a while, enjoying the early morning lying between the cool, crisp linen sheets. But that summer, she broke her routine and woke up early, sometimes even before the sun spilled over the horizon in the east, leaping from her bed and pulling on shorts and shirt and donning a pair of flip-flops, eager to start another day with the best friend she’d ever had in the whole world.
Mornings were spent huddled together in the tree fort talking or playing board games and drawing up plans for the day. Sometimes they took the chalk and drew fantastic murals on the sidewalk or played hopscotch. Jade loved to read too, so during the hot part of the day, they sprawled together, tanned legs akimbo across Monique’s bed situated directly in front of the water cooler so the cool air could breeze across their skin
while they read chapter books.
In the evenings, it was tacos and dancing to Monique’s smooth jazz records at Jade’s house, or eating hamburgers that Niles expertly grilled up for them on the backyard barbecue, and posing together, or dressing up or making faces together while Imogen’s parents snapped black and white photographs to add to their studio portfolio.
Sometimes one or the other spent the night. Most of the time Jade stayed over at Imogen’s because Monique didn’t want the girls waking jade’s baby sister. It was a small house with only two bedrooms, so Jade had to share a room with Sasha, which meant that when Imogen slept over the girls had to take blankets and pillows out to the living room, which was like camping out. Underneath their blanket fort they stayed up late talking and giggling and making shadow puppets with the flashlight.
Imogen knew that Jade’s mother Monique was alone, but one night when they were talking under the blankets, she asked her about her father.
“Do you have a daddy, Jade?” Jade hesitated and Imogen could hear her drawing in her breath in the darkness. All of a sudden Imogen felt really bad for asking. “I’m sorry Jade,” she said. “It doesn’t matter. You don’t have to say.”
“My daddy is in jail,” Jade said in a quiet voice. “He’s in jail,” she continued, “for hurting us.”
“Oh,” was all Imogen could think to say.
Jade stifled a muffled sniffle into her pillow. Not sure what to do, Imogen scooted over next to her and put her arm around her shoulder, and they both fell asleep like that.
When the girls got bored playing or reading or dancing or skipping rope, they spied on Teddy. Imogen and Jade mostly gave him a wide berth, but sometimes, out of boredom, they pulled the stepladder up to the back window to peek in at the awkward teenager who worked part-time in Imogen’s parent’s studio.
Teddy Diamond was 18 and had just graduated from high school in June. He lived at home with his kooky mother, Mimi Pinky Diamond. Although Imogen didn’t know this until much later, Teddy was a nerdy, socially inept mama’s boy with no motivation, no direction, and no desire to leave his mother’s comfortable home where he was doted on, cleaned up after, and cooked for. When one of Mimi Pinky’s many boyfriends weren’t around, she doted on him, calling him her little teddy bear, which he hated. Imogen had seen him balling up his fists behind his back a time or two. Teddy seemed angry and Teddy was a bully.
She remembered him being nicer to her when she was littler, but as he’d grown older, something happened to him and he turned mean. In fact, last summer he’d nearly burnt down their house and Imogen along with it after he put firecrackers in her Malibu
Barbie’s head. Since then, he’d been a bit more contrite, like he was afraid of her, or maybe he avoided her because he figured she was trouble he didn’t need. Still, avoiding him was a difficult task considering that he lived in the yellow house two doors down. Imogen’s parents had felt sorry for him and hired him to work part-time after school and during the summer in their studio.
He mostly kept to himself, filing photos or sweeping the floors, but in July when the high school girls started coming in to pose for their senior portraits, Teddy became creepily obsessed. Several times, the girls saw him sneak out copies of photo proofs to take home with him.
“What do you think he does with them?” Jade asked Imogen.
“Probably hangs them on his bedroom wall and kisses them,” Imogen said, and they both giggled.
Neither was brave enough, however, to spy on him there and confirm that theory. He seemed to be taken with one girl in particular though. She wasn’t as cute as the others and she didn’t load up on the makeup like some of the girls. She seemed shy and sort of awkward like him, but they had observed him talking to her a couple of times and she seemed to welcome the attention from an older guy, even if that guy was Teddy Diamond.
One afternoon, while they were surveilling him, Niles came into view and approached Teddy. Niles was holding some photos in his hand and his face was deep-set with anger. Teddy hung his head, staring down at the floor the whole time Niles was talking. The girls watched as Niles left the room and Teddy stowed the broom back in the closet. The girl that he seemed to like never returned, and by the end of that summer everyone would be gone, including Teddy.
As late August approached, the girls made excited plans for the approaching school year. They hoped they would be in the same class together. Who would be their teacher? Would Skyler be there? Skyler was the ginger-headed boy with freckles that Imogen had a crush on since last year when he tossed orange peels at her to get her attention when she was hanging upside down on the monkey bars. They talked about the books they wanted to read and about buying matching pairs of Jellys, the shoes they both loved to wear.
Yesterday when they had ridden their bikes all the way to 7-11 to get Slurpees and Now and Later candy they had spotted trucks and workmen setting up a carnival in the Montgomery Ward parking lot. Would it all be set up today? Might they both be tall enough to ride the Hammer this year? It was just too exciting for words.
***
Imogen popped out of bed as she always did, eager to spend another day with Jade. And had she mentioned that the carnival was here? She zipped up her jean shorts and pulled her She-Ra Princess of Power T-shirt over her head, pushing her toes into a pair of flip-flops while she walked toward the kitchen. Francis and Niles sat at the kitchen table sipping herbal tea or something nasty when Imogen breezed by on her way to the fridge.
“Hold up there, Imogen, Niles teased, “What’s on the big agenda for today?” He winked at Francis and she smiled back at him. As much as they enjoyed spending time with her, Imogen was usually bored out of her mind by the end of summer. They were pleased that their daughter had finally found a friend.
Imogen opened the refrigerator to grab the carton of juice. “The carnival’s here!” Imogen shouted breathlessly from the other side of the door.
“Wow, Imogen,” Niles said patting his ears, but laughing when he said it.
“Can we go, Niles?” For some reason a few months back, Imogen had started calling her parents by their first names. It made her feel grown up and they hadn’t seemed to mind.
“The carnival, eh?” Niles looked at his wife. “I don’t know, Imogen,” Francis said as she brushed back a stray piece of hair from her eyes. “I don’t really think they put those rides together very well. It scares me.”
Imogen’s eager smile immediately collapsed. Her shoulder’s drooped. Clearly, she was crushed.
“We’ll see, Imogen,” Niles said.
“Pleeeeease,” Imogen whined, drawing out the please the way kids do.
Niles gave her that look that said don’t be that child, and said, “Go see how Jade’s mom feels about it first.”
Imogen didn’t wait to hear more; that was as good as a yes. She was out the door in a flash and running across the asphalt street, which was already starting to warm up in the summer heat. She jumped over the little crack in the sidewalk that they always jumped over and ran up the steps to Jade’s front door. It seemed odd because the screen door had been left wide open. Usually it was closed and locked. Oh well, she thought, as she knocked three short times followed by a pause and one more—that was their secret signal. She waited. Maybe they were still asleep.
Standing on the porch this long she realized she had never noticed before how shabby the little house was; how the green paint on the wood shakes was peeling, showing that the house had been white before it was green, and blue before that; that the screen door had holes in it and that the metal was rusting. She had never had to stand waiting on the porch this long before because Jade always ran out, sometimes even before she had a chance to knock even once.
Imogen began to fidget, rocking back and forth on her heels wondering if she should knock again. She did. Three times, wait, one more. The neighborhood seemed oddly quiet; no one out mowing the lawn, no dogs barking. Weird. Frustrated and impatient, Imogen walked over to the front window. The curtains were closed, but there was a tiny gap between the panels. But peeking through it she could only see a sliver of sunlight reflecting through the pane. Maybe they had gotten up early and gone shopping or something, Imogen thought.
Shrugging, she pivoted and started to head back home to wait when a sparkling something in the grass caught her eye. Imogen hurried over and bent over to pick it up. It was jade’s necklace with the carved jade Buddha, a gift from Jade’s mom. Jade never went anywhere without it. She wore it to bed every night. It seemed odd that she would leave it behind, unless she meant to. Maybe it was a clue for Imogen to follow.
As Imogen examined it, turning it over in her hand, she didn’t notice a late model, two-toned Ford pickup truck rolling up to the curb driven by a scruffy little brown man wearing a Blazers cap. Imogen recognized him. She couldn’t remember his name, Juan or Jose or Jesus, it started with a J, but anyway he was the guy that sometimes mowed the yard and trimmed the hedges when the house had been empty before. The back of the truck was full of rakes and shovels and other implements for yard work, the mower, and a bin filled with cleaning supplies. Jose, Juan or Jesus got out of the truck and walked past Imogen without saying a word, ...
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