The Rose of Sebastopol
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Synopsis
In 1854, beautiful, adventurous Rosa Barr travels to the Crimean battlefield with Florence Nightingale's nursing corps. A headstrong idealist, longing to break out of the rigid confines of life as a young lady, Rosa is determined to make a difference in the world.
For Mariella Lingwood, Rosa's cousin, the war is contained within the pages of her scrapbook, in her London sewing circle, and in the letters she receives from her fiancé, Henry-a celebrated surgeon who has also volunteered to work within the shadow of the guns. When Henry falls ill and is sent to recuperate in Italy, Mariella impulsively decides she must go to him. But upon her arrival at his lodgings, she makes a heartbreaking discovery: Rosa has disappeared without a trace. Following the trail of her elusive cousin, Mariella's epic journey takes her from the domestic restraint of Victorian London to the ravaged landscape of the Crimea and the tragic city of Sebastopol, where she encounters Rosa's dashing stepbrother, a reckless cavalry officer whose complex past-and future-is inextricably bound up with her own. As Mariella's quest leads her deeper into the dark heart of the conflict, her ordered world begins to crumble, and she finds she has much to learn about secrecy, faithfulness, and love.
Release date: March 5, 2009
Publisher: Berkley
Print pages: 416
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The Rose of Sebastopol
Katharine McMahon
Table of Contents
Title Page
Copyright Page
PART ONE
One
Two
Three
Four
Five
Six
PART TWO
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
Ten
Eleven
Twelve
Thirteen
Fourteen
Fifteen
Sixteen
Seventeen
Eighteen
Nineteen
Twenty
Twenty-one
PART THREE
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
PART FOUR
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
Ten
Eleven
Twelve
Thirteen
Fourteen
Fifteen
Sixteen
Seventeen
Eighteen
Nineteen
Twenty
Twenty-one
Twenty-two
PART FIVE
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
Ten
Eleven
Twelve
Thirteen
Fourteen
Fifteen
Sixteen
Seventeen
Eighteen
ALSO by KATHARINE McMAHON
After Mary
g. p. PUTNAM’S SONS
Publishers Since 1838
Published by the Penguin Group
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA Penguin
Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada
(a division of Pearson Canada Inc.) Penguin Books Ltd, 80 Strand, London WC2R 0RL,
England • Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin
Books Ltd) Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124,
Australia (a division of Pearson Australia Group Pty Ltd) Penguin Books India Pvt Ltd,
11 Community Centre, Panchsheel Park, New Delhi-110 017, India Penguin Group (NZ),
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New Zealand Ltd) Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue,
Rosebank, Johannesburg 2196, South Africa
Penguin Books Ltd, Registered Offices:
80 Strand, London WC2R 0RL, England
Originally published in the United Kingdom by Phoenix 2007
First published in the United States by G. P. Putnam’s Sons 2009
Copyright © 2007 by Katharine McMahon
All rights reserved. No part of this book may be reproduced, scanned, or distributed in any
printed or electronic form without permission. Please do not participate in or encourage
piracy of copyrighted materials in violation of the author’s rights.
Purchase only authorized editions.
Library of Congress Cataloging-in-Publication Data
McMahon, Katharine.
The rose of Sebastopol / Katharine McMahon.—1st American ed.
p. cm.
eISBN : 978-1-101-01635-0
PART ONE
One
ITALY, 1855
We arrived in Narni late on a Sunday evening. Although the door to the Hotel Fina was locked, the driver roused a servant who stumbled out with creasy shirt-tails, brought in our luggage, and showed us to a bedroom smelling of unwashed feet. Nora took away my cloak and bonnet, then I snuffed the candles and lay down. A man was shouting in the distance, perhaps the worse for drink. Instead of sleeping I rode through the night as if still in a carriage jolting over badly made roads across the plains of Italy. Eventually I heard a clock strike five, and the rumble of a cart in the square outside, and I fell asleep to the sound of women’s raised voices and the clash of a pail against stone.
When I woke, a blade of sunlight sliced between the shutters and it was nearly mid-morning. Nora was standing over me with a breakfast tray and a letter from Mother, which I didn’t read. None of the clothes in my port-manteau was fit to wear, being too crushed, so I put on my traveling dress again and said we would go out at once. In the lobby I struggled to make myself understood by the proprietress, who was dressed in black and whose mouth was pulled down at the ends, as if from despair, but when I showed her Henry’s address she drew us a rough map.
Narni was an ancient town built near the top of a hill and the Hotel Fina was at its center, on a little square. What with the cluster of women round a fountain and the confusion of streets and shop-fronts, there was no telling which direction was the right one, so we set off at random up a flight of steps and under an arch. The sun was very hot, the street oppressively narrow, and our traveling clothes too heavy, so we stopped under a shady porch while I consulted the map.
A cluster of children formed round us; I gave one the names, “Via del Monte, Signora Critelli,” and he set off back the way we’d come. We re-crossed the little square, and this time plunged into a steep street with the houses built so close on either side I could almost touch them. Washing of the most intimate nature hung from balconies or was suspended like dingy carnival flags from wall to wall. I was surprised to find Henry lodging in such a poor quarter.
Eventually the child paused in front of an open doorway where there was a smell of wet stone and flowers, because someone had just watered a pot of narcissi. I hovered at the entrance, my resolve gone, wishing that I had never left England or that at the very least had sent Henry a note to let him know I was on my way. Now that I was here, I wondered whether he would think it appropriate. I was also afraid of seeing him ill. What if he didn’t recognize me, or I him? Unlike Rosa, I never knew what to do in the face of sickness. I glanced at Nora but she raised an eyebrow as if to say: You got us into this, don’t expect any encouragement from me.
In the end I crept along the passage to a kitchen, where a woman stood with her arms plunged into a washbowl. She squinted at me through the droplets of water that trickled into her eyes.
“Dr. Henry Thewell? ” I asked.
She gaped, dried her face, first on a towel then her skirt, leant her hand on the door-frame, and let fly a torrent of Italian which ended at last in a question.
I shook my head. “Non capisco. Inglese. Mi chiamo Mariella Lingwood. Mari-ella. I am engaged to be married to Dr. Thewell. Dov’è Henry Thewell?”
I had learnt from watching my father that it is better, in moments of crisis, to speak quietly rather than to shout. Certainly Signora Critelli calmed down; she went on talking but less rapidly, wiped her hands again, gestured that I should get out of the way, and led me up a narrow flight of stairs to a landing where she knocked sharply on a door, flung it wide, and announced me with the words: “La signorina inglese.”
I took a step further, and another.
The room was in semi-darkness, because though one shutter was half open, a drab blue curtain covered the window. Through the gloom I saw that the room was small and contained a narrow bed, a wash-stand, a table heaped with books, and a low chair with a rush seat, upon which an untouched tray with a roll, a jug, and a cup had been left. There was a smell of cold coffee and damp linen.
Henry was in bed but he’d raised himself on one elbow, and even in the darkness I saw the eager brilliance of his eyes and that his hair had grown so long it flopped over his brow. We stared at each other. Then I stumbled across the room, knelt by the bed, and held him.
My bonnet was knocked sideways as he covered my face with hot kisses. I wept and seemed to flow out of myself when I felt his lips on my hair, ear, and neck. Though I was distantly aware that the door behind us had closed abruptly and that we had been watched, I didn’t mind. I clasped his too-thin arms as his hands caressed my back and I helped him with my bonnet ribbons, wondering how I could ever have doubted that I did the right thing in coming here. I realized that I had waited most of my life to have Henry kiss my throat, even to let him fumble with the buttons of my gown and pull loose the neck of my shift. My skin contracted as his lips closed on my breast. His breathing came in rasping pants between kisses.
I fell back on the pillow, smoothed his hair, and felt him grow heavy in my arms. Astonishingly, he slept. For perhaps half an hour I didn’t move though I lay half off the bed, my bonnet dropping from my neck, a draught swaying the curtain, and the clop of a mule’s hooves on the street below. Because my hair was caught by the weight of his head, all I could see was a fragment of cracked ceiling, a broken frieze, and the shifting blue-gray curtain. I kissed him again and again, tiny, weightless kisses on his hair, which was far softer than I had ever imagined, like a cat’s fur, and I thought: All these weeks he has been alone, watching that curtain and waiting for me. I was afloat in the miracle of his touch, the strangeness of a male body half covering mine, the fact that this was Henry, whom I had missed so much in the past months that even the blood in my veins ached for him.
Then I tightened my hold, because although never in my wildest imaginings had I expected such a loving, needy reception as this, nor had I really thought to find him so weak that he was confined to bed. I had always relished his energy and the hardness of his arm under my hand but now he was frail as a bird. And he smelt entirely different from the Henry who never failed to delight me with his scent of good soap, balsam, or camphor. Instead the odor of confined flesh reminded me of the Governesses’ Home.
As he woke, his breath grew uneven on my neck. When he moved his head, my skin was damp and hot from where his cheek had rested on me. I closed my eyes as my breast tightened under his circling fingertip.
This is Italy, I thought, no-one will know. And anyway, what do I care?
“My dear love,” he whispered, “I thought you would never come.”
His finger was making a diminishing spiral on my nipple, so my words were disjointed: “I wasn’t sure you would want me here. And yet I wouldn’t be stopped, even by you, so I thought it best just to come without letting you know.”
“You are my love, my love.”
“Your letters sounded so lonely I thought I must come.”
He nuzzled his cheek into my bosom and pressed his face to my neck, drawing me closer and closer under him. I didn’t mind that he had the smell of fever on his breath, I was scarcely conscious of anything except the heat of him as he murmured: “I thought I might never see you again. I thought you were gone.”
“Of course you’d see me again.”
“But you never answered me. You never said a word. It was killing me.” He laid his head beside mine on the pillow and reached out to turn my face towards his. I had time to see how pale his skin was, and that because his moustache had been shaved off his mouth was as full-lipped and boyish as when I first knew him. Then he said: “Let me look at you at last. My Rosa. My dear love. Dearest Rosa.”
Two
1840
Henry’s mother, Euphemia, known as poor Aunt Eppie, was my father’s cousin. After her marriage to Richard Thewell, a Derbyshire innkeeper, the pair moved south and for a few years managed a prosperous hostelry near Radlett in Hertfordshire. Their subsequent tragic history was only spoken of behind closed doors, so I had to pick it up piecemeal.
Thewell, not astute enough to anticipate that the new railway would kill his business, took to the bottle. Meanwhile, soon after the birth of their only son, Aunt Eppie began to suffer from a wasting disease. The business duly failed and my father rescued the family by moving them into one of the little villas he’d just had built in Wandsworth, a mile or so from our house in Clapham. While the boy, Henry, was at school, poor Aunt Eppie spent her mornings with us at Fosse House, working on the household linen and teaching me to sew. I never met her husband, whose drinking put him beyond the pale, although I once heard Mother describe him to her friend Mrs. Hardcastle as ineffectual.
Eppie was a small, high-cheekboned creature, who had nothing in common with Mother except that both were from Derbyshire and fiendishly hardworking. Mother couldn’t stand sewing, Eppie was never happy without a needle in her hand; Mother was the daughter of a squire, Eppie of a tailor; Mother was too busy to spend more than an hour or two on my lessons each day whereas Eppie taught me to crochet imitation guipure lace, work an edge of Plaited Slav stitch on a linen tablecloth, and put pin tucks into the bodice of a muslin blouse. We worked side by side in the morning room, and I remember the smell of her perspiration, the way a girlish froth of hand-worked lace framed her fiercely parted hair and pallid forehead, the tension in her hands and back as she sewed. She reeked of sickness; her breath was rotten.
By the time I was eight, she was too frail to come to the house, though Mother took me to visit her once in the Wandsworth villa. She lay on a mountain of pillows, her face lost in the flaps of her nightcap, a bit of smocking with the needle threaded through dropped among the folds of her quilt. Her smile was apologetic and she couldn’t speak because of her cough. After that she faded from my life altogether, though I inherited her skill, her small collection of books on stitchcraft, and a leather sewing case containing needles, scissors, hooks, and pen-knife, with mother-of-pearl handles. Mother was suddenly busier than ever, managing the Thewell household as well as our own, arranging a funeral, and seeing the widower shipped north to an aunt who was to help him recover from the blow of his wife’s death. Meanwhile, we were to take the boy in.
When Henry took up residence in our quiet household, he was a thin-faced youth with an unhealthy complexion and eyes blank with suffering. “He’ll only be with us while he finishes school or until his father’s back on his feet,” said Mother. “He’ll sleep in the room next to yours and be out each day. We’ll hardly notice him.”
But I did notice him, I noticed everything about him: the cautious sounds of his rising in the morning, his meager breakfast of tea and toast, his easing himself out of the house as if afraid of making the air stir as he shut the door, his return at six o’clock and disappearance into his room as soon as the evening meal was over. I noticed that he had long fingers like his mother and that he was never without a book. Even at mealtimes there was one sticking out of his pocket, and when he set off for school in the morning I ran to an upstairs window and watched him open a volume and begin to read. It was a wonder he didn’t fall over but he was skilled at avoiding obstacles, even with his eyes on the page.
He and I had nothing to say to each other. After all, he was a boy and eight years older than me. And his dead mother, poor Aunt Eppie, shimmered between us. I assumed he was sadder even than I was about her death but I couldn’t tell how much.
However, one wet afternoon I noticed that, despite my mother’s reminder at breakfast time, he had forgotten to take an umbrella from the stand in the hall and I was very troubled because this was the kind of detail we used to get exactly right before he came. For an hour I sat over my tapestry, plotting how to remedy the situation. In the end I asked Mother’s permission to go down the garden with the umbrella and open the gate for him so that he could cut a corner of the lane and at least stay dry for the last few minutes.
“That would be kind, Mariella.”
So I ran along the brick path skirting the lawn and passed through what we hoped would one day be a wilderness, to the herbaceous beds. There were stepping stones across the border to the gate, which was half covered in clematis and had a well-oiled bolt.
I stood in the shelter of the wall, trembling. Perhaps he wouldn’t come this way home today, or not be pleased to see me. Perhaps I’d already missed him. A blade of grass at my foot bent from the weight of a raindrop.
At last I heard the squelch of footsteps and there was Henry with his collar up and mud on his boots, a wet satchel clasped to his chest.
“Henry.” He stopped dead, looked round, and saw me under the arch of the gateway. “I brought you an umbrella,” I said. “And it’s quicker through the garden.”
His bottom lip pressed against the upper, and to my horror I realized that he was trying not to cry. But he bowed, took the umbrella, and followed me up the garden, holding it over us both. When we reached the house he gave me his satchel while he shook the rain off the umbrella and folded it up. Awed by the responsibility of clutching the damp mass of his books in my arms, I took a discreet sniff of rain-soaked leather. When we swapped burdens he smiled into my eyes and afterwards I stood in the drying room amidst rows of damp sheets and didn’t know how I would live until dinner when he might smile at me like that again.
Three
ITALY, 1855
Iran out of Narni down the winding road to the valley floor, where the air was unmoving and thick with heat and a track led through scrubland and vegetable gardens to the river. When I passed a spring with a metal cup on a chain, I gulped some water before stumbling on. My clothes were tight, I was wearing five layers of petticoat, and as I’d left my bonnet in Henry’s room, my hair flooded over my shoulders. The very thought of that bonnet, chosen with such care for this journey but now discarded on the floor beside his bed, made me nauseous. If I’d been able to breathe I would have howled with pain. At one point the words “No, no” did burst from me but died away in the rocky sides of what had become a gorge.
Eventually I sank down under a tree but even then I couldn’t stay still. I hammered the ground with my fists and kicked the bank with my heels. Again I cried “No, no,” and beat my hands until they were bruised. My eyes burnt with unshed tears. If I could have fought my way out of my body I would have done it and left my skin on the river-bank like a rag.
The scene in Henry’s room replayed: his eager face, his touch, his kisses, his words of love. No. No. It couldn’t be...How could Henry have taken so much of me, then betrayed me? How could Henry have been so full of Rosa that he hadn’t even noticed that the woman in his arms was me? Me.
What had I failed to see, all this time?
I tore fistfuls of grass away from the earth, hurled them into the water, and there she was on the far side of the river, with her light hair and pale skin; tapering hands held out to me, low voice calling my name. Her body was supple and slender as a wand so that her narrow bodice hung smooth on her waist and her blue gown flowed in clean lines down to her ankles.
But I love you, I said to the shade of Rosa.
I reached for her, pleading with her to come and put it right.
Rosa, after all, could probably walk on water.
Eventually I became aware that I was covered with dirt and the hem of my skirt was trailing in the river, that I was very hungry, and that I should pull myself together and go back to Narni. But I had run much further than I realized and was faint by the time I came to the spring. A woman in dark clothes was seated beside it and even from a distance I could tell by the size of her bonnet that this was none other than Nora, who handed me first a cup of water, then my abandoned hat.
“I could have told you it wouldn’t be easy,” she said as we set off back to the hotel.
My room, at three in the afternoon, was dark and cool. Nora had the servants fill me a bath and afterwards watched me eat. Her hair had been flattened by heat and the weight of her bonnet but she looked more cheerful than at any time in the year since I’d known her. I managed a few mouthfuls and pushed my plate aside.
“Whatever shall I do?” I said. “He thought I was Rosa.”
She stared at me with sludge-colored eyes.
“Why would he think I was Rosa?”
“When I saw him after you’d gone he didn’t seem in a fit state to know what he was saying.”
“You went up then? ”
“We both did when you came rushing out like that. We found him fallen half out of the bed and raving so we gave him a dose and calmed him down. He’s dreadful sick, the poor man.”
“He thought I was Rosa.”
“That’ll be down to the delirium.”
“But why would he want me to be Rosa? ”
“It’s not a matter of wanting. It’s a matter of what he thought he was seeing.”
“He wanted me to be her but I don’t understand it. There was nothing between Henry and Rosa. They didn’t even like each other. I am engaged to Henry. He’s always been mine. Something must have happened at the war.”
“I know nothing about that.”
“Do you think they fell in love?”
“I can’t speak for him. I only know that girl would do nothing to hurt you.”
“What shall I do? What shall I tell him? What if he goes on thinking I’m her?”
“Tell him the truth. Tell him you’re not Rosa. Tell him we’re all worried to death about her because heck knows where the wretched girl is now.”
Four
LONDON, 1840
In all the four months that Henry stayed in our house I saw him cry for his mother once. A parcel came after he’d gone to school one day, addressed in cramped writing which turned out to be that of the aunt who had taken his father in hand. The accompanying letter stated that she had come south to clear away the dead woman’s things so that father and son could eventually return to the family home and start afresh. She had found the enclosed items which the mother had left for Henry as a memorial.
My parents discussed the matter at breakfast. “We can’t interfere,” said Mother. “Henry’s old enough to bear it. He’s almost a grown man.”
“Just when the boy was doing so well, this has come,” said Father. “In my view we’d be best putting it away.”
“But he must have something of poor Eppie’s.”
“He has his memory of her. That ought to be enough.”
All day I gave the parcel a wide berth on my journeys across the hall and I didn’t say a word to Henry about it when I met him at the garden gate because I wanted to preserve his happy mood as long as possible.
By this time our trips back to the house usually took an hour or more. If the weather was hot we flung ourselves down under the cedar and lay with fallen needles pricking our backs, staring up into the complicated branches, or else he leant against the trunk and read an anatomy book borrowed from one of his teachers. I wasn’t allowed to peek inside because he said the contents weren’t suitable for a little girl, so instead I sat against his bony ribs and listened to the thudding of his heart. Sometimes, when I’d been told to pick raspberries for dinner, he and I filled our bowls until I was dizzy with the smell of hay and sugar and had to sit in the shade while he carried on, occasionally reaching down to pop fruit into my mouth with his stained fingers. When it was nearly dinner time we went inside at last, dazzled by the outdoors, dumped the bowls on the kitchen table, and clattered up the back stairs to the landing outside our rooms, where he tugged my braid: “Wash your face, Mariella. You’re a disgrace to the family name.”
On the afternoon of the package I took his hand and led him to the hall. As soon as he picked up the parcel it was just as I’d feared; he withdrew deep into himself, went upstairs, and closed the door of his room.
He didn’t come down to dinner. Afterwards Mother went up with a tray and half an hour later sent me to fetch it. His door had been left open and his room smelt of cooked meat because of the untouched food. He was sitting on the bed with the contents of the parcel scattered round him. I picked up the tray and put it outside in the passage. Then I closed the door and went to the bed, where I stood with my hands behind my back, waiting to be noticed.
He was not yet a very handsome boy; he was too thin, his skin, though more tanned than when he first arrived, was still inclined to spots, and his hair was lank. But I thought him beautiful, because of his serious, all-seeing eyes, and I mourned the light that usually came into his face when he saw me. Eventually I went right up to the bed, put my hand on his shoulder, twisted my neck so that my face was almost upside-down under his bent head, and stared into his eyes. Still no response.
“Can I see what was in the parcel?” I asked.
Nothing.
His pain was so palpable that I knew drastic measures had to be taken, so I sat on his uncomfortable lap and put my arms round his neck. “Show me,” I said.
He pointed to a miniature, perhaps four inches by three, in a plain wooden frame, of Eppie in what must have been her glory days, before penury. Her little face was adorned with glossy ringlets and her long neck rose from a bare bosom. She wore a high-waisted dress which somehow clung to her chest despite being cut in a wide V across the shoulders. Her head was quarter turned, so that she looked somewhere to the right of the artist, and she was smiling rather shyly, as if she’d prefer not to be in the picture at all.
The other relics of Aunt Eppie were a pair of white kid gloves with pearl buttons, just a little soiled about the fingertips. I gave them a sniff, because I knew that perfume clung to gloves, and immediately I recalled the hint of rosewater and perspiration that always hung about her. There was a tiny jewelry box with flowers embroidered on top, silk-lined and with a mirror inside the lid. Eppie’s engagement ring with its row of three small diamonds, familiar to me from my sewing days, was wrapped in a piece of crumpled tissue and there was a folded-up sheet of paper that fit exactly inside the box. On it was written in a frail hand: For Harry. My darling, darling boy. Never forget your Mama, how she loved you.
“She was very kind, your mother,” I whispered. “She left me her sewing case. Did you know?”
He didn’t answer. I clung to his neck and tried to hug him but he was unyielding, spiky as when he first arrived.
Eventually I gave up and left him, but as I reached the door I heard a dreadful tearing noise that came from the back of his throat and before I knew it I was sitting on the bed, his head was buried in my lap, my fingers were in his hair, and the skirt of my cotton frock was hot and damp with his tears. His sobs came from deep within his body and he clawed at my arm and back.
At last he recovered enough to raise his wet face and look into mine. “You’ll have to be everything to me now, Mariella.”
Five
The Derbyshire aunt failed to work a miracle on Henry’s father (unfortunate and ineffectual Richard Thewell) who was buried two summers later. Meanwhile Henry disappeared down the long tunnel that was medical training the hard way through an endless series of lectures and examinations in unreachable subjects such as chemistry and physiology. His ambition was to be a surgeon and I suspect my father paid many of the bills. Occasionally, on Sunday afternoons, Henry called to drink a hasty cup of tea, spill out snatches of information about plasters, his role as dresser, and thirty-six-hour stretches without sleep, and depart an hour later laden with cold meats and cakes plied on him by our cook.
Father’s business thrived and soon he was managing several projects at a time and had been invited to serve on various boards and committees to do with planning and public works. Mother was busier than ever teaching at the Sunday school, raising money for the Female Aid Society, and serving on a hospital board of visitors. I went to a day school where I learnt pianoforte, French, arithmetic, and deportment. Thanks to Aunt Eppie I shone at fine sewing.
And then, in the autumn of 1843, when I was nearly twelve, a letter arrived from Aunt Isabella, Mother’s widowed elder sister, who wrote that she was about to marry someone called Sir Matthew Stukeley. As soon as she and her daug
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