The Lost Art of Keeping Secrets
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Synopsis
Set in 1950s London, The Lost Art of Keeping Secrets centers around Penelope, the wide-eyed daughter of a legendary beauty, Talitha, who lost her husband to the war. Penelope, with her mother and brother, struggles to maintain their vast and crumbling ancestral home—while postwar London spins toward the next decade’s cultural revolution.
Penelope wants nothing more than to fall in love, and when her new best friend, Charlotte, a free spirit in the young society set, drags Penelope into London with all of its grand parties, she sets in motion great change for them all. Charlotte’s mysterious and attractive brother Harry uses Penelope to make his American ex-girlfriend jealous, with unforeseen consequences, and a dashing, wealthy American movie producer arrives with what might be the key to Penelope’s—and her family’s—future happiness.
Vibrant, witty, and filled with vivid historical detail, this is an utterly unique debut novel about a time and place just slipping into history.
Release date: March 27, 2007
Publisher: Plume
Print pages: 368
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The Lost Art of Keeping Secrets
Eva Rice
Table of Contents
Title Page
Copyright Page
Dedication
Acknowledgements
Epigraph
ONE - The Girl in the Green Coat
TWO - Aunt Clare and Harry
THREE - The Duck Supper
FOUR - Miss Six Foot Nothing
FIVE - Snowfall and Forty-fives
SIX - How to Live at Home and Like It
SEVEN - Me and the In-Crowd
EIGHT - All the Honey
NINE - Modern Boys and Guinea Pigs
TEN - Five O’Clock and Later
ELEVEN - My Beautiful Youth
TWELVE - Inigo Versus the World
THIRTEEN - The Long Gallery
FOURTEEN - Somebody Stole His Gal
FIFTEEN - Marina Trapped
SIXTEEN - The Intruder
SEVENTEEN - Drama in the Dining Room
EIGHTEEN - In the Garden and Out of Touch
NINETEEN - Such a Night
TWENTY - My American Heroes
TWENTY-ONE - The Lost Art of Keeping Secrets
TWENTY-TWO - The Occasional Flicker
Epilogue
Afterword
A PLUME BOOK
THE LOST ART OF KEEPING SECRETS
EVA RICE, daughter of lyricist Tim Rice, is a writer, musician, and young mother living in London.
Praise for The Lost Art of Keeping Secrets
“The Lost Art of Keeping Secrets is as stylish, rich, and skillfully tailored as a gorgeous 1950s vintage coat. . . . With its quirky characters and lush English settings, it made me long to have lived in the London Eva Rice has evoked.”
—Kate Harrison, author of The Starter Marriage
“[A] novel in which a time and place is recovered with enveloping atmosphere and characters who linger on in mind.”
—New York Daily News
“Rice’s remarkable gift for creating singular characters in this memorable story underscores her presence as a fresh new voice in fiction.”
—Publishers Weekly
“The reader becomes lost in the vivid depiction of 1950s London and Penelope’s romantic world, where a chance meeting can change your life forever.”—Library Journal
“You’ll be engrossed right through the novel’s tied-up-with-ribbons ending, where secrets are revealed, everyone pairs off with the person you least expect, and we all learn that all you need is love.”
—Daily Candy, Washington, D.C., edition
“Bright prospects all around.”—Kirkus Reviews
“Eva Rice . . . has a keen ear and eye for the charm, glamour, and nuances of 1950s British life.”—Bookreporter.com
“Charlotte is a wonderful protagonist whose evolution from a naive girl to a polished woman of the world (at least the Thames) makes for a fine sensitive tale.”—Midwest Book Review
“A brilliant portrait of post-World War II London.”
—Historical Novels Review
“Charming and witty.”—School Library Journal
PLUME
Published by Penguin Group
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Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England
Published by Plume, a member of Penguin Group (USA) Inc. Previously published in a Dutton edition.
First Plume Printing, April 2007
All rights reserved
REGISTERED TRADEMARK—MARCA REGISTRADA
The Library of Congress has catalogued the Dutton edition as follows:
Rice, Eva, 1975-
The lost art of keeping secrets / Eva Rice.
p. cm.
eISBN : 978-1-101-01085-3
1. London (England)—Fiction. 2. Socialites—Fiction. 3. Friendship—Fiction. I. Title.
PR6118.I35L68 2006
823’.92—dc22 2005020738
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
PUBLISHER’S NOTE
This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.
BOOKS ARE AVAILABLE AT QUANTITY DISCOUNTS WHEN USED TO PROMOTE PRODUCTS OR SERVICES. FOR INFORMATION PLEASE WRITE TO PREMIUM MARKETING DIVISION, PENGUIN GROUP (USA) INC., 375 HUDSON STREET, NEW YORK, NEW YORK 10014.
For Donald “Capability” Rice,
who helped me invent Milton Magna
Acknowledgments
The Lost Art of Keeping Secrets would have floundered at the starting post if not for the following, so groveling thanks to: Claire Paterson, Eric Simonoff, Molly Beckett, Christelle Chamouton, Rebecca Folland and all at Janklow and Nesbitt, Harriet Evans (editor extraordinaire), Catherine Cobain, Georgina Moore and the brilliant team at Hodder Headline, the amazing Trena Keating, Emily Haynes and all at Dutton. Joanna Weinberg, Edward Sackville, Bee Ker, Paul Gambaccini, Ray Flight (who knows his Teds), Tim Rice, my grandmother Joan Rice, my mother Jane (who is nothing at all like Talitha), and Donald Rice, whose knowledge of great country houses is unrivaled.
Bouquets to Ann Lawlor (who was there at the Palladium when Johnnie Ray played), Sue Paterson, for having the foresight never to throw away her brilliant fifties magazines, Petrus, Martha, and Swift. I would also like to acknowledge Ruby Ferguson as a great inspiration.
She said that we must do something about the rooms.
The walls were all damp and fur had settled on some
parts of the wallpaper. But we just closed the doors and
hurried down to the kitchen where it was warm.
ONE
The Girl in the Green Coat
I MET CHARLOTTE IN LONDON one afternoon while waiting for a bus. Just look at that sentence! That in itself is the first extraordinary thing, as I took the bus as rarely as once or twice a year, and even then it was only for the novelty value of not traveling in a car or train. It was mid-November 1954, and as cold as I had ever known London. “Too cold to snow,” my brother used to say on such days, something that I had never understood. I was wearing my beautiful old fur-lined coat from Whiteleys and a pair of Fair Isle gloves that one of Inigo’s friends had left at Magna the weekend before, so was feeling quite well-disposed toward the arctic conditions. There I was, thinking about Johnnie Ray and waiting patiently with two old ladies, one boy of about fourteen, and a young mother and her baby, when my thoughts were interrupted by the arrival of a stick-thin girl wearing a long, sea green coat. She was almost as tall as I, which caught my attention straightaway, as I am just about six foot with my shoes on. She stood in front of all of us, and cleared her throat.
“Anyone want to share a taxi?” she demanded. “I can’t sit around here all day waiting.” She spoke loudly and quickly and without a hint of self-consciousness, and it was instantly clear to me that although the girl was addressing us all, it was me she wanted to accept her offer. The fourteen-year-old boy opened his mouth and closed it again, then blushed and dug his hands into his pockets. One of the elderly ladies muttered, “No thank you,” and the other I think must have been deaf, because her expression remained unaltered by the proposal. The young mother shook her head with a smile of infinite regret that stayed in my mind’s eye long after the day had ended. I shrugged.
“Where are you going?” I asked pointlessly.
“Oh, you darling! Come on.” The girl darted into the middle of the road and stuck out a hand to hail a cab. Within seconds, one had pulled up beside her.
“Come on!” she cried.
“Hang on a second! Where are you going?” I demanded for the second time, thoroughly flustered and wishing that I had never opened my mouth in the first place.
“Oh, for goodness’ sake, just jump in!” she ordered, opening the door of the taxi. For a few seconds in time the whole world seemed to hesitate under starter’s orders. Somewhere in a parallel universe, I heard myself shout out that I had changed my mind and that she must go on alone. Of course, in reality, I leaped forward and into the cab beside her just as the lights changed, and we were off.
“Yikes!” she exclaimed. “I thought you’d never move!”
She didn’t turn to speak to me, but sat straight ahead, staring out in the direction that we were going. I didn’t reply at once, but took in the glory of her profile—the smooth, milky pale skin, the long curling eyelashes, and the thick, thick, straight, heavy, dark-blonde hair that fell well below her shoulders. She looked a little older than I, but I sensed from the way that she talked that she was probably about a year younger. She sat very still, her big mouth set in a small smile.
“Where are you going?” I asked again.
“Is that all you can say?”
“I’ll stop asking it when you give me an answer.”
“I’m going to Kensington. I’m having tea with Aunt Clare and Harry, which is just too impossible for words, so I should like you to come with me, we’ll have a lovely afternoon. Oh, and my name’s Charlotte, by the way.”
That was how she said it. Straight Alice in Wonderland. Of course, me being me, I was flattered by her absurd presumption, firstly that I would be happy to accompany her, and secondly that it would be a lovely afternoon if I did.
“I have to read through Act Four of Antony and Cleopatra by five o’clock,” I said, hoping to appear slightly aloof.
“Oh, it’s an absolute cinch,” she said briskly. “He dies, she kills herself with an asp. Bring me my robe and my crown, I have immortal longings in me,” she quoted softly. “You have to admire a woman who chooses to end her life with a snakebite, don’t you? Attention seeking, Aunt Clare would call it. I think it’s the most glamorous way to go.”
“Hard to do in England,” I said reasonably. “Not many serpents hanging about in West London.”
“There are plenty in West London,” said Charlotte briskly. “I had dinner with one last night.”
I laughed. “Who was that?”
“My mother’s latest conquest. He insisted on feeding her forkfuls of shepherd’s pie as if she were three years old. She wouldn’t stop giggling as though it were quite the most hilarious thing that had ever happened. I must remember not to dine with her again this year,” she mused, taking out a notebook and pencil. “What’s more, her new beau was nothing at all like he is in the orchestra pit.”
“Orchestra pit?”
“He’s a conductor called Michael Hollowman. I suppose you’re going to go all sophisticated and tell me you know exactly who he is and wasn’t his interpretation of Rigoletto remarkable?”
“It was, if a little hurried and lacking in emotion,” I said.
Charlotte stared at me and I grinned.
“I’m joking,” I admitted.
“Thank goodness for that. I think I would have had to withdraw my invitation right away if you hadn’t been,” said Charlotte.
It had started to rain and the traffic was worsening.
“Who are Aunt Clare and Harry?” I asked, curiosity winning hands down over practicalities like the fact that we were traveling in quite the opposite direction from Paddington. Charlotte sighed.
“Aunt Clare is really my mother. I mean, she’s not my mother, she’s my mother’s sister, but my mother has given up on everything in life except for men with batons who she believes will help further her career. She’s got it into her head that she’s a great, untrained singer,” she said grimly.
“And is she?”
“She’s certainly got the untrained bit right. She’s very neurotic about everything except for what happens to me, which is rather convenient as we have nothing at all in common—except for our delusions of grandeur—so I spend most of my time at Aunt Clare’s and as little time as possible at home.”
“And where is home?” I asked, sounding just like my grandmother.
“Clapham,” said Charlotte.
“Oh.”
She may as well have said Venus. I had heard of it, but had no idea where Clapham was.
“Anyway, Aunt Clare is writing her memoirs at the moment,” Charlotte went on. “I’m helping her. By that I mean that I’m just listening to her talk and typing what she says. She’s paying me a pittance because she thinks I should be honored to have the job. She says plenty of people would give their eyeteeth to hear stories like hers from the horse’s mouth, so to speak.”
“I don’t doubt it,” I said. “And Harry?”
Charlotte turned to face me.
“Aunt Clare was married to a very smart man called Samuel Delancey until three years ago. One of those fearfully good-looking but very mean types. Anyway, he was killed by a falling bookcase.”
“No!”
“Yes, really, it just collapsed on his head as he sat reading On the Origin of Species—very ironic, my mother kept saying—and as a result Aunt Clare inherited an awful lot of debt and not much else. He was a pretty scary sort of man, with a clubfoot to boot—ha ha, if you’ll pardon the pun. Harry is their only son—he’s twenty-five and convinced that the whole world is conspiring against him. It’s very dull indeed.”
“I’m happy to share the taxi with you, but I don’t make a habit of having tea with complete strangers,” I said unconvincingly.
“Oh, good gracious, I’m not asking you to make a habit of it. But do come. Please! For me!” Charlotte implored.
Although this was an absurd reason for me to accompany her, as we had only met a few minutes ago, it had the desired effect. There was something in the way that this creature spoke, something in the way that she carried herself, that made me quite certain that no one would ever be able to refuse her anything, regardless of whether they had known her for five minutes or fifty years. In that sense, she reminded me, very strongly, of my brother. I felt I was staring in at the taxi from the street and I saw myself—beguiling, intriguing—because I was in Charlotte’s company, and a girl like Charlotte would not have singled me out for tea without thinking that there was something interesting about me, surely? She had quite the reverse effect on me than had the Alicias and Susans and Jennifers of the debutante circuit. With those girls, I felt myself diminish, sensed my shadow growing smaller, my vision narrowing until a great dread came over me that, if I wasn’t careful, I would lose sight of every original thought I had ever had. Charlotte, however, was all possibilities. She was the sort of person one reads about in novels yet rarely meets in real life, and if this was the beginning of the novel—well! I was pretty certain I wasn’t supposed to get out of the cab until we pulled up outside the mysterious Aunt Clare’s house for tea. I had always been a great believer in fate, but it had never believed in me until that afternoon. But I didn’t want Charlotte to think she had won me over that easily. . . .
“You’re very persistent. I’m not sure that I should trust you one bit,” I said loftily.
“Oh, you don’t have to trust me. I’ve always considered trustworthy people to be very boring indeed, and, oh my gosh! I know some boring people. I just want you to help me. There is a difference.”
“Have you no other friends you could take along with you?” I asked.
“No fun.”
“What do you mean?”
She tutted with frustration.
“Look. I can’t make you come with me. If you can’t bear the thought of it, well, that’s just fine. Only you’ll always wonder about it, won’t you? You’ll be lying awake tonight thinking, ‘Hmmm—I wonder what Aunt Clare was wearing? I wonder if she really was a monster? I wonder if Harry was the most handsome boy in London?’ But you’ll never know, because it will be too late, and I won’t come looking for you again.”
“Is he?” I asked, full of suspicion.
“What?”
“Is he the most handsome boy in London?”
“Oh, no! Of course not!” At least Charlotte had the grace to laugh at herself, a surprisingly loud, harsh sound like a motorcycle starting. “He’s not at all handsome, but he’s by far the most interesting boy you’ll ever meet. You’ll love him,” she added simply. “Everyone does, after a while. He’s irritatingly addictive.”
“Don’t be silly.”
I was cross with myself for asking about him.
“Aunt Clare always has excellent tea,” Charlotte went on. “Stacks of butter and raspberry jam and Eccles cakes and all the ginger scones you can eat. My mother has never understood the importance of a good tea.”
The cab was rocketing along Bayswater Road now.
“Well, I can’t stay for long,” I said unconvincingly.
“Of course not.”
We sat in silence for a moment, and I thought that she would ask me my name next, but she didn’t, and I later realized that it simply wouldn’t have occurred to her that she should have. I had experienced, for the first time, Charlotte’s great gift for circumnavigating normal behavior.
“I knew you would take the taxi with me,” she was saying now. “I saw you waiting for the bus from the other side of the street, and I thought, now there’s a girl who would be perfect for tea with Aunt Clare and Harry.”
I wasn’t quite sure how to take this, so I frowned.
“Just perfect!” said Charlotte again. “And gosh! I adore your beautiful coat, too.” She fingered the fur collar. “What craftsmanship! I make my own clothes. It’s become an addiction. My poor mother can’t understand me at all—she says it will frighten any sensible men off if they think I spend long hours at the sewing machine like some spinster from D. H. Lawrence. I told her that I don’t mind, as I’m not in the least bit interested in sensible men in any case.”
“Quite right,” I agreed. “So what do you make?”
“Well, I made this coat out of an old traveling rug,” Charlotte confessed. “Aunt Clare tells me I’m terrifically enterprising in a voice that means she thinks I’m terrifically vulgar.”
“Traveling rug?” I said in amazement. “But it’s a wonderful coat!”
I looked at her with new respect. There was obviously a steely work ethic beneath her flighty exterior, and a steely work ethic (being something I am entirely lacking) was something I admired greatly in others.
“It took me forever and the pockets are a bit shabby, but it’s not a bad job,” said Charlotte. “But when I see a coat like yours! Well! It’s in another league entirely.”
“You can wear it to tea, if you like,” I was astonished to find myself saying. Charlotte hesitated.
“May I really? You don’t mind? It would be such a treat.” She began unbuttoning her green coat before I could change my mind.
“Here! You try mine,” she said, handing it to me.
Charlotte’s coat was exquisitely comfortable and warm. It seemed a little slice of her had stayed hidden in its lining, and it felt strange, like putting on a mask. She wriggled into my coat, pulling her mass of hair over the collar. The effect shocked me, not least because she possessed the actress’s ability to change the aura around her simply by altering her clothing. It was as if she had been given her costume for the evening and she was instantly immersed in her part.
“Thank you,” she said softly. “Do I look a little richer?” She giggled.
“Yes,” I answered truthfully.
“Oh! Here we are!” said Charlotte happily. “How extraordinary. No, no, I’m paying. It’s the very least I can do. I feel a great generosity of spirit has come upon me.”
We had stopped outside one of those large, rather ugly redbrick houses off Kensington High Street. As I stepped out of the cab, the wind whipped through the green coat and seemed to cut right through me. Sure enough, Charlotte paid, dropping a shoal of coins from her long fingers and into the hand of the driver with the air of a princess bestowing thanks on her foot-man. I swear I saw the driver bow his head to her before he drove off again. She took my arm and led me up the steps to the house and rang the bell.
“Aunt Clare lives on the top two floors of this monster,” explained Charlotte. “After Uncle Samuel died and she’d dealt with all his debts, it was all she could afford. She’s quite happy here. Like all intelligent people, she functions very well in extreme disorder.”
The door was answered by a plump girl in her late teens, who offered a very dirty look before leading us up two flights of grubby-looking stairs and into Aunt Clare’s flat before vanishing, wordless.
“Phoebe,” said Charlotte. “Silly girl. She’s madly in love with Harry, which is too pointless for words.”
“Poor thing,” I sympathized.
“Not at all,” scorned Charlotte. “Aunt Clare took her on to help her out for a few months after my uncle died, and she’s still here now, earning more than she’s worth, I can tell you. She never speaks to me, though I gather she quotes long passages from Paradise Lost to Harry whenever he sits still.” She smiled up at me. “Now, don’t run away, for goodness’ sake. I’ll be back before you know it.”
Then she vanished. And that was how I came to spend my first afternoon in Aunt Clare’s study.
TWO
Aunt Clare and Harry
NOW, I AM NOT THE SORT OF PERSON who usually jumps into cabs with strangers—that behavior is more my younger brother Inigo’s style of operating than mine. I tried to consider what had made me act in such a reckless fashion, and couldn’t put my finger on it at all. After all, up until the moment that I first saw Charlotte, my day had progressed in much the same way as every other Monday that year. I had taken the 8:35 train from Westbury to Paddington in the morning, drifted through my Italian and English Literature classes in Knightsbridge until three o’clock, then strolled through Hyde Park dreaming of Johnnie Ray and new clothes. Admittedly, the decision to take the bus from Bayswater to Paddington was uncharacteristic. But I was here now, and for the next half hour, there was very little I could do but follow Charlotte’s lead. I was half-nervous, half-curious, and entirely surprised at myself. Maybe they’re kidnapping me? I thought hopefully. They would soon throw me back onto the streets once they realized that under the expensive coat lurked a girl with no trust fund, no guaranteed income, and no decent jewels. I pulled out the powder compact I had stolen from Mama’s dressing table and blinked at myself. My hair needed a comb (I hadn’t one) and there was an ink smudge on my chin, but my eyes flashed back at me, defiant. Make the most of this, I thought. I was aware, for the first time in a long while, that I was alive.
I shoved the mirror away and glanced around. The room was small and stiflingly hot. A fire had been lit some hours ago, and with the door closed, I felt suddenly faint. I wanted to take off the green coat, but felt, curiously, that I should not; I sensed it was part of me while I was here. I’ve always felt my most hungry in the middle of the afternoon and today was no exception; I felt my stomach rumble and hoped that tea would be served soon, though it worried me that there was scarcely room for a saucer. The room was so full of clutter and objects that it almost hurt the eyes. Dominating everything (and how on earth it got into the room in the first place, I couldn’t think) stood a beautiful grand piano scattered with papers, pens, ink, and letters. Naturally nosy (a habit passed down through my mother’s side of the family), I quickly read the first sentence of a half-finished postcard. The handwriting was clear, turquoise, and joyous. My Dear Richard— it began—You are quite mad and I love you all the more for it. Wootton Bassett was wonderful, wasn’t it? I shifted my eyes to the large table by the window, where a faded top hat plonked on top of a stack of crumpled pound notes gave the illusion of a giant Monopoly board abandoned midgame. I had Aunt Clare down as a bit of a Miss Havisham until I noticed that the large windows were immaculately clean, and clean windows, my mother was fond of saying, are as important as clean teeth. (She rather shot herself in the foot with this expression, as there were more windows at home than one could count and she was never done employing youths from the village to come and clean them. Once an older sort of chap fell from the blue bathroom window and landed in a wheelbarrow of dead roses below. He broke his leg, but adored Mama so much that he came back the next week to finish the job, plaster and all. But back to Aunt Clare’s study.)
There were books, books, and more books, stacked in random piles all over the floor and spilling off the shelves, including, I noticed with a shiver of surprise, a beautiful hardback edition of the Darwin book that Aunt Clare’s husband was alleged to have been reading at the moment of his untimely death. The room smelled strongly of learning, not in the calm, musty, leafy way that accompanies most rooms containing great literature, but in that more disturbing, sticky-palmed, feverish way that implies cramming knowledge for an exam or feeding an obsession. Whoever Aunt Clare was, she had no time to waste. I sat down on a very low red sofa and stretched my legs out in front of myself. The clock in the hall struck a melancholy five o’clock and I wondered how long I would have to stay here before excusing myself and boarding the train back to Westbury. Already uncharacteristically nervous, I nearly leaped out of my skin when a huge ginger cat emerged from the shadows and jumped onto my lap, purring like a tractor. Now, I don’t like cats, but this one really took a liking to me, or perhaps it was drawn to Charlotte’s green coat? What I remember thinking, more than anything that afternoon, was t
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