The Course of Love

by Alain de Botton

Genres: Literary Fiction; Women's Fiction

Synopsis

Penguin presents, the unabridged, downloadable, audiobook edition of The Course of Love by Alain de Botton, read by Julian Rhind-Tutt.

Twenty years after his bestselling debut Essays in Love, internationally acclaimed author Alain de Botton returns to fiction with a brilliant new novel about modern relationships

What does it mean to live happily ever after?

At dinner parties and over coffee, Rabih and Kirsten's friends always ask them the same question: how did you meet? The answer comes easily -- it's a happy story, one they both love to tell. But there is a second part to this story, the answer to a question their friends never ask: what happened next?

Rabih and Kirsten find each other, fall in love, get married. Society tells us this is the end of the story. In fact, it is only the beginning.

From the first thrill of lust, to the joys and fears of real commitment, to the deep problems that surface slowly over two shared lifetimes, this is the story of a marriage. It is the story of modern relationships and how to survive them. Playful, wise and profoundly moving, The Course of Love is a delightful return to the novel by Alain de Botton, twenty years after his debut Essays in Love.

Publisher: Simon & Schuster

Print pages: 240

Sample

The Course of Love

Infatuations

The hotel is on a rocky outcrop, half an hour east of Málaga. It has been designed for families and inadvertently reveals, especially at mealtimes, the challenges of being part of one. Rabih Khan is fifteen and on holiday with his father and stepmother. The atmosphere among them is somber and the conversation halting. It has been three years since Rabih’s mother died. A buffet is laid out every day on a terrace overlooking the pool. Occasionally his stepmother remarks on the paella or the wind, which has been blowing intensely from the south. She is originally from Gloucestershire and likes to garden.

A marriage doesn’t begin with a proposal, or even an initial meeting. It begins far earlier, when the idea of love is born, and more specifically the dream of a soul mate.

Rabih first sees the girl by the water slide. She is about a year younger than him, with chestnut hair cut short like a boy’s, olive skin, and slender limbs. She is wearing a striped sailor top, blue shorts, and a pair of lemon-yellow flip-flops. There’s a thin leather band around her right wrist. She glances over at him, pulls what may be a halfhearted smile, and rearranges herself on her deck chair. For the next few hours she looks pensively out to sea, listening to her Walkman and, at intervals, biting her nails. Her parents are on either side of her, her mother paging through a copy of Elle and her father reading a Len Deighton novel in French. As Rabih will later find out from the guest book, she is from Clermont-Ferrand and is called Alice Saure.

He has never felt anything remotely like this before. The sensation overwhelms him from the first. It isn’t dependent on words, which they will never exchange. It is as if he has in some way always known her, as if she holds out an answer to his very existence and, especially, to a zone of confused pain inside him. Over the coming days, he observes her from a distance around the hotel: at breakfast in a white dress with a floral hem, fetching a yogurt and a peach from the buffet; at the tennis court, apologizing to the coach for her backhand with touching politeness in heavily accented English; and on an (apparently) solitary walk around the perimeter of the golf course, stopping to look at cacti and hibiscus.

It may come very fast, this certainty that another human being is a soul mate. We needn’t have spoken with them; we may not even know their name. Objective knowledge doesn’t come into it. What matters instead is intuition, a spontaneous feeling that seems all the more accurate and worthy of respect because it bypasses the normal processes of reason.

The infatuation crystallizes around a range of elements: a flip-flop hanging nonchalantly off a foot; a paperback of Hermann Hesse’s Siddhartha lying on a towel next to the sun cream; well-defined eyebrows; a distracted manner when answering her parents and a way of resting her cheek in her palm while taking small mouthfuls of chocolate mousse at the evening buffet.

Instinctively he teases out an entire personality from the details. Looking up at the revolving wooden blades of the ceiling fan in his room, in his mind Rabih writes the story of his life with her. She will be melancholy and street-smart. She will confide in him and laugh at the hypocrisy of others. She will sometimes be anxious about parties and around other girls at school, symptoms of a sensitive and profound personality. She’ll have been lonely and will never until now have taken anyone else into her full confidence. They’ll sit on her bed playfully enlacing their fingers. She, too, won’t ever have imagined that such a bond could be possible between two people.

Then one morning, without warning, she is gone and a Dutch couple with two small boys are sitting at her table. She and her parents left the hotel at dawn to catch the Air France flight home, the manager explains.

The whole incident is negligible. They are never to meet again. He tells no one. She is wholly untouched by his ruminations. Yet, if the story begins here, it is because—although so much about Rabih will alter and mature over the years—his understanding of love will for decades retain precisely the structure it first assumed at the Hotel Casa Al Sur in the summer of his sixteenth year. He will continue to trust in the possibility of rapid, wholehearted understanding and empathy between two human beings and in the chance of a definitive end to loneliness.

He will experience similarly bittersweet longings for other lost soul mates spotted on buses, in the aisles of grocery stores, and in the reading rooms of libraries. He will have precisely the same feeling at the age of twenty, during a semester of study in Manhattan, about a woman seated to his left on the northbound C train; and at twenty-five in the architectural office in Berlin where he is doing work experience; and at twenty-nine on a flight between Paris and London after a brief conversation over the English Channel with a woman named Chloe: the feeling of having happened upon a long-lost missing part of his own self.

For the Romantic, it is only the briefest of steps from a glimpse of a stranger to the formulation of a majestic and substantial conclusion: that he or she may constitute a comprehensive answer to the unspoken questions of existence.

The intensity may seem trivial—humorous, even—yet this reverence for instinct is not a minor planet within the cosmology of relationships. It is the underlying central sun around which contemporary ideals of love revolve.

The Romantic faith must always have existed, but only in the past few centuries has it been judged anything more than an illness; only recently has the search for a soul mate been allowed to take on the status of something close to the purpose of life. An idealism previously directed at gods and spirits has been rerouted towards human subjects—an ostensibly generous gesture nevertheless freighted with forbidding and brittle consequences, for it is no simple thing for any human being to honor over a lifetime the perfections he or she might have hinted at to an imaginative observer in the street, the office, or the adjoining airplane seat.

It will take Rabih many years and frequent essays in love to reach a few different conclusions, to recognize that the very things he once considered romantic—wordless intuitions, instantaneous longings, a trust in soul mates—are what stand in the way of learning how to be with someone. He will surmise that love can endure only when one is unfaithful to its beguiling opening ambitions, and that, for his relationships to work, he will need to give up on the feelings that got him into them in the first place. He will need to learn that love is a skill rather than an enthusiasm.