The Color Purple

Book 1: The Color Purple Collection

by Alice Walker

Genres: African American Historical; Literary Fiction; Book Prizes & Literary Awards

Synopsis

Read the original inspiration for the new, boldly reimagined film from producers Oprah Winfrey and Steven Spielberg, starring Taraji P. Henson, Danielle Brooks, and Fantasia Barrino.

Winner of the Pulitzer Prize and the National Book Award, now in a beautiful Penguin Vitae edition with a foreword by Kiese Laymon

A Penguin Classic Hardcover

A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early-twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance, and silence. Through a series of letters spanning nearly thirty years, first from Celie to God, then from the sisters to each other, the novel draws readers into a rich and memorable portrayal of Black women—their pain and struggle, companionship and growth, resilience and bravery.

Deeply compassionate and beautifully imagined, The Color Purple breaks the silence around domestic and sexual abuse, and carries readers on an epic and spirit-affirming journey toward transformation, redemption, and love.

Release date: September 20, 2011

Publisher: Open Road Media

Print pages: 306

Sample

Preface 

Whatever else The Color Purple has been taken for during the years since its publication, it remains for me the theological work examining the journey from the religious back to the spiritual that I spent much of my adult life, prior to writing it, seeking to avoid. Having recognized myself as a worshiper of Nature by the age of eleven, because my spirit resolutely wandered out the window to find trees and wind during Sunday sermons, I saw no reason why, once free, I should bother with religious matters at all. 

I would have thought that a book that begins "Dear God" would immediately have been identified as a book about the desire to encounter, to hear from, the Ultimate Ancestor. Perhaps it is a sign of our times that this was infrequently the case. Or perhaps it is the pagan transformation of God from patriarchal male supremacist into trees, stars, wind, and 

everything else, that camouflaged for many readers the book's intent: to explore the difficult path of someone who starts out in life already a spiritual captive, but who, through her own courage and the help of others, breaks free into the realization that she, like Nature itself, is a radiant expression of the heretofore perceived as quite distant Divine. 

If it is true that it is what we run from that chases us, then The Color Purple (this color that is always a surprise but is everywhere in nature) is the book that ran me down while I sat with my back to it in a field. Without the Great Mystery's word coming from any Sunday sermon or through any human mouth, there I heard and saw it moving in beauty across 

the grassy hills. 

No one is exempt from the possibility of a conscious connection to All That Is. Not the poor. Not the suffering. Not the writer sitting in the open field. This is the book in which I was able to express a new spiritual awareness, a rebirth into strong feelings of Oneness I realized I had experienced and taken for granted as a child; a chance for me as well as the 

main character, Celie, to encounter That Which Is Beyond Understanding But Not Beyond Loving and to say: I see and hear you clearly. Great Mystery, now that I expect to see and hear you everywhere I am, which is the right place. 

You better not never tell nobody but God. It’d kill your mammy.

DEAR GOD,

I am fourteen years old. I am I have always been a good girl. Maybe you can give me a sign letting me know what is happening to me.

Last spring after little Lucious come I heard them fussing. He was pulling on her arm. She say It too soon, Fonso, I ain’t well. Finally he leave her alone. A week go by, he pulling on her arm again. She say Naw, I ain’t gonna. Can’t you see I’malready half dead, an all of these children.

She went to visit her sister doctor over Macon. Left me to see after the others. He never had a kine word to say to me. Just say You gonna do what your mammy wouldn’t. First he put his thing up gainst my hip and sort of wiggle it around. Then he grab hold my titties. Then he push his thing inside my pussy. When that hurt, I cry. He start to choke me, saying

You better shut up and git used to it. But I don’t never git used to it. And now I feels sick every time I be the one to cook. My mama she fuss at me an look at me.

She happy, cause he good to her now. But too sick to last long.

DEAR GOD,

My mama dead. She die screaming and cussing. She scream at me. She cuss at me. I’m big. I can’t move fast enough. Bytime I git back from the well, the water be warm. By time I git the tray ready the food be cold. By time I git all the childrenready for school it be dinner time. He don’t say nothing. He set there by the bed holding her hand an cryin, talking boutdon’t leave me, don’t go.She ast me bout the first one Whose it is? I say God’s. I don’t know no other man or what else to say. When I start to hurt and then my stomach start moving and then that little baby come out my pussy chewing on it fist you could have knock me over with a feather.

Don’t nobody come see us.

She got sicker an sicker.

Finally she ast Where it is?

I say God took it.

He took it. He took it while I was sleeping. Kilt it out there in the woods. Kill this one too, if he can.

 

DEAR GOD,

He act like he can’t stand me no more. Say I’m evil an always up to no good. He took my other little baby, a boy this time. But I don’t think he kilt it. I think he sold it to a man an his wife over Monticello. I got breasts full of milk running downmyself. He say Why don’t you look decent? Put on something. But what I’m sposed to put on? I don’t have nothing.I keep hoping he fine somebody to marry. I see him looking at my little sister. She scared. But I say I’ll take care of you.

With God help.