Soul City

by Touré

Genres: Literary Fiction

Synopsis

Critically acclaimed author Touré's writing has appeared in The New Yorker, The Best American Essays and The New York Times.

This playful and hip fantasy is the tale of a utopian city, where residents can attend St. Pimp's House of Baptist Rapture, and the candidates for mayor battle to determine who the better DJ is. Into this wonderful place comes Cadillac Jackson, a journalist who falls for the beautiful and magical Mahogany Sunflower -- whose family members can fly.

Release date: September 3, 2007

Publisher: Little, Brown and Company

Print pages: 192

Sample

1

_____

THE TRAIN eased to a stop at Soul City, and Cadillac Jackson smoothed off into a new life. He had a pen in one hand and a pad in the other, hungry to catch every detail. He was from The City and infused with the requisite towering ambition that everyone from The City had. He’d come to Soul City to research the book that would establish him as one of the great writers of his generation. Whether he had the talent to render the world of Soul City honestly remained to be seen. He’d been sent by Chocolate City Magazine, ordered to spend three days, write a short piece about the mayoral election, and get back home. But he had other plans. He’d always wanted to visit the city that boasted “more mojo than any city in the world.” To see the world-famous one-hundred-foot-tall Afro Pick, to hear one of Revren Lil’ Mo Love’s crazy sermons, to get a sack of six at the Biscuit Shop. And he’d always wanted to write a book about Soul City. He knew all the other books had gotten it wrong. No one had really figured out what made Soul City what it was. He vowed not to leave until he knew. Great books had been inspired by Dublin, Venice, Paris, Bombay, and New York. He would add Soul City.

Cadillac stepped out of the station onto Groove Street and saw men cooling down the block with walks of such visible rhythm, physical artistry, and attention to aesthetics that it looked like a pimp-stroll convention. Across the street a barber was clipping and snipping at a prodigious fro in an open-air barbershop, clipping with the arrogance of a famous painter wielding his brush, snipping whether in or out of the fro, turning those scissors into a snare. On the corner a street sweeper swept with a theatricality that transformed his duty into modern dance.

On Mojo Road a flock of girls double-dutched, pigtails bouncing, the rope cracking at lightning speed, while the three in the middle danced in the air, never touching the ground. They seemed to be levitating, but those ropes were moving so fast it was difficult to tell exactly what was going on. Maybe the ropes were whipping up a mini-sonic boom that created a pocket of air that the girls could surf for a moment, like an invisible magic carpet. That made no sense. But what he saw made no sense either: six- and seven-year-old girls in rainbow-colored tights with ropes zipping under their bent legs eight, nine, ten times before they touched the sidewalk. They touched down less from gravity than from boredom, as if they’d been just hanging out in the air.

He checked into his hotel, the Copasetic on Cool Street, then walked from Nappy Lane to Gravy Ave to Cornbread Boulevard. The sidewalks were forty to fifty feet wide and the streets were abuzz with all-age minifestivals of hair braiding, marble shooting, bubble blowing, puddle stomping, roller-skating, faithful preaching, “God’s coming!,” mommies strolling, babies toddling, groceries spilling, lots of flirting, and gossip flying. On Bookoo Boulevard the Vinylmobile crept by, offering old albums for a few dollars, and children poured from homes to chase it as children elsewhere chase ice cream trucks. The Washeteria on Badass Ave had its own DJ so you could dance while you dried. And it made perfect sense that in a world where bad means good, the traffic signals used green for stop and red for go.

On Irie Way and Downhome Drive he found flowers leaping up through the sidewalks. They were American beauties and African violets, more vibrant, fragrant, and giant than any he’d ever seen. He bent and saw their roots were buried beneath the concrete. The flowers had confronted the pavement and punched through it, undeterrable in their desire to get closer to the sun. Bent low, he could see the little speakers that had been built into the sidewalks all over town. First he heard Satchmo think to himself what a wonderful world, then Bob spoke of redemption songs, then James proclaimed he was Black and he was proud. There was an easy vibe to the place, as if everything in the world were possible and there was all the time in the world to do it, for Soul City minutes were ninety seconds long. Cadillac tried to scribble a few words that would capture the scene, but nothing came.

2

_____

AT THE corner of Ebony and Mecca, Cadillac found the Biscuit Shop. He knew they had supernaturally good biscuits. He didn’t know they had a DJ and people danced as they ate their biscuits. When he walked in, Prince was talking about a lady cabdriver and there was a full-blown party goin on even though, or maybe because, it was Friday afternoon. Someone screamed that the roof was on fire, and a couple jumped up on top of a table to dance. An ancient-looking woman came trembling from behind the counter, her pace so much slower than the high-slung rhythm of the party that she seemed like a superimposed freeze-frame. She was golden brown and paper-thin with silvery hair and Coke-bottle glasses, leaning for dear life on an ornately carved cane, a thick wool shawl clinging to her shoulders. She looked as sweet as any cookie-bakin grandmother who ever lived. Then she opened her mouth. “Git the fuck down from there!” she croaked. “Y’all think y’all at home?”

“Sorry, Granmama,” they said, their heads bowed. They jumped down. But the party went on.

As Cadillac waited in line he looked at the photos that covered the walls. There was Granmama with Dizzy Gillespie and Charlie Parker, the men young, sweaty, and clearly brimming with thoughts. There was Granmama beside Martin Luther King, Ralph Ellison, Langston Hughes, Marcus Garvey, Zora Neale Hurston, Josephine Baker, Madame CJ Walker. And sepia photos and daguerreotypes of Granmama beside people who had been dead for a good long while: Frederick Douglass, Phyllis Wheatley, Sojourner Truth, Harriet Tubman. For these pictures to be real, he thought, Granmama would have to be more than two hundred years old. They had to be Photoshopped. A two-hundred-year-old woman was impossible.

When Cadillac sat down with his sack of six biscuits, they were still piping hot and the butter’s seductive scent was dancing into his nose. As soon as he took a bite the biscuit began melting in his mouth, first flaking into pieces, then a little river of butter washing over his tongue, butter sweeter than he’d ever tasted. He remembered that it was just the sort of biscuit his aunt Omen had given him at her house on Downhome Drive when he was a boy. The taste of it shook an image loose from the ocean floor of his memory. It came floating up toward his consciousness, the memory of what it was to have been young and in the air, riding on breezes, cutting through clouds, flying. There was no need to put his arms out because gliding was as natural as walking. The weight of life was lifted and the air felt slower and he felt free. He gazed down at Soul City from a bird’s view and saw Honeypot Hill and Niggatown and Soul City’s central monument, its Eiffel Tower, the one-hundred-foot-tall black steel Black fist Afro Pick, with fifty-foot-tall teeth shooting up from the ground and flowing together to form a muscular, militant Black power fist, so big that aliens cruising by in outer space couldn’t miss it. Then everything stopped. How could he remember flying if he’d never flown in his life? How could he remember the Afro Pick if he’d never seen it? And who was this Aunt Omen person? What was in this biscuit? It was a long time before Cadillac understood that each of Granmama’s biscuits had a memory baked into it, but a memory from whoever had baked that biscuit. He’d gotten lucky and eaten that one in a thousand baked by the one girl who worked in the shop and knew how to fly.

When Cadillac stood to leave, the DJ scratched and suddenly Prince’s needle-sharp falsetto leaped from the speakers, wanting your extra time and your . . . kiss. The Biscuit Shop screamed as one and launched into dancing so intense that the room was just this side of a riot. He looked at the DJ in her dowdy Biscuit Shop uniform, dull gray like a cheap maid’s outfit. But she had long, cascading diva curls, a face like Dorothy Dandridge, and was flowing from vinyl to vinyl with a cigarette in her hand. Her name tag said MAHOGANY. When he passed she didn’t smile. He walked to his hotel replaying the memory of flight over and again, clinging to the images, afraid if he forgot for a moment he’d never know flight again.

3

_____

BY MIDNIGHT that Friday there were thousands in Paradise Park munching on blackened barbeque chicken and gulping beer from peanut butter jars, ready to cheer for their candidate in the Soul City mayoral debate, sponsored by the Biscuit Shop. Cadillac thought it was an hour more congruous with partying than politics, but he had a wing in one hand and a pen in the other, and he was about to learn that in Soul City, how you party is very political.

The mayor of Soul City was Emperor Jones, a six-foot-three, 330 pound, seventy-two-year-old man in a three-piece, deep blue, white chalk pinstripe suit. The gold links of his pocket-watch made a line as long as a normal man’s arm. A leonine mane of graying curls ringed his face. He’d been the mayor of Soul City for twelve long years, and this year would be his last. Four decades back he made a name for himself in Soul City when he won the Nut-Holding Contest in the Summertime Carnival. The Nut-Holding Contest required men merely to stand holding their nuts as long as possible. Emperor stood there six days, fourteen hours, and twenty-eight minutes straight, sometimes sleeping while standing and holding his nuts. His record still stands. They put his picture in the Soul City Defender and in no time flat he was campaigning for city council. Now, after six consecutive terms as mayor, he was at the end of a life in public service, and Soul City was about to start over with a new, and undoubtedly lesser, man. As Emperor stepped to the podium they chanted, “Don’t Go!” so loud it seemed certain he would’ve been reelected the moment he agreed to run. He wanted to run, but the stress of being the mayor of Soul City had made it impossible to lose the weight that his doctors and girlfriends were on him about.

In Soul City the mayor’s prime function is to DJ for the town. All the speakers in all the sidewalks are connected back to the central turntable at the mayor’s mansion, and every two years the people go to the polls and choose a mayor based on what he plans to spin while in office.

This year’s ballot consisted of the Jazz Party’s Coltrane Jones, the Hiphop Nation’s Willie Bobo, and the Soul Music Party’s Cool Spreadlove. Emperor Jones, of the Independent Party, had the DJ skills and the taste to integrate a variety of sounds and create a balanced playlist. The candidates had neither the vision nor the ears to get beyond their party’s narrow platform. Whoever won would stick to the music of his party alone, which could unbalance the mood of the town and lead to all sorts of catastrophes. It was a critical point in Soul City history.

Everyone wanted to know who Emperor thought should be the next mayor, but Emperor looked at all three candidates with disgust. He refused to endorse any of them. They all made him cringe for the future of Soul City. Especially Cool Spreadlove. Who was now an hour late.

“I’m gonna open this evening’s festivities,” Emperor Jones boomed into the microphone, “with a thank ya to our sponsor!” He turned to look for Granmama and from behind him she trembled into view, her soft droopy skin shaking with each careful step. Her smile was brief and reluctant, but the entire park bloomed at the sight of her dentures like a valley of flowers rising to attention when the sun comes up over the horizon.

“Granmama bee. . .