In 'Object of Art' Ally agrees to be turned into a living statue by her lover Marcus, for an intimate art exhibition. Ally has never revealed her curvy body like this before, but finds the experience of being bound by strips of material and plaster of Paris exciting.
During the show Ally heats up both from the effects of the plaster on her skin and the attentions of the art critics. She begs to be released, and finds the group more than willing to help.
Release date:
March 2, 2010
Publisher:
Headline
Print pages:
24
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Marcus was a slippery sort of lover. ‘Ally, I need you,’ he drawled, his voice over the phone deep and cajoling. He paused for effect, letting Ally’s mind flicker with pornographic images, a mixture of memories and fantasies yet to be fulfilled.
‘My model for tonight has cancelled, struck down by a broken heart,’ he went on. ‘You’ll fill in, OK?’
Ally hesitated, wondering if this was what Marcus really wanted her for. With Marcus, sometimes words like these meant no more than their literal truth, but at other times they were invitations for nights of sex, with an intensity Ally found almost dangerous.
It was a game they played together, this ‘will we, won’t we’, and Ally understood her role well. She was meant to want him, as she invariably did, but never assume she would get him. She assented, letting the game pick up again. Excitement flushed over her.
‘Come as you are’, he said, ‘now’.
Instead of going home from her classes Ally went straight to his Soho studio. Marcus was an artist, living life in the centre of the London art scene, exchanging ideas and fluids with other sculptors, painters; women, men. Ally’s London was a cramped flat-share, her university college and a flagging rampant rabbit. It wasn’t just the sex that kept her answering Marcus’s calls, it was his ability to take her out of herself, her life. Ally sometimes found the daily gri. . .
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