The external lives of Clark, a high school guidance counselor, and Charlotte, a bookkeeper, are utterly ordinary, but their interior lives are as bold and complex as abstract paintings colored by imagined possibilities, childhood joys and, more darkly, by deeply buried fears. When Clark rescues a young boy from drowning, a chain of events-some comic, some harrowing-is set in motion, revealing the fault lines of the couple's marriage and individual psyches.
Amity Gaige is a consummate stylist. Her every sentence contains a tiny world-marrying striking images to deep, soulful ideas in perfectly concise fashion.
Release date:
October 8, 2013
Publisher:
Grand Central Publishing
Print pages:
272
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“Crystalline insights into the nature of love and flashes of narrative brilliance… sparkles and delights.”
—Publishers Weekly (starred review)
“A life-enhancing novel and a stunning debut… Gaige’s style sings and twists. Each moment or shift in perspective conjures up a strange image, a quirky insight, a sumptuous simile… haunting, riveting, wonderful.”
—Providence Journal
“Love, marriage, the whole damn thing—all spanned in a witty, tender first novel… The impression overall is of a limpid style and the peeling away of the comedy of intimacy to expose isolated souls.”
—Kirkus Reviews (starred review)
“Given its level of sophistication and off-center wit, it’s a bit startling to realize that O MY DARLING is Amity Gaige’s first novel. The characters, beautifully drawn, are as unsentimental toward one another as their author is toward them and yet, wonderfully, this novel with its many ambushes of lyrical moments, is deeply felt.”
—Stuart Dybek, author of I Sailed with Magellan and The Coast of Chicago
“An introspective, sometimes humorous look at how aspects from one’s past can suddenly reemerge and pilot one’s life in totally unexpected directions.”
—Booklist
“Generous, wry, and bristling with humor, O MY DARLING is a gift to the reader. There are so many pleasures to be found here: indelible images, crystalline prose, and two characters that are rendered with such entertaining insight and tenderness, they will continue to haunt us long after we have, with great reluctance, left them.”
—Sarah Shun-lien Bynum, finalist for the
National Book Award for Madeleine Is Sleeping
“This fine, intelligent novel should be required reading for anyone who is (a) in love, (b) engaged, (c) wed, or (d) planning on buying real estate, especially as a concrete expression of (a), (b), or (c). With one scalpel-sharp sentence after another, Amity Gaige has cut a beautifully sad pattern into the skin of that rootless, troubled creature—the modern, secular marriage.”
—Adam Haslett, New York Times bestselling author of
You Are Not a Stranger Here and Union Atlantic
“Amity Gaige seems to know everything there is to know about us. [The novel’s] details are so sharp and unique, every sentence carries the burden (and sometimes the joy also) of truth.”
—Peter Orner, author of Love and Shame and Love
Acclaim for Amity Gaige’s
“Enthralling… with its psychological acuity, emotional complexity, and topical subject matter, it deserves all the success it can find.”
—Washington Post
“Brilliantly eliciting sympathy where, theoretically, none is deserved, this is a tense, ambitious, bravura exploration of the physical and psychological limits of identity, how we are seen by others, and what we make of ourselves.”
—Sunday Times
“Agile… transporting… a book that works as both character study and morality play, filled with questions that have no easy answers.”
—Janet Maslin, New York Times
“4 stars! Like Nabokov’s Humbert Humbert, Schroder is charming and deceptive, likable and flawed, a conman who has a clever way with words. Schroder’s tale is deeply engaging, and Gaige’s writing is surprising and original, but the real pull of this magnetic novel is the moral ambiguity the reader feels.”
—People
“Gaige writes beautifully… The novel’s climactic chapter is also its best conceived: the item that brings about Schroder’s downfall is perfect, both dramatic and mundane. The reader will realize that he or she has been given every detail necessary to see what was coming, yet didn’t, which is plot-making of the highest order.”
—New York Times Book Review
“With Schroder, Gaige has achieved a remarkable feat. How impressive to have created a protagonist who’s brilliant, narcissistic, creepy and unhinged, yet somehow sympathetic… Gaige is such a masterful writer that she makes Schroder seem more pitiful than hateful… As unlikely as it sounds, you’ll be half-rooting for this lost soul to prevail.”
—USA Today
“Impossible to put down.”
—Chicago Tribune (Editor’s Choice)
“A brilliant exploration of identity and belonging, and Gaige’s writing is beautiful.”
—The Times
“Tell me,” she said.
“No,” he said.
“Come on,” she was laughing. “Just tell me what it is.”
“No,” he said. “You have to guess.”
“Guess? Guess?” She had both hands on her head. “I hate guessing. You know that. Just give it to me.”
“I want you to guess,” Clark said evenly, holding the gift behind his back. The young couple, Clark and Charlotte Adair, stood in the middle of their kitchen, which they had yesterday painted yellow. Everything was still in boxes all around the house, for they had just moved in.
Although he spoke casually enough, Clark was weak with excitement—today was a birthday. Today was a day to honor childhood, which he remembered as something like a galaxy of sweets and coincidences. This was a day to feel as precious and doted upon as one tended to feel as a child, as precious and doted upon as he had felt at least, and to forget altogether that one was grown up. Birthdays. He remembered the body heat of his parents behind him as he beckoned the party guests in from the rain. Though Clark was not yet thirty, he would be soon, and what struck him about adulthood so far was the sheer quantity of issues that arose of their own accord, no matter how pleasantly you behaved. Too many issues to name. Today was a birthday. A day to put all that aside.
“OK,” Charlotte said, shrugging. She took two steps backward and looked at her husband, finger in mouth. Suddenly she seemed happy to comply.
“Flowers,” she said.
“Nope,” said Clark, aware of an immediate look of relief on her face. “Flowers are for normal days. Today is your birthday.”
“Well, what did you get me?” She was blushing. The sight of her pale face with blooming cheeks transfixed him. They were both very tall and lean, like two halves of the same thing. But where Charlotte was fair, Clark’s coloring bore the trace of shadows, with his dark curls and a faintly Arabian nose. Charlotte drew her sucked-pink finger from her mouth.
“Why are you smiling?” she said.
“God damn,” he said, almost involuntarily. “You look beautiful. Beautiful like a child. It’s amazing. You look like you’re about seven. And you’ve just come in from playing outside.”
“I’d never want to be seven again,” said Charlotte.
“No-no,” Clark said, quickly. “Seven in spirit.”
“I’d never want to be seven again,” said Charlotte, “especially in spirit.”
“Well, what I meant was,” Clark shifted the present behind his back, “you look happy. I like to see you happy.”
Charlotte lowered her gaze to Clark’s navel. Her face grew serious. With one finger, she drew a tendril of lank blonde hair out of her eyes. She appeared to be trying to see the birthday present through his body.
She looked up. “I hope you didn’t get me something too extravagant,” she said. “I said no extravagance this year. With the new house…”
Clark’s extravagance with money was sometimes an issue, but for him to bring up her bringing it up would have been a whole new, collateral issue. Today was a birthday. (Charlotte’s birthday, though did it matter whose in a marriage?) A day to remember the hunger one felt as a child for each new thing, each singular word, and each honest daybreak. He fondled the gift box behind his back.
“It’s not extravagant,” he said.
“OK,” she said, looking up at the ceiling. “It’s not flowers, and it’s not extravagant.”
What is it, Charlotte Adair thought, out of all things? A gift. A birthday gift. Suddenly, she found herself believing that inside this small box was one of the fantastical gifts on some long ago wish list—a harp, a pony, a castle. The thought made her giddy. She felt that she was at the center of everything. She was the birthday girl. The gift was for her. She closed her eyes and felt the rupturing pressure of laughter in her chest. But just then, her eyes snapped open. She was afraid to stand there with her eyes closed, like a child praying to God. She looked around suspiciously at the strange new kitchen. Then she looked at her husband’s shadowed face—almond colored, pretty-eyed. What if for some reason he was pulling her leg?
“Let me see it,” she said.
“No way,” laughed Clark. “You’ll guess right away if you see it.”
She stepped back. She took a deep breath. Of course he wasn’t pulling her leg. He liked giving presents. He liked birthdays.
“Is it…,” she said, “another figurine?”
Clark fondled the gift again. It was not a figurine, because the figurine had definitely been an issue last year. He agreed now that the figurine had been a strange gift, something suited better for a child. But it had looked so much like her, he still wanted to protest, a porcelain maiden wringing out her long, long hair.
“Nope,” he said. “It’s absolutely not a figurine.”
“Hey,” Charlotte said, looking up at him flirtatiously. “Did you get me that necklace I saw at Shand’s the other day? Did you sneak back over there and buy that necklace for me?”
It took Clark a moment to remember the necklace they had seen together.
“No,” he said. “Listen, I didn’t get you jewelry.”
“OK,” said Charlotte. “Then can I have it now?”
“Come on,” said Clark. “Use your imagination.”
But as soon as he said the word “imagination” he knew he had chosen the wrong word. Since they’d begun moving in, Charlotte’s lack of imagination had become an issue. She would stare at the empty rooms, blinking, unable to envision. Clark felt that she was unable to let go of the expected places and uses for things. She was unable to dream, unable to guess. The week previous, he had gone so far as to call her “boring,” and to prove that she was not boring, she took everything back out of the kitchen cabinets and dashed them against the wall. Among other things, such as all of his mother’s china, she had broken the birthday figurine, and in that case, thought Clark, the figurine wasn’t such a hot thing for her to bring up either.
Charlotte’s eyes darkened. She too remembered the incident with the china. She saw the white plates flying like epithets toward the wall. Although they’d had their tussles, they had never fought like that, never thrown anything, and now their first house was anointed in a shower of porcelain. She felt very bad about it and also implicitly reaccused. She took a deep breath. She tried to remember that today was her birthday, a day to claim one’s place at the center of everything before one has to step aside for the next of six billion people, a day to feel cosmically attractive, a day to feel wanted, and she tried to get back to that dreamy, closed-eyed feeling of the birthday girl.
But instead she said, helpless to stop herself, “Is it a rope to hang myself with?”
Suddenly, the issues abounded: Charlotte’s rather dark sense of humor, her inability to behave sportingly, and more disastrously, the horribly recent death of Clark’s mother, which had been a suicide.
Charlotte’s eyes flew open when she realized what she had said.
“Just kidding,” she said. “Oh God. It was a joke. I wasn’t thinking. It was an innocent joke.”
Clark still held the birthday gift behind his back. His eyes flickered momentarily, but his expression did not change.
“Are you going to guess for real or not?” he asked.
Charlotte looked down. Softly she said, “I guessed for real already, Clark.”
“Just twice? That’s all the guesses you’ve got in you?”
“Can’t I just have it?” said Charlotte.
“But this is the best part,” he said, “the guessing. Listen,” the gift box—covered sloppily in striped wrapping paper—hung now at his side. “You don’t enjoy your birthday, Charlotte. You always get sad on your birthday. I thought I’d try to make it fun this year.”
They both stood silently for a moment. It was true, about Charlotte and birthdays. She was trying very hard to be the birthday girl but she couldn’t stick with it. Outside, the dog gave one of his long, heartbroken howls. They could hear him dragging his chain back and forth across the patio. Clark looked at the floor and Charlotte looked out the window. Outside, the hawthorn tree shook its angry naked branches.
“February,” Charlotte sighed. “Why did I have to be born in the sorriest month of the year?”
“See?” said Clark, “There you go, getting sad.”
“A lot of times, with adopted children, they just make up the birthday. I mean, sometimes they don’t know. So maybe I wasn’t even born today. I’ve never seen my birth certificate. They might have just fudged the papers at the agency. Maybe I was filling their February quota.”
“That’s it,” Clark gestured with his shoulder. “The gift is related to the time of year. Understand? You’re getting warm.”
“A raincoat?” Charlotte squinted.
“No,” said Clark, putting the box behind his back again. It was then he realized that a raincoat was what he should have gotten. A raincoat would have been a lot better than the stupid thing he had gotten. His arms hurt, holding the gift on and on this way. And yet it seemed too late to just give it to her.
“Ohhh,” she said. “I know.”
A smile arose on Charlotte’s face, and for a moment, Clark felt very badly. She guessed that the gift was two tickets to go see the ballet Giselle that was being performed in a nearby city, something she had hinted at wanting several times but which was wrong. Then, undeterred, she guessed a scarf, then an umbrella, both of which were wrong but were, in fact, related to the time of year. She guessed a number of reasonable things, and Clark noticed that each one would have made a better gift than the stupid gift he’d gotten and that all of them were wrong. He had thought long and hard about what present to buy his wife this year, and yet none of those reasonable things had come to mind. He listened, looking at the kitchen walls, which still smelled fresh and wet with paint, his arms aching.
A rabbit bounced out of the hedge into the backyard. Charlotte looked at it.
“Did you get me a rabbit?” she said.
Then she began to guess whatever came to mind and at that point Clark did not stop her: a meat grinder, an egg beater, an anteater, a cheeseburger, a sheepherder, a rectal thermometer, a flower for Algernon, a purple heart, a dark horse, a bird in the hand, a burning bush, a kind word, a million-dollar idea, a guardian angel, immortal life.
“Oh Christ,” she said, and began to cry.
Clark went to the pantry and put the gift box on the topmost shelf. They had forgotten to paint the pantry. He looked at the decrepit wallpaper.
“I’ll give it to you later,” he said aloud in the pantry.
Charlotte sat down at the breakfast table and Clark sat down beside her. He passed her a tissue. They were silent for some time.
“We’ve been fighting since the day we moved into this house,” said Charlotte. “We never used to fight.”
“Well, let’s not fight anymore then,” said Clark. “It’s the stress.”
“There’s been a lot of stress. The funeral. Going through old things. Moving in, all at the same time.”
“Packing, unpacking. Painting.”
“Breaking plates. So much to do.” Charlotte smiled shyly, then she started to cry again.
“Don’t cry,” Clark said tenderly, grasping her hand.
“Why not?” she said.
“I don’t know,” he said. “I guess you can go ahead and have a cry.”
“A birthday cry,” said Charlotte, smiling a little.
“Sure,” said Clark. “A birthday cry. You save up enough of those things and someday you’ll have yourself a birthday river.”
“My own river,” said Charlotte.
Clark played with the napkin holder they had just unpacked. He lifted the small bar up and down. He pretended to guillotine the screaming napkins until he finally got her to laugh.
“Well, Charlie,” said Clark. “Let me tell you. You certainly used your imagination.”
Charlotte laughed again, drying her tears with a napkin. Then they looked out the window together, where the damp winds of February blew like an army of witches over the small yard.
She was gone now. But way back, when. . .
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