No Going Back

by Patrick Flores-Scott

Genres: YA Coming of Age; YA Contemporary Romance; YA Social Themes

Synopsis

Antonio is determined to make amends to the people he hurt most—even if it means breaking the terms of his early release from juvenile detention—in this tour de force about one teen’s quest for redemption, from the award-winning author of American Road Trip. 

It’s Friday morning, and seventeen-year-old Antonio Sullivan is on the verge of earning his early release from Zephyr Woods Youth Detention Center. Having been incarcerated for the last year and a half for a crime he didn’t directly commit, he’s now dedicating himself to his education and his sobriety program. What’s more, Antonio is driven by a deep need to make amends to the two people he hurt the most: his mom and his lifelong best friend, Maya. The conditions of his early release are clear—Antonio can’t have any contact with his father or miss his first meeting with his parole officer Monday morning. But a lot can happen between Friday and Monday, especially when the odds are against you.

Told through time-stamped chapters that race at a fever pitch over the course of a weekend, this absorbing coming-of-age novel explores what it means to right past wrongs in the face of adversity.

Release date: April 2, 2024

Publisher: Little, Brown Books for Young Readers

Print pages: 336

Sample

FRIDAY 9:30 AM

The soles of my shoes drumroll the floor. My fingers tap-tap the table. My face aches from too much grinning, because finally, finally, the buildup is over and I’m sitting pretty at a conference-room table in A Pod, about to say goodbye to this tiny prison in the forest.

Admin Pod is way nicer than the resident cottages. There’s newish furniture and carpet, some fake flowers in a vase, big windows, some inspirational posters on the wall. But don’t get me wrong, it is still Zephyr Woods Youth Detention Center. Still an institutional facility. Lysol smell. Beige walls. Zappy fluorescent lights. The nonstop muffled sounds of walkie-talkies. The metallic buzzing and clacking of doors locking and unlocking. Sobs from the clinic or angry screams from some terrified kid they’re dragging in on their first day—a new one who hasn’t given up the fight. Prison living—am I right?

Well, the reason I’m bouncing in my seat, not giving a flip about prison living, is because this is my reentry team meeting. That means I AM OUT OF HERE! I am finally leaving this depression factory that has caused me so much loneliness and anxiety.

I smile across the conference table at Mrs. Williams, my counselor, and Ms. Duncan, my English teacher. They’ve been my resource team since I got put in here. And now they are the core of my reentry team. They smile right back like they’re so proud of me.

I turn away and point out the window at the forest, pretending I spot a bald eagle, while I swallow the lump in my throat and close my eyes to keep tears from coming.

Despite the big effort, a couple drop and slide down my cheek.

Mrs. Williams holds out the box of tissues. I yank one and think how far I’ve come since she and Ms. Duncan watched me rage in here like a freaking hurricane.

Truth be told, even before I came into this place I was a soda can full of built-up emotional pressure. Getting hauled into Zephyr just intensified it. The humiliation of handcuffs and shackles. The fear of prison kids and prison guards. The fear of life without my best friend, Maya. The fear of life without freedom. The realization that I would forever be a convicted felon.

It all shook me so hard, I could no longer contain the pressure. I erupted, and my darkness spewed over the land. I screamed. Sobbed. Begged for my mom. I kicked. Flailed. No one would have believed I was capable of that type of nuclear meltdown. I couldn’t believe it either.

At Zephyr it was nothing new. They had the protocol down. Two beefy, bald guards. Snug wraparound jackets. Copious drugs. Independent reflection time in a padded room.

When I finally gave up the fight, Mrs. Williams and Ms. Duncan kicked into gear. I’m happy those two ladies are here to celebrate this moment with me. At the same time, I get a twinge in my gut thinking about the people who can’t be here. Two of them, Charlie and Maureen—the volunteer Alcoholics Anonymous chairpersons—are at their day jobs.

I ended up in AA because, after speaking with people at Puget High School, the court determined I had an issue with alcohol. I knew the I’m not an alcoholic, I just drank too much argument wouldn’t get me anywhere, so when they said I had to enroll in a sober-support class at Zephyr—in my case, AA meetings—I just nodded and kept my mouth shut.

In AA meetings, Charlie and Maureen dug into the twelve steps. We had to admit that we were powerless over alcohol. We were instructed to make a fearless moral inventory, and told we needed to embrace a higher power and to ask our chosen HP to remove our shortcomings.

To be honest, that woo-woo stuff wasn’t for me. In fact, I was just about to tune Charlie and Maureen all the way out, when they started talking about steps

eight and nine.

These two steps guide you in making things right with the people you hurt because of your dependence on getting drunk. Everyone wants to live their life as a responsible person. Well, being a responsible person means you have to deal with the consequences of your actions. And that means making things right with the people you hurt.

I still wasn’t sure if I was an alcoholic. But I was fully aware that I had an accountability problem. I blamed others for my hurtful actions. In AA, I realized that in blaming others, I was letting those people define and control me.

I decided I was through playing the blame game. From now on I would take full accountability, full responsibility for what I’d done. I began the process by doing step eight. I made a list of the people I had hurt and wrote down my plan to make amends.

On to step nine. Making amends. In this step you tell the people you hurt that you are sorry. You say exactly what you did, while making zero excuses for your behavior. If you do make excuses or blame others, it will be so obvious that you are not holding yourself accountable for your actions, the person you are apologizing to will just roll their eyes because you don’t even get it.

After the apology, you promise the person that you will do everything you can to make things right. You complete the act of making amends by living your life according to those words. And if you stick to that plan, you just might repair a relationship that you had broken.

My only problem? I couldn’t make amends to the people I hurt until I got out of Zephyr. So I thought about which staff could help me earn my parole ASAP. And I did what they told me to do.

In class, Ms. Duncan told me my life mattered. My experiences and memories mattered. If I could write them down, I could think about where I came from and where I wanted to go. So I started writing my most powerful memories in poems. Poems that tell the story of a great childhood. Poems that explain how it all came crashing down, how I committed my crime, got arrested and locked up in Zephyr Woods.

In counseling, Mrs. Williams told me the dark thoughts stewing and bubbling inside me mattered. If I could get brave and speak them out loud, they could be examined. So I started spilling my guts.

Close your eyes, Mrs. Williams would say.

Inhale deep.

Exhale slow and long.

Repeat until you can look at the thought and ponder it.

What is this thought doing for you? Is it worth holding on to? Is it worth acting upon?

If it is worth acting upon, what course of action will do the least possible harm to yourself or others?

Soon, I began to

notice my thoughts outside of counseling. I could stop and breathe through them before my head and hands got tingly and my breaths raced away. And before I reacted in a way I would later regret.

I did all that mental work. And I kept a journal of the actions and attitudes required to impress people enough to earn my parole. Stuff like this:

• When you encounter Zephyr drama, walk the other way fast.

• Every action you take is a CHOICE YOU MAKE. Choose wisely!

• When they ask for volunteers, be the first to raise your hand.

• Listen in class. Ask questions. Do your work. Improve your grades.

• When you need to, do your breathing—try for six deep breaths a minute, like Mrs. Williams taught you. Slow your heart. Get calm. Consider how you will respond to that stimulus you found so aggravating.

• Practice that which you want to do well. (An example of this one is, I found a quiet place to practice the words I plan to say when I make amends to the two people in my life I hurt the worst when I committed the crime that got me shipped away from them when they needed me most—Carmen Echeverría, mom; and Maya Jordan, lifelong best friend.)

The old Antonio would have rolled his eyes at any kid who journaled crap like that. I would have called that kid a tool. Turns out, the old Antonio was the tool, because all the focus and effort led to so much personal growth that I earned my parole after a year and a half. That’s six extra months of living life as a free person!

And it’s the reason I’m not locked up in a sensory-deprivation cottage eating a breakfast that tastes like Styrofoam with a bunch of hormonal, depressed, sweaty, overmedicated juvenile offenders. Instead, I’m sitting here with Mrs. Williams and Ms. Duncan, staring at the conference-room door, awaiting the arrival of my parole officer and my mom, and counting the minutes until I get out and I can see Maya again.

***

WHEN WE WERE A TEAM

Once upon a time, on a wet spring day in first grade,

my mom asked me to join her

at the Waterfront Farmers Market.

In matching raincoats and fingerless wool gloves,

we stood behind a table

and sold her coveted salmon-themed mugs.

Sockeyes, Cohos, Chinooks.

I’d wrap the mugs tight in paper and

hand them over to a delighted buyer

while she offered informational tidbits

about the life of our region’s most sacred fish.

As each customer walked away,

she’d smile and hoot, ¡Otra venta!

She’d raise her palm high. Gimme five!

I’d jump up and give it, then pump a fist.

We did it!

• • •

In her studio, together on the stool,

she’d wrap her arms around me,

cup my bare hands in her clay-smeared hands,

then set the wheel to spinning,

singing me songs she learned as a kid back home.

A mi lechero no le gusta la leche—

¡Pero quiere que lo tome yo!

She’d sing and sing as we pushed and pressed that

cold, wet blob till I thought it was done.

¡Ya Mamá!

She’d scrape my creation off the wheel,

lift it high, and call it beautiful.

Then she’d set it to dry and fire up the kiln,

treating my mess like a work of art.

She saw me like a work of art.

I saw her like a work of art.

And that was the case  for a long, long time.

 

***

 

WHEN WE FIRST STARTED WAITING FOR MAYA

Then summer after first grade came,

and Maya Jordan moved in next door.

My mom said I had to play with her.

I told my mom I’d hide from her.

I told my mom I hated Maya,

even though I didn’t know her.

When she came over, Maya could see I was shy.

But this little freckled kid was sly.

It’s okay, she said. We don’t have to play.

Then Maya got to work, silently stacking and stuffing

pillows, chairs, sheets, blankets, till she’d built a sweet sofa castle.

Then she sat alone inside it, quietly snacking on pretzels and apple

while pleasantly humming a song.

That kid was happy as a clam.

I slid closer to the castle. Closer to that Maya.

And I slumped. Slouched. Whimpered. Moped.

Until Maya saw I was sad.

Want to join me? she asked.

I nodded yes and crawled inside, where we sat and snacked

until Maya said there was something in her backpack,

something special she’d brought just to show me.

She held up the pack.

Close your eyes, she said, and reach inside.

I reached in till my fingers felt a rocklike object.

I gripped and lifted it—for its size, it was light—

and when it appeared, I was holding the biggest shell.

At one time, Maya said, that was the home of a moon snail.

I found it at low tide at the beach with my mom.

Then Maya leaned in close to me and whispered in my ear.

She told me she knew a fact—an evil thing these moon snails do

when they manage to capture a scallop.

It’s a secret, she said. Can you promise me you’ll keep it?

I solemnly promised I would.

That’s good, she said. But it’s time for me to go.

Hold on to that shell. And I’ll tell you the secret tomorrow.

Waiting for her at the window, holding that shell tight,

I tried so hard to be patient.

But I couldn’t wait. I couldn’t couldn’t couldn’t.

I just couldn’t wait to see Maya! ...