Migrations

by Charlotte McConaghy

Genres: Sea Adventures

Synopsis

"Migrations is as beautiful and as wrenching as anything I've ever read. This is an extraordinary novel by a wildly talented writer." -Emily St. John Mandel, author of Station Eleven

For fans of Flight Behavior and Station Eleven, a novel set on the brink of catastrophe, as a young woman chases the world's last birds-and her own final chance for redemption.

Franny Stone has always been a wanderer. By following the ocean's tides and the birds that soar above, she can forget the losses that have haunted her life. But when the wild she loves begins to disappear, Franny can no longer wander without a destination. She arrives in remote Greenland with one purpose: to find the world's last flock of Arctic terns and follow them on their final migration. She convinces Ennis Malone, captain of the Saghani, to take her onboard, winning over his eccentric crew with promises that the birds she is tracking will lead them to fish.

As the Saghani fights its way south, Franny's new shipmates begin to realize that she is full of dark secrets: night terrors, an unsent pile of letters, and an obsession with pursuing the terns at any cost. When the story of her past begins to unspool, Ennis and his crew must ask themselves what Franny is really running toward-and running from.

Propelled by a narrator as fierce and fragile as the terns she is following, Charlotte McConaghy's Migrations is both an ode to our threatened world and a breathtaking story about the lengths we will go for the people we love.

A Macmillan Audio production from Flatiron Books

"Transfixing, gorgeously precise…[The] evocation of a world bereft of wildlife is piercing; Franny's otherworldliness is captivating; and her misadventures and anguished secrets are gripping." - Booklist, starred review

"Migrations is a nervy and well-crafted novel, one that lingers long after its voyage is over. It's a story about our mingling sorrows, both personal and global, and the survivor's guilt that will be left in their wake." - New York Times Book Review

"Migrations is a wonder. I read it in a gasp. There is hope in these pages; a balm for these troubled times. Charlotte McConaghy's words cut through to the bone."- Lara Prescott, New York Times bestselling author of The Secrets We Kept

Release date: August 4, 2020

Publisher: Flatiron Books

Print pages: 272

Sample

1

The animals are dying. Soon we will be alone here.

Once, my husband found a colony of storm petrels on the rocky coast of the untamed Atlantic. The night he took me there, I didn’t know they were some of the last of their kind. I knew only that they were fierce in their night caves and bold as they dove through moonlit waters. We stayed a time with them, and for those few dark hours we were able to pretend we were the same, as wild and free.

Once, when the animals were going, really and truly and not just in warnings of dark futures but now, right now, in mass extinctions we could see and feel, I decided to follow a bird over an ocean. Maybe I was hoping it would lead me to where they’d all fled, all those of its kind, all the creatures we thought we’d killed. Maybe I thought I’d discover whatever cruel thing drove me to leave people and places and everything, always. Or maybe I was just hoping the bird’s final migration would show me a place to belong.

Once, it was birds who gave birth to a fiercer me.

GREENLAND NESTING SEASON

It’s only luck that I’m watching when it happens. Her wing clips the hair-thin wire and the basket closes gently over her.

I sit up straighter.

She doesn’t react at first. But she knows somehow that she is no longer free. The world around her has changed just a little, or a lot.

I approach slowly, reluctant to scare her. Wind screams, biting at my cheeks and nose. There are others of her kind all over the icy rocks and circling the air, but they’re quick to avoid me. My boots crunch and I see a ruffle of her feathers, that hesitant first flap, the will-I-try-to-break-free moment. The nest she has built with her mate is rudimentary, a scattering of grass and twigs wedged into a crevice in the rocks. She doesn’t need it anymore—her fledglings are already diving for their own food—but she returns to it like all mothers unable to let go. I stop breathing as my hand moves to lift the basket. She flaps only once, a sudden burst of defiance before my cold hand closes over her body and ceases her wings’ movement.

I have to be quick now. But I’ve been practicing and so I am, my fingers swiftly looping the band over her leg, shifting it over the joint to the upper stretch beneath her feathers. She makes a sound I know too well, one I make in my dreams most nights.

“I’m sorry, we’re nearly there, nearly there.”

I start to tremble but keep going, it’s too late now, you have touched her, branded her, pressed your human self upon her. What a hateful thing.

The plastic tightens firmly on her leg, keeping the tracker in place. It blinks once to tell me it’s working. And just as I am about to let her go she turns very still so that I can feel her heartbeat pounding inside my palm.

It stops me, that pat pat pat. It’s so fast and so fragile.

Her beak is red like she’s dipped it in blood. It turns her strong in my mind. I place her back in the nest and edge away, taking the cage with me. I want her to explode free, I want there to be fury in her wings and there is, she is glorious as she surges. Feet red to match her beak. A velvet cap of black. Twin blades of a tail and those wings, the sharpness of their edges, the elegance.

I watch her circle the air, trying to understand this new piece of her. The tracker doesn’t hinder her—it’s as small as my little fingernail and very lightweight—but she doesn’t like it. She swoops at me suddenly, giving a shrill cry. I grin, thrilled, and duck to protect my face but she doesn’t swoop again. She returns to her nest and settles over it as though there is still an egg that she must protect. For her, the last five minutes never happened.

I’ve been out here on my own for six days. My tent was blown into the sea last night, as wind and rain lashed it from around my body. I’ve been pecked on the skull and hands more than a dozen times by birds who have been named the most protective in the sky. But I have three banded Arctic terns to show for my efforts. And veins filled with salt.

I pause on the crest of the hill to look once more, and the wind calms a moment. The ice spreads wide and dazzling, edged by a black-and-white ocean and a distant gray horizon. Great shards of cerulean ice float languidly by, even now within the heart of summer. And dozens of Arctic terns fill the white of sky and earth. The last of them, perhaps in the world. If I were capable of staying any place, it might be here. But the birds won’t stay, and neither will I.

* * *

My rental car is blessedly warm with the heating on full blast. I hold my frozen hands over the vent and feel my skin prickle. A folder of papers sits on the passenger seat and I fumble through them, looking for the name. Ennis Malone. Captain of the Saghani.

I have tried seven captains of seven boats and I think maybe the persistently mad part of me wanted them to fail the second I saw the name of this last boat. The Saghani: an Inuit word for raven.

I scan the facts I’ve managed to learn. Malone was born in Alaska forty-nine years ago. He’s married to Saoirse and they have two young children. His vessel is one of the last legally certified to fish for Atlantic herring, and he does so with a crew of seven. According to the marina schedule the Saghani should be docked in Tasiilaq for the next two nights.

I put Tasiilaq into my GPS and set off slowly on the cold road. The town will take all day to reach. I leave the Arctic Circle and head south, pondering my approach. Each of the captains I have asked has refused me. They don’t abide untrained strangers on board. Nor do they like their routines disrupted, routes shifted—sailors are superstitious folk, I have learned. Creatures of pattern. Especially now, with their way of life under threat. Just as we have been steadily killing off the animals of land and sky, the fishermen have fished the sea almost to extinction.

The thought of being aboard one of these merciless vessels with people who lay waste to the ocean makes my skin crawl, but I’m out of options, and I’m running out of time.

A field of green stretches to my right, punctured with a thousand white smudges I think at first are stalks of cotton, but it’s only the speed of the car blurring everything; in fact they are ivory wildflowers. To my left, a dark sea crashes. A world apart. I could forget the mission, try to swallow the compulsion. Find some rustic hut and hunker down. Garden and walk and watch the birds slowly vanish. The thought darts through my mind, inconstant. Sweetness would turn sour and even a sky as big as this one would soon feel a cage. I won’t be staying; even if I were capable of it, Niall would never forgive me.

* * *

I book a cheap hotel room and dump my pack on the bed. The floor is covered with ugly yellow carpet but there’s a view of the fjord lapping at the hill’s foot. Across the stretch of water rear gray mountains, cut through with veins of snow. Less snow than there once was. A warmer world. While my laptop powers on, I wash my salty face and brush my furred teeth. The shower calls, but first I need to log my activity.

I write up the tagging of the three terns and then open the tracking software with a lungful of air I’m too nervous to let out. The sight of the blinking red lights melts me with relief. I’ve had no idea if this would work, but here they are, three little birds that will fly south for the winter and, if everything goes to plan, take me with them.

Once I’m showered, scrubbed, and warmly dressed, I shove a few papers in my backpack and head out, pausing briefly at the front desk to ask the young receptionist where the best pub is. She considers me, probably deciding which age bracket of entertainment she should recommend, and then tells me to try the bar on the harbor. “There is also Klubben, but I think it will be too … fast for you.” She adds a giggle to this.

I smile, and feel ancient.

The walk through Tasiilaq is hilly and lovely. Colorful houses perch on the uneven terrain, red and blue and yellow, and such a contrast to the wintry world beyond. They’re like cheerful toys dotting the hills; everything feels smaller under the gaze of those imperious mountains. A sky is a sky is a sky, and yet here, somehow, it’s more. It’s bigger. I sit and watch the icebergs floating through the fjord awhile, and I can’t stop thinking about the tern and her heart beating inside my palm. I can still feel the thrumming pat pat pat and when I press my hand to my chest I imagine our pulses in time. What I can’t feel is my nose, so I head to the bar. I’d be willing to bet everything I own (which at this point isn’t much) on the fact that if there’s a fishing boat docked in town, its sailors will spend every one of their waking moments on the lash.

The sun is still bright despite how late in the evening it is—it won’t go down all the way this deep in the season. Along with a dozen snoozing dogs tied to pipes outside the bar, there is also an old man leaning against the wall. A local, given he isn’t wearing a jacket over his T-shirt. It makes me cold just looking at him. As I approach I spot something on the ground and stoop to pick up a wallet.


Copyright © 2020 by Charlotte McConaghy