From the author of The Five People You Meet in Heaven and Tuesdays with Morrie, a new novel that millions of fans have been waiting for.
"Every family is a ghost story . . ."
Mitch Albom mesmerized readers around the world with his number one New York Times bestsellers, The Five People You Meet in Heaven and Tuesdays with Morrie. Now he returns with a beautiful, haunting novel about the family we love and the chances we miss.
For One More Day is the story of a mother and a son, and a relationship that covers a lifetime and beyond. It explores the question: What would you do if you could spend one more day with a lost loved one?
As a child, Charley "Chick" Benetto was told by his father, "You can be a mama's boy or a daddy's boy, but you can't be both." So he chooses his father, only to see the man disappear when Charley is on the verge of adolescence.
Decades later, Charley is a broken man. His life has been crumbled by alcohol and regret. He loses his job. He leaves his family. He hits bottom after discovering his only daughter has shut him out of her wedding. And he decides to take his own life.
He makes a midnight ride to his small hometown, with plans to do himself in. But upon failing even to do that, he staggers back to his old house, only to make an astonishing discovery. His mother--who died eight years earlier--is still living there, and welcomes him home as if nothing ever happened.
What follows is the one "ordinary" day so many of us yearn for, a chance to make good with a lost parent, to explain the family secrets, and to seek forgiveness. Somewhere between this life and the next, Charley learns the astonishing things he never knew about his mother and her sacrifices. And he tries, with her tender guidance, to put the crumbled pieces of his life back together.
Through Albom's inspiring characters and masterful storytelling, readers will newly appreciate those whom they love--and may have thought they'd lost--in their own lives. For One More Day is a book for anyone in a family, and will be cherished by Albom's millions of fans worldwide.
Release date:
April 1, 2008
Publisher:
Hachette Books
Print pages:
208
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“Let me guess. You want to know why I tried to kill myself.”
—Chick Benetto’s first words to me
THIS IS A STORY ABOUT A FAMILY and, as there is a ghost involved, you might call it a ghost story. But every family is a ghost story. The dead sit at our tables long after they have gone.
THIS PARTICULAR STORY belongs to Charles “Chick” Benetto. He was not the ghost. He was very real. I found him on a Saturday morning, in the bleachers of a Little League field, wearing a navy windbreaker and chewing peppermint gum. Maybe you remember him from his baseball days. I have spent part of my career as a sportswriter, so the name was familiar to me on several levels.
Looking back, it was fate that I found him. I had come to Pepperville Beach to close on a small house that had been in our family for years. On my way back to the airport, I stopped for coffee. There was a field across the street where kids in purple t-shirts were pitching and hitting. I had time. I wandered over.
As I stood at the backstop, my fingers curled in the chain-link fence, an old man maneuvered a lawn mower over the grass. He was tanned and wrinkled, with half a cigar in his mouth. He shut the mower when he saw me and asked if I had a kid out there. I said no. He asked what I was doing here. I told him about the house. He asked what I did for a living and I made the mistake of telling him that, too.
“A writer, huh?” he said, chewing his cigar. He pointed to a figure sitting alone in the seats with his back to us. “You oughta check out that guy. Now there’s a story.”
I hear this all the time.
“Oh, yeah? Why’s that?”
“He played pro ball once.”
“Mm-hmm.”
“I think he made a World Series.”
“Mmm.”
“And he tried to kill himself.”
“What?”
“Yeah.” The man sniffed. “From what I heard, he’s damn lucky to be alive. Chick Benetto, his name is. His mother used to live around here. Posey Benetto.” He chuckled. “She was wild.”
He dropped his cigar and stomped on it. “Go on up and ask him if you don’t believe me.”
He returned to his mower. I let go of the fence. It was rusty, and some of the rust came off on my fingers.
Every family is a ghost story.
I approached the bleachers.
WHAT I HAVE written here is what Charles “Chick” Benetto told me in our conversation that morning—which stretched out much longer than that—as well as personal notes and pages from his journal that I found later, on my own. I have assembled them into the following narrative, in his voice, because I’m not sure you would believe this story if you didn’t hear it in his voice.
You may not believe it anyhow.
But ask yourself this: Have you ever lost someone you love and wanted one more conversation, one more chance to make up for the time when you thought they would be here forever? If so, then you know you can go your whole life collecting days, and none will outweigh the one you wish you had back.
What if you got it back?
May 2006
Chick’s Story
LET ME GUESS. You want to know why I tried to kill myself.
You want to know how I survived. Why I disappeared. Where I’ve been all this time. But first, why I tried to kill myself, right?
It’s OK. People do. They measure themselves against me. It’s like this line is drawn somewhere in the world and if you never cross it, you’ll never consider throwing yourself off a building or swallowing a bottle of pills—but if you do, you might. People figure I crossed the line. They ask themselves, “Could I ever get as close as he did?”
The truth is, there is no line. There’s only your life, how you mess it up, and who is there to save you.
Or who isn’t.
LOOKING BACK, I began to unravel the day my mother died, around ten years ago. I wasn’t there when it happened, and I should have been. So I lied. That was a bad idea. A funeral is no place for secrets. I stood by her gravesite trying to believe it wasn’t my fault, and then my fourteen-year-old daughter took my hand and whispered, “I’m sorry you didn’t get a chance to say good-bye, Dad,” and that was it. I broke down. I fell to my knees, crying, the wet grass staining my pants.
After the funeral, I got so drunk I passed out on our couch. And something changed. One day can bend your life, and that day seemed to bend mine inexorably downward. My mother had been all over me as a kid—advice, criticism, the whole smothering mothering thing. There were times I wished she would leave me alone.
But then she did. She died. No more visits, no more phone calls. And without even realizing it, I began to drift, as if my roots had been pulled, as if I were floating down some side branch of a river. Mothers support certain illusions about their children, and one of my illusions was that I liked who I was, because she did. When she passed away, so did that idea.
The truth is, I didn’t like who I was at all. In my mind, I still pictured myself a promising, young athlete. But I was no longer young and I was no longer an athlete. I was a middle-aged salesman. My promise had long since passed.
A year after my mother died, I did the dumbest thing I’ve ever done financially. I let a saleswoman talk me into an investment scheme. She was young and good-looking in that confident, breezy, two-buttons-undone fashion that makes an older man feel bitter when she walks past him—unless, of course, she speaks to him. Then he gets stupid. We met three times to discuss the proposal: twice at her office, once in a Greek restaurant, nothing improper, but by the time her perfume cleared my head, I’d put most of my savings in a now-worthless stock fund. She quickly got “transferred” to the West Coast. I had to explain to my wife, Catherine, where the money went.
After that, I drank more—ballplayers in my time always drank—but it became a problem which, in time, got me fired from two sales jobs. And getting fired made me keep on drinking. I slept badly. I ate badly. I seemed to be aging while standing still. When I did find work, I hid mouthwash and eyedrops in my pockets, darting into bathrooms before meeting clients. Money became a problem; Catherine and I fought constantly about it. And, over time, our marriage collapsed. She grew tired of my misery and I can’t say I blame her. When you’re rotten about yourself, you become rotten to everyone else, even those you love. One night she found me passed out on the basement floor with my lip cut, cradling a baseball glove.
I left my family shortly thereafter—or they left me.
I am more ashamed of that than I can say.
I moved to an apartment. I grew ornery and distant. I avoided anyone who wouldn’t drink with me. My mother, had she been alive, might have found a way through to me because she was always good at that, taking my arm and saying, “Come on, Charley, what’s the story?” But she wasn’t around, and that’s the thing when your parents die, you feel like instead of going into every fight with backup, you are going into every fight alone.
And one night, in early October, I decided to kill myself.
Maybe you’re surprised. Maybe you figure men like me, men who play in a World Series, can never sink as low as suicide because they always have, at the very least, that “dream came true” thing. But you’d be wrong. All that happens when your dream comes true is a slow, melting realization that it wasn’t what you thought.
And it won’t save you.
WHAT FINISHED ME, what pushed me over the edge, strange as it sounds, was my daughter’s wedding. She was twenty-two now, with long, straight hair, chestnut-colored, like her mother’s, and the same full lips. She married a “wonderful guy” in an afternoon ceremony.
And that’s all I know because that’s all she wrote, in a brief letter which arrived at my apartment a few weeks after the event.
Apparently, through my drinking, depression, and generally bad behavior, I had become too great an embarrassment to risk at a family function. Instead, I received that letter and two photographs, one of my daughter and her new husband, hands clasped, standing under a tree; the other of the happy couple toasting with champagne.
It was the second photo that broke me. One of those candid snapshots that catches a moment never to be repeated, the two of them laughing in midsentence, tipping their glasses. It was so innocent and so young and so...past tense. It seemed to taunt my absence. And you weren’t there. I didn’t even know this guy. My ex-wife did. Our old friends did. And you weren’t there. Once again, I had been absent from a critical family moment. This time, my little girl would not take my hand and comfort me; she belonged to someone else. I was not being asked. I was being notified.
I looked at the envelope, which carried her new last name (Maria Lang, not Maria Benetto) and no return address (Why? Were they afraid I might visit them?), and something sunk so low inside me I couldn’t find it anymore. You get shut out of your only child’s life, you feel like a steel door has been locked; you’re banging, but they just can’t hear you. And being unheard is the ground floor of giving up, and giving up is the ground floor of doing yourself in.
So I tried to.
It’s not so much, what’s the point? It’s more like what’s the difference?
When he went blundering back to God,
His songs half written, his work half done,
Who knows what paths his bruised feet trod,
What hills of peace or pain he won?
I hope God smiled and took his hand,
And said, “Poor truant, passionate fool!
Life’s book is hard to understand:
Why couldst thou not remain at school?”
(a poem, by Charles Hanson Towne, found inside a notebook amongst Chick Benetto’s belongings)
Chick Tries to End It All
THAT LETTER FROM MY DAUGHTER arrived on a Friday, which conveniently allowed for a . . .
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