Dancing with the Tiger

by Lili Wright

Genres: Literary Fiction; Noir; Thrillers

Synopsis

The death mask of Montezuma. A priceless artefact. Lost. Looted. Sold. Stolen. Traded. Hunted. Wanted. Needed. And Anna. Anna, whose life is spiralling out of control, Anna, whose charming fiancé has been cheating on her, Anna, who has just discovered her father's credibility as a renowned art collector is in ruins and her own reputation as a fact checker is in tatters. But she has a chance to redeem herself, to restore both her and her father. She needs to go to Mexico, find the mask, and bring it to America where it will form the focal point of a new exhibition. Because other people want that mask – and they will stop at nothing to get it.

Release date: July 12, 2016

Publisher: Marian Wood Books/Putnam

Print pages: 464

Sample

***This excerpt is from an advance uncorrected proof***

Copyright © 2016 Lili Wright

Prologue

The looter dug into the cave with the fervent touch of a lover. Cranked on meth, he shuddered as he dug, cursing a lilting lullaby to women and smack. His body smelled. He noticed, then dismissed it, the way he noticed and dismissed the wet in the air, his cut knuckles, the way dust and sweat covered his skin like fur. Lesser men would have whimpered about their knees, their aching backs. Little pussies. But when tweaked, he could work for hours without losing his cool or quitting from hunger or succumbing to the roar of Aztec ghosts. Everything that mattered in life was buried, covered up, lost, afraid to show its true face. Few people had the courage or imagination to dig.

Christopher Maddox was far from home, an American in Mexico, a college dropout kneeling in the dirt, a holy man. You could find religion anywhere. Two days before, his trowel had hit the leading edge of an urn or crown, a relic worth enough cash, he hoped, to float him all the way to Guatemala, where drugs were cheaper than mangoes, where women greeted you with warm tortillas and a goat. Gua-te-ma-la. All those soft syllables, adding up to nothing but a hammock and a song. The looter. That’s what he called himself. Alter ego, doppelgänger, shadow in the moonlight—the hero of a story that began when a humble man from Divide, Colorado, dug up a treasure that saved his life.

His headlamp slipped. He righted it. Sweat froze in electric beads, a crown circling his forehead. A lot could go wrong underground. Apocalypse. Asphyxiation. Popocatépetl. The cave that caves in. Any minute, pinches federales could pounce. He picked up his wasted toothbrush and scrubbed, watched stones reveal themselves like a stripper. Sex humped his brain. He dug past time and he dug past death. His skin itched from nerves, the tickle of bugs, the spook of the dark, the thrill of the find.

A shadow caught his eye. Against the cave wall, a figure, a vision: his mother’s weathered face flickered across the fissured rocks. Her spotted hand reached for him, trying to yank him back from the abyss. The looter’s chest cracked with this new agony. He grabbed his pick, stabbed the ground, not caring what he broke. He just wanted his due. Now. Ahora. Dá-me-lo.

An angel sighed. The devil bit his lip. The relic fell loose, five hundred years of Aztec history tumbled into his busted hands. The looter rolled on his heels, giddy, cooing, Sweet baby Jesus, because he was no longer in the cave alone. A face stared up at him, a turquoise mask with only one eye.

Into Mexico City he burst, dancing on the points of a star. As his cab roared down Reforma, he rocked the mask in his lap, coddling its splintered face, a mad galaxy of green and blue. Its mouth was a grimace of shell teeth, fully intact. Across its forehead coiled two snakes. One eye was missing. The other had no opening, which meant the mask had been made for the dead.

He wanted to howl. He wanted to salsa into the snooty antiquities shops in the Zona Rosa, toe-tap into the anthropology museum and see the officials’ shock when they realized a penniless dusty gringo had uncovered a national treasure. But more than admiration, more than money or love, he needed a fix.

The cab dropped him at the safe house. Scary fucking place. A compound for cholos and bangers, a vault for drug money, a graveyard for the damned, who were chopped into salad and dumped in mass graves, fetid in the wind. They called it a safe house, but no one there was safe. At the gate, the looter flashed his signature cell phone, his only possession of value. Reyes paid the bills. He needed to reach his people 24/7. At the front door, Feo, the human beer can, flexed his gym muscles. Alfonso peered over his shoulder, on tiptoes, in sneakers. Guy was so tatted he didn’t need clothes. The word scrawled over his lip formed an illegible mustache.

The looter held out the mask.

Feo turned it over, sneered, offered a grand.

The looter shook his head, disgusted. “I need ten times that.”

“You dig. We decide what it’s worth.”

Fury rose inside him. Stupid, greedy mensos. Like his work had no value. History had no value. Nothing had value but their next drug run to the border. He wanted to speak to someone with an IQ.

“Let me talk to Reyes.”

Feo grinned. “No one talks to Reyes. No one even sees Reyes.”

This was true. In three years, the looter had never met the man. The drug lord was constantly moving, every day a new location, a new face. Mazatlán penthouse. Juárez sewer. A man of a million disguises: grifter, hipster, attorney general. Rumor had it his real face resembled an old man’s testicle. Behind his back, people called him that—El Pelotas. Half his right ear was missing. Reyes was high up, a patrón who considered himself cultured, collected antiquities by the pound, adored gallery openings and pink champagne. He’d turn up in a rancho, toss gold rings to children. Like a magician, he could make men disappear, saw a woman in half.

“Tell Reyes I have something. Tell him this is worth his time.”

Feo smirked, eager to watch this debacle unfold. “Oh, well then, come in.” He swung open the door to an entryway with a circular staircase. “I’ll tell the patrón his favorite caveman needs to see him right away. Make yourself comfortable. Have a drink.”

The looter stood in the gloom with Alfonso. In the next room, a couple of shitty couches faced the world’s largest TV. The looter held the mask over his groin, noticed the fractured bulletproof windows. The bullets had come from inside.

Alfonso lit a cigarette, blew smoke. “You’re a real idiot.”

“Regálame un tabaco, compa.”

Alfonso threw him a pack and a lighter. “The dying man’s last request.”

Everyone here smiled and nobody meant it. Footsteps on the stairs. Two sets. The first figure stopped on the landing, left hand on the banister, right in his pocket, gripping a pistol. Reyes was a small man, bow-legged, froglike, his wide chest panting. He wore narrow black sweatpants and a golden poncho. A straw hat streaming with pink ribbons covered most of his face. Some indigenous concoction. The looter was curious about the ear, but lowered his eyes, bit his cheek.

“You wanted to see me?” Reyes’s voice was steady and cold.

The looter did some kind of bow, held out the mask. He was proud of his Spanish, knew how to lace it up nice. Humble and flowery. “Patrón, con todo respeto, I bring you a magnificent treasure today. It took me two days to remove from a cave.”

No response. No one talks to Reyes. No one even sees Reyes. The looter’s throat tightened. He realized his mistake. “This mask is five hundred years old,” he went on. “It belongs in a museum. CNN, National Geographic—totally viral. It was made to turn a powerful man into a God.”

Reyes stared at him like his face was on fire.

The looter tried again, more direct. He was losing his voice, his pants, his bowels. He needed the cash, the rock. He jerked his head, fought to gain control, lifted his chin. “It’s worth twenty grand easy, but I’ll take ten. Today.”

Reyes made no eye contact. At first, the looter thought he’d garbled his Spanish, then he understood a more humiliating truth: Reyes dismissed him as an idiot addict making shit up. A pit of anger caught in his chest. He might do something stupid. His thigh shook in his jeans. A clock ticked, or maybe his heart.

Reyes threw down a wad of pesos. The bundle lay there, a dead animal no one wanted to touch. Alfonso stepped forward, took the mask. The looter knelt before the money, knew better than to count.

Reyes growled, “Now bring me another.”

Part One

I’ve worn a mask most of my life. Most people do. As a little girl, I covered my face with my hands, figuring if I couldn’t see my father, he couldn’t see me. When this didn’t work, I hid behind Halloween masks: clowns and witches and Ronald McDonald. Years later, when I went to Mexico, I understood just how far a mask can take you. In the dusty streets, villagers turned themselves into jaguars, hyenas, the devil himself. For years, I thought wearing a mask was a way to start over, become someone new. Now I know better.

—Anna Ramsey, from her unfinished memoir, 2012

1. Anna

She wore black, the color of nuns and witches, the color of the loneliest corners of outer space, where gravity prevents all light from escaping, the name given to boxes tucked into airplanes, the ones that explain the disaster. She chose green earrings to match her eyes, a bra that accentuated her cleavage. The strappy sandals she fastened around her ankles gave her the three-inch rise she needed to look him in the eye.

She drove to the Metropolitan Museum of Art, found a garage, let a valet park her car. The air was so cold she could see her breath.

“I won’t be long,” Anna told the boy, slipping him a few bucks. “Put me near the exit.”

The reception was already under way. Beneath a cathedral ceiling, svelte guests murmured small talk and gossip. Gay men in tight pants and tangerine neckties. Pale nymphs in taffeta miniskirts or cowgirl braids or Clark Kent glasses, trying to prove they could be beautiful no matter how badly they dressed. Grandes dames, donors, scions of Rockefellers and Guggenheims, women with names like Tooty and Olive, their thinning hair shellacked into gladiator helmets, their spotted wrists weighed down with bangles. The Velvet Underground warbled, “I’ll be your mirror.”

Anna plucked champagne from a passing tray, ran her hand down her dress. Her engagement ring caught the light. Familiar faces drifted past. Artists. Celebrities. Critics. A man who had pressed her to sleep with him. She’d told him she didn’t do that anymore. She was with David. Monogamous, a virtue that sounded like a disease.

The champagne hit her hard. Anna hadn’t eaten since that morning’s sugar doughnut. She finished her flute, took another, set off to find David, strolling past Campbell’s soup cans, Marilyn, tawdry black-and-white films from the Factory. Everything cheap and loud and repeating itself.

She found him holding court in the Damien Hirst room, schmoozing next to a shark suspended in formaldehyde. Looking into his eyes, she felt nothing. Their three years together, a collapsible hat. Instead of slapping him or sobbing, she dug down deep and pulled up her love, let it radiate across her face. She revealed her whole self, perhaps for the first time. Only hours before, she would have done anything to make him happy.

David acknowledged her with a playful mouth. His circle opened to let her join.

Black, the color of mourning.

Black, the color you could never take back.

“Anna,” he said. “You look . . .”

She swept into his arms and pressed her lips over his. Not a cordial peck of recognition or reunion, but a full-body embrace, bare arms wrapped around his head, fingers playing his short hairs, breasts flattening his lapels, pelvis teasing his hips, yes, there. He stiffened, embarrassed, surprised, but then drew her close. Anna put everything she had into the kiss, three years of affection and trust, three years of plans for tomorrow, and the day after that, three years of fucking monogamy. Her warm tongue made the transfer from her mouth to his as her hand entered his breast pocket.

Black, the color of sex.

Black, the color that fire leaves behind.

She let him go. David’s forehead creased with confusion. His lips puckered as his long fingers reached into his mouth and withdrew the offending object. Curious guests leaned in; their gleaming faces filled with prurient delight to see the unflappable David Flackston, a curator of modern art at the Met, open his mouth and remove a diamond ring. Even more curious was his new pocket square—a beige pair of ladies’ panties.

2. The Gardener

When the papershop girl announced that her family was moving to Veracruz, Hugo felt his blood drain from his body. He asked When? and Lola said Two weeks and Hugo said How long have you known? Lola said They told me yesterday. Hugo paced the paper shop, slamming his fist on the counter because she was leaving him and because in Veracruz every man would see what he’d seen and smell what he’d smelled and what was now his alone might be stolen by any man looking for stationery.

Like a good fire, their love affair began with paper. Hugo was writing his cousin in Texas and needed the kind of skin-thin stationery that makes even the firmest intention seem like a dream. He’d stopped in a papelería and the girl behind the counter smiled. His stomach tightened. She wore a yellow dress with white bunting, all schoolgirl and fresh daisy. Her fingerless lace gloves fastened with a snap. The first customer paid for his pens, the second did his copying. The door jingled shut, leaving the two of them, Hugo and the girl, surrounded by pencils and compasses and pens with invisible ink.

“How can I help you?” she said.

Hugo unrolled his lust, crimson as a Persian rug. The girl twirled her hair, toying with him, promising good service if only he asked. In his mind’s eye, Hugo touched her as gently as his nature allowed, tracing his fingertips over her thigh. He was a gardener, a man used to cultivating difficult flowers. His adoration pleased her, he could tell. It pleased her to know he found her irresistible, a pastry in the bakeshop, too pretty to eat. He was a man. Perhaps this alone justified why he wanted the girl in the yellow dress, why he did not ask her age. If she was old enough to work in the papelería, she was old enough to handle money and men. Hugo said exactly what he was thinking: “I came here to buy stationery, but then I saw you.”

He thought of his wife. Her face came to him in a hard chip of light, an accusation so stark he turned away. Afterward, he did not think of his wife again. Not when he flattered the girl, not when he ran his finger along the underside of her arm. Not the next day, when he brought her yellow dahlias. Or the next, when he led her to the back room, slid his hand between her legs, and discovered the papershop girl went to work every day damp and hungry.

Each afternoon, Hugo returned. He swiped the girl’s earbuds, listened to the rhythm of Romeo Santos, then made an indecent proposal of his own. He kissed her ear, combed her hair with his fingers, tattooed her skin with chalk. When a customer called for help (“Is anyone here?”), he pressed a ruler against her throat. After the door slammed, the girl laughed, licked his palm. His desire burned like the end of a match. He wanted to take her youth. He wanted to build her a pyramid that reached the sun. He wanted to put her in a cage and feed her guava and plant his seed inside her every day. He wanted this child to make him a child who would outlive them both. When she took him in her mouth, she called him Papi. She was not really a child. She had breasts, hair. Her lace gloves matched her underwear. She was old enough that he couldn’t help her with homework. He shoved her math book across the counter, lifted her dress, slipped inside her, whispering, “Little schoolgirl. This is what I know.”

But now she was leaving him. His knuckles bled in the creases. He’d seen men punch walls and now understood the satisfaction. He wound up again.

“Basta,” the girl cried, pulling his arm. “I have something to give you.”

She dragged him to the back of the store. Hugo collapsed in a chair. The girl nuzzled into his lap, facing him, pushed a package toward him. He pulled the ribbon, determined to be gentle, to rouse his best self. A book of Aztec history. He saw she was proud of this adult gift, and he wondered whether she had given him the book because he spoke Nahuatl, the language of the Mexica, his ancestors, one of the original Aztec peoples, or whether she was sending him a message that she would go to university one day, become more than a shopgirl pregnant at twenty, delivering child upon child, living in a two-room house spiked with metal supports for a second story that would never be built. He flipped the pages—Acamapichtli, Aztec warriors and priests—feeling weak before these brave men. Lola stroked his head, coddling his grief. His hurt hand grasped the hem of her dress.

She read aloud. “The Aztec priests made human sacrifices to ensure the sun would rise each morning. To be sacrificed was the highest honor a mortal could hope for, a guarantee his soul would live forever as a god in Paradise. The priest led the chosen warrior up the Great Temple and removed his beating heart.”

Lola noosed her arms around his neck: “If you were sacrificed, how long would your heart beat for me? What sacrifice would you make for our love?”

She was flirting, happy.

“Forever, my yellow schoolgirl. I would offer you my heart on a gold plate, and when you ate me, I would live inside you forever.”

Satisfied, the girl seesawed in his lap, blew in his ear, kept reading: “The sacrifice was cooked and those who ate the flesh were fortified. The head was hung on the skull rack and the flayed skin was worn for religious ceremonies. Nothing was wasted. The constant killing kept the hungry gods appeased and ensured the balance of the universe. The next morning, the sky filled with pink light, a memory of the blood spilled in its honor.”

The girl dropped a flip-flop, wiggled her sparkling toes. “It’s like Jesus. The Son of God died for our sins. Now in Communion, we take his body and blood.”

“Like love.” Hugo peeked beneath her blouse. “I spill my blood for you.”

Something inside the girl snapped.

“What blood?” she sneered. “What sacrifice? You come here, spill yourself, and go home to your fat wife and chickens. If you love me, leave your ugly wife and marry me. Punish my father, who watches me through the door when I undress.”

Hugo grabbed her chin. “That is a lie. Your father is a lawyer.”

“My father is a lawyer who peeks through a crack in the door.”

“I will kill him and steal you away.”

“You would not dare.”

Hugo slapped her. She clutched her cheek, but did not cry. The coldness of her stare stopped his pulse. He buried his face in her breasts, breathed the air she warmed. She has watched too many telenovelas. She is playing a part.

“Your father never touched you,” he said.

“His desires keep him awake at night. He stalks the hallway like a lynx.”

Hugo felt himself slipping backward, losing purchase. He did not want to marry the girl or harm her father. He liked things as they were, the yellow afternoons lined up like books on a shelf. He even loved the paper shop: the smell of ink, the bright pens and notebooks under glass. The shop made him feel like a boy again, only with the bonus of sex, the missing delight every boy senses is his reward if he ever manages to grow up.

“Give me time,” he pleaded. “I will arrange things.”

But he did not arrange things. Every day, he went home and dug in his flowerbeds and ate food like a hollow man. When his wife asked what was wrong, he said nothing was wrong, and his wife made him tea from plants in the yard and sought advice from a witch doctor, who mixed a love potion that she sprayed in his socks.

3. The Looter

The looter locked himself in the safe-house john, unfolded the money Reyes had thrown him. Two thousand dollars. An insult. A pittance. Degrading to man and mask. To the living and the dead. The looter lifted the window shade, watched night descend. Across Mexico City, mothers fixed dinner. Fathers fell into their armchairs like kings. Children wrote down wrong answers in pencil. Every day ended in darkness.

He lit his last rock.

The rush punctured his psyche, sandblasted his heart, filled him with a glow he could never replicate or describe but, if forced to name, he would have called love. He fell to his knees, pressed his cheek on the cool toilet seat, dreaming a hundred ways to get even with Reyes: rattlesnakes, lead paint, toxic prostitutes. The looter snickered, wishing he had company in his head. A square dance of partners. But it was all high talk. You didn’t get even with a drug lord. You got dead.

Who the fuck wears a hat with pink ribbons?

There was one real hitch to his bliss. He was out of crank. Most days, he was one thing or its opposite: In a cave or out. Rich or broke. High or wishing he were more so. This conformed to the Maddox Principle of Opposing Equilibrium, a little theory he’d coined that went like this: His shady life in Mexico was exterior stuff, surface, cover of the book, not the book. What mattered long-term was a man’s inside, his core, his heart, mind, soul, being. If his insides stayed true, the outside could indulge in sybaritic delights: women, crack, looting. In fact, it would be irresponsible not to. Because there was time. Time for hedonism and excess. Time later to settle down. Reform. Rise from the ashes for a second act. A third. Wisdom was the rare province offered to those who’d tried everything once.

The faucet dripped. He listened.

He wanted the mask back, but by now Feo had photographed it, logged it in the books. The looter tried to forget the scraps he’d been thrown, but when he closed his eyes, the death mask grinned, ten million bits of turquoise glued onto the shattered face of a man. Its lone eye taunted: Who the fuck are you? A man or a dog?

He thought back to high school, how he and his buddies used to cliff jump at Eleven Mile Reservoir. They’d pound a six, staring down two stories of rock at the freezing water, gathering their nerve, until one of them chanted their call-to-arms. “Dogs, would you live forever?”

A strip of light shone under the bathroom door. Timeline. Tightrope. Arrow. The looter studied it until he made up his mind.

He snuck out of the safe house, riding an ice skate of adrenaline. Ten minutes later, he reached the orange juice stand. Pico was just a kid but reliable. He wore an Astros baseball cap and a gold cross. His face was round as a plate and just as empty. Pimples. Baby fat. Another güey who didn’t belong to anyone. Where was his mother? The looter paid cash for his goodies, but didn’t know the Spanish word for the last item on his Christmas list. He laid his cheek on paired hands, an angel pantomiming sleep.

Pico laughed. “You have a date tonight?”

The looter cupped his palms. “Big tits.”

“Give me a minute. Mind the shop.”

Pico popped into a miscelánea, returned beaming, brown bag in hand. “Hold on a minute.” He cut an orange, squeezed it. Pico always made his clients fresh juice, like he wanted to be sure all his junkies got their vitamin C. Or maybe with pulp under his nails, he appeared legit to the cops, to his abuela. He handed over the juice and the bag.

“Hey, some free advice,” Pico said. “Take a shower and you won’t have to drug her.”

The looter gave a wolfy grin. “Hey, more free advice. Ask the pharmacist for medicine to clean up your face.”

“Cabrón,” Pico swore, but he was smiling, pleased someone had bothered to notice his fucked-up complexion.

“Hey, Pico.”

“What?”

The looter bowed. Blood rushed to his face. He almost fell over, but righted himself. Harold Lloyd, hanging on a clock. Safety Last. He was Everyman. He was Nobody with a capital N.

“Vaya con Dios.” He meant this as a joke and he meant this sincerely.

“¿Dios?” Pico chucked the orange peels in the garbage. “We sold God to the Americans with Texas.”

“We sold him to the Chinese.”

Pico shrugged. Mexicans didn’t want to hear about American hardship.

The looter limped down the block, hips stiff from the cave. The limp was new but suited him, a pirate disguise. His hands left sweat stains on the bag. He’d take a bump in the first alley he found. Now always trumped later. The juice made him nervous. Maybe Reyes had poisoned the oranges.

He turned the corner, threw the fucking cup against a wall. The juice dripped down the stucco, a new sun exploding.

He crashed in the safe house. Not that he could sleep. Spirits circled the compound like ghosts, all those dead men—fuckups and cowards, assassins and cons. Who missed them? Who loved them? Who cared enough to sort the arms from the legs? Inside Pico’s goodie bag, ten white bullets. It was hard to have confidence in things so small. He stuffed them in his hip pocket. Crafty as Cortés, he set out to explore.

The safe house was a place to flop, store dope, hide stolen cars. From the outside, the place passed for normal: three stories, four-car garage, security wall, grass tough as matches. Inside, the mood was tense, men jacked on drugs and paranoia. The first-floor storage rooms were kept under constant surveillance. Normally, the guards huddled on the floor, texting, but tonight the merry threesome played poker: Feo, Alfonso, and some other fool. When the looter strolled up, the men lowered their cards. AK-47s hung from their chests like guitars. Each was working a six of Tecate. A drained liter of Cuervo lay tossed to the side.

“Señor arqueólogo,” Feo called out, his face puffy and red, “fetch us more tequila.” He lifted his gun halfheartedly.

The looter thought of five things to say, but instead asked, “¿Dónde?”

Feo gestured with his gun. “In the basement. Go, faggot. Earn your keep.”

The looter found the light switch, headed down the dim stairs, bracing for corpses, but saw just a bunch of yard stuff, barbed wire, dog food, bottles of bleach. A case of tequila sat next to the hot-water heater. He unscrewed a bottle, dropped in Pico’s pills, hula dancing them until they dissolved. He didn’t budge for a good minute, got stuck there, thinking how most hard things in life were easy, most easy things hard. Then, moving again, he cinched the cap, took the stairs up, two at a time.

“Caballeros. Let me break the seal for you.” He twisted the bottle open with a maître d’s flourish, took a pretend swig.

Feo glared. “He’s drinking before us. What kind of service is that?”

Alfonso curled his tatted lip. “Shoot him.”

Feo snuggled his gun into the looter’s rib cage. It rested there, a thing that could go off. Saliva clogged the looter’s dry throat. You couldn’t argue with stupidity. You had to wait it out.

The third guy grabbed the bottle, drank, wiped his mouth. “If you shoot him, I’m not cleaning it up. You can explain to Reyes what happened to his precious digger. If not, it’s your turn.”

Feo stared at the punk. He had a new enemy. He shifted his gun to face the third man. He wouldn’t pop him, but if the gun went off, the bullet wouldn’t be wasted.

“Play your cards,” Feo snarled. “Pass me the bottle.”

The looter evaporated, locked himself in the john to wait. He stared at the lonely faucet, the grout, the feminine curves of the pedestal sink, put a name to what he’d committed to: He was risking his life to screw over Reyes. That, or he was finally standing up for himself.

A half hour later, he tiptoed back to the hall. The guards lay splayed, heavy with sleep. He tapped Feo’s thick shoulder. Nothing. The looter entered the first storage room, switched on his headlamp. Bricks of marijuana were piled knee-high. Without warning, the third guard lifted his head. The looter flattened into a shadow, closed his eyes. He could die here or he could not die here. The precariousness of the moment brought fresh understanding. Fuck Guatemala. He needed to go home. Make amends. Pay his mother back the three grand he’d stolen. Buy her a new microwave. Rub her fallen arches.

He willed the guard to drop back asleep. As if by command, the man collapsed, curling into a comma, a messy hunk of punctuation, silent again.

The looter’s hands trembled as he opened the second door. The room was a wreck of duffel bags, helmets, and guns. His fingers played over shelving crammed with relics—pots, urns, magical flutes, pieces he’d sold to Reyes months ago lay stacked without order or care. A take-out fried chic