Bring Up The Bodies

Book 2: Wolf Hall Trilogy

by Hilary Mantel

Genres: Historical Fiction

Synopsis

Winner of the Man Booker Prize 2012 Bring Up The Bodies chronicles the downfall of Anne Boleyn through the eyes of Thomas Cromwell, chief minister to Henry VIII. Sir Peter Stothard, chairman of the judges, hailed Mantel as 'the greatest English prose writer of modern times'.
By 1535 Thomas Cromwell, the blacksmith's son, is far from his humble origins. Chief Minister to Henry VIII, his fortunes have risen with those of Anne Boleyn, Henry's second wife, for whose sake Henry has broken with Rome and created his own church. But Henry's actions have forced England into dangerous isolation, and Anne has failed to do what she promised: bear a son to secure the Tudor line.
In Bring up the Bodies Hilary Mantel explores one of the most mystifying and frightening episodes in English history: the destruction of Anne Boleyn. This new novel is an audacious vision of Tudor England that sheds its light on the modern world.

Release date: May 7, 2013

Publisher: Henry Holt and Co.

Print pages: 608

Sample

I
Falcons
Wiltshire, September 1535

His children are falling from the sky. He watches from horseback, acres of England stretching behind him; they drop, gilt-winged, each with a blood-filled gaze. Grace Cromwell hovers in thin air. She is silent when she takes her prey, silent as she glides to his fist. But the sounds she makes then, the rustle of feathers and the creak, the sigh and riffle of pinion, the small cluck-cluck from her throat, these are sounds of recognition, intimate, daughterly, almost disapproving. Her breast is gore-streaked and flesh clings to her claws.

Later, Henry will say, ‘Your girls flew well today.' The hawk Anne Cromwell bounces on the glove of Rafe Sadler, who rides by the king in easy conversation. They are tired; the sun is declining, and they ride back to Wolf Hall with the reins slack on the necks of their mounts. Tomorrow his wife and two sisters will go out. These dead women, their bones long sunk in London clay, are now transmigrated. Weightless, they glide on the upper currents of the air. They pity no one. They answer to no one. Their lives are simple. When they look down they see nothing but their prey, and the borrowed plumes of the hunters: they see a flittering, flinching universe, a universe filled with their dinner.

All summer has been like this, a riot of dismemberment, fur and feather flying; the beating off and the whipping in of hounds, the coddling of tired horses, the nursing, by the gentlemen, of contusions, sprains and blisters. And for a few days at least, the sun has shone on Henry. Sometime before noon, clouds scudded in from the west and rain fell in big scented drops; but the sun re-emerged with a scorching heat, and now the sky is so clear you can see into Heaven and spy on what the saints are doing.

As they dismount, handing their horses to the grooms and waiting on the king, his mind is already moving to paperwork: to dispatches from Whitehall, galloped down by the post routes that are laid wherever the court shifts. At supper with the Seymours, he will defer to any stories his hosts wish to tell: to anything the king may venture, tousled and happy and amiable as he seems tonight. When the king has gone to bed, his working night will begin.

Though the day is over, Henry seems disinclined to go indoors. He stands looking about him, inhaling horse sweat, a broad, brick-red streak of sunburn across his forehead. Early in the day he lost his hat, so by custom all the hunting party were obliged to take off theirs. The king refused all offers of substitutes. As dusk steals over the woods and fields, servants will be out looking for the stir of the black plume against darkening grass, or the glint of his hunter's badge, a gold St Hubert with sapphire eyes.

Already you can feel the autumn. You know there will not be many more days like these; so let us stand, the horseboys of Wolf Hall swarming around us, Wiltshire and the western counties stretching into a haze of blue; let us stand, the king's hand on his shoulder, Henry's face earnest as he talks his way back through the landscape of the day, the green copses and rushing streams, the alders by the water's edge, the early haze that lifted by nine; the brief shower, the small wind that died and settled; the stillness, the afternoon heat.

‘Sir, how are you not burned?' Rafe Sadler demands. A redhead like the king, he has turned a mottled, freckled pink, and even his eyes look sore. He, Thomas Cromwell, shrugs; he hangs an arm around Rafe's shoulders as they drift indoors. He went through the whole of Italy – the battlefield as well as the shaded arena of the counting house – without losing his London pallor. His ruffian childhood, the days on the river, the days in the fields: they left him as white as God made him. ‘Cromwell has the skin of a lily,' the king pronounces. ‘The only particular in which he resembles that or any other blossom.' Teasing him, they amble towards supper.

The king had left Whitehall the week of Thomas More's death, a miserable dripping week in July, the hoof prints of the royal entourage sinking deep into the mud as they tacked their way across to Windsor. Since then the progress has taken in a swathe of the western counties; the Cromwell aides, having finished up the king's business at the London end, met up with the royal train in mid-August. The king and his companions sleep sound in new houses of rosy brick, in old houses whose fortifications have crumbled away or been pulled down, and in fantasy castles like toys, castles never capable of fortification, with walls a cannonball would punch in as if they were paper. England has enjoyed fifty years of peace. This is the Tudors' covenant; peace is what they offer. Every household strives to put forward its best show for the king, and we've seen some panic-stricken plastering these last weeks, some speedy stonework, as his hosts hurry to display the Tudor rose beside their own devices. They search out and obliterate any trace of Katherine, the queen that was, smashing with hammers the pomegranates of Aragon, their splitting segments and their squashed and flying seeds. Instead – if there is no time for carving – the falcon of Anne Boleyn is crudely painted up on hatchments.

Hans has joined them on the progress, and made a drawing of Anne the queen, but it did not please her; how do you please her, these days? He has drawn Rafe Sadler, with his neat little beard and his set mouth, his fashionable hat a feathered disc balanced precariously on his cropped head. ‘Made my nose very flat, Master Holbein,' Rafe says, and Hans says, ‘And how, Master Sadler, is it in my power to fix your nose?'

‘He broke it as a child,' he says, ‘running at the ring. I picked him up myself from under the horse's feet, and a sorry bundle he was, crying for his mother.' He squeezes the boy's shoulder. ‘Now, Rafe, take heart. I think you look very handsome. Remember what Hans did to me.'

Thomas Cromwell is now about fifty years old. He has a labourer's body, stocky, useful, running to fat. He has black hair, greying now, and because of his pale impermeable skin, which seems designed to resist rain as well as sun, people sneer that his father was an Irishman, though really he was a brewer and a blacksmith at Putney, a shearsman too, a man with a finger in every pie, a scrapper and brawler, a drunk and a bully, a man often hauled before the justices for punching someone, for cheating someone. How the son of such a man has achieved his present eminence is a question all Europe asks. Some say he came up with the Boleyns, the queen's family. Some say it was wholly through the late Cardinal Wolsey, his patron; Cromwell was in his confidence and made money for him and knew his secrets. Others say he haunts the company of sorcerers. He was out of the realm from boyhood, a hired soldier, a wool trader, a banker. No one knows where he has been and who he has met, and he is in no hurry to tell them. He never spares himself in the king's service, he knows his worth and merits and makes sure of his reward: offices, perquisites and title deeds, manor houses and farms. He has a way of getting his way, he has a method; he will charm a man or bribe him, coax him or threaten him, he will explain to a man where his true interests lie, and he will introduce that same man to aspects of himself he didn't know existed. Every day Master Secretary deals with grandees who, if they could, would destroy him with one vindictive swipe, as if he were a fly. Knowing this, he is distinguished by his courtesy, his calmness and his indefatigable attention to England's business. He is not in the habit of explaining himself. He is not in the habit of discussing his successes. But whenever good fortune has called on him, he has been there, planted on the threshold, ready to fling open the door to her timid scratch on the wood.

At home in his city house at Austin Friars, his portrait broods on the wall; he is wrapped in wool and fur, his hand clenched around a document as if he were throttling it. Hans had pushed a table back to trap him and said, Thomas, you mustn't laugh; and they had proceeded on that basis, Hans humming as he worked and he staring ferociously into the middle distance. When he saw the portrait finished he had said, ‘Christ, I look like a murderer'; and his son Gregory said, didn't you know? Copies are being made for his friends, and for his admirers among the evangelicals in Germany. He will not part with the original – not now I've got used to it, he says – and so he comes into his hall to find versions of himself in various stages of becoming: a tentative outline, partly inked in. Where to begin with Cromwell? Some start with his sharp little eyes, some start with his hat. Some evade the issue and paint his seal and scissors, others pick out the turquoise ring given him by the cardinal. Wherever they begin, the final impact is the same: if he had a grievance against you, you wouldn't like to meet him at the dark of the moon. His father Walter used to say, ‘My boy Thomas, give him a dirty look and he'll gouge your eye out. Trip him, and he'll cut off your leg. But if you don't cut across him, he's a very gentleman. And he'll stand anybody a drink.'

Hans has drawn the king, benign in summer silks, seated after supper with his hosts, the casements open to late birdsong, the first tapers coming in with the candied fruits. At each stage of his progress Henry stops in the principal house, with Anne the queen; his entourage beds down with the local gentlefolk. It is usual for the king's hosts, once at least in the visit, to entertain these peripheral hosts by way of thanks, which places a strain on the housekeeping arrangements. He has counted the provision carts rolling in; he has seen kitchens thrown into turmoil, and he himself has been down in the grey-green hour before dawn, when the brick ovens are swabbed out ready for the first batch of loaves, as carcasses are spitted, pots set on trivets, poultry plucked and jointed. His uncle was a cook to an archbishop, and as a child he hung about the Lambeth Palace kitchens; he knows this business inside out, and nothing about the king's comfort must be left to chance.

These days are perfect. The clear untroubled light picks out each berry shimmering in a hedge. Each leaf of a tree, the sun behind it, hangs like a golden pear. Riding westward in high summer, we have dipped into sylvan chases and crested the downs, emerging into that high country where, even across two counties, you can sense the shifting presence of the sea. In this part of England our forefathers the giants left their earthworks, their barrows and standing stones. We still have, every Englishman and woman, some drops of giant blood in our veins. In those ancient times, in a land undespoiled by sheep or plough, they hunted the wild boar and the elk. The forest stretched ahead for days. Sometimes antique weapons are unearthed: axes that, wielded with double fist, could cut down horse and rider. Think of the great limbs of those dead men, stirring under the soil. War was their nature, and war is always keen to come again. It's not just the past you think of, as you ride these fields. It's what's latent in the soil, what's breeding; it's the days to come, the wars unfought, the injuries and deaths that, like seeds, the soil of England is keeping warm. You would think, to look at Henry laughing, to look at Henry praying, to look at him leading his men through the forest path, that he sits as secure on his throne as he does on his horse. Looks can deceive. By night, he lies awake; he stares at the carved roof beams; he numbers his days. He says, ‘Cromwell, Cromwell, what shall I do?' Cromwell, save me from the Emperor. Cromwell, save me from the Pope. Then he calls in his Archbishop of Canterbury, Thomas Cranmer, and demands to know, ‘Is my soul damned?'

Back in London, the Emperor's ambassador, Eustache Chapuys, waits daily for news that the people of England have risen against their cruel and ungodly king. It is news that he dearly wishes to hear, and he would spend labour and hard cash to make it come true. His master, the Emperor Charles, is lord of the Low Countries as well as Spain and her lands beyond the seas; Charles is rich and, from time to time, he is angry that Henry Tudor has dared to set aside his aunt, Katherine, to marry a woman whom the people on the streets call a goggle-eyed whore. Chapuys is exhorting his master in urgent dispatches to invade England, to join with the realm's rebels, pretenders and malcontents, and to conquer this unholy island where the king by an act of Parliament has settled his own divorce and declared himself God. The Pope does not take it kindly, that he is laughed at in England and called mere ‘Bishop of Rome', that his revenues are cut off and channelled into Henry's coffers. A bull of excommunication, drawn up but not yet promulgated, hovers over Henry, making him an outcast among the Christian kings of Europe: who are invited, indeed, encouraged, to step across the Narrow Sea or the Scots border, and help themselves to anything that's his. Perhaps the Emperor will come. Perhaps the King of France will come. Perhaps they will come together. It would be pleasant to say we are ready for them, but the reality is otherwise. In the case of an armed incursion we may have to dig up the giants' bones to knock them around the head with, as we are short of ordnance, short of powder, short of steel. This is not Thomas Cromwell's fault; as Chapuys says, grimacing, Henry's kingdom would be in better order if Cromwell had been put in charge five years ago.

If you would defend England, and he would – for he would take the field himself, his sword in his hand – you must know what England is. In the August heat, he has stood bare-headed by the carved tombs of ancestors, men armoured cap à pie in plate and chain links, their gauntleted hands joined and perched stiffly on their surcoats, their mailed feet resting on stone lions, griffins, greyhounds: stone men, steel men, their soft wives encased beside them like snails in their shells. We think time cannot touch the dead, but it touches their monuments, leaving them snub-nosed and stub-fingered from the accidents and attrition of time. A tiny dismembered foot (as of a kneeling cherub) emerges from a swathe of drapery; the tip of a severed thumb lies on a carved cushion. ‘We must get our forefathers mended next year,' the lords of the western counties say: but their shields and supporters, their achievements and bearings, are kept always paint-fresh, and in talk they embellish the deeds of their ancestors, who they were and what they held: the arms my forefather bore at Agincourt, the cup my forefather was given by John of Gaunt his own hand. If in the late wars of York and Lancaster, their fathers and grandfathers picked the wrong side, they keep quiet about it. A generation on, lapses must be forgiven, reputations remade; otherwise England cannot go forward, she will keep spiralling backwards into the dirty past.

He has no ancestors, of course: not the kind you'd boast about. There was once a noble family called Cromwell, and when he came up in the king's service the heralds had urged him for the sake of appearances to adopt their coat of arms; but I am none of theirs, he had said politely, and I do not want their achievements. He had run away from his father's fists when he was no older than fifteen; crossed the Channel, taken service in the French king's army. He had been fighting since he could walk; and if you're going to fight, why not be paid for it? There are more lucrative trades than soldiering, and he found them. So he decided not to hurry home.

And now, when his titled hosts want advice on the placement of a fountain, or a group of the Three Graces dancing, the king tells them, Cromwell here is your man; Cromwell, he has seen how they do things in Italy, and what will do for them will do for Wiltshire. Sometimes the king departs a place with just his riding household, the queen left behind with her ladies and musicians, as Henry and his favoured few hunt hard across the country. And that is how they come to Wolf Hall, where old Sir John Seymour is waiting to welcome them, in the midst of his flourishing family.

‘I don't know, Cromwell,' old Sir John says. He takes his arm, genial. ‘All these falcons named for dead women … don't they dishearten you?'

‘I'm never disheartened, Sir John. The world is too good to me.'

‘You should marry again, and have another family. Perhaps you will find a bride while you are with us. In the forest of Savernake there are many fresh young women.'

I still have Gregory, he says, looking back over his shoulder for his son; he is always somehow anxious about Gregory. ‘Ah,' Seymour says, ‘boys are very well, but a man needs daughters too, daughters are a consolation. Look at Jane. Such a good girl.'

He looks at Jane Seymour, as her father directs him. He knows her well from the court, as she was lady-in-waiting to Katherine, the former queen, and to Anne, the queen that is now; she is a plain young woman with a silvery pallor, a habit of silence, and a trick of looking at men as if they represent an unpleasant surprise. She is wearing pearls, and white brocade embroidered with stiff little sprigs of carnations. He recognises considerable expenditure; leave the pearls aside, you couldn't turn her out like that for much under thirty pounds. No wonder she moves with gingerly concern, like a child who's been told not to spill something on herself.

The king says, ‘Jane, now we see you at home with your people, are you less shy?' He takes her mouse-paw in his vast hand. ‘At court we never get a word from her.'

Jane is looking up at him, blushing from her neck to her hairline. ‘Did you ever see such a blush?' Henry asks. ‘Never unless with a little maid of twelve.'

‘I cannot claim to be twelve,' Jane says.

At supper the king sits next to Lady Margery, his hostess. She was a beauty in her day, and by the king's exquisite attention you would think she was one still; she has had ten children, and six of them are living, and three are in this room. Edward Seymour, the heir, has a long head, a serious expression, a clean fierce profile: a handsome man. He is well-read if not scholarly, applies himself wisely to any office he is given; he has been to war, and while he is waiting to fight again he acquits himself well in the hunting field and tilt yard. The cardinal, in his day, marked him out as better than the usual run of Seymours; and he himself, Thomas Cromwell, has sounded him out and found him in every respect the king's man. Tom Seymour, Edward's younger brother, is noisy and boisterous and more of interest to women; when he comes into the room, virgins giggle, and young matrons dip their heads and examine him from under their lashes.

Old Sir John is a man of notorious family feeling. Two, three years back, the gossip at court was all of how he had tupped his son's wife, not once in the heat of passion but repeatedly since she was a bride. The queen and her confidantes had spread the story about the court. ‘We've worked it out at 120 times,' Anne had sniggered. ‘Well, Thomas Cromwell has, and he's quick with figures. We suppose they abstained on a Sunday for shame's sake, and eased off in Lent.' The traitor wife gave birth to two boys, and when her conduct came to light Edward said he would not have them for his heirs, as he could not be sure if they were his sons or his half-brothers. The adulteress was locked up in a convent, and soon obliged him by dying; now he has a new wife, who cultivates a forbidding manner and keeps a bodkin in her pocket in case her father-in-law gets too close.

But it is forgiven, it is forgiven. The flesh is frail. This royal visit seals the old fellow's pardon. John Seymour has 1,300 acres including his deer park, most of the rest under sheep and worth two shilling per acre per year, bringing him in a clear twenty-five per cent on what the same acreage would make under the plough. The sheep are little black-faced animals interbred with Welsh mountain stock, gristly mutton but good enough wool. When at their arrival, the king (he is in bucolic vein) says, ‘Cromwell, what would that beast weigh?' he says, without picking it up, ‘Thirty pounds, sir.' Francis Weston, a young courtier, says with a sneer, ‘Master Cromwell used to be a shearsman. He wouldn't be wrong.'

The king says, ‘We would be a poor country without our wool trade. That Master Cromwell knows the business is not to his discredit.'

But Francis Weston smirks behind his hand.

Tomorrow Jane Seymour is to hunt with the king. ‘I thought it was gentlemen only,' he hears Weston whisper. ‘The queen would be angry if she knew.' He murmurs, make sure she doesn't know then, there's a good boy.

‘At Wolf Hall we are all great hunters,' Sir John boasts, ‘my daughters too, you think Jane is timid but put her in the saddle and I assure you, sirs, she is the goddess Diana. I never troubled my girls in the schoolroom, you know. Sir James here taught them all they needed.'

The priest at the foot of the table nods, beaming: an old fool with a white poll, a bleared eye. He, Cromwell, turns to him: ‘And was it you taught them to dance, Sir James? All praise to you. I have seen Jane's sister Elizabeth at court, partnered with the king.'

‘Ah, they had a master for that,' old Seymour chuckles. ‘Master for dancing, master for music, that's enough for them. They don't want foreign tongues. They're not going anywhere.'

‘I think otherwise, sir,' he says. ‘I had my daughters taught equal with my son.'

Sometimes he likes to talk about them, Anne and Grace: gone seven years now. Tom Seymour laughs. ‘What, you had them in the tilt yard with Gregory and young Master Sadler?'

He smiles. ‘Except for that.'

Edward Seymour says, ‘It is not uncommon for the daughters of a city household to learn their letters and a little beyond. You might have wanted them in the counting house. One hears of it. It would help them get good husbands, a merchant family would be glad of their training.'

‘Imagine Master Cromwell's daughters,' Weston says. ‘I dare not. I doubt a counting house could contain them. They would be a shrewd hand with a poleaxe, you would think. One look at them and a man's legs would go from under him. And I do not mean he would be stricken with love.'

Gregory stirs himself. He is such a dreamer you hardly think he has been following the conversation, but his tone is rippling with hurt. ‘You insult my sisters and their memory, sir, and you never knew them. My sister Grace …'

He sees Jane Seymour put out her little hand and touch Gregory's wrist: to save him, she will risk drawing the company's attention. ‘I have lately,' she says, ‘got some skill of the French tongue.'

‘Have you, Jane?' Tom Seymour is smiling.

Jane dips her head. ‘Mary Shelton is teaching me.'

‘Mary Shelton is a kindly young woman,' the king says; and out of the corner of his eye, he sees Weston elbow his neighbour; they say Shelton has been kind to the king in bed.

‘So you see,' Jane says to her brothers, ‘we ladies, we do not spend all our time in idle calumny and scandal. Though God he knows, we have gossip enough to occupy a whole town of women.'

‘Have you?' he says.

‘We talk about who is in love with the queen. Who writes her verses.' She drops her eyes. ‘I mean to say, who is in love with us all. This gentleman or that. We know all our suitors and we make inventory head to toe, they would blush if they knew. We say their acreage and how much they have a year, and then we decide if we will let them write us a sonnet. If we do not think they will keep us in fine style, we scorn their rhymes. It is cruel, I can tell you.'

He says, a little uneasy, it is no harm to write verses to ladies, even married ones, at court it is usual. Weston says, thank you for that kind word, Master Cromwell, we thought you might try and make us stop.

Tom Seymour leans forward, laughing. ‘And who are your suitors, Jane?'

‘If you want to know that, you must put on a gown, and take up your needlework, and come and join us.'

‘Like Achilles among the women,' the king says. ‘You must shave your fine beard, Seymour, and go and find out their lewd little secrets.' He is laughing, but he is not happy. ‘Unless we find someone more maidenly for the task. Gregory, you are a pretty fellow, but I fear your great hands will give you away.'

‘The blacksmith's grandson,' Weston says.

‘That child Mark,' the king says. ‘The musician, you know him? There is a smooth girlish countenance.'

‘Oh,' Jane says, ‘Mark's with us anyway. He's always loitering. We barely count him a man. If you want to know our secrets, ask Mark.'

The conversation canters off in some other direction; he thinks, I have never known Jane have anything to say for herself; he thinks, Weston is goading me, he knows that in Henry's presence I will not give him a check; he imagines what form the check may take, when he delivers it. Rafe Sadler looks at him out of the tail of his eye.

‘So,' the king says to him, ‘how will tomorrow be better than today?' To the supper table he explains, ‘Master Cromwell cannot sleep unless he is amending something.'

‘I will reform the conduct of Your Majesty's hat. And those clouds, before noon –'

‘We wanted the shower. The rain cooled us.'

‘God send Your Majesty no worse a drenching,' says Edward Seymour.

Henry rubs his stripe of sunburn. ‘The cardinal, he reckoned he could change the weather. A good enough morning, he would say, but by ten it will be brighter. And it was.'

Henry does this sometimes; drops Wolsey's name into conversation, as if it were not he, but some other monarch, who had hounded the cardinal to death.

‘Some men have a weather eye,' Tom Seymour says. ‘That's all it is, sir. It's not special to cardinals.'

Henry nods, smiling. ‘That's true, Tom. I should never have stood in awe of him, should I?'

‘He was too proud, for a subject,' old Sir John says.

The king looks down the table at him, Thomas Cromwell. He loved the cardinal. Everyone here knows it. His expression is as carefully blank as a freshly painted wall.

After supper, old Sir John tells the story of Edgar the Peaceable. He was the ruler in these parts, many hundreds of years ago, before kings had numbers: when all maids were fair maids and all knights were gallant and life was simple and violent and usually brief. Edgar had in mind a bride for himself, and sent one of his earls to appraise her. The earl, who was both false and cunning, sent back word that her beauty had been much exaggerated by poets and painters; seen in real life, he said, she had a limp and a squint. His aim was to have the tender damsel for himself, and so he seduced and married her. Upon discovering the earl's treachery Edgar ambushed him, in a grove not far from here, and rammed a javelin into him, killing him with one blow.

‘What a false knave he was, that earl!' says the king. ‘He was paid out.'

‘Call him rather a churl than an earl,' Tom Seymour says.

His brother sighs, as if distancing himself from the remark.

‘And what did the lady say?' he asks; he, Cromwell. ‘When she found the earl skewered?'

‘The damsel married Edgar,' Sir John says. ‘They married in the greenwood, and lived happily ever after.'

‘I suppose she had no choice,' Lady Margery sighs. ‘Women have to adapt themselves.'

‘And the country folk say,' Sir John adds, ‘that the false earl walks the woods still, groaning, and trying to pull the lance out of his belly.'

‘Just imagine,' Jane Seymour says. ‘Any night there is a moon, one might look out of the window and see him, tugging away and complaining all the while. Fortunately I do not believe in ghosts.'

‘More fool you, sister,' Tom Seymour says. ‘They'll creep up on you, my lass.'

‘Still,' Henry says. He mimes a javelin throw: though in the restrained way one must, at a supper table. ‘One clean blow. He must have had a good throwing arm, King Edgar.'

He says – he, Cromwell: ‘I should like to know if this tale is written down, and if so, by whom, and was he on oath.'

The king says, ‘Cromwell would have had the earl before a judge and jury.'

‘Bless Your Majesty,' Sir John chuckles, ‘I don't think they had them in those days.'

‘Cromwell would have found one out.' Young Weston leans forward to make his point. ‘He would dig out a jury, he would grub one from a mushroom patch. Then it would be all up with the earl, they would try him and march him out and hack off his head. They say that at Thomas More's trial, Master Secretary here followed the jury to their deliberations, and when they were seated he closed the door behind him and he laid down the law. "Let me put you out of doubt," he said to the jurymen. "Your task is to find Sir Thomas guilty, and you will have no dinner till you have done it." Then out he went and shut the door again and stood outside it with a hatchet in his hand, in case they broke out in search of a boiled pudding; and being Londoners, they care about their bellies above all things, and as soon as they felt them rumbling they cried, "Guilty! He is as guilty as guilty can be!"'

Eyes focus on him, Cromwell. Rafe Sadler, by his side, is tense with displeasure. ‘It is a pretty tale,' Rafe tells Weston, ‘but I ask you in turn, where is it written down? I think you will find my master is always correct in his dealings with a court of law.'

‘