Cinderella retold In the wake of her father’s death, Ash is left at the mercy of her cruel stepmother. Consumed with grief, she finds her only joy by the light of the dying hearth fire, re-reading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away, as they are said to do. When she meets the dark and dangerous fairy Sidhean, she begins to believe that her wish may be granted. But the day that Ash meets Kaisa, the King’s royal Huntress, her heart begins to change. Instead of chasing fairies, Ash learns to hunt with Kaisa. Though their friendship is as delicate as a new bloom, it reawakens Ash’s capacity for love—and her desire to live. But Sidhean has already claimed Ash for his own, and she must make a choice between fairy tale dreams and true love. Entrancing and romantic, Ash is an empowering retelling of Cinderella about the connection between life and love, and solitude and death, where transformation can come from even the deepest grief.
Release date:
May 14, 2019
Publisher:
Little, Brown Books for Young Readers
Print pages:
272
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Aisling’s mother died at midsummer. She had fallen sick so suddenly that some of the villagers wondered if the fairies had come and taken her, for she was still
young and beautiful. She was buried three days later beneath the hawthorn tree behind the house, just as twilight was darkening
the sky.
Maire Solanya, the village greenwitch, came that evening to perform the old rituals over the grave. She stood at the foot
of the mound of black soil, a thin old woman with white hair bound in a braid that reached her hips, her face a finely drawn
map of lines. Aisling and her father stood across from each other on either side of the grave, and at the head of it, resting
on the simple headstone, was the burning candle. Aisling’s father had lit it shortly after Elinor died, and it would burn
all night, sheltered by the curving glass around it. The gravestone was a plain piece of slate carved with her name: Elinor.
Grass and tree roots would grow up around it as the months and years passed, until it would seem as if it had always been
there.
Maire Solanya said in her low, clear voice, “From life to life, from breath to breath, we remember Elinor.” She held a round
loaf of bread in her hands, and she tore off a small piece and ate it, chewing deliberately, before handing the loaf to Aisling’s
father. He pulled off his own piece, then passed it to his daughter. It was still warm, and it smelled like her mother’s kitchen
after baking. But it hadn’t come from her mother’s hands, and that realization made a hard lump rise in her throat. The bread
was tasteless.
Maire Solanya took the loaf from her, its crust gaping open, and placed it on the gravestone next to the candle. Aisling couldn’t
shake the feeling that her mother had merely gone out on an errand and would come home at any moment and wonder what the three
of them were doing. It didn’t seem possible that she was buried there, at the foot of the hawthorn tree, in the ground. She
had seen her mother’s body after she died, of course, but her face had lost all of the vibrancy that made her recognizable.
And it was easier to believe the village rumors than to sit with the ache inside herself.
She remembered those rumors now, while she stood with her father and Maire Solanya in a tense silence, waiting as the sun
set over the Wood. Everyone had always said that Elinor had some magic in her, and everyone knew that fairies—if they existed—were
drawn to that. So Aisling’s father had ordered all the old rituals, even though he did not believe in them, just in case.
She was not entirely sure what she herself believed, but she knew that her mother would want them to do these rituals for
her, and that was enough.
When the sun slipped below the horizon, the greenwitch said, “Sleep in peace, Elinor,” and scattered a gold powder over the
grave to bind Elinor to the earth. On the freshly turned soil, the gold glittered like fairy dust.
Aisling’s father stepped around the grave and put a hand on her shoulder. “Go back to the house, Ash.” He had told her that
he would keep vigil over the grave all night. Some said that the Fairy Hunt sought out souls on the night after burial, and
only those who were guarded by their loved ones would be left to rest in peace.
She walked slowly up the hill toward the house. When she turned back at the kitchen door to look down toward the garden, Maire
Solanya was making three circles around the grave before she left. Just beyond the hawthorn tree, the Wood was dark and silent.
The single candle glimmered, and Ash could see the shape of her father as he knelt beside the grave.
The housekeeper, Anya, came out the kitchen door and caressed Ash’s hair. “It will be all right,” Anya said. “Come inside
before night falls. Your mother’s spirit will be safe with your father watching over her.”
Ash woke in the middle of the night from a dream of horses—tall, thundering white horses with foaming mouths and slender,
wraithlike riders. She swung her legs over the side of the bed and went to the window that looked out over the Wood. She searched
for the light of the candle by the grave but saw only darkness. Then there was movement at the edge of the trees, and she
shivered. Where was her father?
She ran down the stairs, through the kitchen, and out the back door. The wind was rising. She ran down the hillside in her
bare feet, feeling the earth alive beneath her toes, her nightgown flying behind her in white linen wings. She ran past the
garden’s rows of carrots and cabbages and toward the dark, hulking line of the Wood. Beneath the hawthorn tree, the glass
cover was tipped over on its side, the candle was snuffed out, and her father was gone. She knelt on the ground and reached
for the candle, but she hadn’t brought matches and could not light it.
The wind gusted over her, whipping her hair around her face. The dark pressed against her, and she wondered if her father
had given up his vigil because of the weight of the night on his back. She heard the hoofbeats then, coming closer and closer.
She thought she saw a faint glimmer of white in the dark Wood, a glow of otherworldly light, like stardust caught behind glass.
She was frightened, but she would not leave her mother. She lay down on the grave, pressing her body into the warm earth and
her cheek against the gravestone. The hooves came closer, and she heard the high, thin sound of a bugle. The wind rushed toward
her, and the cries of the riders were clear upon the air: They called for her mother, for Elinor. The ground beneath Ash’s
body heaved, and she let out a scream of fright as she felt the world buckle beneath her, earth and stone and moss and root
twisting up as if it were clawed by a mighty hand. There was a roaring sound in her ears as the horses surrounded her, and
she squeezed her eyes shut, afraid of what she might see. She dug her fingers into the ground, clinging to the earth where
her mother lay buried.
And then there was a sudden silence, and in that silence she could hear the breathing of horses, the heaving of their lungs,
the musical jingle of bit and bridle, and the whisper of voices like silvery bells. She thought she heard someone say, “She
is only a child. Let her go.”
The wind roared again, so fierce that she thought she would be pulled from the ground and thrown aside like a rag doll, but
when it died down the horses were gone, and the night was quiet. The air hummed as it did after a storm. When she opened her
eyes, the ground all around her was marked with hoofprints.
Ash woke up suddenly in her own bed, her heart pounding. She sat up, gasping for breath as though she were being suffocated,
and saw the early morning light coming through the curtains. She ran to the window and looked out; her father was coming slowly
up the hill. When she heard him come into the house and close the kitchen door, she realized she had been gripping the windowsill
with white fingers. She let go, feeling foolish. But just as she began to turn away, she saw something gleaming on the windowsill:
In the spaces where the paint had cracked, gold dust glittered.
In that country, the great expanse of the Wood descends from the Northern Mountains in foothills of blue pine, sweeping south toward the more civilized oak
and birch of the King’s Forest. No one travels into the interior of the Wood, although it must once have been populated, because
numerous roads and tracks lead into it. Those tracks have long been abandoned, and the Wood is thought to be the home of dangerous
beasts and the most powerful of all the fairies. Some scholars speculate that once upon a time, the country was thick with
magic; in addition to fairies there were powerful sorcerers and witches who did more than brew willow bark tea to calm a child’s
fever.
But as time passed, the magic faded, leaving behind only a faint memory of its power. Some said there was a great war that
drove away the sorcerers and lasted for so many years that the very shape of the land changed: Mountains became valleys beneath
the tread of thousands of soldiers, and rivers were rerouted to make way for grand new palaces. But all that is merely conjecture;
no history books survived to tell the tale. Only the greenwitches remained, and their magic was limited to saying the old
rites for birth and marriage and death. Sometimes they brewed love potions for girls who hadn’t met their lovers by Midsummer’s
Eve, and sometimes the love potions even worked. Usually that was enough to remind the people that magic still lurked in half-forgotten
places.
But even if magic was so rare it was more like myth than reality, the people of that country still loved their fairy tales.
They told stories about brownies, who helpfully did the chores overnight in exchange for a bowl of cream. There were boggarts,
mischievous creatures who slammed doors and shattered pottery or pawed through a household’s winter stores in search of sweets.
There were handsome love-talkers, who seduced girls with their charm and wit and then left them to pine away for a love that
could never be. Children were warned to stay away from strange flickering lights at midnight, for if a person once set foot
inside a fairy ring, he would never be able to leave.
Most of the people of that country lived on the borders of the Wood in pine-board houses built up close to the trees, where
the old magic lingered. South of the Wood the land sloped down in fertile, rich farmland toward the sea. The farmers, who
lived in quaint stone cottages surrounded by broad fields, grew yellow squash and long green beans and bushels of wheat. In
the very southern tip of the country they grew oranges and lemons, which were shipped north to the Royal City during harvest
season to be made into lemonade and orange punch. The farmers didn’t believe in Wood fairies, but they listened for the tread
of field dwellers and hobgoblins, who could bless a crop or eat it all. They set out bowls of honey wine to tempt the fairies
away from milking cows, and left out baskets of fruit to distract them from their orchards.
In a country so fond of its fairy stories, where the people clung to the memory of magic with a deep and hungry nostalgia,
it was no surprise that philosophers and their church faced a difficult task when they landed in Seatown four generations
ago. Legends began to spring up about the philosophers—that they were the sorcerers of old who had lost their magic; that
they came from the hot desert places of the Far South, where illusions and spells abounded; that they once were royal advisors
who had betrayed their rulers. But the philosophers themselves disliked this penchant for telling tales and insisted upon
their own, much plainer history.
They reported that they were indeed from the south, from the empire of Concordia to be exact, and they had come north to spread
the wisdom of their emperor. They built churches out of plaster and wood and sat within them, reading books written in foreign
tongues. They argued passionately with the village greenwitches, claiming that all those fairy tales were nothing but the
stuff of nonsense—there were no greenies or goblins. Had anyone ever actually seen a brag or a dunter or a mermaid? Or were
they only stories told to children at bedtime? The greenwitches grumbled in response, and some insisted that they had run into klippes at twilight, or seen sprites slipping among the shadows of the Wood at Midsummer.
Perhaps because philosophers tended to be men and greenwitches tended to be women, the argument took on an overly heated tone.
Insults were hurled: The philosophers called the greenwitches superstitious old wives, and the greenwitches retorted that
not one of them was married. The greenwitches derided the philosophers as joyless old men afraid of magic, and the philosophers,
not surprisingly, protested that they found much joy in the real world. And then they brought out their largest tomes bound in gold, the leather covers stamped with the five-cornered star
of the Concordian Empire, and threw open the heavy covers. They pointed to the unreadable text and said, “Look! There is the
real world. All our learning, all our experiences, written down fact by fact. There are no myths here; only facts. Fairies
are mere fictions. We deal in the truth.”
The oldest, most powerful greenwitch at the time, a wise and wiry woman by the name of Maire Nicneva, laughed at those white-bearded
men in their red-pointed caps and replied, “You shall not discover the truth by being blinded to faith.”
From then on, for a period of at least two generations, philosophers had a hard time in that country. They continued to build
their churches in village greens dotting the coast, but found it difficult to progress into the interior of the country. The
closer they came to the Wood, the more angry the people became. They were called liars and unbelievers, and while they were
never physically harmed, even children laughed at them—at their strange crimson costumes and heavy, dusty books locked in
huge, iron-bound trunks. But one day the King met a philosopher who was less stubborn than the others, and they sat down together
and talked about the smell of spring and the taste of the sweetest oranges, and they grew to like one another. The King even
took the philosopher on a hunt, and as hunting is that people’s favorite sport, all the country began to listen more seriously
to the philosophers.
By that time the philosophers had also begun to change their approach to this people. Rather than insisting that there was
no such thing as magic, they began to merely suggest that perhaps magic was not as prevalent as it once was. They asked, have
you ever seen an elf? Or did you work hard on your own to build your house, to feed your children, to put clothes on your
family’s backs? And gradually the idea took root that magic was merely an old country superstition.
The people of Rook Hill, however, the small northern village where Aisling lived with her father, kept to the old ways. It
was far enough from the Royal City to make the philosophy being preached by the King’s many advisors seem stranger than the
fairy tales most mothers told their children. Ash remembered playing in her mother’s herb garden while listening to tales
about brownies or picts or selkies. Sometimes the greenwitch Maire Solanya joined them, and she too told tales, though hers
were darker. Once she told a story about a young woman who wandered for a month through the silver mines in the Northern Mountains,
seeking her lost lover, only to find herself confronted by a family of knockers who demanded her first-born child in return
for their help in finding him.
When Ash looked frightened, Maire Solanya said, “Fear will teach you where to be careful.”
Her mother had been apprenticed to Maire Solanya when she was a girl, and sometimes she taught Ash the differences between
various herbs that grew in her garden—feverfew for headache, meadowsweet for a burn—but when she married William, a merchant,
she left her apprenticeship. Sometimes in the evenings after supper, they would argue about whether or not she should go back
to that calling, and usually Ash remembered those conversations as friendly debates, but once her parents’ voices took on
harder tones. “The King’s chief philosopher himself has said that greenwitches do nothing more than calm one’s nerves—which
is no small thing,” William said. Ash had been sent up to bed, but she had come back downstairs to ask her mother a question,
and when she heard her father’s voice, she hesitated in the hall outside the parlor.
“Those philosophers only sit in their churches and issue judgments based on inaccurate texts from Concordia,” her mother said.
“They know nothing about what a greenwitch does.”
William sighed. “They are not distant scholars, Elinor; they have studied your herbal practices in detail.”
“It is about more than herbal practices,” she countered. “You know that.”
“Are you saying that all those tales you tell Ash have any basis in reality?” he said in disbelief. “They are only bedtime
stories—it is superstition, nothing more.”
Elinor’s voice took on an edge that Ash had never heard before. “Those tales serve a purpose, William, and how dare you dismiss
our traditions as superstition? There is a reason they have survived.”
“It will do you and our daughter no good to align yourselves with the past,” William said, sounding frustrated. “The King
does not follow those ways anymore, and you must understand that keeping to those traditions will only harm my standing in
court.”
Her mother said curtly, “I won’t abandon the truth, William, and I won’t lie about it, either.”
There was a sharp silence after that, and Ash retreated back upstairs, her question forgotten. It was unsettling to hear them
argue; she had never before realized the depth of their disagreement. But the next morning there was no trace of the argument
in her parents’ faces. In the months that followed, Ash listened a bit anxiously whenever her parents’ conversation began
to turn in that direction, but she never heard them bring it up again. When her mother fell sick so suddenly, her father called
Maire Solanya to attend her, and Ash knew it was because he loved Elinor more than his beliefs.
Two weeks after her mother’s funeral, Ash’s father left for the Royal City. At breakfast that morning, she asked him, “When
will you come back?”
“Possibly not until autumn,” he said. Before her mother died, her father would leave them for months at a time to do business
in the south. When he returned he would bring back gifts: slippery, shiny silks, or thick woolen tweeds, or toy dolls made
of pale, cold porcelain.
“Did Mother ever go with you?” she asked, and he seemed surprised by her question.
“She did travel with me to Seatown once,” he answered, “but she did not like it. She said she missed the Wood.” He suddenly
looked deeply sad, and he rubbed his hand o. . .
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