A Sinner without a Saint

A Sinner without a Saint

Book 4: The Penningtons
Genres: Regency Romance
Available in:
  • eBook
  • Paperback
  • Audiobook

Shout-outs

“A steamy historical romance with witty and memorable characters, and an intriguing plot. . . . [W]ill keep readers turning pages fom the beginning to the very end.”
Night Owl Reviews
What I most appreciated in reading this was that the central conflict was not the homosexuality of the characters, but rather the question of loyalty; loyalty to one’s own opinions, loyalty to family, and loyalty to a lover. Of those, which comes first?”
Historical Novels Review
"This pleasing romance highlights the complications of premodern gay desires, rounding out its story with precise historical flair and genuine feelings."
Book Life
Publishers Weekly
“a frenemies-to-lovers story with depth and originality. . . . A Sinner Without a Saint is a richly layered, sophisticated and satisfying read and is a novel I’d definitely recommend to lovers of historical romance who are looking for something a little different to the usual round of balls, musicales and soirées.”
All About Romance

Synopsis

An honorable artist

Benedict Pennington’s greatest ambition is not to paint a masterpiece, but to make the world’s greatest art accessible to all by establishing England’s first national art museum. Success in persuading a reluctant philanthropist to donate his collection of Old Master paintings brings his dream tantalizingly close to reality. Until Viscount Dulcie, the object of Benedict’s illicit adolescent desire, begins to court the donor’s granddaughter, set on winning the paintings for himself . . .


A hedonistic viscount

Sinclair Milne, Lord Dulcie, far prefers collecting innovative art and dallying with handsome men than burdening himself with a wife. But when rivals imply Dulcie’s refusal to pursue wealthy Miss Adler and her paintings is due to lingering tender feelings for Benedict Pennington, Dulcie vows to prove them wrong. Not only will he woo her away from the holier-than-thou painter, he’ll also placate his matchmaking father in the process.


Sinner and saint—can both win at love?

But when Benedict is dragooned into painting his portrait, Dulcie finds himself once again drawn to the intense artist. Can the sinful viscount entice the wary painter into a casual liaison, one that will put neither their reputations, nor their feelings, at risk? Or will the not-so-saintly artist demand something far more vulnerable—his heart?

Release date: September 16, 2018

Publisher: Bliss Bennet Books

Print pages: 368

* BingeBooks earns revenue from qualifying purchases as an Amazon Associate as well as from other retail partners.

Reader buzz

Please log in to recommend or discuss...

Videos

Images

Podcasts

Behind the book

From the moment I first began to write the story of the Pennington siblings, I knew that Benedict, the second Pennington brother, had some unfinished business with Sinclair Milne, Lord Dulcie, the friend of Sir Peregrine Sayre. But it wasn’t until I watched a BBC show about the Regency period and heard about Noël Joseph Desenfans and Sir Francis Bourgeois that the idea of a plot focused on the founding of England’s National Gallery came into my mind.

Born in France in 1744, Desenfans emigrated to London and married wealthy Margaret Morris in 1776. His new financial position allowed him to engage in the art trade, although he presented himself more as an art lover than as a professional dealer. How Desenfans became friends with Sir Francis Bourgeois (b. 1756 in London) is a mystery. Sir Francis’s father intended him for the army, but Desenfans encouraged the younger man to pursue a career as a painter. We do know that Sir Francis helped Desenfans when he was commissioned in 1789 by King Stanislaus to purchase paintings for a proposed national art gallery in Poland. But before Desenfans could be repaid for the paintings, Poland was dismembered and Stanislaus divested of his crown. In 1802, Desenfans prepared a catalogue of the paintings he had collected on behalf of the Polish monarch, as well as an exhibition in London, both with a view to their sale. Many of the paintings were sold, but at his death in 1807, he willed all that remained to Sir Francis. Bourgeois first thought to bequeath the pictures to the British Museum, but then chose to bestow them on Dulwich College instead, his will stipulating that the paintings should be made available for the “inspection of the public.” Upon Bourgeois’ death in 1811, the Dulwich Picture Gallery—England’s first art gallery built specifically for the public—was founded.

Sir Francis lived with both Desenfans and his wife from the late 1770s, and the BBC show I watched hinted that the two men may have been lovers. It was this hint, as well as the idea of exploring the controversies surrounding the proper role of art in public life, that inspired me to set Clair and Benedict’s love story against the backdrop of the founding of the National Gallery.

Several of the secondary characters in A Sinner without a Saint are real people involved in the debates about public access to fine art: Sir Charles Long, art advisor to King George IV; George Agar-Ellis, a leading proponent of the arts in Parliament; and Sir George Beaumont, who donated his own collection of art to the National Gallery. Julius Adler is based on the other founder of the National Gallery, banker and art collector John Julius Angerstein.

If you are curious about debates about art in Regency period, or the people involved in the founding of the National Gallery, you can find information about the sources I consulted on my web site here. And if you wish to see copies of the many real works of art referred to in the book, check out my Pinterest board for A Sinner. I’ve also put together a Pinterest board with as many of the paintings I could find of the British Institution’s 1822 spring show, as well as a board for John Julius Angerstein’s collection.

Author updates