A Murder in Tuscany

Book 2: Sandro Cellini

by Christobel Kent

Genres: International Crime & Mystery; Private Investigators

Synopsis

Sandro Cellini, P. I., Florence's answer to Donna Leon's Guido Brunetti, returns in this atmospheric mystery set in a forbidding castle.

As Sandro Cellini comes to grips with the tough realities of life as a private detective, touting for business among old contacts and following errant teenagers, an old case comes back to haunt him.

Once the subject of a routine background check back in Sandro's earliest days as a private investigator, the glamorous, charming, and ruthless Loni Meadows, the director of an American-Italian artistic retreat in a castle in the hills outside Florence, goes off the icy road in her car one night. The circumstances of her death seem less than accidental to Sandro. However inconvenient his suspicions might be, both to Sandro—whose marriage appears to be disintegrating in the aftermath of his wife's illness—and to Meadows's erstwhile employers, the detective presses on. As he attempts to uncover the truth of Meadows's violent and lonely death, Sandro finds himself drawn into the lives of the castle's highly strung community and the closed world they inhabit in the isolated Etruscan hills of the Maremma.

Reminiscent of a locked-room mystery in the style of Agatha Christie, A Murder in Tuscany leads the reader from one possible perpetrator to the next; to Sandro's chagrin, all of the artists in residence at the time of Loni's demise had more than enough reason to dislike her. But who in the group had the most compelling motive to want her dead?

Kent is a masterful investigator of character and mood, and her second mystery conveys the gloom of the Orfeo castle as well as the individual dark lives of its inhabitants in a chilling, memorable way.

Release date: August 2, 2011

Publisher: St. Martin's Publishing Group

Print pages: 336

Sample

A Murder in Tuscany

Chapter One
AT THE WHEEL OF his dark and silent car half an hour before a February dawn, Sandro Cellini sat up a side street in a southern suburb of Florence, thinking about his wife. Luisa.
He should have been thinking about the job, but then not wanting to think about the job was part of the problem.
For three days Sandro Cellini had been paid to follow a seventeen-year-old girl to her upmarket school in the city, and then home again. Her parents thought she had got into drugs, and they wanted to know who was leading her astray. Carlotta Bellagamba was an only child - a 'precious' child, as the euphemism went; conceived through medical intervention.
So far: nothing. Friday night was often, according to her parents, the night Carlotta stayed out till the early hours, and today was indeed Friday, but Sandro had no great hopes. Not in life, nor of making any significant discovery that would help Carlotta and her parents understand one another better.
It was the modern world: parents so busy or so nervous they paid a private detective to watch their kid, rather than tackle their own flesh and blood head-on. Children too precious to be allowed a wild moment or two, but that wasn't Sandro's decision to make; he was justthe hired hand. As Sandro's part-time assistant Giuli Sarto had put it succinctly, what else was the precious child to do but go off the rails? An open and shut case.
Children. Having none of his own, Sandro was all too well aware he was not in a position to judge. What kind of a parent would he have made, anyway? Taciturn, like his own father, anguished, like his mother, worn down with work and worry? He couldn't really even begin to think about how much they would have loved a child, he and Luisa. The fine detail of it: the first day at school, seeing a child learn to ride a bicycle or play football. Rebellious teenagers, thinking they know it all, a girl like Carlotta making a face at her stupid old dad.
The girl's home was up a leafy side-turning; a handsome two-storey villa - three if you counted the garage and cellar beneath the raised ground floor. It was perhaps twenty years old, with a terrace, a verandah, five olive trees in the front garden, a fronded palm to the rear and two shiny cars in a garage. The job was not a complicated one; it was nursemaiding, pure and simple. The problem was that Sandro didn't want to be a nursemaid. For thirty years a police officer, with all the dirt and boredom that entailed, at least he'd been a man.
'It's bound to start slowly,' his ex-partner Pietro had warned, the man with whom he'd shared a squad car for fifteen years. The life of the private investigator would be like that of any other freelance; he'd just have to adjust.
Only it hadn't started slowly, not at all. More than a year before, his first case had flung him in at the deep end with the search for a wayward English girl whose parents didn't seem even to give much of a damn that she might be dead, and a grieving wife pleading with him to make sense of the suicide of her husband. Flailing about in the worst weather the city had seen in forty years, Sandro had found himself fighting from the outset - with his old colleagues in the Polizia di Stato, with the disbelieving arrogance of the rival force, the Carabinieri, with the expectations of the bereaved and, most of all, with himself. With his own new status: private investigator. Lowest of the low, without a badge or comrades, doffing his cap to people he despised, holding his tongue when he wanted to shout the place down.
It wasn't as if there was anyone else he could blame for his dismissal from the Polizia. Some might have called it no more than an indiscretion, a misdemeanour, even a good deed, passing information to a murder victim's father. But he'd broken the rules. Other men might have fought it, clung on to their job for the pension and a warm office in which to sit out the last five years of their working life. Not Sandro.
He had found the English girl, alive, just about. He'd nailed her abductor. He'd unpicked the terrible truth behind the architect Claudio Gentileschi walking into the river and leaving his wife to go on alone, and he'd gone to his doubters and he'd proved to them that he knew what he was doing. Proving it to himself was still a way off.
And then it had all gone quiet. The floodwaters had receded, winter set in. Christmas came and went and Sandro sat in his quiet office in San Frediano, watching the thin sunlight move from one side of the room to the next and wondering if the phone would ever ring again.
In January, after a month of twiddling his thumbs, he'd forced himself to sign up for a computer course; the rudiments. How to retrieve data, how to tell if a machine has been wiped. It had taught him how little he knew, mostly.
There had been two weeks' work in March, following an elderly baker's young Chilean wife to find out if she was having an affair or not. Not, as it turned out, though she did have a daughter she was keeping secret from him. She'd thought the baker wouldn't marry her if she had a child. Would it all end well? Sandro had no way of knowing; stepfathers, in his professional experience, were not reliably kind to their charges. But that was not his business, once the case was closed.
In April, some protection work for the owner of a small chain of garages in the suburbs, a month of accompanying the man - a crude, arrogant piece of work - around the city collecting earnings, while his regular guard was recuperating from a gunshot wound. Sandro hadn't told Luisa about the gunshot wound.
In June, after a month of twitchy idleness in the crowded city, an Italian-American Trust running a castle in the Maremma had been put on to him by some ancient contact in the British Council. The Trust - an artistic community of some kind - had asked him to do a decidedlypointless bit of background checking on an employee; practically a handout. Was this, he wanted to ask Pietro, as they sat shoulder to shoulder in the friendly, workmanlike bustle of the bar they'd used to go to as working police officers, Pietro's blue cap between them on the table, was this how it was going to be? Fag-ends and vanity work, waiting for those scraps to fall from the rich man's table?
As the engine ticked down in the dark, frosty air, the interior of the car grew cold; Sandro opened the flask he had filled with hot tea. On the top floor of the Bellagamba house a light came on behind the frosted glass of a bathroom window: someone was up.
Another light went on downstairs. Did the mother get up first? Did she pad into the warm kitchen in her dressing-gown to make her husband some coffee? And all over again Sandro was not thinking about the job but about Luisa. His wife, with whom he had not shared breakfast for more than a month. What with one thing and another.
When they'd said goodbye outside the bar, Pietro had taken hold of his shoulders in a quick, fierce hug: not like him at all.
He'd said, 'It's good if you find you've got time on your hands, Sandro. Luisa needs you now.'
Luisa had needed him, when she got ill. Now he wasn't so sure.
People had rallied round. If you'd asked Sandro before Luisa got her diagnosis, he'd have said they had a handful of friends, no more. But when word got around Luisa had been in hospital, men, women and children would be stopping him in the street to ask if they were OK, if they needed anything. Even the taciturn newspaper seller was searching out freebies for them from the back of his kiosk; restaurant guides, maps of Sicily, dog-eared postcards. Luisa had got tired of it quite quickly; she'd just wanted to get back to work, and anything that smelled of charity made her irritable.
After the operation in November fifteen months earlier, Luisa had taken a month off, December, for the chemo, and though they'd continued the course through January and February, by then she'd had enough of sitting at home twiddling her thumbs. She only took the Friday and Saturday off each week: Friday to have the drugs, Saturday to lie down in a darkened room while he fed her dry biscuits andcamomile tea because just lifting her head off the pillow made her throw up. And Sunday to snap at Sandro all morning, although by the evening she'd have softened and become tearful; he wasn't sure which was more difficult to handle.
And Monday she'd be back at work, reliable solid Luisa on the shop floor at Frollini, in the shadow of the Palazzo Vecchio, selling 500-euro shoes to pretty, spoilt women from across the world; unfailingly polite, occasionally generous with her discount, irreducibly proud of her wares. Not so solid as she used to be; the chemo had shaved a few kilos off her, and the surgery had taken one of her breasts and left a foamrubber prosthesis in its place. They'd talked about reconstruction at the hospital, but Luisa's face had turned blank and stubborn at the mention of more surgery, any more time spent in the hospital than was strictly necessary to save her life; the prosthesis would do fine.
There'd been a check-up in late March, an unseasonably hot day out at Careggi, the two of them waiting for an hour and a half in a Portakabin that was serving as a temporary clinic. Sandro had tried to hold his wife's hand but she'd been impatient with him; it was too hot, she'd said. When they'd finally got into the consulting room there'd been a rash close to the scar line that might have been a cause for concern, but it had turned out to be the heat; nothing to worry about. Another check-up in September had been clear; we'll leave it nine months till the next one, they'd said.
Next to that piece of news, of course - the outcome so covertly longed for he still hardly dared believe it - work didn't matter. Shouldn't matter. But Sandro hated not being able to provide; he didn't want Luisa having to worry about money.
In the quiet suburban street - quiet but for that ceaseless hum of drones on their way in to the city - the light was grey still. The sun was no more than a lemon-yellow glow behind the eastern hills, but the sky was clear, only a couple of wispy scraps of cloud to the east, tinged with pink. It was very cold.
Sandro took a slug of his cooling, sugary tea, pulled on his gloves, and rubbed his upper arms vigorously. He felt as though he was in a kind of no man's land, in this anonymous street where it was neitherday nor night. The invisible man. A useful quality in a private detective, perhaps, if not in life.
'Take her away for a break,' Pietro had said.
All year, since the chemo finished, he'd been asking her: fancy a trip up to the Cinque Terre, for Easter? Maybe we could go down to Puglia again, for summer?
'Let's wait till after the next check-up,' it had been to start with, then, 'Not now.' Frollini had stayed open all August, and she wasn't going anywhere. Her boss, smooth old Frollini himself, older than Sandro but in better nick, had told Luisa she was the jewel in his crown.
'We can't afford it,' had been Luisa's weary trump card.
Because you're not earning, are you? Not really. That was what she had not said.
Before this job had got him out of the house by six, Sandro had lain awake every morning thinking what he'd say to her, if he was brave enough.
I don't want you seeing more of your boss than you do of me, he'd say. I want my coffee at home, at the kitchen table with you in your big white dressing-gown fussing about at the stove.
I want it to be like it used to be.
But now it was too late, wasn't it? Sandro always seemed to be one step behind; while he was still working out how to talk to his own wife, things had taken a new turn at Frollini. Luisa was going places, and he was going to be left behind.
And suddenly there was action. Up ahead the girl banged out of her front door, shouting something over her shoulder into the dark house. In a tight plaid bomber jacket, tighter jeans, sheepskin boots and fingerless gloves, she hauled a bright pink Vespa out from under the verandah's overhang, dropped the satchel into a top-box, reached down for a helmet, wheeled the vehicle at a run out into the road and was off.
Sandro's day had begun.
A MURDER IN TUSCANY. Copyright © 2010 by Christobel Kent. All rights reserved. For information, address St. Martin's Press, 175 Fifth Avenue, New York, N.Y. 10010.